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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D95BB8 it is the complementary color #26A447. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D95BB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D95BB8 shade: #DE5BB3, #EF6DC6, #FF7FD9, #FF91EC and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D95BB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D95BB8 shade: #D95BB8, #C849A5, #B73792, #A6257F and #95136C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D95BB8 shade: #D859B7, #D85995, #D85972 and #D85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D95BB8 shade: #D859B7, #D759D8, #B559D8, #9359D8 and #7059D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D95BB8 shade matches the following richer shades: #D859B7, #E849BE and #F938C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D95BB8 shade: #D859B7, #C76AAF, #B77AA7, #A68B9F and #969B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D95BB8 shade: #B459D8, #D659D8, #D859B8, #D85996 and #D85975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D95BB8 shade: #B52A90, #D038A8, #D859B7, #E07BC5 and #E79CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D95BB8 shade: #D95BB8, #D89259 and #59D8C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D95BB8 shade: #D95BB8, #B8D859 and #59B8D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D95BB8 shade: #D95BB8, #D89259, #59D879 and #599FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D95BB8 shade: #D95BB8, #D8B859, #59D879 and #5979D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 15 / 15

HEX #D95BB8

RGB 217 91 184

HSL 315.71, 0.62%, 0.6%

LAB 57.75, 59.95, -25.22

 

Complementary color

CMYK 77 / 0 / 57 / 36

HEX #26A447

RGB 38 164 71

HSL 135.71, 0.62%, 0.4%

LAB 59.36, -53.35, 38.36

 

CMYK 0 / 59 / 19 / 13

HEX #DE5BB3

RGB 222 91 179

HSL 319.69, 0.66%, 0.61%

LAB 58.29, 60.63, -21.44

 

CMYK 0 / 54 / 17 / 6

HEX #EF6DC6

RGB 239 109 198

HSL 318.92, 0.8%, 0.68%

LAB 64.46, 60.19, -22.63

 

CMYK 0 / 50 / 15 / 0

HEX #FF7FD9

RGB 255 127 217

HSL 317.81, 1%, 0.75%

LAB 70.49, 59.32, -23.83

 

CMYK 0 / 43 / 7 / 0

HEX #FF91EC

RGB 255 145 236

HSL 310.36, 1%, 0.78%

LAB 74.55, 53.59, -28.06

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 58 / 15 / 15

HEX #D95BB8

RGB 217 91 184

HSL 315.71, 0.62%, 0.6%

LAB 57.75, 59.95, -25.22

 

CMYK 0 / 64 / 18 / 22

HEX #C849A5

RGB 200 73 165

HSL 316.54, 0.54%, 0.54%

LAB 51.57, 60.17, -23.91

 

CMYK 0 / 70 / 20 / 28

HEX #B73792

RGB 183 55 146

HSL 317.34, 0.54%, 0.47%

LAB 45.46, 60, -22.25

 

CMYK 0 / 78 / 23 / 35

HEX #A6257F

RGB 166 37 127

HSL 318.14, 0.64%, 0.4%

LAB 39.52, 59.17, -20.07

 

CMYK 0 / 87 / 28 / 42

HEX #95136C

RGB 149 19 108

HSL 318.92, 0.77%, 0.33%

LAB 33.85, 57.31, -17.14

 

CMYK 0 / 59 / 15 / 15

HEX #D859B7

RGB 216 89 183

HSL 315.59, 0.62%, 0.6%

LAB 57.23, 60.4, -25.45

 

CMYK 0 / 59 / 31 / 15

HEX #D85995

RGB 216 89 149

HSL 331.65, 0.62%, 0.6%

LAB 56, 55.77, -7.55

 

CMYK 0 / 59 / 47 / 15

HEX #D85972

RGB 216 89 114

HSL 348.19, 0.62%, 0.6%

LAB 55.03, 51.98, 11.67

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 15 / 15

HEX #D859B7

RGB 216 89 183

HSL 315.59, 0.62%, 0.6%

LAB 57.23, 60.4, -25.45

 

CMYK 0 / 59 / 0 / 15

HEX #D759D8

RGB 215 89 216

HSL 299.53, 0.62%, 0.6%

LAB 58.56, 65.41, -42.22

 

CMYK 16 / 59 / 0 / 15

HEX #B559D8

RGB 181 89 216

HSL 283.46, 0.62%, 0.6%

LAB 53.95, 56.96, -49.81

 

CMYK 32 / 59 / 0 / 15

HEX #9359D8

RGB 147 89 216

HSL 267.4, 0.62%, 0.6%

LAB 49.86, 48.79, -56.57

 

CMYK 48 / 59 / 0 / 15

HEX #7059D8

RGB 112 89 216

HSL 250.87, 0.62%, 0.6%

LAB 46.37, 41.13, -62.38

 

CMYK 0 / 59 / 15 / 15

HEX #D859B7

RGB 216 89 183

HSL 315.59, 0.62%, 0.6%

LAB 57.23, 60.4, -25.45

 

CMYK 0 / 69 / 18 / 9

HEX #E849BE

RGB 232 73 190

HSL 315.85, 0.78%, 0.6%

LAB 57.69, 71.93, -28.56

 

CMYK 0 / 78 / 20 / 2

HEX #F938C6

RGB 249 56 198

HSL 315.85, 0.94%, 0.6%

LAB 59.02, 82.09, -30.88

 

CMYK 0 / 59 / 15 / 15

HEX #D859B7

RGB 216 89 183

HSL 315.59, 0.62%, 0.6%

LAB 57.23, 60.4, -25.45

 

CMYK 0 / 47 / 12 / 22

HEX #C76AAF

RGB 199 106 175

HSL 315.48, 0.45%, 0.6%

LAB 57.6, 45.99, -20.48

 

CMYK 0 / 33 / 9 / 28

HEX #B77AA7

RGB 183 122 167

HSL 315.74, 0.3%, 0.6%

LAB 58.77, 30.79, -14.29

 

CMYK 0 / 16 / 4 / 35

HEX #A68B9F

RGB 166 139 159

HSL 315.56, 0.13%, 0.6%

LAB 60.85, 13.73, -6.78

 

CMYK 3 / 0 / 3 / 39

HEX #969B97

RGB 150 155 151

HSL 132, 0.02%, 0.6%

LAB 63.48, -2.57, 1.46

 

CMYK 17 / 59 / 0 / 15

HEX #B459D8

RGB 180 89 216

HSL 282.99, 0.62%, 0.6%

LAB 53.82, 56.71, -50.02

 

CMYK 1 / 59 / 0 / 15

HEX #D659D8

RGB 214 89 216

HSL 299.06, 0.62%, 0.6%

LAB 58.41, 65.16, -42.45

 

CMYK 0 / 59 / 15 / 15

HEX #D859B8

RGB 216 89 184

HSL 315.12, 0.62%, 0.6%

LAB 57.27, 60.55, -25.96

 

CMYK 0 / 59 / 31 / 15

HEX #D85996

RGB 216 89 150

HSL 331.18, 0.62%, 0.6%

LAB 56.03, 55.89, -8.09

 

CMYK 0 / 59 / 46 / 15

HEX #D85975

RGB 216 89 117

HSL 346.77, 0.62%, 0.6%

LAB 55.1, 52.26, 10

 

CMYK 0 / 77 / 20 / 29

HEX #B52A90

RGB 181 42 144

HSL 315.97, 0.62%, 0.44%

LAB 43.5, 63.55, -24.11

 

CMYK 0 / 73 / 19 / 18

HEX #D038A8

RGB 208 56 168

HSL 315.79, 0.62%, 0.52%

LAB 50.76, 68.87, -26.81

 

CMYK 0 / 59 / 15 / 15

HEX #D859B7

RGB 216 89 183

HSL 315.59, 0.62%, 0.6%

LAB 57.23, 60.4, -25.45

 

CMYK 0 / 45 / 12 / 12

HEX #E07BC5

RGB 224 123 197

HSL 316.04, 0.62%, 0.68%

LAB 65, 48.77, -21.41

 

CMYK 0 / 32 / 8 / 9

HEX #E79CD4

RGB 231 156 212

HSL 315.2, 0.61%, 0.76%

LAB 73.23, 36.35, -17.17

 

CMYK 0 / 58 / 15 / 15

HEX #D95BB8

RGB 217 91 184

HSL 315.71, 0.62%, 0.6%

LAB 57.75, 59.95, -25.22

 

CMYK 0 / 32 / 59 / 15

HEX #D89259

RGB 216 146 89

HSL 26.93, 0.62%, 0.6%

LAB 66.43, 20.66, 40.58

 

CMYK 59 / 0 / 9 / 15

HEX #59D8C5

RGB 89 216 197

HSL 171.02, 0.62%, 0.6%

LAB 79.19, -39.56, -1.15

 

CMYK 0 / 58 / 15 / 15

HEX #D95BB8

RGB 217 91 184

HSL 315.71, 0.62%, 0.6%

LAB 57.75, 59.95, -25.22

 

CMYK 15 / 0 / 59 / 15

HEX #B8D859

RGB 184 216 89

HSL 75.12, 0.62%, 0.6%

LAB 81.85, -28.85, 57.72

 

CMYK 59 / 15 / 0 / 15

HEX #59B8D8

RGB 89 184 216

HSL 195.12, 0.62%, 0.6%

LAB 70.43, -18.81, -24.56

 

CMYK 0 / 58 / 15 / 15

HEX #D95BB8

RGB 217 91 184

HSL 315.71, 0.62%, 0.6%

LAB 57.75, 59.95, -25.22

 

CMYK 0 / 32 / 59 / 15

HEX #D89259

RGB 216 146 89

HSL 26.93, 0.62%, 0.6%

LAB 66.43, 20.66, 40.58

 

CMYK 59 / 0 / 44 / 15

HEX #59D879

RGB 89 216 121

HSL 135.12, 0.62%, 0.6%

LAB 77.65, -55.36, 36.51

 

CMYK 59 / 26 / 0 / 15

HEX #599FD8

RGB 89 159 216

HSL 206.93, 0.62%, 0.6%

LAB 63.24, -5.29, -35.66

 

CMYK 0 / 58 / 15 / 15

HEX #D95BB8

RGB 217 91 184

HSL 315.71, 0.62%, 0.6%

LAB 57.75, 59.95, -25.22

 

CMYK 0 / 15 / 59 / 15

HEX #D8B859

RGB 216 184 89

HSL 44.88, 0.62%, 0.6%

LAB 75.82, 0.33, 51.62

 

CMYK 59 / 0 / 44 / 15

HEX #59D879

RGB 89 216 121

HSL 135.12, 0.62%, 0.6%

LAB 77.65, -55.36, 36.51

 

CMYK 59 / 44 / 0 / 15

HEX #5979D8

RGB 89 121 216

HSL 224.88, 0.62%, 0.6%

LAB 52.68, 17.12, -52.32

 

Description

Color code: HEX #D95BB8 | qconv.com Color code: HEX #D95BB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 91 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 91 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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