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Color name
HEX #D962A7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D962A7 it is the complementary color #269D58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D962A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D962A7 shade: #DE62A2, #EF74B5, #FF86C8, #FF98DB and #FFAAEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D962A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D962A7 shade: #D962A7, #C85094, #B73E81, #A62C6E and #951A5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D962A7 shade: #D962A7, #D96287, #D96267 and #D96262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D962A7 shade: #D962A7, #D962C7, #CB62D9, #AB62D9 and #8B62D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D962A7 shade matches the following richer shades: #D962A7, #E853AA and #F843AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D962A7 shade: #D962A7, #C972A5, #B982A2, #AA92A0 and #9AA19D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D962A7 shade: #CB62D9, #D962C7, #D962A7, #D96288 and #D96268

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D962A7 shade: #BC2D80, #D14194, #D962A7, #E184BA and #E9A5CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D962A7 shade: #D962A7, #D9AB62 and #62D7D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D962A7 shade: #D962A7, #A7D962 and #62A7D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D962A7 shade: #D962A7, #D9AB62, #62D994 and #6290D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D962A7 shade: #D962A7, #D9CF62, #62D994 and #626CD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

Complementary color

CMYK 76 / 0 / 44 / 38

HEX #269D58

RGB 38 157 88

HSL 145.21, 0.61%, 0.38%

LAB 57.3, -48.06, 27.06

 

CMYK 0 / 56 / 27 / 13

HEX #DE62A2

RGB 222 98 162

HSL 329.03, 0.65%, 0.63%

LAB 58.86, 55.17, -10.76

 

CMYK 0 / 51 / 24 / 6

HEX #EF74B5

RGB 239 116 181

HSL 328.29, 0.79%, 0.7%

LAB 65.1, 54.53, -12.03

 

CMYK 0 / 47 / 22 / 0

HEX #FF86C8

RGB 255 134 200

HSL 327.27, 1%, 0.76%

LAB 71.2, 53.51, -13.32

 

CMYK 0 / 40 / 14 / 0

HEX #FF98DB

RGB 255 152 219

HSL 320.97, 1%, 0.8%

LAB 75.35, 47.36, -17.56

 

CMYK 0 / 33 / 7 / 0

HEX #FFAAEE

RGB 255 170 238

HSL 312, 1%, 0.83%

LAB 79.72, 41.2, -21.26

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 60 / 26 / 22

HEX #C85094

RGB 200 80 148

HSL 326, 0.52%, 0.55%

LAB 52.01, 54.8, -13.2

 

CMYK 0 / 66 / 30 / 28

HEX #B73E81

RGB 183 62 129

HSL 326.78, 0.49%, 0.48%

LAB 45.77, 55.03, -11.49

 

CMYK 0 / 73 / 34 / 35

HEX #A62C6E

RGB 166 44 110

HSL 327.54, 0.58%, 0.41%

LAB 39.64, 54.78, -9.3

 

CMYK 0 / 83 / 39 / 42

HEX #951A5B

RGB 149 26 91

HSL 328.29, 0.7%, 0.34%

LAB 33.74, 53.7, -6.38

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 55 / 38 / 15

HEX #D96287

RGB 217 98 135

HSL 341.34, 0.61%, 0.62%

LAB 57.3, 50.28, 2.59

 

CMYK 0 / 55 / 53 / 15

HEX #D96267

RGB 217 98 103

HSL 357.48, 0.61%, 0.62%

LAB 56.55, 47.12, 20.24

 

CMYK 0 / 55 / 55 / 15

HEX #D96262

RGB 217 98 98

HSL 0, 0.61%, 0.62%

LAB 56.46, 46.71, 23.01

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 55 / 8 / 15

HEX #D962C7

RGB 217 98 199

HSL 309.08, 0.61%, 0.62%

LAB 59.54, 59.12, -31.03

 

CMYK 6 / 55 / 0 / 15

HEX #CB62D9

RGB 203 98 217

HSL 292.94, 0.61%, 0.62%

LAB 58.45, 58.46, -43.05

 

CMYK 21 / 55 / 0 / 15

HEX #AB62D9

RGB 171 98 217

HSL 276.81, 0.61%, 0.62%

LAB 54.45, 50.17, -49.65

 

CMYK 36 / 55 / 0 / 15

HEX #8B62D9

RGB 139 98 217

HSL 260.67, 0.61%, 0.62%

LAB 50.96, 42.24, -55.43

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 64 / 27 / 9

HEX #E853AA

RGB 232 83 170

HSL 324.97, 0.76%, 0.62%

LAB 58.27, 65.57, -16.14

 

CMYK 0 / 73 / 31 / 3

HEX #F843AC

RGB 248 67 172

HSL 325.19, 0.93%, 0.62%

LAB 58.93, 75.66, -16.05

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 43 / 18 / 21

HEX #C972A5

RGB 201 114 165

HSL 324.83, 0.45%, 0.62%

LAB 59.13, 40.9, -12.38

 

CMYK 0 / 30 / 12 / 27

HEX #B982A2

RGB 185 130 162

HSL 325.09, 0.28%, 0.62%

LAB 60.68, 26.18, -8.52

 

CMYK 0 / 14 / 6 / 33

HEX #AA92A0

RGB 170 146 160

HSL 325, 0.12%, 0.62%

LAB 63.05, 11.42, -4.05

 

CMYK 4 / 0 / 2 / 37

HEX #9AA19D

RGB 154 161 157

HSL 145.71, 0.04%, 0.62%

LAB 65.59, -3.27, 1.21

 

CMYK 6 / 55 / 0 / 15

HEX #CB62D9

RGB 203 98 217

HSL 292.94, 0.61%, 0.62%

LAB 58.45, 58.46, -43.05

 

CMYK 0 / 55 / 8 / 15

HEX #D962C7

RGB 217 98 199

HSL 309.08, 0.61%, 0.62%

LAB 59.54, 59.12, -31.03

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 55 / 37 / 15

HEX #D96288

RGB 217 98 136

HSL 340.84, 0.61%, 0.62%

LAB 57.33, 50.39, 2.04

 

CMYK 0 / 55 / 52 / 15

HEX #D96268

RGB 217 98 104

HSL 356.97, 0.61%, 0.62%

LAB 56.57, 47.21, 19.69

 

CMYK 0 / 76 / 32 / 26

HEX #BC2D80

RGB 188 45 128

HSL 325.17, 0.61%, 0.46%

LAB 44.41, 62.39, -12.84

 

CMYK 0 / 69 / 29 / 18

HEX #D14194

RGB 209 65 148

HSL 325.42, 0.61%, 0.54%

LAB 51.24, 63.48, -14.23

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 41 / 17 / 12

HEX #E184BA

RGB 225 132 186

HSL 325.16, 0.61%, 0.7%

LAB 66.56, 42.76, -12.85

 

CMYK 0 / 29 / 12 / 9

HEX #E9A5CC

RGB 233 165 204

HSL 325.59, 0.61%, 0.78%

LAB 75.2, 30.9, -9.82

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 21 / 55 / 15

HEX #D9AB62

RGB 217 171 98

HSL 36.81, 0.61%, 0.62%

LAB 72.73, 8.33, 43.62

 

CMYK 55 / 1 / 0 / 15

HEX #62D7D9

RGB 98 215 217

HSL 181.01, 0.61%, 0.62%

LAB 79.73, -32.22, -11.01

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 23 / 0 / 55 / 15

HEX #A7D962

RGB 167 217 98

HSL 85.21, 0.61%, 0.62%

LAB 81.14, -35, 52.62

 

CMYK 55 / 23 / 0 / 15

HEX #62A7D9

RGB 98 167 217

HSL 205.21, 0.61%, 0.62%

LAB 65.94, -7.61, -31.99

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 21 / 55 / 15

HEX #D9AB62

RGB 217 171 98

HSL 36.81, 0.61%, 0.62%

LAB 72.73, 8.33, 43.62

 

CMYK 55 / 0 / 32 / 15

HEX #62D994

RGB 98 217 148

HSL 145.21, 0.61%, 0.62%

LAB 78.67, -49.02, 24.1

 

CMYK 55 / 34 / 0 / 15

HEX #6290D9

RGB 98 144 217

HSL 216.81, 0.61%, 0.62%

LAB 59.48, 5.48, -42.07

 

CMYK 0 / 55 / 23 / 15

HEX #D962A7

RGB 217 98 167

HSL 325.21, 0.61%, 0.62%

LAB 58.3, 54.31, -14.57

 

CMYK 0 / 5 / 55 / 15

HEX #D9CF62

RGB 217 207 98

HSL 54.96, 0.61%, 0.62%

LAB 81.98, -10.44, 54.51

 

CMYK 55 / 0 / 32 / 15

HEX #62D994

RGB 98 217 148

HSL 145.21, 0.61%, 0.62%

LAB 78.67, -49.02, 24.1

 

CMYK 55 / 50 / 0 / 15

HEX #626CD9

RGB 98 108 217

HSL 234.96, 0.61%, 0.62%

LAB 49.9, 27.2, -57.32

 

Description

Color code: HEX #D962A7 | qconv.com Color code: HEX #D962A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 98 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 98 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 23% 15% C M Y K

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Provide designers and agencies with accurate color values.

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