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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D968B3 it is the complementary color #26974C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D968B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D968B3 shade: #DE68AE, #EF7AC1, #FF8CD4, #FF9EE7 and #FFB0FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D968B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D968B3 shade: #D968B3, #C856A0, #B7448D, #A6327A and #952067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D968B3 shade: #D968B3, #D96894, #D96876 and #D96868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D968B3 shade: #D968B3, #D968D1, #C268D9, #A368D9 and #8568D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D968B3 shade matches the following richer shades: #D968B3, #E858B8 and #F749BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D968B3 shade: #D968B3, #C977AE, #BA86A9, #AB95A4 and #9CA59F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D968B3 shade: #C268D9, #D968D1, #D968B3, #D96895 and #D96877

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D968B3 shade: #BF2F8E, #D147A2, #D968B3, #E189C3 and #E9AAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D968B3 shade: #D968B3, #D9A468 and #68D9D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D968B3 shade: #D968B3, #B3D968 and #68B3D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D968B3 shade: #D968B3, #D9A468, #68D98D and #689CD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D968B3 shade: #D968B3, #D9C668, #68D98D and #687AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

Complementary color

CMYK 75 / 0 / 50 / 41

HEX #26974C

RGB 38 151 76

HSL 140.18, 0.6%, 0.37%

LAB 55.14, -47.91, 30.66

 

CMYK 0 / 53 / 22 / 13

HEX #DE68AE

RGB 222 104 174

HSL 324.41, 0.64%, 0.64%

LAB 60.33, 54, -15.47

 

CMYK 0 / 49 / 19 / 6

HEX #EF7AC1

RGB 239 122 193

HSL 323.59, 0.79%, 0.71%

LAB 66.61, 53.33, -16.53

 

CMYK 0 / 45 / 17 / 0

HEX #FF8CD4

RGB 255 140 212

HSL 322.43, 1%, 0.77%

LAB 72.74, 52.3, -17.65

 

CMYK 0 / 38 / 9 / 0

HEX #FF9EE7

RGB 255 158 231

HSL 314.85, 1%, 0.81%

LAB 76.97, 46.22, -21.64

 

CMYK 0 / 31 / 2 / 0

HEX #FFB0FA

RGB 255 176 250

HSL 303.8, 1%, 0.85%

LAB 81.41, 40.15, -25.14

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 57 / 20 / 22

HEX #C856A0

RGB 200 86 160

HSL 321.05, 0.51%, 0.56%

LAB 53.46, 53.75, -18.07

 

CMYK 0 / 63 / 23 / 28

HEX #B7448D

RGB 183 68 141

HSL 321.91, 0.46%, 0.49%

LAB 47.14, 54.1, -16.67

 

CMYK 0 / 70 / 27 / 35

HEX #A6327A

RGB 166 50 122

HSL 322.76, 0.54%, 0.42%

LAB 40.89, 54.07, -14.88

 

CMYK 0 / 79 / 31 / 42

HEX #952067

RGB 149 32 103

HSL 323.59, 0.65%, 0.35%

LAB 34.81, 53.35, -12.49

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 52 / 32 / 15

HEX #D96894

RGB 217 104 148

HSL 336.64, 0.6%, 0.63%

LAB 58.78, 48.94, -2.84

 

CMYK 0 / 52 / 46 / 15

HEX #D96876

RGB 217 104 118

HSL 352.57, 0.6%, 0.63%

LAB 58, 45.58, 13.5

 

CMYK 0 / 52 / 52 / 15

HEX #D96868

RGB 217 104 104

HSL 0, 0.6%, 0.63%

LAB 57.71, 44.28, 21.22

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 52 / 4 / 15

HEX #D968D1

RGB 217 104 209

HSL 304.25, 0.6%, 0.63%

LAB 61.01, 57.99, -34.41

 

CMYK 11 / 52 / 0 / 15

HEX #C268D9

RGB 194 104 217

HSL 287.79, 0.6%, 0.63%

LAB 58.4, 53.16, -43.22

 

CMYK 25 / 52 / 0 / 15

HEX #A368D9

RGB 163 104 217

HSL 271.33, 0.6%, 0.63%

LAB 54.76, 44.93, -49.22

 

CMYK 39 / 52 / 0 / 15

HEX #8568D9

RGB 133 104 217

HSL 255.4, 0.6%, 0.63%

LAB 51.72, 37.38, -54.24

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 62 / 21 / 9

HEX #E858B8

RGB 232 88 184

HSL 320, 0.76%, 0.63%

LAB 59.52, 65.38, -22.3

 

CMYK 0 / 70 / 23 / 3

HEX #F749BD

RGB 247 73 189

HSL 320, 0.92%, 0.63%

LAB 60.08, 75.49, -24.11

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 41 / 13 / 21

HEX #C977AE

RGB 201 119 174

HSL 319.76, 0.43%, 0.63%

LAB 60.49, 39.7, -15.49

 

CMYK 0 / 28 / 9 / 27

HEX #BA86A9

RGB 186 134 169

HSL 319.62, 0.27%, 0.63%

LAB 61.96, 25.52, -10.6

 

CMYK 0 / 13 / 4 / 33

HEX #AB95A4

RGB 171 149 164

HSL 319.09, 0.12%, 0.63%

LAB 64.03, 10.84, -4.85

 

CMYK 5 / 0 / 4 / 35

HEX #9CA59F

RGB 156 165 159

HSL 140, 0.05%, 0.63%

LAB 66.89, -4.35, 2

 

CMYK 11 / 52 / 0 / 15

HEX #C268D9

RGB 194 104 217

HSL 287.79, 0.6%, 0.63%

LAB 58.4, 53.16, -43.22

 

CMYK 0 / 52 / 4 / 15

HEX #D968D1

RGB 217 104 209

HSL 304.25, 0.6%, 0.63%

LAB 61.01, 57.99, -34.41

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 52 / 31 / 15

HEX #D96895

RGB 217 104 149

HSL 336.11, 0.6%, 0.63%

LAB 58.81, 49.06, -3.37

 

CMYK 0 / 52 / 45 / 15

HEX #D96877

RGB 217 104 119

HSL 352.04, 0.6%, 0.63%

LAB 58.02, 45.68, 12.95

 

CMYK 0 / 75 / 26 / 25

HEX #BF2F8E

RGB 191 47 142

HSL 320.42, 0.61%, 0.47%

LAB 45.72, 64.21, -19.32

 

CMYK 0 / 66 / 22 / 18

HEX #D147A2

RGB 209 71 162

HSL 320.43, 0.6%, 0.55%

LAB 52.59, 62.99, -20.46

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 39 / 13 / 12

HEX #E189C3

RGB 225 137 195

HSL 320.45, 0.59%, 0.71%

LAB 67.9, 41.57, -15.87

 

CMYK 0 / 27 / 9 / 9

HEX #E9AAD4

RGB 233 170 212

HSL 320, 0.59%, 0.79%

LAB 76.57, 29.57, -12.13

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 24 / 52 / 15

HEX #D9A468

RGB 217 164 104

HSL 31.86, 0.6%, 0.63%

LAB 71.08, 12.59, 38.53

 

CMYK 52 / 0 / 4 / 15

HEX #68D9D1

RGB 104 217 209

HSL 175.75, 0.6%, 0.63%

LAB 80.28, -34.05, -5.91

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 18 / 0 / 52 / 15

HEX #B3D968

RGB 179 217 104

HSL 80.18, 0.6%, 0.63%

LAB 81.95, -29.92, 50.99

 

CMYK 52 / 18 / 0 / 15

HEX #68B3D9

RGB 104 179 217

HSL 200.18, 0.6%, 0.63%

LAB 69.61, -12.83, -26.32

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 24 / 52 / 15

HEX #D9A468

RGB 217 164 104

HSL 31.86, 0.6%, 0.63%

LAB 71.08, 12.59, 38.53

 

CMYK 52 / 0 / 35 / 15

HEX #68D98D

RGB 104 217 141

HSL 139.65, 0.6%, 0.63%

LAB 78.75, -48.89, 27.86

 

CMYK 52 / 28 / 0 / 15

HEX #689CD9

RGB 104 156 217

HSL 212.39, 0.6%, 0.63%

LAB 63.12, -0.14, -36.35

 

CMYK 0 / 52 / 18 / 15

HEX #D968B3

RGB 217 104 179

HSL 320.18, 0.6%, 0.63%

LAB 59.8, 53.19, -19.19

 

CMYK 0 / 9 / 52 / 15

HEX #D9C668

RGB 217 198 104

HSL 49.91, 0.6%, 0.63%

LAB 79.69, -5.35, 49.02

 

CMYK 52 / 0 / 35 / 15

HEX #68D98D

RGB 104 217 141

HSL 139.65, 0.6%, 0.63%

LAB 78.75, -48.89, 27.86

 

CMYK 52 / 44 / 0 / 15

HEX #687AD9

RGB 104 122 217

HSL 230.44, 0.6%, 0.63%

LAB 53.89, 19.93, -50.9

 

Description

Color code: HEX #D968B3 | qconv.com Color code: HEX #D968B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 104 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 104 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 18% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

63% - 旅美人|自然派ビューティケア商品オンライ...
Link: http://www.tabibijin.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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