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Color name
HEX #D9B46E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B46E it is the complementary color #264B91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B46E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B46E shade: #DEB469, #EFC67C, #FFD88F, #FFEAA2 and #FFFCB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B46E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B46E shade: #D9B46E, #C8A25B, #B79048, #A67E35 and #956C22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B46E shade: #D8B36D, #D8966D, #D87A6D and #D86D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B46E shade: #D8B36D, #D8D06D, #C3D86D, #A7D86D and #8AD86D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B46E shade matches the following richer shades: #D8B36D, #E7B85F and #F6BC50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B46E shade: #D8B36D, #C9AF7C, #BAAA8B, #ABA59A and #9DA1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B46E shade: #D87A6D, #D8966D, #D8B36D, #D8CF6D and #C4D86D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B46E shade: #C08F33, #CFA24D, #D8B36D, #E1C48E and #E9D5AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B46E shade: #D9B46E, #7DD86D and #886DD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B46E shade: #D9B46E, #6DD8B3 and #B36DD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B46E shade: #D9B46E, #7DD86D, #6D93D8 and #C86DD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B46E shade: #D9B46E, #6DD87D, #6D93D8 and #D86DC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 49 / 15

HEX #D9B46E

RGB 217 180 110

HSL 39.25, 0.58%, 0.64%

LAB 75.15, 4.59, 40.51

 

Complementary color

CMYK 74 / 48 / 0 / 43

HEX #264B91

RGB 38 75 145

HSL 219.25, 0.58%, 0.36%

LAB 32.89, 12.2, -42.56

 

CMYK 0 / 19 / 53 / 13

HEX #DEB469

RGB 222 180 105

HSL 38.46, 0.64%, 0.64%

LAB 75.57, 6.2, 43.67

 

CMYK 0 / 17 / 48 / 6

HEX #EFC67C

RGB 239 198 124

HSL 38.61, 0.78%, 0.71%

LAB 81.94, 5.38, 42.36

 

CMYK 0 / 15 / 44 / 0

HEX #FFD88F

RGB 255 216 143

HSL 39.11, 1%, 0.78%

LAB 88.14, 4.27, 40.97

 

CMYK 0 / 8 / 36 / 0

HEX #FFEAA2

RGB 255 234 162

HSL 46.45, 1%, 0.82%

LAB 92.89, -2.87, 37.58

 

CMYK 0 / 1 / 29 / 0

HEX #FFFCB5

RGB 255 252 181

HSL 57.57, 1%, 0.85%

LAB 97.72, -9.6, 34.45

 

CMYK 0 / 17 / 49 / 15

HEX #D9B46E

RGB 217 180 110

HSL 39.25, 0.58%, 0.64%

LAB 75.15, 4.59, 40.51

 

CMYK 0 / 19 / 55 / 22

HEX #C8A25B

RGB 200 162 91

HSL 39.08, 0.5%, 0.57%

LAB 68.66, 5.44, 41.84

 

CMYK 0 / 21 / 61 / 28

HEX #B79048

RGB 183 144 72

HSL 38.92, 0.44%, 0.5%

LAB 62.07, 6.45, 43.18

 

CMYK 0 / 24 / 68 / 35

HEX #A67E35

RGB 166 126 53

HSL 38.76, 0.52%, 0.43%

LAB 55.37, 7.67, 44.45

 

CMYK 0 / 28 / 77 / 42

HEX #956C22

RGB 149 108 34

HSL 38.61, 0.63%, 0.36%

LAB 48.55, 9.15, 45.43

 

CMYK 0 / 17 / 50 / 15

HEX #D8B36D

RGB 216 179 109

HSL 39.25, 0.58%, 0.64%

LAB 74.79, 4.61, 40.55

 

CMYK 0 / 31 / 50 / 15

HEX #D8966D

RGB 216 150 109

HSL 22.99, 0.58%, 0.64%

LAB 67.66, 20.18, 31.52

 

CMYK 0 / 44 / 50 / 15

HEX #D87A6D

RGB 216 122 109

HSL 7.29, 0.58%, 0.64%

LAB 61.33, 35.16, 23.19

 

CMYK 0 / 50 / 50 / 15

HEX #D86D6D

RGB 216 109 109

HSL 0, 0.58%, 0.64%

LAB 58.64, 41.87, 19.57

 

CMYK 0 / 17 / 50 / 15

HEX #D8B36D

RGB 216 179 109

HSL 39.25, 0.58%, 0.64%

LAB 74.79, 4.61, 40.55

 

CMYK 0 / 4 / 50 / 15

HEX #D8D06D

RGB 216 208 109

HSL 55.51, 0.58%, 0.64%

LAB 82.28, -10.44, 49.68

 

CMYK 10 / 0 / 50 / 15

HEX #C3D86D

RGB 195 216 109

HSL 71.78, 0.58%, 0.64%

LAB 82.82, -22.79, 49.94

 

CMYK 23 / 0 / 50 / 15

HEX #A7D86D

RGB 167 216 109

HSL 87.48, 0.58%, 0.64%

LAB 80.98, -33.42, 47.29

 

CMYK 36 / 0 / 50 / 15

HEX #8AD86D

RGB 138 216 109

HSL 103.74, 0.58%, 0.64%

LAB 79.4, -43.51, 45

 

CMYK 0 / 17 / 50 / 15

HEX #D8B36D

RGB 216 179 109

HSL 39.25, 0.58%, 0.64%

LAB 74.79, 4.61, 40.55

 

CMYK 0 / 20 / 59 / 9

HEX #E7B85F

RGB 231 184 95

HSL 39.26, 0.74%, 0.64%

LAB 77.34, 7.04, 50.89

 

CMYK 0 / 24 / 67 / 4

HEX #F6BC50

RGB 246 188 80

HSL 39.04, 0.9%, 0.64%

LAB 79.69, 10.25, 60.79

 

CMYK 0 / 17 / 50 / 15

HEX #D8B36D

RGB 216 179 109

HSL 39.25, 0.58%, 0.64%

LAB 74.79, 4.61, 40.55

 

CMYK 0 / 13 / 38 / 21

HEX #C9AF7C

RGB 201 175 124

HSL 39.74, 0.42%, 0.64%

LAB 72.58, 2.18, 29.62

 

CMYK 0 / 9 / 25 / 27

HEX #BAAA8B

RGB 186 170 139

HSL 39.57, 0.25%, 0.64%

LAB 70.21, 0.84, 18.1

 

CMYK 0 / 4 / 10 / 33

HEX #ABA59A

RGB 171 165 154

HSL 38.82, 0.09%, 0.64%

LAB 67.95, 0.2, 6.46

 

CMYK 7 / 5 / 0 / 34

HEX #9DA1A9

RGB 157 161 169

HSL 220, 0.07%, 0.64%

LAB 66.15, 0.17, -4.65

 

CMYK 0 / 44 / 50 / 15

HEX #D87A6D

RGB 216 122 109

HSL 7.29, 0.58%, 0.64%

LAB 61.33, 35.16, 23.19

 

CMYK 0 / 31 / 50 / 15

HEX #D8966D

RGB 216 150 109

HSL 22.99, 0.58%, 0.64%

LAB 67.66, 20.18, 31.52

 

CMYK 0 / 17 / 50 / 15

HEX #D8B36D

RGB 216 179 109

HSL 39.25, 0.58%, 0.64%

LAB 74.79, 4.61, 40.55

 

CMYK 0 / 4 / 50 / 15

HEX #D8CF6D

RGB 216 207 109

HSL 54.95, 0.58%, 0.64%

LAB 82.02, -9.93, 49.37

 

CMYK 9 / 0 / 50 / 15

HEX #C4D86D

RGB 196 216 109

HSL 71.21, 0.58%, 0.64%

LAB 82.89, -22.39, 50.04

 

CMYK 0 / 26 / 73 / 25

HEX #C08F33

RGB 192 143 51

HSL 39.15, 0.58%, 0.48%

LAB 62.58, 9.68, 53.73

 

CMYK 0 / 22 / 63 / 19

HEX #CFA24D

RGB 207 162 77

HSL 39.23, 0.58%, 0.56%

LAB 69.21, 7.37, 49.55

 

CMYK 0 / 17 / 50 / 15

HEX #D8B36D

RGB 216 179 109

HSL 39.25, 0.58%, 0.64%

LAB 74.79, 4.61, 40.55

 

CMYK 0 / 13 / 37 / 12

HEX #E1C48E

RGB 225 196 142

HSL 39.04, 0.58%, 0.72%

LAB 80.43, 2.72, 30.91

 

CMYK 0 / 9 / 25 / 9

HEX #E9D5AF

RGB 233 213 175

HSL 39.31, 0.57%, 0.8%

LAB 86.01, 1.13, 21.32

 

CMYK 0 / 17 / 49 / 15

HEX #D9B46E

RGB 217 180 110

HSL 39.25, 0.58%, 0.64%

LAB 75.15, 4.59, 40.51

 

CMYK 42 / 0 / 50 / 15

HEX #7DD86D

RGB 125 216 109

HSL 111.03, 0.58%, 0.64%

LAB 78.8, -47.6, 44.13

 

CMYK 37 / 50 / 0 / 15

HEX #886DD8

RGB 136 109 216

HSL 255.14, 0.58%, 0.64%

LAB 53.09, 34.95, -51.47

 

CMYK 0 / 17 / 49 / 15

HEX #D9B46E

RGB 217 180 110

HSL 39.25, 0.58%, 0.64%

LAB 75.15, 4.59, 40.51

 

CMYK 50 / 0 / 17 / 15

HEX #6DD8B3

RGB 109 216 179

HSL 159.25, 0.58%, 0.64%

LAB 79.4, -39.65, 8.82

 

CMYK 17 / 50 / 0 / 15

HEX #B36DD8

RGB 179 109 216

HSL 279.25, 0.58%, 0.64%

LAB 57.54, 46.3, -44.13

 

CMYK 0 / 17 / 49 / 15

HEX #D9B46E

RGB 217 180 110

HSL 39.25, 0.58%, 0.64%

LAB 75.15, 4.59, 40.51

 

CMYK 42 / 0 / 50 / 15

HEX #7DD86D

RGB 125 216 109

HSL 111.03, 0.58%, 0.64%

LAB 78.8, -47.6, 44.13

 

CMYK 50 / 32 / 0 / 15

HEX #6D93D8

RGB 109 147 216

HSL 218.69, 0.58%, 0.64%

LAB 60.85, 5.88, -39.32

 

CMYK 7 / 50 / 0 / 15

HEX #C86DD8

RGB 200 109 216

HSL 291.03, 0.58%, 0.64%

LAB 60.05, 52.09, -40.01

 

CMYK 0 / 17 / 49 / 15

HEX #D9B46E

RGB 217 180 110

HSL 39.25, 0.58%, 0.64%

LAB 75.15, 4.59, 40.51

 

CMYK 50 / 0 / 42 / 15

HEX #6DD87D

RGB 109 216 125

HSL 128.97, 0.58%, 0.64%

LAB 78.37, -49.88, 35.57

 

CMYK 50 / 32 / 0 / 15

HEX #6D93D8

RGB 109 147 216

HSL 218.69, 0.58%, 0.64%

LAB 60.85, 5.88, -39.32

 

CMYK 0 / 50 / 7 / 15

HEX #D86DC8

RGB 216 109 200

HSL 308.97, 0.58%, 0.64%

LAB 61.4, 53.79, -28.72

 

Description

Color code: HEX #D9B46E | qconv.com Color code: HEX #D9B46E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 180 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 180 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 49 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 49% 15% C M Y K

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Provide designers and agencies with accurate color values.

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