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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9586F it is the complementary color #26A790. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9586F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9586F shade: #DE586A, #EF6A7D, #FF7C90, #FF8EA3 and #FFA0B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9586F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9586F shade: #D9586F, #C8465C, #B73449, #A62236 and #951023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9586F shade: #D9586F and #D95858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9586F shade: #D9586F, #D95892, #D958B4, #D958D7 and #B858D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9586F shade matches the following richer shades: #D9586F, #E94865 and #FA375A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9586F shade: #D9586F, #C8697A, #B87984, #A78A8F and #979A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9586F shade: #D958B4, #D95892, #D95870, #D96358 and #D98558

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9586F shade: #B62942, #D13752, #D9586F, #E07A8C and #E89BA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9586F shade: #D9586F, #D7D958 and #58A3D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9586F shade: #D9586F, #70D958 and #5870D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9586F shade: #D9586F, #D7D958, #58D9C1 and #5A58D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9586F shade: #D9586F, #B0D958, #58D9C1 and #8158D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

Complementary color

CMYK 77 / 0 / 14 / 35

HEX #26A790

RGB 38 167 144

HSL 169.3, 0.63%, 0.4%

LAB 61.71, -39.29, 2.19

 

CMYK 0 / 60 / 52 / 13

HEX #DE586A

RGB 222 88 106

HSL 351.94, 0.67%, 0.61%

LAB 55.63, 53.72, 17.37

 

CMYK 0 / 56 / 48 / 6

HEX #EF6A7D

RGB 239 106 125

HSL 351.43, 0.81%, 0.68%

LAB 61.77, 52.88, 15.2

 

CMYK 0 / 51 / 44 / 0

HEX #FF7C90

RGB 255 124 144

HSL 350.84, 1%, 0.74%

LAB 67.79, 51.62, 13.12

 

CMYK 0 / 44 / 36 / 0

HEX #FF8EA3

RGB 255 142 163

HSL 348.85, 1%, 0.78%

LAB 71.72, 44.81, 8.05

 

CMYK 0 / 37 / 29 / 0

HEX #FFA0B6

RGB 255 160 182

HSL 346.11, 1%, 0.81%

LAB 75.93, 37.96, 3.61

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 0 / 65 / 54 / 22

HEX #C8465C

RGB 200 70 92

HSL 349.85, 0.54%, 0.53%

LAB 48.8, 53.15, 15.79

 

CMYK 0 / 72 / 60 / 28

HEX #B73449

RGB 183 52 73

HSL 350.38, 0.56%, 0.46%

LAB 42.77, 53.49, 18.78

 

CMYK 0 / 80 / 67 / 35

HEX #A62236

RGB 166 34 54

HSL 350.91, 0.66%, 0.39%

LAB 36.96, 53.23, 22.51

 

CMYK 0 / 89 / 77 / 42

HEX #951023

RGB 149 16 35

HSL 351.43, 0.81%, 0.32%

LAB 31.54, 51.95, 27.16

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 0 / 59 / 59 / 15

HEX #D95858

RGB 217 88 88

HSL 0, 0.63%, 0.6%

LAB 54.49, 50.65, 26.23

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 0 / 59 / 33 / 15

HEX #D95892

RGB 217 88 146

HSL 333.02, 0.63%, 0.6%

LAB 55.89, 56.16, -5.93

 

CMYK 0 / 59 / 17 / 15

HEX #D958B4

RGB 217 88 180

HSL 317.21, 0.63%, 0.6%

LAB 57.1, 60.67, -23.91

 

CMYK 0 / 59 / 1 / 15

HEX #D958D7

RGB 217 88 215

HSL 300.93, 0.63%, 0.6%

LAB 58.64, 66.16, -41.51

 

CMYK 15 / 59 / 0 / 15

HEX #B858D9

RGB 184 88 217

HSL 284.65, 0.63%, 0.6%

LAB 54.22, 58.37, -49.92

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 0 / 69 / 57 / 9

HEX #E94865

RGB 233 72 101

HSL 349.19, 0.79%, 0.6%

LAB 54.97, 63.32, 19.72

 

CMYK 0 / 78 / 64 / 2

HEX #FA375A

RGB 250 55 90

HSL 349.23, 0.95%, 0.6%

LAB 55.88, 72.92, 28

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 0 / 48 / 39 / 22

HEX #C8697A

RGB 200 105 122

HSL 349.26, 0.46%, 0.6%

LAB 55.87, 39.42, 7.83

 

CMYK 0 / 34 / 28 / 28

HEX #B87984

RGB 184 121 132

HSL 349.52, 0.31%, 0.6%

LAB 57.59, 26.12, 4.19

 

CMYK 0 / 17 / 14 / 35

HEX #A78A8F

RGB 167 138 143

HSL 349.66, 0.14%, 0.6%

LAB 60.23, 11.8, 1.45

 

CMYK 2 / 0 / 0 / 40

HEX #979A9A

RGB 151 154 154

HSL 180, 0.01%, 0.6%

LAB 63.36, -1.08, -0.39

 

CMYK 0 / 59 / 17 / 15

HEX #D958B4

RGB 217 88 180

HSL 317.21, 0.63%, 0.6%

LAB 57.1, 60.67, -23.91

 

CMYK 0 / 59 / 33 / 15

HEX #D95892

RGB 217 88 146

HSL 333.02, 0.63%, 0.6%

LAB 55.89, 56.16, -5.93

 

CMYK 0 / 59 / 48 / 15

HEX #D95870

RGB 217 88 112

HSL 348.84, 0.63%, 0.6%

LAB 54.97, 52.58, 12.79

 

CMYK 0 / 54 / 59 / 15

HEX #D96358

RGB 217 99 88

HSL 5.12, 0.63%, 0.6%

LAB 56.47, 45.48, 28.78

 

CMYK 0 / 39 / 59 / 15

HEX #D98558

RGB 217 133 88

HSL 20.93, 0.63%, 0.6%

LAB 63.53, 27.98, 37.62

 

CMYK 0 / 77 / 64 / 29

HEX #B62942

RGB 182 41 66

HSL 349.36, 0.63%, 0.44%

LAB 41.1, 56.49, 20.9

 

CMYK 0 / 74 / 61 / 18

HEX #D13752

RGB 209 55 82

HSL 349.48, 0.63%, 0.52%

LAB 48.13, 60.89, 21.23

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 0 / 46 / 38 / 12

HEX #E07A8C

RGB 224 122 140

HSL 349.41, 0.62%, 0.68%

LAB 63.06, 41.37, 8.1

 

CMYK 0 / 33 / 27 / 9

HEX #E89BA9

RGB 232 155 169

HSL 349.09, 0.63%, 0.76%

LAB 71.87, 30.62, 4.56

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 1 / 0 / 59 / 15

HEX #D7D958

RGB 215 217 88

HSL 60.93, 0.63%, 0.6%

LAB 84.37, -16.98, 61.57

 

CMYK 59 / 25 / 0 / 15

HEX #58A3D9

RGB 88 163 217

HSL 205.12, 0.63%, 0.6%

LAB 64.39, -7.4, -34.43

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 48 / 0 / 59 / 15

HEX #70D958

RGB 112 217 88

HSL 108.84, 0.63%, 0.6%

LAB 78.33, -54.27, 53.16

 

CMYK 59 / 48 / 0 / 15

HEX #5870D9

RGB 88 112 217

HSL 228.84, 0.63%, 0.6%

LAB 50.3, 22.8, -56.7

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 1 / 0 / 59 / 15

HEX #D7D958

RGB 215 217 88

HSL 60.93, 0.63%, 0.6%

LAB 84.37, -16.98, 61.57

 

CMYK 59 / 0 / 11 / 15

HEX #58D9C1

RGB 88 217 193

HSL 168.84, 0.63%, 0.6%

LAB 79.36, -41.19, 1.22

 

CMYK 59 / 59 / 0 / 15

HEX #5A58D9

RGB 90 88 217

HSL 240.93, 0.63%, 0.6%

LAB 44.47, 37.91, -66.13

 

CMYK 0 / 59 / 49 / 15

HEX #D9586F

RGB 217 88 111

HSL 349.3, 0.63%, 0.6%

LAB 54.95, 52.49, 13.35

 

CMYK 19 / 0 / 59 / 15

HEX #B0D958

RGB 176 217 88

HSL 79.07, 0.63%, 0.6%

LAB 81.6, -32.5, 57.73

 

CMYK 59 / 0 / 11 / 15

HEX #58D9C1

RGB 88 217 193

HSL 168.84, 0.63%, 0.6%

LAB 79.36, -41.19, 1.22

 

CMYK 41 / 59 / 0 / 15

HEX #8158D9

RGB 129 88 217

HSL 259.07, 0.63%, 0.6%

LAB 47.82, 45.54, -60.53

 

Description

Color code: HEX #D9586F | qconv.com Color code: HEX #D9586F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 88 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 88 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 49 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 49% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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