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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D96BE8 it is the complementary color #269417. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D96BE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D96BE8 shade: #DE6BE3, #EF7DF6, #FF8FFF, #FFA1FF and #FFB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D96BE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D96BE8 shade: #D96BE8, #C859D5, #B747C2, #A635AF and #95239C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D96BE8 shade: #D869E7, #E769D4, #E769B2, #E76990 and #E7696E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D96BE8 shade: #D869E7, #B669E7, #9469E7, #7169E7 and #6969E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D96BE8 shade matches the following richer shades: #D869E7 and #E35AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D96BE8 shade: #D869E7, #CD77D9, #C385CB, #B893BD and #ADA1AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D96BE8 shade: #9369E7, #B469E7, #D669E7, #E769D6 and #E769B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D96BE8 shade: #C522DB, #CF45E2, #D869E7, #E18CED and #EAB0F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D96BE8 shade: #D96BE8, #E77169 and #69E7A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D96BE8 shade: #D96BE8, #E7D669 and #69E7D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D96BE8 shade: #D96BE8, #E77169, #79E769 and #69DFE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D96BE8 shade: #D96BE8, #E79769, #79E769 and #69B9E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 54 / 0 / 9

HEX #D96BE8

RGB 217 107 232

HSL 292.8, 0.73%, 0.66%

LAB 62.59, 60.65, -44.82

 

Complementary color

CMYK 74 / 0 / 84 / 42

HEX #269417

RGB 38 148 23

HSL 112.8, 0.73%, 0.34%

LAB 53.66, -52.63, 51.56

 

CMYK 2 / 53 / 0 / 11

HEX #DE6BE3

RGB 222 107 227

HSL 297.5, 0.68%, 0.65%

LAB 63, 61.06, -41.33

 

CMYK 3 / 49 / 0 / 4

HEX #EF7DF6

RGB 239 125 246

HSL 296.53, 0.87%, 0.73%

LAB 69.24, 60.49, -41.92

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 6 / 54 / 0 / 9

HEX #D96BE8

RGB 217 107 232

HSL 292.8, 0.73%, 0.66%

LAB 62.59, 60.65, -44.82

 

CMYK 6 / 58 / 0 / 16

HEX #C859D5

RGB 200 89 213

HSL 293.71, 0.6%, 0.59%

LAB 56.32, 61.11, -44.19

 

CMYK 6 / 63 / 0 / 24

HEX #B747C2

RGB 183 71 194

HSL 294.63, 0.5%, 0.52%

LAB 50.06, 61.34, -43.37

 

CMYK 5 / 70 / 0 / 31

HEX #A635AF

RGB 166 53 175

HSL 295.57, 0.54%, 0.45%

LAB 43.87, 61.17, -42.26

 

CMYK 4 / 78 / 0 / 39

HEX #95239C

RGB 149 35 156

HSL 296.53, 0.63%, 0.37%

LAB 37.83, 60.32, -40.69

 

CMYK 6 / 55 / 0 / 9

HEX #D869E7

RGB 216 105 231

HSL 292.86, 0.72%, 0.66%

LAB 62.06, 61.14, -45.1

 

CMYK 0 / 55 / 8 / 9

HEX #E769D4

RGB 231 105 212

HSL 309.05, 0.72%, 0.66%

LAB 63.22, 61.89, -32.52

 

CMYK 0 / 55 / 23 / 9

HEX #E769B2

RGB 231 105 178

HSL 325.24, 0.72%, 0.66%

LAB 61.92, 56.83, -15.23

 

CMYK 0 / 55 / 38 / 9

HEX #E76990

RGB 231 105 144

HSL 341.43, 0.72%, 0.66%

LAB 60.87, 52.6, 2.79

 

CMYK 0 / 55 / 52 / 9

HEX #E7696E

RGB 231 105 110

HSL 357.62, 0.72%, 0.66%

LAB 60.09, 49.29, 21.32

 

CMYK 6 / 55 / 0 / 9

HEX #D869E7

RGB 216 105 231

HSL 292.86, 0.72%, 0.66%

LAB 62.06, 61.14, -45.1

 

CMYK 21 / 55 / 0 / 9

HEX #B669E7

RGB 182 105 231

HSL 276.67, 0.72%, 0.66%

LAB 57.86, 52.43, -52.02

 

CMYK 36 / 55 / 0 / 9

HEX #9469E7

RGB 148 105 231

HSL 260.48, 0.72%, 0.66%

LAB 54.21, 44.09, -58.07

 

CMYK 51 / 55 / 0 / 9

HEX #7169E7

RGB 113 105 231

HSL 243.81, 0.72%, 0.66%

LAB 51.13, 36.39, -63.18

 

CMYK 55 / 55 / 0 / 9

HEX #6969E7

RGB 105 105 231

HSL 240, 0.72%, 0.66%

LAB 50.54, 34.82, -64.16

 

CMYK 6 / 55 / 0 / 9

HEX #D869E7

RGB 216 105 231

HSL 292.86, 0.72%, 0.66%

LAB 62.06, 61.14, -45.1

 

CMYK 7 / 63 / 0 / 4

HEX #E35AF5

RGB 227 90 245

HSL 293.03, 0.89%, 0.66%

LAB 61.86, 72.87, -53.11

 

CMYK 6 / 55 / 0 / 9

HEX #D869E7

RGB 216 105 231

HSL 292.86, 0.72%, 0.66%

LAB 62.06, 61.14, -45.1

 

CMYK 6 / 45 / 0 / 15

HEX #CD77D9

RGB 205 119 217

HSL 292.65, 0.56%, 0.66%

LAB 62.66, 48.6, -36.44

 

CMYK 4 / 34 / 0 / 20

HEX #C385CB

RGB 195 133 203

HSL 293.14, 0.4%, 0.66%

LAB 63.91, 35.41, -26.75

 

CMYK 3 / 22 / 0 / 26

HEX #B893BD

RGB 184 147 189

HSL 292.86, 0.24%, 0.66%

LAB 65.54, 21.3, -16.52

 

CMYK 1 / 8 / 0 / 31

HEX #ADA1AF

RGB 173 161 175

HSL 291.43, 0.08%, 0.66%

LAB 67.63, 6.96, -5.67

 

CMYK 36 / 55 / 0 / 9

HEX #9369E7

RGB 147 105 231

HSL 260, 0.72%, 0.66%

LAB 54.11, 43.86, -58.23

 

CMYK 22 / 55 / 0 / 9

HEX #B469E7

RGB 180 105 231

HSL 275.71, 0.72%, 0.66%

LAB 57.63, 51.92, -52.4

 

CMYK 7 / 55 / 0 / 9

HEX #D669E7

RGB 214 105 231

HSL 291.9, 0.72%, 0.66%

LAB 61.8, 60.62, -45.53

 

CMYK 0 / 55 / 7 / 9

HEX #E769D6

RGB 231 105 214

HSL 308.1, 0.72%, 0.66%

LAB 63.3, 62.21, -33.51

 

CMYK 0 / 55 / 22 / 9

HEX #E769B4

RGB 231 105 180

HSL 324.29, 0.72%, 0.66%

LAB 61.99, 57.11, -16.27

 

CMYK 10 / 84 / 0 / 14

HEX #C522DB

RGB 197 34 219

HSL 292.86, 0.73%, 0.5%

LAB 49.65, 80.06, -58.26

 

CMYK 8 / 69 / 0 / 11

HEX #CF45E2

RGB 207 69 226

HSL 292.74, 0.73%, 0.58%

LAB 55.09, 73.19, -53.44

 

CMYK 6 / 55 / 0 / 9

HEX #D869E7

RGB 216 105 231

HSL 292.86, 0.72%, 0.66%

LAB 62.06, 61.14, -45.1

 

CMYK 5 / 41 / 0 / 7

HEX #E18CED

RGB 225 140 237

HSL 292.58, 0.73%, 0.74%

LAB 70.09, 47.38, -35.78

 

CMYK 3 / 27 / 0 / 5

HEX #EAB0F2

RGB 234 176 242

HSL 292.73, 0.72%, 0.82%

LAB 79.01, 32.06, -24.68

 

CMYK 6 / 54 / 0 / 9

HEX #D96BE8

RGB 217 107 232

HSL 292.8, 0.73%, 0.66%

LAB 62.59, 60.65, -44.82

 

CMYK 0 / 51 / 55 / 9

HEX #E77169

RGB 231 113 105

HSL 3.81, 0.72%, 0.66%

LAB 61.5, 45, 26.05

 

CMYK 55 / 0 / 29 / 9

HEX #69E7A4

RGB 105 231 164

HSL 148.1, 0.72%, 0.66%

LAB 83.36, -50.15, 22.23

 

CMYK 6 / 54 / 0 / 9

HEX #D96BE8

RGB 217 107 232

HSL 292.8, 0.73%, 0.66%

LAB 62.59, 60.65, -44.82

 

CMYK 0 / 7 / 55 / 9

HEX #E7D669

RGB 231 214 105

HSL 51.9, 0.72%, 0.66%

LAB 85.05, -7.71, 55.14

 

CMYK 55 / 0 / 7 / 9

HEX #69E7D6

RGB 105 231 214

HSL 171.9, 0.72%, 0.66%

LAB 84.49, -39.05, -2.36

 

CMYK 6 / 54 / 0 / 9

HEX #D96BE8

RGB 217 107 232

HSL 292.8, 0.73%, 0.66%

LAB 62.59, 60.65, -44.82

 

CMYK 0 / 51 / 55 / 9

HEX #E77169

RGB 231 113 105

HSL 3.81, 0.72%, 0.66%

LAB 61.5, 45, 26.05

 

CMYK 48 / 0 / 55 / 9

HEX #79E769

RGB 121 231 105

HSL 112.38, 0.72%, 0.66%

LAB 83.04, -55.31, 51.09

 

CMYK 55 / 3 / 0 / 9

HEX #69DFE7

RGB 105 223 231

HSL 183.81, 0.72%, 0.66%

LAB 82.67, -30.94, -14.05

 

CMYK 6 / 54 / 0 / 9

HEX #D96BE8

RGB 217 107 232

HSL 292.8, 0.73%, 0.66%

LAB 62.59, 60.65, -44.82

 

CMYK 0 / 35 / 55 / 9

HEX #E79769

RGB 231 151 105

HSL 21.9, 0.72%, 0.66%

LAB 69.57, 25.34, 36.45

 

CMYK 48 / 0 / 55 / 9

HEX #79E769

RGB 121 231 105

HSL 112.38, 0.72%, 0.66%

LAB 83.04, -55.31, 51.09

 

CMYK 55 / 20 / 0 / 9

HEX #69B9E7

RGB 105 185 231

HSL 201.9, 0.72%, 0.66%

LAB 71.87, -11.72, -30.46

 

Description

Color code: HEX #D96BE8 | qconv.com Color code: HEX #D96BE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 107 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 107 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 54 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 54% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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