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Color name
HEX #D994A7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D994A7 it is the complementary color #266B58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D994A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D994A7 shade: #DE94A2, #EFA6B5, #FFB8C8, #FFCADB and #FFDCEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D994A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D994A7 shade: #D994A7, #C88294, #B77081, #A65E6E and #954C5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D994A7 shade: #D995A8, #D99595 and #D99595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D994A7 shade: #D995A8, #D995BA, #D995CD, #D495D9 and #C195D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D994A7 shade matches the following richer shades: #D995A8, #E589A3, #F07E9D and #FC7298

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D994A7 shade: #D995A8, #CEA0AD, #C2ACB2, #B7B7B7 and #ABC3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D994A7 shade: #D995CD, #D995BB, #D995A8, #D99596 and #D9A695

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D994A7 shade: #C45876, #CF768F, #D995A8, #E4B3C1 and #EFD2DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D994A7 shade: #D994A7, #D9D495 and #95C4D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D994A7 shade: #D994A7, #A8D995 and #95A8D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D994A7 shade: #D994A7, #D9D495, #95D9C6 and #959BD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D994A7 shade: #D994A7, #CBD995, #95D9C6 and #A495D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 23 / 15

HEX #D994A7

RGB 217 148 167

HSL 343.48, 0.48%, 0.72%

LAB 68.55, 28.64, 0.65

 

Complementary color

CMYK 64 / 0 / 18 / 58

HEX #266B58

RGB 38 107 88

HSL 163.48, 0.48%, 0.28%

LAB 40.63, -26.62, 4.3

 

CMYK 0 / 33 / 27 / 13

HEX #DE94A2

RGB 222 148 162

HSL 348.65, 0.53%, 0.73%

LAB 68.98, 29.75, 4.14

 

CMYK 0 / 31 / 24 / 6

HEX #EFA6B5

RGB 239 166 181

HSL 347.67, 0.7%, 0.79%

LAB 75.43, 28.98, 3.2

 

CMYK 0 / 28 / 22 / 0

HEX #FFB8C8

RGB 255 184 200

HSL 346.48, 1%, 0.86%

LAB 81.68, 27.91, 2.16

 

CMYK 0 / 21 / 14 / 0

HEX #FFCADB

RGB 255 202 219

HSL 340.75, 1%, 0.9%

LAB 86.31, 21.33, -1.24

 

CMYK 0 / 14 / 7 / 0

HEX #FFDCEE

RGB 255 220 238

HSL 329.14, 1%, 0.93%

LAB 91.06, 15.03, -4.3

 

CMYK 0 / 32 / 23 / 15

HEX #D994A7

RGB 217 148 167

HSL 343.48, 0.48%, 0.72%

LAB 68.55, 28.64, 0.65

 

CMYK 0 / 35 / 26 / 22

HEX #C88294

RGB 200 130 148

HSL 344.57, 0.39%, 0.65%

LAB 61.98, 29.43, 1.59

 

CMYK 0 / 39 / 30 / 28

HEX #B77081

RGB 183 112 129

HSL 345.63, 0.33%, 0.58%

LAB 55.32, 30.3, 2.64

 

CMYK 0 / 43 / 34 / 35

HEX #A65E6E

RGB 166 94 110

HSL 346.67, 0.29%, 0.51%

LAB 48.56, 31.23, 3.84

 

CMYK 0 / 49 / 39 / 42

HEX #954C5B

RGB 149 76 91

HSL 347.67, 0.32%, 0.44%

LAB 41.71, 32.23, 5.28

 

CMYK 0 / 31 / 23 / 15

HEX #D995A8

RGB 217 149 168

HSL 343.24, 0.47%, 0.72%

LAB 68.8, 28.25, 0.46

 

CMYK 0 / 31 / 31 / 15

HEX #D99595

RGB 217 149 149

HSL 0, 0.47%, 0.72%

LAB 68.33, 25.61, 10.39

 

CMYK 0 / 31 / 31 / 15

HEX #D99595

RGB 217 149 149

HSL 0, 0.47%, 0.72%

LAB 68.33, 25.61, 10.39

 

CMYK 0 / 31 / 23 / 15

HEX #D995A8

RGB 217 149 168

HSL 343.24, 0.47%, 0.72%

LAB 68.8, 28.25, 0.46

 

CMYK 0 / 31 / 14 / 15

HEX #D995BA

RGB 217 149 186

HSL 327.35, 0.47%, 0.72%

LAB 69.32, 31.03, -8.82

 

CMYK 0 / 31 / 6 / 15

HEX #D995CD

RGB 217 149 205

HSL 310.59, 0.47%, 0.72%

LAB 69.93, 34.25, -18.45

 

CMYK 2 / 31 / 0 / 15

HEX #D495D9

RGB 212 149 217

HSL 295.59, 0.47%, 0.72%

LAB 69.83, 34.83, -25.3

 

CMYK 11 / 31 / 0 / 15

HEX #C195D9

RGB 193 149 217

HSL 278.82, 0.47%, 0.72%

LAB 67.9, 28.8, -28.41

 

CMYK 0 / 31 / 23 / 15

HEX #D995A8

RGB 217 149 168

HSL 343.24, 0.47%, 0.72%

LAB 68.8, 28.25, 0.46

 

CMYK 0 / 40 / 29 / 10

HEX #E589A3

RGB 229 137 163

HSL 343.04, 0.64%, 0.72%

LAB 67.42, 38.23, 1.42

 

CMYK 0 / 48 / 35 / 6

HEX #F07E9D

RGB 240 126 157

HSL 343.68, 0.79%, 0.72%

LAB 66.43, 46.93, 3.55

 

CMYK 0 / 55 / 40 / 1

HEX #FC7298

RGB 252 114 152

HSL 343.48, 0.96%, 0.72%

LAB 65.75, 56.14, 5.62

 

CMYK 0 / 31 / 23 / 15

HEX #D995A8

RGB 217 149 168

HSL 343.24, 0.47%, 0.72%

LAB 68.8, 28.25, 0.46

 

CMYK 0 / 22 / 16 / 19

HEX #CEA0AD

RGB 206 160 173

HSL 343.04, 0.32%, 0.72%

LAB 70.37, 19.04, -0.17

 

CMYK 0 / 11 / 8 / 24

HEX #C2ACB2

RGB 194 172 178

HSL 343.64, 0.15%, 0.72%

LAB 72.35, 8.97, -0.17

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 12 / 0 / 4 / 24

HEX #ABC3BC

RGB 171 195 188

HSL 162.5, 0.17%, 0.72%

LAB 76.87, -9.5, 0.76

 

CMYK 0 / 31 / 6 / 15

HEX #D995CD

RGB 217 149 205

HSL 310.59, 0.47%, 0.72%

LAB 69.93, 34.25, -18.45

 

CMYK 0 / 31 / 14 / 15

HEX #D995BB

RGB 217 149 187

HSL 326.47, 0.47%, 0.72%

LAB 69.35, 31.19, -9.33

 

CMYK 0 / 31 / 23 / 15

HEX #D995A8

RGB 217 149 168

HSL 343.24, 0.47%, 0.72%

LAB 68.8, 28.25, 0.46

 

CMYK 0 / 31 / 31 / 15

HEX #D99596

RGB 217 149 150

HSL 359.12, 0.47%, 0.72%

LAB 68.35, 25.74, 9.86

 

CMYK 0 / 24 / 31 / 15

HEX #D9A695

RGB 217 166 149

HSL 15, 0.47%, 0.72%

LAB 72.36, 16.42, 16.06

 

CMYK 0 / 55 / 40 / 23

HEX #C45876

RGB 196 88 118

HSL 343.33, 0.48%, 0.56%

LAB 51.86, 46.11, 4.37

 

CMYK 0 / 43 / 31 / 19

HEX #CF768F

RGB 207 118 143

HSL 343.15, 0.48%, 0.64%

LAB 60.07, 37.73, 1.79

 

CMYK 0 / 31 / 23 / 15

HEX #D995A8

RGB 217 149 168

HSL 343.24, 0.47%, 0.72%

LAB 68.8, 28.25, 0.46

 

CMYK 0 / 21 / 15 / 11

HEX #E4B3C1

RGB 228 179 193

HSL 342.86, 0.48%, 0.8%

LAB 77.63, 19.89, -0.28

 

CMYK 0 / 12 / 9 / 6

HEX #EFD2DA

RGB 239 210 218

HSL 343.45, 0.48%, 0.88%

LAB 86.75, 11.4, -0.24

 

CMYK 0 / 32 / 23 / 15

HEX #D994A7

RGB 217 148 167

HSL 343.48, 0.48%, 0.72%

LAB 68.55, 28.64, 0.65

 

CMYK 0 / 2 / 31 / 15

HEX #D9D495

RGB 217 212 149

HSL 55.59, 0.47%, 0.72%

LAB 83.97, -7.83, 31.86

 

CMYK 31 / 10 / 0 / 15

HEX #95C4D9

RGB 149 196 217

HSL 198.53, 0.47%, 0.72%

LAB 76.61, -10.45, -15.47

 

CMYK 0 / 32 / 23 / 15

HEX #D994A7

RGB 217 148 167

HSL 343.48, 0.48%, 0.72%

LAB 68.55, 28.64, 0.65

 

CMYK 23 / 0 / 31 / 15

HEX #A8D995

RGB 168 217 149

HSL 103.24, 0.47%, 0.72%

LAB 81.9, -28.34, 28.49

 

CMYK 31 / 23 / 0 / 15

HEX #95A8D9

RGB 149 168 217

HSL 223.24, 0.47%, 0.72%

LAB 69.04, 4.73, -26.97

 

CMYK 0 / 32 / 23 / 15

HEX #D994A7

RGB 217 148 167

HSL 343.48, 0.48%, 0.72%

LAB 68.55, 28.64, 0.65

 

CMYK 0 / 2 / 31 / 15

HEX #D9D495

RGB 217 212 149

HSL 55.59, 0.47%, 0.72%

LAB 83.97, -7.83, 31.86

 

CMYK 31 / 0 / 9 / 15

HEX #95D9C6

RGB 149 217 198

HSL 163.24, 0.47%, 0.72%

LAB 81.89, -25.43, 2.53

 

CMYK 31 / 29 / 0 / 15

HEX #959BD9

RGB 149 155 217

HSL 234.71, 0.47%, 0.72%

LAB 65.63, 12.06, -32.24

 

CMYK 0 / 32 / 23 / 15

HEX #D994A7

RGB 217 148 167

HSL 343.48, 0.48%, 0.72%

LAB 68.55, 28.64, 0.65

 

CMYK 6 / 0 / 31 / 15

HEX #CBD995

RGB 203 217 149

HSL 72.35, 0.47%, 0.72%

LAB 84.22, -15.67, 32

 

CMYK 31 / 0 / 9 / 15

HEX #95D9C6

RGB 149 217 198

HSL 163.24, 0.47%, 0.72%

LAB 81.89, -25.43, 2.53

 

CMYK 24 / 31 / 0 / 15

HEX #A495D9

RGB 164 149 217

HSL 253.24, 0.47%, 0.72%

LAB 65.28, 19.88, -32.69

 

Description

Color code: HEX #D994A7 | qconv.com Color code: HEX #D994A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 148 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 148 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 23% 15% C M Y K

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Provide designers and agencies with accurate color values.

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