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Color name
HEX #D9B55D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B55D it is the complementary color #264AA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B55D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B55D shade: #DEB558, #EFC76B, #FFD97E, #FFEB91 and #FFFDA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B55D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B55D shade: #D9B55D, #C8A34A, #B79137, #A67F24 and #956D11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B55D shade: #D9B55D, #D9945D, #D9725D and #D95D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B55D shade: #D9B55D, #D9D65D, #BAD95D, #99D95D and #77D95D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B55D shade matches the following richer shades: #D9B55D, #E9BC4D and #F9C23D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B55D shade: #D9B55D, #C9AE6D, #B9A77E, #A8A18E and #989A9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B55D shade: #D9725D, #D9935D, #D9B45D, #D9D55D and #BCD95D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B55D shade: #B9902B, #D1A63C, #D9B55D, #E1C47F and #E8D3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B55D shade: #D9B55D, #6AD95D and #825DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B55D shade: #D9B55D, #5DD9B4 and #B45DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B55D shade: #D9B55D, #6AD95D, #5D82D9 and #CC5DD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B55D shade: #D9B55D, #5DD976, #5D82D9 and #D95DC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

Complementary color

CMYK 77 / 54 / 0 / 36

HEX #264AA2

RGB 38 74 162

HSL 222.58, 0.62%, 0.39%

LAB 33.81, 19.51, -51.38

 

CMYK 0 / 18 / 60 / 13

HEX #DEB558

RGB 222 181 88

HSL 41.64, 0.67%, 0.61%

LAB 75.63, 4.36, 52.01

 

CMYK 0 / 17 / 55 / 6

HEX #EFC76B

RGB 239 199 107

HSL 41.82, 0.8%, 0.68%

LAB 81.98, 3.41, 50.78

 

CMYK 0 / 15 / 51 / 0

HEX #FFD97E

RGB 255 217 126

HSL 42.33, 1%, 0.75%

LAB 88.16, 2.19, 49.39

 

CMYK 0 / 8 / 43 / 0

HEX #FFEB91

RGB 255 235 145

HSL 49.09, 1%, 0.78%

LAB 92.89, -5.16, 46.02

 

CMYK 0 / 1 / 36 / 0

HEX #FFFDA4

RGB 255 253 164

HSL 58.68, 1%, 0.82%

LAB 97.71, -12.08, 42.86

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 0 / 19 / 63 / 22

HEX #C8A34A

RGB 200 163 74

HSL 42.38, 0.53%, 0.54%

LAB 68.73, 3.63, 50.22

 

CMYK 0 / 21 / 70 / 28

HEX #B79137

RGB 183 145 55

HSL 42.19, 0.54%, 0.47%

LAB 62.16, 4.82, 51.28

 

CMYK 0 / 23 / 78 / 35

HEX #A67F24

RGB 166 127 36

HSL 42, 0.64%, 0.4%

LAB 55.5, 6.24, 51.92

 

CMYK 0 / 27 / 89 / 42

HEX #956D11

RGB 149 109 17

HSL 41.82, 0.8%, 0.33%

LAB 48.72, 7.98, 51.61

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 0 / 32 / 57 / 15

HEX #D9945D

RGB 217 148 93

HSL 26.61, 0.62%, 0.61%

LAB 67.07, 20.3, 39.3

 

CMYK 0 / 47 / 57 / 15

HEX #D9725D

RGB 217 114 93

HSL 10.16, 0.62%, 0.61%

LAB 59.5, 38.34, 29.84

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 0 / 1 / 57 / 15

HEX #D9D65D

RGB 217 214 93

HSL 58.55, 0.62%, 0.61%

LAB 83.78, -14.33, 58.8

 

CMYK 14 / 0 / 57 / 15

HEX #BAD95D

RGB 186 217 93

HSL 75, 0.62%, 0.61%

LAB 82.3, -28.22, 56.51

 

CMYK 29 / 0 / 57 / 15

HEX #99D95D

RGB 153 217 93

HSL 90.97, 0.62%, 0.61%

LAB 80.29, -40.56, 53.68

 

CMYK 45 / 0 / 57 / 15

HEX #77D95D

RGB 119 217 93

HSL 107.42, 0.62%, 0.61%

LAB 78.66, -51.7, 51.38

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 0 / 19 / 67 / 9

HEX #E9BC4D

RGB 233 188 77

HSL 42.69, 0.78%, 0.61%

LAB 78.36, 4.63, 60.27

 

CMYK 0 / 22 / 76 / 2

HEX #F9C23D

RGB 249 194 61

HSL 42.45, 0.94%, 0.61%

LAB 81.32, 7.5, 70.1

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 0 / 13 / 46 / 21

HEX #C9AE6D

RGB 201 174 109

HSL 42.39, 0.46%, 0.61%

LAB 72.09, 1.09, 36.86

 

CMYK 0 / 10 / 32 / 27

HEX #B9A77E

RGB 185 167 126

HSL 41.69, 0.3%, 0.61%

LAB 69.08, 0.29, 23.62

 

CMYK 0 / 4 / 15 / 34

HEX #A8A18E

RGB 168 161 142

HSL 43.85, 0.13%, 0.61%

LAB 66.34, -0.77, 10.8

 

CMYK 4 / 3 / 0 / 38

HEX #989A9E

RGB 152 154 158

HSL 220, 0.03%, 0.61%

LAB 63.55, 0.07, -2.35

 

CMYK 0 / 47 / 57 / 15

HEX #D9725D

RGB 217 114 93

HSL 10.16, 0.62%, 0.61%

LAB 59.5, 38.34, 29.84

 

CMYK 0 / 32 / 57 / 15

HEX #D9935D

RGB 217 147 93

HSL 26.13, 0.62%, 0.61%

LAB 66.83, 20.83, 39.01

 

CMYK 0 / 17 / 57 / 15

HEX #D9B45D

RGB 217 180 93

HSL 42.1, 0.62%, 0.61%

LAB 74.94, 3.15, 48.71

 

CMYK 0 / 2 / 57 / 15

HEX #D9D55D

RGB 217 213 93

HSL 58.06, 0.62%, 0.61%

LAB 83.51, -13.83, 58.5

 

CMYK 13 / 0 / 57 / 15

HEX #BCD95D

RGB 188 217 93

HSL 74.03, 0.62%, 0.61%

LAB 82.44, -27.43, 56.7

 

CMYK 0 / 22 / 77 / 27

HEX #B9902B

RGB 185 144 43

HSL 42.68, 0.62%, 0.45%

LAB 62.03, 5.67, 56.14

 

CMYK 0 / 21 / 71 / 18

HEX #D1A63C

RGB 209 166 60

HSL 42.68, 0.62%, 0.53%

LAB 70.28, 5.1, 58.32

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 0 / 13 / 44 / 12

HEX #E1C47F

RGB 225 196 127

HSL 42.24, 0.62%, 0.69%

LAB 80.19, 1.08, 38.35

 

CMYK 0 / 9 / 31 / 9

HEX #E8D3A0

RGB 232 211 160

HSL 42.5, 0.61%, 0.77%

LAB 85.14, -0.19, 27.95

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 51 / 0 / 57 / 15

HEX #6AD95D

RGB 106 217 93

HSL 113.71, 0.62%, 0.61%

LAB 78.16, -55.38, 50.67

 

CMYK 40 / 57 / 0 / 15

HEX #825DD9

RGB 130 93 217

HSL 257.9, 0.62%, 0.61%

LAB 48.99, 42.97, -58.64

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 57 / 0 / 17 / 15

HEX #5DD9B4

RGB 93 217 180

HSL 162.1, 0.62%, 0.61%

LAB 79.18, -43.34, 7.92

 

CMYK 17 / 57 / 0 / 15

HEX #B45DD9

RGB 180 93 217

HSL 282.1, 0.62%, 0.61%

LAB 54.6, 54.97, -49.35

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 51 / 0 / 57 / 15

HEX #6AD95D

RGB 106 217 93

HSL 113.71, 0.62%, 0.61%

LAB 78.16, -55.38, 50.67

 

CMYK 57 / 40 / 0 / 15

HEX #5D82D9

RGB 93 130 217

HSL 222.1, 0.62%, 0.61%

LAB 55.38, 12.77, -48.57

 

CMYK 6 / 57 / 0 / 15

HEX #CC5DD9

RGB 204 93 217

HSL 293.71, 0.62%, 0.61%

LAB 57.73, 61.04, -44.19

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 57 / 0 / 46 / 15

HEX #5DD976

RGB 93 217 118

HSL 132.1, 0.62%, 0.61%

LAB 78.03, -55.31, 38.51

 

CMYK 57 / 40 / 0 / 15

HEX #5D82D9

RGB 93 130 217

HSL 222.1, 0.62%, 0.61%

LAB 55.38, 12.77, -48.57

 

CMYK 0 / 57 / 12 / 15

HEX #D95DC0

RGB 217 93 192

HSL 312.1, 0.62%, 0.61%

LAB 58.4, 60.27, -28.8

 

Description

Color code: HEX #D9B55D | qconv.com Color code: HEX #D9B55D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 181 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 181 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 57% 15% C M Y K

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