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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D96DA1 it is the complementary color #26925E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D96DA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D96DA1 shade: #DE6D9C, #EF7FAF, #FF91C2, #FFA3D5 and #FFB5E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D96DA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D96DA1 shade: #D96DA1, #C85B8E, #B7497B, #A63768 and #952555

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D96DA1 shade: #D96DA1, #D96D83 and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D96DA1 shade: #D96DA1, #D96DBE, #D76DD9, #B96DD9 and #9C6DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D96DA1 shade matches the following richer shades: #D96DA1, #E85EA0 and #F74FA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D96DA1 shade: #D96DA1, #CA7BA1, #BB8AA2, #AC99A2 and #9DA8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D96DA1 shade: #D76DD9, #D96DBE, #D96DA1, #D96D84 and #D9726D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D96DA1 shade: #C13177, #D04C8C, #D96DA1, #E18DB6 and #EAAECB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D96DA1 shade: #D96DA1, #D9BA6D and #6DCCD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D96DA1 shade: #D96DA1, #A1D96D and #6DA1D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D96DA1 shade: #D96DA1, #D9BA6D, #6DD9A5 and #6D8BD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D96DA1 shade: #D96DA1, #D7D96D, #6DD9A5 and #6E6DD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

Complementary color

CMYK 74 / 0 / 36 / 43

HEX #26925E

RGB 38 146 94

HSL 151.11, 0.59%, 0.36%

LAB 53.79, -42.56, 19.14

 

CMYK 0 / 51 / 30 / 13

HEX #DE6D9C

RGB 222 109 156

HSL 335.04, 0.63%, 0.65%

LAB 60.66, 49.16, -4.6

 

CMYK 0 / 47 / 27 / 6

HEX #EF7FAF

RGB 239 127 175

HSL 334.29, 0.78%, 0.72%

LAB 66.99, 48.36, -5.82

 

CMYK 0 / 43 / 24 / 0

HEX #FF91C2

RGB 255 145 194

HSL 333.27, 1%, 0.78%

LAB 73.16, 47.23, -7.07

 

CMYK 0 / 36 / 16 / 0

HEX #FFA3D5

RGB 255 163 213

HSL 327.39, 1%, 0.82%

LAB 77.44, 40.8, -11.14

 

CMYK 0 / 29 / 9 / 0

HEX #FFB5E8

RGB 255 181 232

HSL 318.65, 1%, 0.85%

LAB 81.91, 34.46, -14.72

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 55 / 29 / 22

HEX #C85B8E

RGB 200 91 142

HSL 331.93, 0.5%, 0.57%

LAB 53.72, 48.9, -7.08

 

CMYK 0 / 60 / 33 / 28

HEX #B7497B

RGB 183 73 123

HSL 332.73, 0.43%, 0.5%

LAB 47.32, 49.5, -5.53

 

CMYK 0 / 67 / 37 / 35

HEX #A63768

RGB 166 55 104

HSL 333.51, 0.5%, 0.43%

LAB 40.96, 49.84, -3.57

 

CMYK 0 / 75 / 43 / 42

HEX #952555

RGB 149 37 85

HSL 334.29, 0.6%, 0.36%

LAB 34.74, 49.66, -1.02

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 50 / 40 / 15

HEX #D96D83

RGB 217 109 131

HSL 347.78, 0.59%, 0.64%

LAB 59.28, 44.46, 7.75

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 50 / 12 / 15

HEX #D96DBE

RGB 217 109 190

HSL 315, 0.59%, 0.64%

LAB 61.14, 52.46, -23.44

 

CMYK 1 / 50 / 0 / 15

HEX #D76DD9

RGB 215 109 217

HSL 298.89, 0.59%, 0.64%

LAB 61.99, 56.44, -37.39

 

CMYK 15 / 50 / 0 / 15

HEX #B96DD9

RGB 185 109 217

HSL 282.22, 0.59%, 0.64%

LAB 58.28, 48.15, -43.47

 

CMYK 28 / 50 / 0 / 15

HEX #9C6DD9

RGB 156 109 217

HSL 266.11, 0.59%, 0.64%

LAB 55.09, 40.34, -48.74

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 59 / 31 / 9

HEX #E85EA0

RGB 232 94 160

HSL 331.3, 0.75%, 0.64%

LAB 59.62, 59.76, -8.31

 

CMYK 0 / 68 / 35 / 3

HEX #F74FA0

RGB 247 79 160

HSL 331.07, 0.91%, 0.64%

LAB 59.8, 70.05, -7.78

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 39 / 20 / 21

HEX #CA7BA1

RGB 202 123 161

HSL 331.14, 0.43%, 0.64%

LAB 61.04, 35.86, -7.21

 

CMYK 0 / 26 / 13 / 27

HEX #BB8AA2

RGB 187 138 162

HSL 330.61, 0.26%, 0.64%

LAB 62.8, 22.44, -5.35

 

CMYK 0 / 11 / 6 / 33

HEX #AC99A2

RGB 172 153 162

HSL 331.58, 0.1%, 0.64%

LAB 65.09, 8.6, -2.15

 

CMYK 7 / 0 / 3 / 34

HEX #9DA8A3

RGB 157 168 163

HSL 152.73, 0.06%, 0.64%

LAB 67.89, -4.85, 1.24

 

CMYK 1 / 50 / 0 / 15

HEX #D76DD9

RGB 215 109 217

HSL 298.89, 0.59%, 0.64%

LAB 61.99, 56.44, -37.39

 

CMYK 0 / 50 / 12 / 15

HEX #D96DBE

RGB 217 109 190

HSL 315, 0.59%, 0.64%

LAB 61.14, 52.46, -23.44

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 50 / 39 / 15

HEX #D96D84

RGB 217 109 132

HSL 347.22, 0.59%, 0.64%

LAB 59.3, 44.57, 7.21

 

CMYK 0 / 47 / 50 / 15

HEX #D9726D

RGB 217 114 109

HSL 2.78, 0.59%, 0.64%

LAB 59.79, 39.69, 21.15

 

CMYK 0 / 75 / 38 / 24

HEX #C13177

RGB 193 49 119

HSL 330.83, 0.6%, 0.47%

LAB 45.45, 61.44, -5.68

 

CMYK 0 / 63 / 33 / 18

HEX #D04C8C

RGB 208 76 140

HSL 330.91, 0.58%, 0.56%

LAB 52.37, 57.91, -7.79

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 37 / 19 / 12

HEX #E18DB6

RGB 225 141 182

HSL 330.71, 0.58%, 0.72%

LAB 68.34, 37.44, -7.95

 

CMYK 0 / 26 / 13 / 8

HEX #EAAECB

RGB 234 174 203

HSL 331, 0.59%, 0.8%

LAB 77.33, 26.28, -6.1

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 14 / 50 / 15

HEX #D9BA6D

RGB 217 186 109

HSL 42.78, 0.59%, 0.64%

LAB 76.66, 1.33, 42.89

 

CMYK 50 / 6 / 0 / 15

HEX #6DCCD9

RGB 109 204 217

HSL 187.22, 0.59%, 0.64%

LAB 76.95, -24.63, -15.14

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 26 / 0 / 50 / 15

HEX #A1D96D

RGB 161 217 109

HSL 91.11, 0.59%, 0.64%

LAB 80.91, -36.06, 47.13

 

CMYK 50 / 26 / 0 / 15

HEX #6DA1D9

RGB 109 161 217

HSL 211.11, 0.59%, 0.64%

LAB 64.76, -1.83, -33.77

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 0 / 14 / 50 / 15

HEX #D9BA6D

RGB 217 186 109

HSL 42.78, 0.59%, 0.64%

LAB 76.66, 1.33, 42.89

 

CMYK 50 / 0 / 24 / 15

HEX #6DD9A5

RGB 109 217 165

HSL 151.11, 0.59%, 0.64%

LAB 79.38, -43.07, 16.22

 

CMYK 50 / 36 / 0 / 15

HEX #6D8BD9

RGB 109 139 217

HSL 223.33, 0.59%, 0.64%

LAB 58.72, 10.88, -43.23

 

CMYK 0 / 50 / 26 / 15

HEX #D96DA1

RGB 217 109 161

HSL 331.11, 0.59%, 0.64%

LAB 60.12, 48.18, -8.36

 

CMYK 1 / 0 / 50 / 15

HEX #D7D96D

RGB 215 217 109

HSL 61.11, 0.59%, 0.64%

LAB 84.57, -15.35, 52.39

 

CMYK 50 / 0 / 24 / 15

HEX #6DD9A5

RGB 109 217 165

HSL 151.11, 0.59%, 0.64%

LAB 79.38, -43.07, 16.22

 

CMYK 49 / 50 / 0 / 15

HEX #6E6DD9

RGB 110 109 217

HSL 240.56, 0.59%, 0.64%

LAB 50.99, 29.12, -55.51

 

Description

Color code: HEX #D96DA1 | qconv.com Color code: HEX #D96DA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 109 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 109 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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