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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D98C48 it is the complementary color #2673B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D98C48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D98C48 shade: #DE8C43, #EF9E56, #FFB069, #FFC27C and #FFD48F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D98C48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D98C48 shade: #D98C48, #C87A35, #B76822, #A6560F and #954400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D98C48 shade: #D98C48, #D96548 and #D94848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D98C48 shade: #D98C48, #D9B348, #D8D948, #B1D948 and #8AD948

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D98C48 shade matches the following richer shades: #D98C48, #EB8B37 and #FD8A25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D98C48 shade: #D98C48, #C78D5A, #B68F6C, #A4907E and #92918F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D98C48 shade: #D94852, #D96548, #D98C48, #D9B348 and #D9D948

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D98C48 shade: #AC6323, #CF772A, #D98C48, #E0A26B and #E7B78D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D98C48 shade: #D98C48, #79D948 and #5248D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D98C48 shade: #D98C48, #48D98C and #8C48D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D98C48 shade: #D98C48, #79D948, #4896D9 and #A948D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D98C48 shade: #D98C48, #4DD948, #4896D9 and #D448D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

Complementary color

CMYK 79 / 37 / 0 / 28

HEX #2673B7

RGB 38 115 183

HSL 208.14, 0.66%, 0.43%

LAB 47.1, 1.07, -42.46

 

CMYK 0 / 37 / 70 / 13

HEX #DE8C43

RGB 222 140 67

HSL 28.26, 0.7%, 0.57%

LAB 65.51, 24.97, 50.68

 

CMYK 0 / 34 / 64 / 6

HEX #EF9E56

RGB 239 158 86

HSL 28.24, 0.83%, 0.64%

LAB 71.88, 23.51, 49.18

 

CMYK 0 / 31 / 59 / 0

HEX #FFB069

RGB 255 176 105

HSL 28.4, 1%, 0.71%

LAB 78.07, 21.81, 47.5

 

CMYK 0 / 24 / 51 / 0

HEX #FFC27C

RGB 255 194 124

HSL 32.06, 1%, 0.74%

LAB 82.54, 13.9, 43.45

 

CMYK 0 / 17 / 44 / 0

HEX #FFD48F

RGB 255 212 143

HSL 36.96, 1%, 0.78%

LAB 87.16, 6.33, 39.71

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 0 / 39 / 74 / 22

HEX #C87A35

RGB 200 122 53

HSL 28.16, 0.58%, 0.5%

LAB 58.47, 24.75, 48.97

 

CMYK 0 / 43 / 81 / 28

HEX #B76822

RGB 183 104 34

HSL 28.19, 0.69%, 0.43%

LAB 51.93, 26.56, 50.17

 

CMYK 0 / 48 / 91 / 35

HEX #A6560F

RGB 166 86 15

HSL 28.21, 0.83%, 0.35%

LAB 45.35, 28.61, 50.5

 

CMYK 0 / 54 / 100 / 42

HEX #954400

RGB 149 68 0

HSL 27.38, 1%, 0.29%

LAB 38.77, 30.87, 49.08

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 0 / 53 / 67 / 15

HEX #D96548

RGB 217 101 72

HSL 12, 0.66%, 0.57%

LAB 56.61, 43.48, 37.91

 

CMYK 0 / 67 / 67 / 15

HEX #D94848

RGB 217 72 72

HSL 0, 0.66%, 0.57%

LAB 51.67, 56.52, 31.97

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 0 / 18 / 67 / 15

HEX #D9B348

RGB 217 179 72

HSL 44.28, 0.66%, 0.57%

LAB 74.48, 2.28, 57.85

 

CMYK 0 / 0 / 67 / 15

HEX #D8D948

RGB 216 217 72

HSL 60.41, 0.66%, 0.57%

LAB 84.33, -17.55, 67.97

 

CMYK 18 / 0 / 67 / 15

HEX #B1D948

RGB 177 217 72

HSL 76.55, 0.66%, 0.57%

LAB 81.53, -33.28, 64.23

 

CMYK 36 / 0 / 67 / 15

HEX #8AD948

RGB 138 217 72

HSL 92.69, 0.66%, 0.57%

LAB 79.33, -47.58, 61.24

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 0 / 41 / 77 / 8

HEX #EB8B37

RGB 235 139 55

HSL 28, 0.82%, 0.57%

LAB 66.83, 30.31, 57.96

 

CMYK 0 / 45 / 85 / 1

HEX #FD8A25

RGB 253 138 37

HSL 28.06, 0.98%, 0.57%

LAB 68.89, 37.53, 67.47

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 0 / 29 / 55 / 22

HEX #C78D5A

RGB 199 141 90

HSL 28.07, 0.49%, 0.57%

LAB 63.29, 16.38, 35.76

 

CMYK 0 / 21 / 41 / 29

HEX #B68F6C

RGB 182 143 108

HSL 28.38, 0.34%, 0.57%

LAB 62.23, 9.98, 24.25

 

CMYK 0 / 12 / 23 / 36

HEX #A4907E

RGB 164 144 126

HSL 28.42, 0.17%, 0.57%

LAB 61.09, 4.53, 12.31

 

CMYK 0 / 1 / 2 / 43

HEX #92918F

RGB 146 145 143

HSL 40, 0.01%, 0.57%

LAB 60.2, -0.01, 1.18

 

CMYK 0 / 67 / 62 / 15

HEX #D94852

RGB 217 72 82

HSL 355.86, 0.66%, 0.57%

LAB 51.83, 57.1, 26.32

 

CMYK 0 / 53 / 67 / 15

HEX #D96548

RGB 217 101 72

HSL 12, 0.66%, 0.57%

LAB 56.61, 43.48, 37.91

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 0 / 18 / 67 / 15

HEX #D9B348

RGB 217 179 72

HSL 44.28, 0.66%, 0.57%

LAB 74.48, 2.28, 57.85

 

CMYK 0 / 0 / 67 / 15

HEX #D9D948

RGB 217 217 72

HSL 60, 0.66%, 0.57%

LAB 84.4, -17.14, 68.08

 

CMYK 0 / 42 / 80 / 33

HEX #AC6323

RGB 172 99 35

HSL 28.03, 0.66%, 0.41%

LAB 49.27, 24.62, 46.72

 

CMYK 0 / 43 / 80 / 19

HEX #CF772A

RGB 207 119 42

HSL 28, 0.66%, 0.49%

LAB 58.63, 28.85, 54.27

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 0 / 28 / 52 / 12

HEX #E0A26B

RGB 224 162 107

HSL 28.21, 0.65%, 0.65%

LAB 71.38, 16.8, 37.51

 

CMYK 0 / 21 / 39 / 9

HEX #E7B78D

RGB 231 183 141

HSL 28, 0.65%, 0.73%

LAB 77.74, 11.82, 27.96

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 44 / 0 / 67 / 15

HEX #79D948

RGB 121 217 72

HSL 99.72, 0.66%, 0.57%

LAB 78.55, -53.09, 60.19

 

CMYK 62 / 67 / 0 / 15

HEX #5248D9

RGB 82 72 217

HSL 244.14, 0.66%, 0.57%

LAB 40.31, 46.12, -72.93

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 67 / 0 / 35 / 15

HEX #48D98C

RGB 72 217 140

HSL 148.14, 0.66%, 0.57%

LAB 77.81, -55.74, 26.97

 

CMYK 35 / 67 / 0 / 15

HEX #8C48D9

RGB 140 72 217

HSL 268.14, 0.66%, 0.57%

LAB 45.93, 56.18, -63.52

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 44 / 0 / 67 / 15

HEX #79D948

RGB 121 217 72

HSL 99.72, 0.66%, 0.57%

LAB 78.55, -53.09, 60.19

 

CMYK 67 / 31 / 0 / 15

HEX #4896D9

RGB 72 150 217

HSL 207.72, 0.66%, 0.57%

LAB 60.07, -2.88, -41.22

 

CMYK 22 / 67 / 0 / 15

HEX #A948D9

RGB 169 72 217

HSL 280.14, 0.66%, 0.57%

LAB 49.59, 62.2, -57.44

 

CMYK 0 / 35 / 67 / 15

HEX #D98C48

RGB 217 140 72

HSL 28.14, 0.66%, 0.57%

LAB 64.94, 23.17, 47.48

 

CMYK 65 / 0 / 67 / 15

HEX #4DD948

RGB 77 217 72

HSL 117.93, 0.66%, 0.57%

LAB 77.08, -64.45, 58.18

 

CMYK 67 / 31 / 0 / 15

HEX #4896D9

RGB 72 150 217

HSL 207.72, 0.66%, 0.57%

LAB 60.07, -2.88, -41.22

 

CMYK 2 / 67 / 0 / 15

HEX #D448D9

RGB 212 72 217

HSL 297.93, 0.66%, 0.57%

LAB 55.73, 71.65, -47.28

 

Description

Color code: HEX #D98C48 | qconv.com Color code: HEX #D98C48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 140 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 140 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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