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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D99B0C it is the complementary color #2664F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D99B0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D99B0C shade: #DE9B07, #EFAD1A, #FFBF2D, #FFD140 and #FFE353

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D99B0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D99B0C shade: #D99B0C, #C88900, #B77700, #A66500 and #955300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D99B0C shade: #DA9B0B, #DA630B, #DA2C0B and #DA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D99B0C shade: #DA9B0B, #DAD30B, #A9DA0B, #71DA0B and #39DA0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D99B0C shade matches the following richer shades: #DA9B0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D99B0C shade: #DA9B0B, #C7941E, #B48C30, #A28543 and #8F7E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D99B0C shade: #DA2A0B, #DA610B, #DA980B, #DACF0B and #ADDA0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D99B0C shade: #8B6307, #B27F09, #DA9B0B, #F3B11B and #F5BF42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D99B0C shade: #D99B0C, #23DA0B and #450BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D99B0C shade: #D99B0C, #0BDA98 and #980BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D99B0C shade: #D99B0C, #23DA0B, #0B4CDA and #C10BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D99B0C shade: #D99B0C, #0BDA31, #0B4CDA and #DA0BB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 94 / 15

HEX #D99B0C

RGB 217 155 12

HSL 41.85, 0.9%, 0.45%

LAB 68.18, 13.09, 70.79

 

Complementary color

CMYK 84 / 59 / 0 / 5

HEX #2664F3

RGB 38 100 243

HSL 221.85, 0.9%, 0.55%

LAB 46.97, 33.39, -76.84

 

CMYK 0 / 30 / 97 / 13

HEX #DE9B07

RGB 222 155 7

HSL 41.3, 0.94%, 0.45%

LAB 68.74, 15.22, 72.09

 

CMYK 0 / 28 / 89 / 6

HEX #EFAD1A

RGB 239 173 26

HSL 41.41, 0.87%, 0.52%

LAB 75.02, 13.24, 74.48

 

CMYK 0 / 25 / 82 / 0

HEX #FFBF2D

RGB 255 191 45

HSL 41.71, 1%, 0.59%

LAB 81.13, 11.06, 75.37

 

CMYK 0 / 18 / 75 / 0

HEX #FFD140

RGB 255 209 64

HSL 45.55, 1%, 0.63%

LAB 85.62, 2.42, 73.3

 

CMYK 0 / 11 / 67 / 0

HEX #FFE353

RGB 255 227 83

HSL 50.23, 1%, 0.66%

LAB 90.24, -5.82, 70.81

 

CMYK 0 / 29 / 94 / 15

HEX #D99B0C

RGB 217 155 12

HSL 41.85, 0.9%, 0.45%

LAB 68.18, 13.09, 70.79

 

CMYK 0 / 32 / 100 / 22

HEX #C88900

RGB 200 137 0

HSL 41.1, 1%, 0.39%

LAB 61.8, 15.24, 67.12

 

CMYK 0 / 35 / 100 / 28

HEX #B77700

RGB 183 119 0

HSL 39.02, 1%, 0.36%

LAB 55.34, 17.59, 61.85

 

CMYK 0 / 39 / 100 / 35

HEX #A66500

RGB 166 101 0

HSL 36.51, 1%, 0.33%

LAB 48.78, 20.05, 56.5

 

CMYK 0 / 44 / 100 / 42

HEX #955300

RGB 149 83 0

HSL 33.42, 1%, 0.29%

LAB 42.12, 22.59, 51.1

 

CMYK 0 / 29 / 95 / 15

HEX #DA9B0B

RGB 218 155 11

HSL 41.74, 0.9%, 0.45%

LAB 68.29, 13.52, 71.05

 

CMYK 0 / 55 / 95 / 15

HEX #DA630B

RGB 218 99 11

HSL 25.51, 0.9%, 0.45%

LAB 55.94, 42.87, 62.58

 

CMYK 0 / 80 / 95 / 15

HEX #DA2C0B

RGB 218 44 11

HSL 9.57, 0.9%, 0.45%

LAB 47.92, 64.44, 57.69

 

CMYK 0 / 95 / 95 / 15

HEX #DA0B0B

RGB 218 11 11

HSL 0, 0.9%, 0.45%

LAB 45.86, 70.31, 56.57

 

CMYK 0 / 29 / 95 / 15

HEX #DA9B0B

RGB 218 155 11

HSL 41.74, 0.9%, 0.45%

LAB 68.29, 13.52, 71.05

 

CMYK 0 / 3 / 95 / 15

HEX #DAD30B

RGB 218 211 11

HSL 57.97, 0.9%, 0.45%

LAB 82.66, -15.6, 81.59

 

CMYK 22 / 0 / 95 / 15

HEX #A9DA0B

RGB 169 218 11

HSL 74.2, 0.9%, 0.45%

LAB 81.07, -39.11, 78.84

 

CMYK 48 / 0 / 95 / 15

HEX #71DA0B

RGB 113 218 11

HSL 90.43, 0.9%, 0.45%

LAB 78.27, -58.73, 75.44

 

CMYK 74 / 0 / 95 / 15

HEX #39DA0B

RGB 57 218 11

HSL 106.67, 0.9%, 0.45%

LAB 76.7, -71.63, 73.51

 

CMYK 0 / 29 / 95 / 15

HEX #DA9B0B

RGB 218 155 11

HSL 41.74, 0.9%, 0.45%

LAB 68.29, 13.52, 71.05

 

CMYK 0 / 29 / 95 / 15

HEX #DA9B0B

RGB 218 155 11

HSL 41.74, 0.9%, 0.45%

LAB 68.29, 13.52, 71.05

 

CMYK 0 / 26 / 85 / 22

HEX #C7941E

RGB 199 148 30

HSL 41.89, 0.74%, 0.45%

LAB 64.5, 9.28, 63.25

 

CMYK 0 / 22 / 73 / 29

HEX #B48C30

RGB 180 140 48

HSL 41.82, 0.58%, 0.45%

LAB 60.49, 5.87, 52.47

 

CMYK 0 / 18 / 59 / 36

HEX #A28543

RGB 162 133 67

HSL 41.68, 0.41%, 0.45%

LAB 56.94, 2.95, 39.2

 

CMYK 0 / 12 / 41 / 44

HEX #8F7E55

RGB 143 126 85

HSL 42.41, 0.25%, 0.45%

LAB 53.4, 0.35, 24.71

 

CMYK 0 / 81 / 95 / 15

HEX #DA2A0B

RGB 218 42 11

HSL 8.99, 0.9%, 0.45%

LAB 47.73, 64.97, 57.58

 

CMYK 0 / 56 / 95 / 15

HEX #DA610B

RGB 218 97 11

HSL 24.93, 0.9%, 0.45%

LAB 55.56, 43.84, 62.34

 

CMYK 0 / 30 / 95 / 15

HEX #DA980B

RGB 218 152 11

HSL 40.87, 0.9%, 0.45%

LAB 67.57, 15.13, 70.53

 

CMYK 0 / 5 / 95 / 15

HEX #DACF0B

RGB 218 207 11

HSL 56.81, 0.9%, 0.45%

LAB 81.6, -13.61, 80.8

 

CMYK 21 / 0 / 95 / 15

HEX #ADDA0B

RGB 173 218 11

HSL 73.04, 0.9%, 0.45%

LAB 81.32, -37.54, 79.14

 

CMYK 0 / 29 / 95 / 45

HEX #8B6307

RGB 139 99 7

HSL 41.82, 0.9%, 0.29%

LAB 44.84, 8.84, 50.53

 

CMYK 0 / 29 / 95 / 30

HEX #B27F09

RGB 178 127 9

HSL 41.89, 0.9%, 0.37%

LAB 56.75, 11.01, 60.94

 

CMYK 0 / 29 / 95 / 15

HEX #DA9B0B

RGB 218 155 11

HSL 41.74, 0.9%, 0.45%

LAB 68.29, 13.52, 71.05

 

CMYK 0 / 27 / 89 / 5

HEX #F3B11B

RGB 243 177 27

HSL 41.67, 0.9%, 0.53%

LAB 76.42, 12.86, 75.54

 

CMYK 0 / 22 / 73 / 4

HEX #F5BF42

RGB 245 191 66

HSL 41.9, 0.9%, 0.61%

LAB 80.22, 7.58, 67.03

 

CMYK 0 / 29 / 94 / 15

HEX #D99B0C

RGB 217 155 12

HSL 41.85, 0.9%, 0.45%

LAB 68.18, 13.09, 70.79

 

CMYK 84 / 0 / 95 / 15

HEX #23DA0B

RGB 35 218 11

HSL 113.04, 0.9%, 0.45%

LAB 76.39, -74.39, 73.13

 

CMYK 68 / 95 / 0 / 15

HEX #450BDA

RGB 69 11 218

HSL 256.81, 0.9%, 0.45%

LAB 30.8, 69.85, -89.25

 

CMYK 0 / 29 / 94 / 15

HEX #D99B0C

RGB 217 155 12

HSL 41.85, 0.9%, 0.45%

LAB 68.18, 13.09, 70.79

 

CMYK 95 / 0 / 30 / 15

HEX #0BDA98

RGB 11 218 152

HSL 160.87, 0.9%, 0.45%

LAB 77.57, -59.59, 20.26

 

CMYK 30 / 95 / 0 / 15

HEX #980BDA

RGB 152 11 218

HSL 280.87, 0.9%, 0.45%

LAB 41.18, 76.96, -71.77

 

CMYK 0 / 29 / 94 / 15

HEX #D99B0C

RGB 217 155 12

HSL 41.85, 0.9%, 0.45%

LAB 68.18, 13.09, 70.79

 

CMYK 84 / 0 / 95 / 15

HEX #23DA0B

RGB 35 218 11

HSL 113.04, 0.9%, 0.45%

LAB 76.39, -74.39, 73.13

 

CMYK 95 / 65 / 0 / 15

HEX #0B4CDA

RGB 11 76 218

HSL 221.16, 0.9%, 0.45%

LAB 38.38, 38.06, -76.78

 

CMYK 11 / 95 / 0 / 15

HEX #C10BDA

RGB 193 11 218

HSL 292.75, 0.9%, 0.45%

LAB 47.8, 82.58, -60.71

 

CMYK 0 / 29 / 94 / 15

HEX #D99B0C

RGB 217 155 12

HSL 41.85, 0.9%, 0.45%

LAB 68.18, 13.09, 70.79

 

CMYK 95 / 0 / 78 / 15

HEX #0BDA31

RGB 11 218 49

HSL 131.01, 0.9%, 0.45%

LAB 76.34, -74.41, 65.26

 

CMYK 95 / 65 / 0 / 15

HEX #0B4CDA

RGB 11 76 218

HSL 221.16, 0.9%, 0.45%

LAB 38.38, 38.06, -76.78

 

CMYK 0 / 95 / 17 / 15

HEX #DA0BB4

RGB 218 11 180

HSL 311.01, 0.9%, 0.45%

LAB 50.03, 81.38, -34.89

 

Description

Color code: HEX #D99B0C | qconv.com Color code: HEX #D99B0C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 155 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 155 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 94 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 94% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - MONOQI | Design Onli...
Link: https://monoqi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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