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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B59B it is the complementary color #264A64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B59B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B59B shade: #DEB596, #EFC7A9, #FFD9BC, #FFEBCF and #FFFDE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B59B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B59B shade: #D9B59B, #C8A388, #B79175, #A67F62 and #956D4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B59B shade: #D9B59B, #D9A49B and #D99B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B59B shade: #D9B59B, #D9C59B, #D9D69B, #CAD99B and #BAD99B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B59B shade matches the following richer shades: #D9B59B, #E4B390, #EFB184 and #FAAF79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B59B shade: #D9B59B, #CDB6A6, #C2B8B1, #B7BABC and #ACBCC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B59B shade: #D99BA2, #D9A49B, #D9B49B, #D9C59B and #D9D69B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B59B shade: #C2885F, #CD9F7D, #D9B59B, #E4CBB9 and #EFE1D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B59B shade: #D9B59B, #B2D99B and #9C9BD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B59B shade: #D9B59B, #9BD9B4 and #B49BD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B59B shade: #D9B59B, #B2D99B, #9BBFD9 and #C19BD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B59B shade: #D9B59B, #A0D99B, #9BBFD9 and #D39BD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

Complementary color

CMYK 62 / 26 / 0 / 61

HEX #264A64

RGB 38 74 100

HSL 205.16, 0.45%, 0.27%

LAB 29.98, -4.25, -19.11

 

CMYK 0 / 18 / 32 / 13

HEX #DEB596

RGB 222 181 150

HSL 25.83, 0.52%, 0.73%

LAB 76.55, 10.44, 21.38

 

CMYK 0 / 17 / 29 / 6

HEX #EFC7A9

RGB 239 199 169

HSL 25.71, 0.69%, 0.8%

LAB 82.95, 9.88, 20.33

 

CMYK 0 / 15 / 26 / 0

HEX #FFD9BC

RGB 255 217 188

HSL 25.97, 1%, 0.87%

LAB 89.17, 9, 19.19

 

CMYK 0 / 8 / 19 / 0

HEX #FFEBCF

RGB 255 235 207

HSL 35, 1%, 0.91%

LAB 93.96, 2.42, 16.04

 

CMYK 0 / 1 / 11 / 0

HEX #FFFDE2

RGB 255 253 226

HSL 55.86, 1%, 0.94%

LAB 98.83, -3.79, 13.16

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 0 / 19 / 32 / 22

HEX #C8A388

RGB 200 163 136

HSL 25.31, 0.37%, 0.66%

LAB 69.65, 9.72, 19.16

 

CMYK 0 / 21 / 36 / 28

HEX #B79175

RGB 183 145 117

HSL 25.45, 0.31%, 0.59%

LAB 63.01, 10.37, 20.31

 

CMYK 0 / 23 / 41 / 35

HEX #A67F62

RGB 166 127 98

HSL 25.59, 0.28%, 0.52%

LAB 56.26, 11.12, 21.57

 

CMYK 0 / 27 / 47 / 42

HEX #956D4F

RGB 149 109 79

HSL 25.71, 0.31%, 0.45%

LAB 49.36, 12.01, 22.96

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 0 / 24 / 29 / 15

HEX #D9A49B

RGB 217 164 155

HSL 8.71, 0.45%, 0.73%

LAB 72.01, 18.3, 12.27

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9B

RGB 217 155 155

HSL 0, 0.45%, 0.73%

LAB 69.87, 23.16, 9.24

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 0 / 9 / 29 / 15

HEX #D9C59B

RGB 217 197 155

HSL 40.65, 0.45%, 0.73%

LAB 80.21, 0.69, 23.66

 

CMYK 0 / 1 / 29 / 15

HEX #D9D69B

RGB 217 214 155

HSL 57.1, 0.45%, 0.73%

LAB 84.59, -8.09, 29.59

 

CMYK 7 / 0 / 29 / 15

HEX #CAD99B

RGB 202 217 155

HSL 74.52, 0.45%, 0.73%

LAB 84.25, -15.24, 28.93

 

CMYK 14 / 0 / 29 / 15

HEX #BAD99B

RGB 186 217 155

HSL 90, 0.45%, 0.73%

LAB 83.14, -21.09, 27.25

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 0 / 21 / 37 / 11

HEX #E4B390

RGB 228 179 144

HSL 25, 0.61%, 0.73%

LAB 76.53, 13.11, 24.67

 

CMYK 0 / 26 / 45 / 6

HEX #EFB184

RGB 239 177 132

HSL 25.23, 0.77%, 0.73%

LAB 76.96, 17.2, 31.83

 

CMYK 0 / 30 / 52 / 2

HEX #FAAF79

RGB 250 175 121

HSL 25.12, 0.93%, 0.73%

LAB 77.5, 21.59, 38.53

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 0 / 11 / 19 / 20

HEX #CDB6A6

RGB 205 182 166

HSL 24.62, 0.28%, 0.73%

LAB 75.57, 5.65, 11.14

 

CMYK 0 / 5 / 9 / 24

HEX #C2B8B1

RGB 194 184 177

HSL 24.71, 0.12%, 0.73%

LAB 75.4, 2.31, 4.81

 

CMYK 3 / 1 / 0 / 26

HEX #B7BABC

RGB 183 186 188

HSL 204, 0.04%, 0.73%

LAB 75.34, -0.66, -1.38

 

CMYK 14 / 6 / 0 / 22

HEX #ACBCC7

RGB 172 188 199

HSL 204.44, 0.19%, 0.73%

LAB 75.36, -3.24, -7.42

 

CMYK 0 / 29 / 25 / 15

HEX #D99BA2

RGB 217 155 162

HSL 353.23, 0.45%, 0.73%

LAB 70.04, 24.14, 5.59

 

CMYK 0 / 24 / 29 / 15

HEX #D9A49B

RGB 217 164 155

HSL 8.71, 0.45%, 0.73%

LAB 72.01, 18.3, 12.27

 

CMYK 0 / 17 / 29 / 15

HEX #D9B49B

RGB 217 180 155

HSL 24.19, 0.45%, 0.73%

LAB 75.92, 9.69, 17.76

 

CMYK 0 / 9 / 29 / 15

HEX #D9C59B

RGB 217 197 155

HSL 40.65, 0.45%, 0.73%

LAB 80.21, 0.69, 23.66

 

CMYK 0 / 1 / 29 / 15

HEX #D9D69B

RGB 217 214 155

HSL 57.1, 0.45%, 0.73%

LAB 84.59, -8.09, 29.59

 

CMYK 0 / 30 / 51 / 24

HEX #C2885F

RGB 194 136 95

HSL 24.85, 0.45%, 0.57%

LAB 61.57, 17.48, 30.79

 

CMYK 0 / 22 / 39 / 20

HEX #CD9F7D

RGB 205 159 125

HSL 25.5, 0.44%, 0.65%

LAB 68.94, 12.53, 24.3

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 0 / 11 / 19 / 11

HEX #E4CBB9

RGB 228 203 185

HSL 25.12, 0.44%, 0.81%

LAB 83.29, 5.91, 12.17

 

CMYK 0 / 6 / 10 / 6

HEX #EFE1D6

RGB 239 225 214

HSL 26.4, 0.44%, 0.89%

LAB 90.35, 2.94, 7.08

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 18 / 0 / 29 / 15

HEX #B2D99B

RGB 178 217 155

HSL 97.74, 0.45%, 0.73%

LAB 82.62, -23.94, 26.46

 

CMYK 28 / 29 / 0 / 15

HEX #9C9BD9

RGB 156 155 217

HSL 240.97, 0.45%, 0.73%

LAB 66.15, 14.1, -31.38

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 29 / 0 / 17 / 15

HEX #9BD9B4

RGB 155 217 180

HSL 144.19, 0.45%, 0.73%

LAB 81.78, -27.28, 11.97

 

CMYK 17 / 29 / 0 / 15

HEX #B49BD9

RGB 180 155 217

HSL 264.19, 0.45%, 0.73%

LAB 68.14, 21.39, -28.16

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 18 / 0 / 29 / 15

HEX #B2D99B

RGB 178 217 155

HSL 97.74, 0.45%, 0.73%

LAB 82.62, -23.94, 26.46

 

CMYK 29 / 12 / 0 / 15

HEX #9BBFD9

RGB 155 191 217

HSL 205.16, 0.45%, 0.73%

LAB 75.6, -6.08, -16.95

 

CMYK 11 / 29 / 0 / 15

HEX #C19BD9

RGB 193 155 217

HSL 276.77, 0.45%, 0.73%

LAB 69.32, 25.48, -26.24

 

CMYK 0 / 17 / 29 / 15

HEX #D9B59B

RGB 217 181 155

HSL 25.16, 0.45%, 0.73%

LAB 76.17, 9.16, 18.1

 

CMYK 26 / 0 / 29 / 15

HEX #A0D99B

RGB 160 217 155

HSL 115.16, 0.45%, 0.73%

LAB 81.55, -30.11, 24.82

 

CMYK 29 / 12 / 0 / 15

HEX #9BBFD9

RGB 155 191 217

HSL 205.16, 0.45%, 0.73%

LAB 75.6, -6.08, -16.95

 

CMYK 3 / 29 / 0 / 15

HEX #D39BD9

RGB 211 155 217

HSL 294.19, 0.45%, 0.73%

LAB 71.08, 31.25, -23.39

 

Description

Color code: HEX #D9B59B | qconv.com Color code: HEX #D9B59B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 181 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 181 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 29% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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