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Color name
HEX #D9741A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9741A it is the complementary color #268BE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9741A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9741A shade: #DE7415, #EF8628, #FF983B, #FFAA4E and #FFBC61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9741A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9741A shade: #D9741A, #C86207, #B75000, #A63E00 and #952C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9741A shade: #DB7419, #DB4019 and #DB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9741A shade: #DB7419, #DBA819, #D9DB19, #A4DB19 and #70DB19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9741A shade matches the following richer shades: #DB7419 and #EE7305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9741A shade: #DB7419, #C7752D, #B37741, #9F7855 and #8B7968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9741A shade: #DB1926, #DB4019, #DB7319, #DBA719 and #DBDB19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9741A shade: #914D11, #B66115, #DB7419, #E78936 and #EB9F5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9741A shade: #D9741A, #5ADB19 and #2619DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9741A shade: #D9741A, #19DB73 and #7319DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9741A shade: #D9741A, #5ADB19, #1980DB and #9A19DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9741A shade: #D9741A, #20DB19, #1980DB and #D419DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 88 / 15

HEX #D9741A

RGB 217 116 26

HSL 28.27, 0.79%, 0.48%

LAB 59.27, 34.12, 61.12

 

Complementary color

CMYK 83 / 39 / 0 / 10

HEX #268BE5

RGB 38 139 229

HSL 208.27, 0.79%, 0.52%

LAB 56.62, 3.78, -53.43

 

CMYK 0 / 48 / 91 / 13

HEX #DE7415

RGB 222 116 21

HSL 28.36, 0.83%, 0.48%

LAB 59.96, 36.05, 63.36

 

CMYK 0 / 44 / 83 / 6

HEX #EF8628

RGB 239 134 40

HSL 28.34, 0.86%, 0.55%

LAB 66.18, 34.05, 63.42

 

CMYK 0 / 40 / 77 / 0

HEX #FF983B

RGB 255 152 59

HSL 28.47, 1%, 0.62%

LAB 72.25, 31.82, 62.43

 

CMYK 0 / 33 / 69 / 0

HEX #FFAA4E

RGB 255 170 78

HSL 31.19, 1%, 0.65%

LAB 76.41, 23.3, 58.47

 

CMYK 0 / 26 / 62 / 0

HEX #FFBC61

RGB 255 188 97

HSL 34.56, 1%, 0.69%

LAB 80.79, 14.99, 54.56

 

CMYK 0 / 47 / 88 / 15

HEX #D9741A

RGB 217 116 26

HSL 28.27, 0.79%, 0.48%

LAB 59.27, 34.12, 61.12

 

CMYK 0 / 51 / 97 / 22

HEX #C86207

RGB 200 98 7

HSL 28.29, 0.93%, 0.41%

LAB 52.98, 36.25, 60.1

 

CMYK 0 / 56 / 100 / 28

HEX #B75000

RGB 183 80 0

HSL 26.23, 1%, 0.36%

LAB 46.72, 38.5, 56.53

 

CMYK 0 / 63 / 100 / 35

HEX #A63E00

RGB 166 62 0

HSL 22.41, 1%, 0.33%

LAB 40.5, 40.65, 51.58

 

CMYK 0 / 70 / 100 / 42

HEX #952C00

RGB 149 44 0

HSL 17.72, 1%, 0.29%

LAB 34.38, 42.41, 46.68

 

CMYK 0 / 47 / 89 / 14

HEX #DB7419

RGB 219 116 25

HSL 28.14, 0.8%, 0.48%

LAB 59.54, 34.91, 61.76

 

CMYK 0 / 71 / 89 / 14

HEX #DB4019

RGB 219 64 25

HSL 12.06, 0.8%, 0.48%

LAB 50.45, 58.58, 54.82

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 47 / 89 / 14

HEX #DB7419

RGB 219 116 25

HSL 28.14, 0.8%, 0.48%

LAB 59.54, 34.91, 61.76

 

CMYK 0 / 23 / 89 / 14

HEX #DBA819

RGB 219 168 25

HSL 44.23, 0.8%, 0.48%

LAB 71.65, 7.21, 71.15

 

CMYK 1 / 0 / 89 / 14

HEX #D9DB19

RGB 217 219 25

HSL 60.62, 0.8%, 0.48%

LAB 84.73, -19.77, 81.36

 

CMYK 25 / 0 / 89 / 14

HEX #A4DB19

RGB 164 219 25

HSL 77.01, 0.8%, 0.48%

LAB 81.09, -41.24, 76.9

 

CMYK 49 / 0 / 89 / 14

HEX #70DB19

RGB 112 219 25

HSL 93.09, 0.8%, 0.48%

LAB 78.57, -59.09, 73.78

 

CMYK 0 / 47 / 89 / 14

HEX #DB7419

RGB 219 116 25

HSL 28.14, 0.8%, 0.48%

LAB 59.54, 34.91, 61.76

 

CMYK 0 / 52 / 98 / 7

HEX #EE7305

RGB 238 115 5

HSL 28.33, 0.96%, 0.48%

LAB 62.04, 42.69, 68.98

 

CMYK 0 / 47 / 89 / 14

HEX #DB7419

RGB 219 116 25

HSL 28.14, 0.8%, 0.48%

LAB 59.54, 34.91, 61.76

 

CMYK 0 / 41 / 77 / 22

HEX #C7752D

RGB 199 117 45

HSL 28.05, 0.63%, 0.48%

LAB 57.13, 26.69, 51.19

 

CMYK 0 / 34 / 64 / 30

HEX #B37741

RGB 179 119 65

HSL 28.42, 0.47%, 0.48%

LAB 55.24, 18.11, 38.73

 

CMYK 0 / 25 / 47 / 38

HEX #9F7855

RGB 159 120 85

HSL 28.38, 0.3%, 0.48%

LAB 53.45, 10.66, 25.08

 

CMYK 0 / 13 / 25 / 45

HEX #8B7968

RGB 139 121 104

HSL 29.14, 0.14%, 0.48%

LAB 52.02, 4.12, 11.88

 

CMYK 0 / 89 / 83 / 14

HEX #DB1926

RGB 219 25 38

HSL 355.98, 0.8%, 0.48%

LAB 46.84, 69.25, 45.82

 

CMYK 0 / 71 / 89 / 14

HEX #DB4019

RGB 219 64 25

HSL 12.06, 0.8%, 0.48%

LAB 50.45, 58.58, 54.82

 

CMYK 0 / 47 / 89 / 14

HEX #DB7319

RGB 219 115 25

HSL 27.84, 0.8%, 0.48%

LAB 59.34, 35.43, 61.6

 

CMYK 0 / 24 / 89 / 14

HEX #DBA719

RGB 219 167 25

HSL 43.92, 0.8%, 0.48%

LAB 71.4, 7.74, 70.96

 

CMYK 0 / 0 / 89 / 14

HEX #DBDB19

RGB 219 219 25

HSL 60, 0.8%, 0.48%

LAB 84.89, -18.93, 81.56

 

CMYK 0 / 47 / 88 / 43

HEX #914D11

RGB 145 77 17

HSL 28.13, 0.79%, 0.32%

LAB 40.19, 24.53, 44.43

 

CMYK 0 / 47 / 88 / 29

HEX #B66115

RGB 182 97 21

HSL 28.32, 0.79%, 0.4%

LAB 50.15, 29.56, 53.38

 

CMYK 0 / 47 / 89 / 14

HEX #DB7419

RGB 219 116 25

HSL 28.14, 0.8%, 0.48%

LAB 59.54, 34.91, 61.76

 

CMYK 0 / 41 / 77 / 9

HEX #E78936

RGB 231 137 54

HSL 28.14, 0.79%, 0.56%

LAB 65.86, 29.69, 57.27

 

CMYK 0 / 32 / 61 / 8

HEX #EB9F5B

RGB 235 159 91

HSL 28.33, 0.78%, 0.64%

LAB 71.7, 21.66, 46.38

 

CMYK 0 / 47 / 88 / 15

HEX #D9741A

RGB 217 116 26

HSL 28.27, 0.79%, 0.48%

LAB 59.27, 34.12, 61.12

 

CMYK 59 / 0 / 89 / 14

HEX #5ADB19

RGB 90 219 25

HSL 99.9, 0.8%, 0.48%

LAB 77.82, -65.01, 72.85

 

CMYK 83 / 89 / 0 / 14

HEX #2619DB

RGB 38 25 219

HSL 244.02, 0.8%, 0.48%

LAB 29.97, 65.51, -91.27

 

CMYK 0 / 47 / 88 / 15

HEX #D9741A

RGB 217 116 26

HSL 28.27, 0.79%, 0.48%

LAB 59.27, 34.12, 61.12

 

CMYK 89 / 0 / 47 / 14

HEX #19DB73

RGB 25 219 115

HSL 147.84, 0.8%, 0.48%

LAB 77.35, -66.41, 38.87

 

CMYK 47 / 89 / 0 / 14

HEX #7319DB

RGB 115 25 219

HSL 267.84, 0.8%, 0.48%

LAB 36.85, 70.62, -79.66

 

CMYK 0 / 47 / 88 / 15

HEX #D9741A

RGB 217 116 26

HSL 28.27, 0.79%, 0.48%

LAB 59.27, 34.12, 61.12

 

CMYK 59 / 0 / 89 / 14

HEX #5ADB19

RGB 90 219 25

HSL 99.9, 0.8%, 0.48%

LAB 77.82, -65.01, 72.85

 

CMYK 89 / 42 / 0 / 14

HEX #1980DB

RGB 25 128 219

HSL 208.14, 0.8%, 0.48%

LAB 52.69, 5.76, -54.13

 

CMYK 30 / 89 / 0 / 14

HEX #9A19DB

RGB 154 25 219

HSL 279.9, 0.8%, 0.48%

LAB 42.28, 75.29, -70.54

 

CMYK 0 / 47 / 88 / 15

HEX #D9741A

RGB 217 116 26

HSL 28.27, 0.79%, 0.48%

LAB 59.27, 34.12, 61.12

 

CMYK 85 / 0 / 89 / 14

HEX #20DB19

RGB 32 219 25

HSL 117.84, 0.8%, 0.48%

LAB 76.7, -74.58, 71.45

 

CMYK 89 / 42 / 0 / 14

HEX #1980DB

RGB 25 128 219

HSL 208.14, 0.8%, 0.48%

LAB 52.69, 5.76, -54.13

 

CMYK 3 / 89 / 0 / 14

HEX #D419DB

RGB 212 25 219

HSL 297.84, 0.8%, 0.48%

LAB 51.62, 84.13, -54.97

 

Description

Color code: HEX #D9741A | qconv.com Color code: HEX #D9741A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 116 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 116 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 88% 15% C M Y K

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