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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D99C1B it is the complementary color #2663E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D99C1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D99C1B shade: #DE9C16, #EFAE29, #FFC03C, #FFD24F and #FFE462

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D99C1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D99C1B shade: #D99C1B, #C88A08, #B77800, #A66600 and #955400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D99C1B shade: #D99C1A, #D9691A, #D9351A and #D91A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D99C1B shade: #D99C1A, #D9D01A, #B0D91A, #7CD91A and #49D91A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D99C1B shade matches the following richer shades: #D99C1A and #EDA307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D99C1B shade: #D99C1A, #C6952E, #B28E42, #9E8756 and #8A806A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D99C1B shade: #D9341A, #D9671A, #D99A1A, #D9CD1A and #B3D91A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D99C1B shade: #906711, #B58216, #D99C1A, #E6AE37 and #EABD5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D99C1B shade: #D99C1B, #34D91A and #4D1AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D99C1B shade: #D99C1B, #1AD99A and #9A1AD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D99C1B shade: #D99C1B, #34D91A, #1A5AD9 and #C01AD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D99C1B shade: #D99C1B, #1AD93A, #1A5AD9 and #D91ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 88 / 15

HEX #D99C1B

RGB 217 156 27

HSL 40.74, 0.78%, 0.48%

LAB 68.47, 12.79, 68.1

 

Complementary color

CMYK 83 / 57 / 0 / 11

HEX #2663E4

RGB 38 99 228

HSL 220.74, 0.78%, 0.52%

LAB 45.55, 28.41, -70.72

 

CMYK 0 / 30 / 90 / 13

HEX #DE9C16

RGB 222 156 22

HSL 40.2, 0.82%, 0.48%

LAB 69.01, 14.87, 69.9

 

CMYK 0 / 27 / 83 / 6

HEX #EFAE29

RGB 239 174 41

HSL 40.3, 0.86%, 0.55%

LAB 75.32, 13.05, 70.91

 

CMYK 0 / 25 / 76 / 0

HEX #FFC03C

RGB 255 192 60

HSL 40.62, 1%, 0.62%

LAB 81.45, 11.03, 70.79

 

CMYK 0 / 18 / 69 / 0

HEX #FFD24F

RGB 255 210 79

HSL 44.66, 1%, 0.65%

LAB 85.97, 2.58, 68.02

 

CMYK 0 / 11 / 62 / 0

HEX #FFE462

RGB 255 228 98

HSL 49.68, 1%, 0.69%

LAB 90.61, -5.45, 65.07

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1B

RGB 217 156 27

HSL 40.74, 0.78%, 0.48%

LAB 68.47, 12.79, 68.1

 

CMYK 0 / 31 / 96 / 22

HEX #C88A08

RGB 200 138 8

HSL 40.63, 0.92%, 0.41%

LAB 62.06, 14.78, 66.09

 

CMYK 0 / 34 / 100 / 28

HEX #B77800

RGB 183 120 0

HSL 39.34, 1%, 0.36%

LAB 55.58, 17.04, 62.01

 

CMYK 0 / 39 / 100 / 35

HEX #A66600

RGB 166 102 0

HSL 36.87, 1%, 0.33%

LAB 49.02, 19.49, 56.66

 

CMYK 0 / 44 / 100 / 42

HEX #955400

RGB 149 84 0

HSL 33.83, 1%, 0.29%

LAB 42.35, 22.03, 51.25

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1A

RGB 217 156 26

HSL 40.84, 0.79%, 0.48%

LAB 68.46, 12.77, 68.34

 

CMYK 0 / 52 / 88 / 15

HEX #D9691A

RGB 217 105 26

HSL 24.82, 0.79%, 0.48%

LAB 57.01, 39.74, 59.36

 

CMYK 0 / 76 / 88 / 15

HEX #D9351A

RGB 217 53 26

HSL 8.48, 0.79%, 0.48%

LAB 48.73, 61.72, 52.95

 

CMYK 0 / 88 / 88 / 15

HEX #D91A1A

RGB 217 26 26

HSL 0, 0.79%, 0.48%

LAB 46.4, 68.31, 51.17

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1A

RGB 217 156 26

HSL 40.84, 0.79%, 0.48%

LAB 68.46, 12.77, 68.34

 

CMYK 0 / 4 / 88 / 15

HEX #D9D01A

RGB 217 208 26

HSL 57.17, 0.79%, 0.48%

LAB 81.8, -14.32, 78.88

 

CMYK 19 / 0 / 88 / 15

HEX #B0D91A

RGB 176 217 26

HSL 72.88, 0.79%, 0.48%

LAB 81.25, -35.64, 77.17

 

CMYK 43 / 0 / 88 / 15

HEX #7CD91A

RGB 124 217 26

HSL 89.21, 0.79%, 0.48%

LAB 78.45, -54.6, 73.71

 

CMYK 66 / 0 / 88 / 15

HEX #49D91A

RGB 73 217 26

HSL 105.24, 0.79%, 0.48%

LAB 76.75, -68.1, 71.58

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1A

RGB 217 156 26

HSL 40.84, 0.79%, 0.48%

LAB 68.46, 12.77, 68.34

 

CMYK 0 / 31 / 97 / 7

HEX #EDA307

RGB 237 163 7

HSL 40.7, 0.94%, 0.48%

LAB 72.37, 17.43, 75.41

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1A

RGB 217 156 26

HSL 40.84, 0.79%, 0.48%

LAB 68.46, 12.77, 68.34

 

CMYK 0 / 25 / 77 / 22

HEX #C6952E

RGB 198 149 46

HSL 40.66, 0.62%, 0.48%

LAB 64.72, 8.83, 58.04

 

CMYK 0 / 20 / 63 / 30

HEX #B28E42

RGB 178 142 66

HSL 40.71, 0.46%, 0.48%

LAB 60.96, 4.94, 44.73

 

CMYK 0 / 15 / 46 / 38

HEX #9E8756

RGB 158 135 86

HSL 40.83, 0.3%, 0.48%

LAB 57.34, 1.86, 29.52

 

CMYK 0 / 7 / 23 / 46

HEX #8A806A

RGB 138 128 106

HSL 41.25, 0.13%, 0.48%

LAB 53.9, 0.02, 13.33

 

CMYK 0 / 76 / 88 / 15

HEX #D9341A

RGB 217 52 26

HSL 8.17, 0.79%, 0.48%

LAB 48.61, 62.04, 52.86

 

CMYK 0 / 53 / 88 / 15

HEX #D9671A

RGB 217 103 26

HSL 24.19, 0.79%, 0.48%

LAB 56.61, 40.74, 59.05

 

CMYK 0 / 29 / 88 / 15

HEX #D99A1A

RGB 217 154 26

HSL 40.21, 0.79%, 0.48%

LAB 67.97, 13.85, 67.95

 

CMYK 0 / 6 / 88 / 15

HEX #D9CD1A

RGB 217 205 26

HSL 56.23, 0.79%, 0.48%

LAB 81.01, -12.82, 78.25

 

CMYK 18 / 0 / 88 / 15

HEX #B3D91A

RGB 179 217 26

HSL 71.94, 0.79%, 0.48%

LAB 81.45, -34.45, 77.41

 

CMYK 0 / 28 / 88 / 44

HEX #906711

RGB 144 103 17

HSL 40.63, 0.79%, 0.32%

LAB 46.54, 9.09, 49.59

 

CMYK 0 / 28 / 88 / 29

HEX #B58216

RGB 181 130 22

HSL 40.75, 0.78%, 0.4%

LAB 57.89, 10.93, 59.21

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1A

RGB 217 156 26

HSL 40.84, 0.79%, 0.48%

LAB 68.46, 12.77, 68.34

 

CMYK 0 / 24 / 76 / 10

HEX #E6AE37

RGB 230 174 55

HSL 40.8, 0.78%, 0.56%

LAB 74.43, 9.67, 65.06

 

CMYK 0 / 19 / 61 / 8

HEX #EABD5C

RGB 234 189 92

HSL 40.99, 0.77%, 0.64%

LAB 78.85, 5.46, 54.11

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1B

RGB 217 156 27

HSL 40.74, 0.78%, 0.48%

LAB 68.47, 12.79, 68.1

 

CMYK 76 / 0 / 88 / 15

HEX #34D91A

RGB 52 217 26

HSL 111.83, 0.79%, 0.48%

LAB 76.33, -71.69, 71.06

 

CMYK 65 / 88 / 0 / 15

HEX #4D1AD9

RGB 77 26 217

HSL 256.02, 0.79%, 0.48%

LAB 32.54, 66.6, -85.76

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1B

RGB 217 156 27

HSL 40.74, 0.78%, 0.48%

LAB 68.47, 12.79, 68.1

 

CMYK 88 / 0 / 29 / 15

HEX #1AD99A

RGB 26 217 154

HSL 160.21, 0.79%, 0.48%

LAB 77.39, -58.09, 18.97

 

CMYK 29 / 88 / 0 / 15

HEX #9A1AD9

RGB 154 26 217

HSL 280.21, 0.79%, 0.48%

LAB 42.18, 74.7, -69.54

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1B

RGB 217 156 27

HSL 40.74, 0.78%, 0.48%

LAB 68.47, 12.79, 68.1

 

CMYK 76 / 0 / 88 / 15

HEX #34D91A

RGB 52 217 26

HSL 111.83, 0.79%, 0.48%

LAB 76.33, -71.69, 71.06

 

CMYK 88 / 59 / 0 / 15

HEX #1A5AD9

RGB 26 90 217

HSL 219.9, 0.79%, 0.48%

LAB 42.06, 29.25, -70.16

 

CMYK 12 / 88 / 0 / 15

HEX #C01AD9

RGB 192 26 217

HSL 292.15, 0.79%, 0.48%

LAB 48.2, 80.38, -59.5

 

CMYK 0 / 28 / 88 / 15

HEX #D99C1B

RGB 217 156 27

HSL 40.74, 0.78%, 0.48%

LAB 68.47, 12.79, 68.1

 

CMYK 88 / 0 / 73 / 15

HEX #1AD93A

RGB 26 217 58

HSL 130.05, 0.79%, 0.48%

LAB 76.16, -72.66, 62.18

 

CMYK 88 / 59 / 0 / 15

HEX #1A5AD9

RGB 26 90 217

HSL 219.9, 0.79%, 0.48%

LAB 42.06, 29.25, -70.16

 

CMYK 0 / 88 / 14 / 15

HEX #D91ABA

RGB 217 26 186

HSL 309.74, 0.79%, 0.48%

LAB 50.73, 80.22, -37.31

 

Description

Color code: HEX #D99C1B | qconv.com Color code: HEX #D99C1B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 156 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 156 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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