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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D97EF0 it is the complementary color #26810F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D97EF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D97EF0 shade: #DE7EEB, #EF90FE, #FFA2FF, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D97EF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D97EF0 shade: #D97EF0, #C86CDD, #B75ACA, #A648B7 and #9536A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D97EF0 shade: #D97FF0, #F07FE8, #F07FC9, #F07FAB and #F07F8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D97EF0 shade: #D97FF0, #BA7FF0, #9C7FF0 and #7F7FF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D97EF0 shade matches the following richer shades: #D97FF0 and #E073FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D97EF0 shade: #D97FF0, #D28AE4, #CB96D8, #C4A1CD and #BDADC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D97EF0 shade: #9B7FF0, #B97FF0, #D77FF0, #F07FEA and #F07FCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D97EF0 shade: #C335E7, #CE5AEB, #D97FF0, #E4A4F4 and #EFC9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D97EF0 shade: #D97EF0, #F07F81 and #7FF0AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D97EF0 shade: #D97EF0, #F0D77F and #7FF0D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D97EF0 shade: #D97EF0, #F07F81, #97F07F and #7FF0EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D97EF0 shade: #D97EF0, #F09F7F, #97F07F and #7FD0F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 48 / 0 / 6

HEX #D97EF0

RGB 217 126 240

HSL 287.89, 0.79%, 0.72%

LAB 66.49, 52.85, -43.11

 

Complementary color

CMYK 71 / 0 / 88 / 49

HEX #26810F

RGB 38 129 15

HSL 107.89, 0.79%, 0.28%

LAB 47.17, -46.63, 47.78

 

CMYK 6 / 46 / 0 / 8

HEX #DE7EEB

RGB 222 126 235

HSL 292.84, 0.73%, 0.71%

LAB 66.86, 53.29, -39.73

 

CMYK 6 / 43 / 0 / 0

HEX #EF90FE

RGB 239 144 254

HSL 291.82, 0.98%, 0.78%

LAB 73.19, 52.57, -40.11

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 10 / 48 / 0 / 6

HEX #D97EF0

RGB 217 126 240

HSL 287.89, 0.79%, 0.72%

LAB 66.49, 52.85, -43.11

 

CMYK 10 / 51 / 0 / 13

HEX #C86CDD

RGB 200 108 221

HSL 288.85, 0.62%, 0.65%

LAB 60.09, 53.56, -42.75

 

CMYK 9 / 55 / 0 / 21

HEX #B75ACA

RGB 183 90 202

HSL 289.82, 0.51%, 0.57%

LAB 53.65, 54.19, -42.3

 

CMYK 9 / 61 / 0 / 28

HEX #A648B7

RGB 166 72 183

HSL 290.81, 0.44%, 0.5%

LAB 47.18, 54.67, -41.69

 

CMYK 9 / 67 / 0 / 36

HEX #9536A4

RGB 149 54 164

HSL 291.82, 0.5%, 0.43%

LAB 40.75, 54.83, -40.84

 

CMYK 10 / 47 / 0 / 6

HEX #D97FF0

RGB 217 127 240

HSL 287.79, 0.79%, 0.72%

LAB 66.69, 52.34, -42.8

 

CMYK 0 / 47 / 3 / 6

HEX #F07FE8

RGB 240 127 232

HSL 304.25, 0.79%, 0.72%

LAB 69.13, 57.36, -34.37

 

CMYK 0 / 47 / 16 / 6

HEX #F07FC9

RGB 240 127 201

HSL 320.71, 0.79%, 0.72%

LAB 67.96, 52.38, -18.96

 

CMYK 0 / 47 / 29 / 6

HEX #F07FAB

RGB 240 127 171

HSL 336.64, 0.79%, 0.72%

LAB 67.01, 48.17, -3.52

 

CMYK 0 / 47 / 41 / 6

HEX #F07F8D

RGB 240 127 141

HSL 352.57, 0.79%, 0.72%

LAB 66.23, 44.63, 12.33

 

CMYK 10 / 47 / 0 / 6

HEX #D97FF0

RGB 217 127 240

HSL 287.79, 0.79%, 0.72%

LAB 66.69, 52.34, -42.8

 

CMYK 23 / 47 / 0 / 6

HEX #BA7FF0

RGB 186 127 240

HSL 271.33, 0.79%, 0.72%

LAB 63.27, 43.85, -48.42

 

CMYK 35 / 47 / 0 / 6

HEX #9C7FF0

RGB 156 127 240

HSL 255.4, 0.79%, 0.72%

LAB 60.37, 35.99, -53.2

 

CMYK 47 / 47 / 0 / 6

HEX #7F7FF0

RGB 127 127 240

HSL 240, 0.79%, 0.72%

LAB 58.02, 29.04, -57.08

 

CMYK 10 / 47 / 0 / 6

HEX #D97FF0

RGB 217 127 240

HSL 287.79, 0.79%, 0.72%

LAB 66.69, 52.34, -42.8

 

CMYK 11 / 54 / 0 / 2

HEX #E073FB

RGB 224 115 251

HSL 288.09, 0.94%, 0.72%

LAB 65.81, 62.23, -50.18

 

CMYK 10 / 47 / 0 / 6

HEX #D97FF0

RGB 217 127 240

HSL 287.79, 0.79%, 0.72%

LAB 66.69, 52.34, -42.8

 

CMYK 8 / 39 / 0 / 11

HEX #D28AE4

RGB 210 138 228

HSL 288, 0.63%, 0.72%

LAB 67.64, 42.24, -34.77

 

CMYK 6 / 31 / 0 / 15

HEX #CB96D8

RGB 203 150 216

HSL 288.18, 0.46%, 0.72%

LAB 69.09, 31.22, -25.96

 

CMYK 4 / 21 / 0 / 20

HEX #C4A1CD

RGB 196 161 205

HSL 287.73, 0.31%, 0.72%

LAB 70.62, 20.71, -17.62

 

CMYK 2 / 10 / 0 / 24

HEX #BDADC1

RGB 189 173 193

HSL 288, 0.14%, 0.72%

LAB 72.6, 9.4, -8.1

 

CMYK 35 / 47 / 0 / 6

HEX #9B7FF0

RGB 155 127 240

HSL 254.87, 0.79%, 0.72%

LAB 60.28, 35.73, -53.34

 

CMYK 23 / 47 / 0 / 6

HEX #B97FF0

RGB 185 127 240

HSL 270.8, 0.79%, 0.72%

LAB 63.16, 43.58, -48.59

 

CMYK 10 / 47 / 0 / 6

HEX #D77FF0

RGB 215 127 240

HSL 286.73, 0.79%, 0.72%

LAB 66.46, 51.79, -43.18

 

CMYK 0 / 47 / 3 / 6

HEX #F07FEA

RGB 240 127 234

HSL 303.19, 0.79%, 0.72%

LAB 69.22, 57.7, -35.35

 

CMYK 0 / 47 / 15 / 6

HEX #F07FCC

RGB 240 127 204

HSL 319.12, 0.79%, 0.72%

LAB 68.07, 52.84, -20.47

 

CMYK 16 / 77 / 0 / 9

HEX #C335E7

RGB 195 53 231

HSL 287.87, 0.79%, 0.56%

LAB 51.74, 77, -61.72

 

CMYK 12 / 62 / 0 / 8

HEX #CE5AEB

RGB 206 90 235

HSL 288, 0.78%, 0.64%

LAB 58.45, 66.21, -53.14

 

CMYK 10 / 47 / 0 / 6

HEX #D97FF0

RGB 217 127 240

HSL 287.79, 0.79%, 0.72%

LAB 66.69, 52.34, -42.8

 

CMYK 7 / 33 / 0 / 4

HEX #E4A4F4

RGB 228 164 244

HSL 288, 0.78%, 0.8%

LAB 75.81, 36.97, -30.73

 

CMYK 4 / 19 / 0 / 3

HEX #EFC9F8

RGB 239 201 248

HSL 288.51, 0.77%, 0.88%

LAB 85.45, 21.48, -18.08

 

CMYK 10 / 48 / 0 / 6

HEX #D97EF0

RGB 217 126 240

HSL 287.89, 0.79%, 0.72%

LAB 66.49, 52.85, -43.11

 

CMYK 0 / 47 / 46 / 6

HEX #F07F81

RGB 240 127 129

HSL 358.94, 0.79%, 0.72%

LAB 65.97, 43.42, 18.74

 

CMYK 47 / 0 / 29 / 6

HEX #7FF0AA

RGB 127 240 170

HSL 142.83, 0.79%, 0.72%

LAB 86.87, -47.53, 24.09

 

CMYK 10 / 48 / 0 / 6

HEX #D97EF0

RGB 217 126 240

HSL 287.89, 0.79%, 0.72%

LAB 66.49, 52.85, -43.11

 

CMYK 0 / 10 / 47 / 6

HEX #F0D77F

RGB 240 215 127

HSL 46.73, 0.79%, 0.72%

LAB 86.33, -2.7, 46.36

 

CMYK 47 / 0 / 10 / 6

HEX #7FF0D7

RGB 127 240 215

HSL 166.73, 0.79%, 0.72%

LAB 87.84, -38.19, 2.11

 

CMYK 10 / 48 / 0 / 6

HEX #D97EF0

RGB 217 126 240

HSL 287.89, 0.79%, 0.72%

LAB 66.49, 52.85, -43.11

 

CMYK 0 / 47 / 46 / 6

HEX #F07F81

RGB 240 127 129

HSL 358.94, 0.79%, 0.72%

LAB 65.97, 43.42, 18.74

 

CMYK 37 / 0 / 47 / 6

HEX #97F07F

RGB 151 240 127

HSL 107.26, 0.79%, 0.72%

LAB 87.21, -47.37, 46.15

 

CMYK 47 / 0 / 1 / 6

HEX #7FF0EE

RGB 127 240 238

HSL 178.94, 0.79%, 0.72%

LAB 88.45, -32.69, -9.03

 

CMYK 10 / 48 / 0 / 6

HEX #D97EF0

RGB 217 126 240

HSL 287.89, 0.79%, 0.72%

LAB 66.49, 52.85, -43.11

 

CMYK 0 / 34 / 47 / 6

HEX #F09F7F

RGB 240 159 127

HSL 16.99, 0.79%, 0.72%

LAB 72.8, 26.63, 29.04

 

CMYK 37 / 0 / 47 / 6

HEX #97F07F

RGB 151 240 127

HSL 107.26, 0.79%, 0.72%

LAB 87.21, -47.37, 46.15

 

CMYK 47 / 13 / 0 / 6

HEX #7FD0F0

RGB 127 208 240

HSL 196.99, 0.79%, 0.72%

LAB 79.57, -16.43, -23.45

 

Description

Color code: HEX #D97EF0 | qconv.com Color code: HEX #D97EF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 126 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 126 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 48 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 48% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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