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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D96BBA it is the complementary color #269445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D96BBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D96BBA shade: #DE6BB5, #EF7DC8, #FF8FDB, #FFA1EE and #FFB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D96BBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D96BBA shade: #D96BBA, #C859A7, #B74794, #A63581 and #95236E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D96BBA shade: #D96DBA, #D96D9D, #D96D80 and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D96BBA shade: #D96DBA, #D96DD8, #BD6DD9, #A06DD9 and #836DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D96BBA shade matches the following richer shades: #D96DBA, #E85EC1 and #F74FC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D96BBA shade: #D96DBA, #CA7BB4, #BB8AAD, #AC99A7 and #9DA8A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D96BBA shade: #BC6DD9, #D96DD9, #D96DBC, #D96D9F and #D96D82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D96BBA shade: #C13199, #D04CAB, #D96DBA, #E18DCA and #EAAED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D96BBA shade: #D96BBA, #D99F6D and #6DD9CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D96BBA shade: #D96BBA, #BCD96D and #6DBCD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D96BBA shade: #D96BBA, #D99F6D, #6DD989 and #6DA6D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D96BBA shade: #D96BBA, #D9C06D, #6DD989 and #6D86D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 14 / 15

HEX #D96BBA

RGB 217 107 186

HSL 316.91, 0.59%, 0.64%

LAB 60.62, 52.81, -21.96

 

Complementary color

CMYK 74 / 0 / 53 / 42

HEX #269445

RGB 38 148 69

HSL 136.91, 0.59%, 0.36%

LAB 54.05, -47.92, 32.94

 

CMYK 0 / 52 / 18 / 13

HEX #DE6BB5

RGB 222 107 181

HSL 321.39, 0.64%, 0.65%

LAB 61.12, 53.58, -18.28

 

CMYK 0 / 48 / 16 / 6

HEX #EF7DC8

RGB 239 125 200

HSL 320.53, 0.78%, 0.71%

LAB 67.42, 52.9, -19.24

 

CMYK 0 / 44 / 14 / 0

HEX #FF8FDB

RGB 255 143 219

HSL 319.29, 1%, 0.78%

LAB 73.56, 51.87, -20.26

 

CMYK 0 / 37 / 7 / 0

HEX #FFA1EE

RGB 255 161 238

HSL 310.85, 1%, 0.82%

LAB 77.83, 45.84, -24.13

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 51 / 14 / 15

HEX #D96BBA

RGB 217 107 186

HSL 316.91, 0.59%, 0.64%

LAB 60.62, 52.81, -21.96

 

CMYK 0 / 56 / 17 / 22

HEX #C859A7

RGB 200 89 167

HSL 317.84, 0.5%, 0.57%

LAB 54.25, 53.39, -20.95

 

CMYK 0 / 61 / 19 / 28

HEX #B74794

RGB 183 71 148

HSL 318.75, 0.44%, 0.5%

LAB 47.89, 53.79, -19.71

 

CMYK 0 / 68 / 22 / 35

HEX #A63581

RGB 166 53 129

HSL 319.65, 0.52%, 0.43%

LAB 41.59, 53.84, -18.11

 

CMYK 0 / 77 / 26 / 42

HEX #95236E

RGB 149 35 110

HSL 320.53, 0.62%, 0.36%

LAB 35.43, 53.28, -15.98

 

CMYK 0 / 50 / 14 / 15

HEX #D96DBA

RGB 217 109 186

HSL 317.22, 0.59%, 0.64%

LAB 60.99, 51.83, -21.39

 

CMYK 0 / 50 / 28 / 15

HEX #D96D9D

RGB 217 109 157

HSL 333.33, 0.59%, 0.64%

LAB 60, 47.64, -6.24

 

CMYK 0 / 50 / 41 / 15

HEX #D96D80

RGB 217 109 128

HSL 349.44, 0.59%, 0.64%

LAB 59.2, 44.13, 9.39

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 50 / 14 / 15

HEX #D96DBA

RGB 217 109 186

HSL 317.22, 0.59%, 0.64%

LAB 60.99, 51.83, -21.39

 

CMYK 0 / 50 / 0 / 15

HEX #D96DD8

RGB 217 109 216

HSL 300.56, 0.59%, 0.64%

LAB 62.21, 56.82, -36.47

 

CMYK 13 / 50 / 0 / 15

HEX #BD6DD9

RGB 189 109 217

HSL 284.44, 0.59%, 0.64%

LAB 58.76, 49.25, -42.7

 

CMYK 26 / 50 / 0 / 15

HEX #A06DD9

RGB 160 109 217

HSL 268.33, 0.59%, 0.64%

LAB 55.5, 41.4, -48.05

 

CMYK 40 / 50 / 0 / 15

HEX #836DD9

RGB 131 109 217

HSL 252.22, 0.59%, 0.64%

LAB 52.7, 33.99, -52.69

 

CMYK 0 / 50 / 14 / 15

HEX #D96DBA

RGB 217 109 186

HSL 317.22, 0.59%, 0.64%

LAB 60.99, 51.83, -21.39

 

CMYK 0 / 59 / 17 / 9

HEX #E85EC1

RGB 232 94 193

HSL 316.96, 0.75%, 0.64%

LAB 60.79, 64.13, -25.5

 

CMYK 0 / 68 / 19 / 3

HEX #F74FC7

RGB 247 79 199

HSL 317.14, 0.91%, 0.64%

LAB 61.21, 74.72, -28.08

 

CMYK 0 / 50 / 14 / 15

HEX #D96DBA

RGB 217 109 186

HSL 317.22, 0.59%, 0.64%

LAB 60.99, 51.83, -21.39

 

CMYK 0 / 39 / 11 / 21

HEX #CA7BB4

RGB 202 123 180

HSL 316.71, 0.43%, 0.64%

LAB 61.67, 38.9, -17.11

 

CMYK 0 / 26 / 7 / 27

HEX #BB8AAD

RGB 187 138 173

HSL 317.14, 0.26%, 0.64%

LAB 63.14, 24.36, -11.08

 

CMYK 0 / 11 / 3 / 33

HEX #AC99A7

RGB 172 153 167

HSL 315.79, 0.1%, 0.64%

LAB 65.23, 9.53, -4.74

 

CMYK 7 / 0 / 5 / 34

HEX #9DA8A0

RGB 157 168 160

HSL 136.36, 0.06%, 0.64%

LAB 67.81, -5.43, 2.79

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD9

RGB 188 109 217

HSL 283.89, 0.59%, 0.64%

LAB 58.64, 48.98, -42.89

 

CMYK 0 / 50 / 0 / 15

HEX #D96DD9

RGB 217 109 217

HSL 300, 0.59%, 0.64%

LAB 62.25, 56.99, -36.96

 

CMYK 0 / 50 / 13 / 15

HEX #D96DBC

RGB 217 109 188

HSL 316.11, 0.59%, 0.64%

LAB 61.06, 52.15, -22.42

 

CMYK 0 / 50 / 27 / 15

HEX #D96D9F

RGB 217 109 159

HSL 332.22, 0.59%, 0.64%

LAB 60.06, 47.91, -7.3

 

CMYK 0 / 50 / 40 / 15

HEX #D96D82

RGB 217 109 130

HSL 348.33, 0.59%, 0.64%

LAB 59.25, 44.35, 8.3

 

CMYK 0 / 75 / 21 / 24

HEX #C13199

RGB 193 49 153

HSL 316.67, 0.6%, 0.47%

LAB 46.76, 65.49, -24.32

 

CMYK 0 / 63 / 18 / 18

HEX #D04CAB

RGB 208 76 171

HSL 316.82, 0.58%, 0.56%

LAB 53.51, 61.96, -24.32

 

CMYK 0 / 50 / 14 / 15

HEX #D96DBA

RGB 217 109 186

HSL 317.22, 0.59%, 0.64%

LAB 60.99, 51.83, -21.39

 

CMYK 0 / 37 / 10 / 12

HEX #E18DCA

RGB 225 141 202

HSL 316.43, 0.58%, 0.72%

LAB 68.98, 40.62, -18.14

 

CMYK 0 / 26 / 7 / 8

HEX #EAAED9

RGB 234 174 217

HSL 317, 0.59%, 0.8%

LAB 77.74, 28.62, -13.09

 

CMYK 0 / 51 / 14 / 15

HEX #D96BBA

RGB 217 107 186

HSL 316.91, 0.59%, 0.64%

LAB 60.62, 52.81, -21.96

 

CMYK 0 / 27 / 50 / 15

HEX #D99F6D

RGB 217 159 109

HSL 27.78, 0.59%, 0.64%

LAB 69.93, 15.73, 34.45

 

CMYK 50 / 0 / 7 / 15

HEX #6DD9CA

RGB 109 217 202

HSL 171.67, 0.59%, 0.64%

LAB 80.26, -34.74, -2.18

 

CMYK 0 / 51 / 14 / 15

HEX #D96BBA

RGB 217 107 186

HSL 316.91, 0.59%, 0.64%

LAB 60.62, 52.81, -21.96

 

CMYK 13 / 0 / 50 / 15

HEX #BCD96D

RGB 188 217 109

HSL 76.11, 0.59%, 0.64%

LAB 82.6, -25.99, 49.57

 

CMYK 50 / 13 / 0 / 15

HEX #6DBCD9

RGB 109 188 217

HSL 196.11, 0.59%, 0.64%

LAB 72.38, -16.48, -22.06

 

CMYK 0 / 51 / 14 / 15

HEX #D96BBA

RGB 217 107 186

HSL 316.91, 0.59%, 0.64%

LAB 60.62, 52.81, -21.96

 

CMYK 0 / 27 / 50 / 15

HEX #D99F6D

RGB 217 159 109

HSL 27.78, 0.59%, 0.64%

LAB 69.93, 15.73, 34.45

 

CMYK 50 / 0 / 37 / 15

HEX #6DD989

RGB 109 217 137

HSL 135.56, 0.59%, 0.64%

LAB 78.86, -48.34, 30.1

 

CMYK 50 / 24 / 0 / 15

HEX #6DA6D9

RGB 109 166 217

HSL 208.33, 0.59%, 0.64%

LAB 66.16, -4.63, -31.61

 

CMYK 0 / 51 / 14 / 15

HEX #D96BBA

RGB 217 107 186

HSL 316.91, 0.59%, 0.64%

LAB 60.62, 52.81, -21.96

 

CMYK 0 / 12 / 50 / 15

HEX #D9C06D

RGB 217 192 109

HSL 46.11, 0.59%, 0.64%

LAB 78.2, -1.81, 44.78

 

CMYK 50 / 0 / 37 / 15

HEX #6DD989

RGB 109 217 137

HSL 135.56, 0.59%, 0.64%

LAB 78.86, -48.34, 30.1

 

CMYK 50 / 38 / 0 / 15

HEX #6D86D9

RGB 109 134 217

HSL 226.11, 0.59%, 0.64%

LAB 57.38, 13.84, -45.35

 

Description

Color code: HEX #D96BBA | qconv.com Color code: HEX #D96BBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 107 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 107 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 14 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 14% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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