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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D99D9C it is the complementary color #266263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D99D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D99D9C shade: #DE9D97, #EFAFAA, #FFC1BD, #FFD3D0 and #FFE5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D99D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D99D9C shade: #D99D9C, #C88B89, #B77976, #A66763 and #955550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D99D9C shade: #D99C9B and #D99B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D99D9C shade: #D99C9B, #D9AC9B, #D9BD9B, #D9CE9B and #D3D99B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D99D9C shade matches the following richer shades: #D99C9B, #E49190, #EF8684 and #FA7B79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D99D9C shade: #D99C9B, #CDA6A6, #C2B1B1, #B7BCBC and #ACC7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D99D9C shade: #D99BBC, #D99BAB, #D99B9B, #D9AB9B and #D9BC9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D99D9C shade: #C2605F, #CD7E7D, #D99C9B, #E4B9B9 and #EFD7D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D99D9C shade: #D99D9C, #CCD99B and #9BB3D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D99D9C shade: #D99D9C, #9BD99B and #9B9BD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D99D9C shade: #D99D9C, #CCD99B, #9BD9D9 and #A79BD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D99D9C shade: #D99D9C, #BAD99B, #9BD9D9 and #BA9BD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 28 / 15

HEX #D99D9C

RGB 217 157 156

HSL 0.98, 0.45%, 0.73%

LAB 70.36, 22.22, 9.39

 

Complementary color

CMYK 62 / 1 / 0 / 61

HEX #266263

RGB 38 98 99

HSL 180.98, 0.45%, 0.27%

LAB 37.93, -18.77, -6.38

 

CMYK 0 / 29 / 32 / 13

HEX #DE9D97

RGB 222 157 151

HSL 5.07, 0.52%, 0.73%

LAB 70.79, 23.45, 12.83

 

CMYK 0 / 27 / 29 / 6

HEX #EFAFAA

RGB 239 175 170

HSL 4.35, 0.68%, 0.8%

LAB 77.23, 22.69, 11.78

 

CMYK 0 / 24 / 26 / 0

HEX #FFC1BD

RGB 255 193 189

HSL 3.64, 1%, 0.87%

LAB 83.48, 21.65, 10.66

 

CMYK 0 / 17 / 18 / 0

HEX #FFD3D0

RGB 255 211 208

HSL 3.83, 1%, 0.91%

LAB 88.16, 14.94, 7.27

 

CMYK 0 / 10 / 11 / 0

HEX #FFE5E3

RGB 255 229 227

HSL 4.29, 1%, 0.95%

LAB 92.95, 8.56, 4.2

 

CMYK 0 / 28 / 28 / 15

HEX #D99D9C

RGB 217 157 156

HSL 0.98, 0.45%, 0.73%

LAB 70.36, 22.22, 9.39

 

CMYK 0 / 31 / 32 / 22

HEX #C88B89

RGB 200 139 137

HSL 1.9, 0.36%, 0.66%

LAB 63.8, 22.99, 10.44

 

CMYK 0 / 34 / 36 / 28

HEX #B77976

RGB 183 121 118

HSL 2.77, 0.31%, 0.59%

LAB 57.12, 23.86, 11.61

 

CMYK 0 / 38 / 40 / 35

HEX #A66763

RGB 166 103 99

HSL 3.58, 0.27%, 0.52%

LAB 50.34, 24.83, 12.93

 

CMYK 0 / 43 / 46 / 42

HEX #955550

RGB 149 85 80

HSL 4.35, 0.3%, 0.45%

LAB 43.46, 25.93, 14.47

 

CMYK 0 / 28 / 29 / 15

HEX #D99C9B

RGB 217 156 155

HSL 0.97, 0.45%, 0.73%

LAB 70.1, 22.62, 9.57

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9B

RGB 217 155 155

HSL 0, 0.45%, 0.73%

LAB 69.87, 23.16, 9.24

 

CMYK 0 / 28 / 29 / 15

HEX #D99C9B

RGB 217 156 155

HSL 0.97, 0.45%, 0.73%

LAB 70.1, 22.62, 9.57

 

CMYK 0 / 21 / 29 / 15

HEX #D9AC9B

RGB 217 172 155

HSL 16.45, 0.45%, 0.73%

LAB 73.95, 13.98, 15

 

CMYK 0 / 13 / 29 / 15

HEX #D9BD9B

RGB 217 189 155

HSL 32.9, 0.45%, 0.73%

LAB 78.18, 4.91, 20.87

 

CMYK 0 / 5 / 29 / 15

HEX #D9CE9B

RGB 217 206 155

HSL 49.35, 0.45%, 0.73%

LAB 82.52, -3.98, 26.8

 

CMYK 3 / 0 / 29 / 15

HEX #D3D99B

RGB 211 217 155

HSL 65.81, 0.45%, 0.73%

LAB 84.92, -11.88, 29.94

 

CMYK 0 / 28 / 29 / 15

HEX #D99C9B

RGB 217 156 155

HSL 0.97, 0.45%, 0.73%

LAB 70.1, 22.62, 9.57

 

CMYK 0 / 36 / 37 / 11

HEX #E49190

RGB 228 145 144

HSL 0.71, 0.61%, 0.73%

LAB 68.58, 31.27, 13.71

 

CMYK 0 / 44 / 45 / 6

HEX #EF8684

RGB 239 134 132

HSL 1.12, 0.77%, 0.73%

LAB 67.33, 39.79, 18.89

 

CMYK 0 / 51 / 52 / 2

HEX #FA7B79

RGB 250 123 121

HSL 0.93, 0.93%, 0.73%

LAB 66.42, 48.25, 24.07

 

CMYK 0 / 28 / 29 / 15

HEX #D99C9B

RGB 217 156 155

HSL 0.97, 0.45%, 0.73%

LAB 70.1, 22.62, 9.57

 

CMYK 0 / 19 / 19 / 20

HEX #CDA6A6

RGB 205 166 166

HSL 0, 0.28%, 0.73%

LAB 71.56, 14.29, 5.41

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 3 / 0 / 0 / 26

HEX #B7BCBC

RGB 183 188 188

HSL 180, 0.04%, 0.73%

LAB 75.86, -1.73, -0.61

 

CMYK 14 / 0 / 0 / 22

HEX #ACC7C7

RGB 172 199 199

HSL 180, 0.19%, 0.73%

LAB 78.31, -9.04, -3.07

 

CMYK 0 / 29 / 13 / 15

HEX #D99BBC

RGB 217 155 188

HSL 328.06, 0.45%, 0.73%

LAB 70.75, 28.12, -7.8

 

CMYK 0 / 29 / 21 / 15

HEX #D99BAB

RGB 217 155 171

HSL 344.52, 0.45%, 0.73%

LAB 70.27, 25.45, 0.93

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9B

RGB 217 155 155

HSL 0, 0.45%, 0.73%

LAB 69.87, 23.16, 9.24

 

CMYK 0 / 21 / 29 / 15

HEX #D9AB9B

RGB 217 171 155

HSL 15.48, 0.45%, 0.73%

LAB 73.7, 14.52, 14.66

 

CMYK 0 / 13 / 29 / 15

HEX #D9BC9B

RGB 217 188 155

HSL 31.94, 0.45%, 0.73%

LAB 77.92, 5.44, 20.53

 

CMYK 0 / 51 / 51 / 24

HEX #C2605F

RGB 194 96 95

HSL 0.61, 0.45%, 0.57%

LAB 52.58, 39.06, 18.97

 

CMYK 0 / 39 / 39 / 20

HEX #CD7E7D

RGB 205 126 125

HSL 0.75, 0.44%, 0.65%

LAB 61.12, 30.5, 13.58

 

CMYK 0 / 28 / 29 / 15

HEX #D99C9B

RGB 217 156 155

HSL 0.97, 0.45%, 0.73%

LAB 70.1, 22.62, 9.57

 

CMYK 0 / 19 / 19 / 11

HEX #E4B9B9

RGB 228 185 185

HSL 0, 0.44%, 0.81%

LAB 78.87, 15.44, 5.85

 

CMYK 0 / 10 / 10 / 6

HEX #EFD7D6

RGB 239 215 214

HSL 2.4, 0.44%, 0.89%

LAB 87.88, 8.13, 3.51

 

CMYK 0 / 28 / 28 / 15

HEX #D99D9C

RGB 217 157 156

HSL 0.98, 0.45%, 0.73%

LAB 70.36, 22.22, 9.39

 

CMYK 6 / 0 / 29 / 15

HEX #CCD99B

RGB 204 217 155

HSL 72.58, 0.45%, 0.73%

LAB 84.4, -14.5, 29.15

 

CMYK 29 / 18 / 0 / 15

HEX #9BB3D9

RGB 155 179 217

HSL 216.77, 0.45%, 0.73%

LAB 72.37, 0.4, -21.84

 

CMYK 0 / 28 / 28 / 15

HEX #D99D9C

RGB 217 157 156

HSL 0.98, 0.45%, 0.73%

LAB 70.36, 22.22, 9.39

 

CMYK 29 / 0 / 29 / 15

HEX #9BD99B

RGB 155 217 155

HSL 120, 0.45%, 0.73%

LAB 81.27, -31.76, 24.4

 

CMYK 29 / 29 / 0 / 15

HEX #9B9BD9

RGB 155 155 217

HSL 240, 0.45%, 0.73%

LAB 66.08, 13.8, -31.51

 

CMYK 0 / 28 / 28 / 15

HEX #D99D9C

RGB 217 157 156

HSL 0.98, 0.45%, 0.73%

LAB 70.36, 22.22, 9.39

 

CMYK 6 / 0 / 29 / 15

HEX #CCD99B

RGB 204 217 155

HSL 72.58, 0.45%, 0.73%

LAB 84.4, -14.5, 29.15

 

CMYK 29 / 0 / 0 / 15

HEX #9BD9D9

RGB 155 217 217

HSL 180, 0.45%, 0.73%

LAB 82.7, -19.53, -6.34

 

CMYK 23 / 29 / 0 / 15

HEX #A79BD9

RGB 167 155 217

HSL 251.61, 0.45%, 0.73%

LAB 67.03, 17.39, -29.96

 

CMYK 0 / 28 / 28 / 15

HEX #D99D9C

RGB 217 157 156

HSL 0.98, 0.45%, 0.73%

LAB 70.36, 22.22, 9.39

 

CMYK 14 / 0 / 29 / 15

HEX #BAD99B

RGB 186 217 155

HSL 90, 0.45%, 0.73%

LAB 83.14, -21.09, 27.25

 

CMYK 29 / 0 / 0 / 15

HEX #9BD9D9

RGB 155 217 217

HSL 180, 0.45%, 0.73%

LAB 82.7, -19.53, -6.34

 

CMYK 14 / 29 / 0 / 15

HEX #BA9BD9

RGB 186 155 217

HSL 270, 0.45%, 0.73%

LAB 68.67, 23.27, -27.29

 

Description

Color code: HEX #D99D9C | qconv.com Color code: HEX #D99D9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 157 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 157 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 28 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 28% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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