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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B0C8 it is the complementary color #264F37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B0C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B0C8 shade: #DEB0C3, #EFC2D6, #FFD4E9, #FFE6FC and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B0C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B0C8 shade: #D9B0C8, #C89EB5, #B78CA2, #A67A8F and #95687C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B0C8 shade: #D8AFC7, #D8AFBC, #D8AFB1 and #D8AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B0C8 shade: #D8AFC7, #D8AFD2, #D3AFD8, #C8AFD8 and #BDAFD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B0C8 shade matches the following richer shades: #D8AFC7, #E2A6C9, #EB9CCB, #F593CC and #FE89CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B0C8 shade: #D8AFC7, #CFB9C6, #C5C2C4, #BCCCC2 and #B2D5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B0C8 shade: #D3AFD8, #D8AFD3, #D8AFC8, #D8AFBD and #D8AFB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B0C8 shade: #BE78A1, #CB93B4, #D8AFC7, #E6CBDB and #F3E7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B0C8 shade: #D9B0C8, #D8C8AF and #AFD8D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B0C8 shade: #D9B0C8, #C8D8AF and #AFC8D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B0C8 shade: #D9B0C8, #D8C8AF, #AFD8C0 and #AFC0D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B0C8 shade: #D9B0C8, #D8D4AF, #AFD8C0 and #AFB3D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 8 / 15

HEX #D9B0C8

RGB 217 176 200

HSL 324.88, 0.35%, 0.77%

LAB 76.05, 18.78, -6.53

 

Complementary color

CMYK 52 / 0 / 30 / 69

HEX #264F37

RGB 38 79 55

HSL 144.88, 0.35%, 0.23%

LAB 30.11, -20.79, 9.84

 

CMYK 0 / 21 / 12 / 13

HEX #DEB0C3

RGB 222 176 195

HSL 335.22, 0.41%, 0.78%

LAB 76.39, 19.69, -3.26

 

CMYK 0 / 19 / 10 / 6

HEX #EFC2D6

RGB 239 194 214

HSL 333.33, 0.58%, 0.85%

LAB 82.8, 19.18, -3.91

 

CMYK 0 / 17 / 9 / 0

HEX #FFD4E9

RGB 255 212 233

HSL 330.7, 1%, 0.92%

LAB 89.03, 18.36, -4.66

 

CMYK 0 / 10 / 1 / 0

HEX #FFE6FC

RGB 255 230 252

HSL 307.2, 1%, 0.95%

LAB 93.83, 12.26, -7.53

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 19 / 8 / 15

HEX #D9B0C8

RGB 217 176 200

HSL 324.88, 0.35%, 0.77%

LAB 76.05, 18.78, -6.53

 

CMYK 0 / 21 / 10 / 22

HEX #C89EB5

RGB 200 158 181

HSL 327.14, 0.28%, 0.7%

LAB 69.52, 19.3, -5.93

 

CMYK 0 / 23 / 11 / 28

HEX #B78CA2

RGB 183 140 162

HSL 329.3, 0.23%, 0.63%

LAB 62.87, 19.88, -5.3

 

CMYK 0 / 27 / 14 / 35

HEX #A67A8F

RGB 166 122 143

HSL 331.36, 0.2%, 0.56%

LAB 56.1, 20.51, -4.62

 

CMYK 0 / 30 / 17 / 42

HEX #95687C

RGB 149 104 124

HSL 333.33, 0.18%, 0.5%

LAB 49.19, 21.22, -3.87

 

CMYK 0 / 19 / 8 / 15

HEX #D8AFC7

RGB 216 175 199

HSL 324.88, 0.34%, 0.77%

LAB 75.69, 18.8, -6.54

 

CMYK 0 / 19 / 13 / 15

HEX #D8AFBC

RGB 216 175 188

HSL 340.98, 0.34%, 0.77%

LAB 75.38, 16.94, -0.98

 

CMYK 0 / 19 / 18 / 15

HEX #D8AFB1

RGB 216 175 177

HSL 357.07, 0.34%, 0.77%

LAB 75.1, 15.19, 4.61

 

CMYK 0 / 19 / 19 / 15

HEX #D8AFAF

RGB 216 175 175

HSL 0, 0.34%, 0.77%

LAB 75.05, 14.88, 5.63

 

CMYK 0 / 19 / 8 / 15

HEX #D8AFC7

RGB 216 175 199

HSL 324.88, 0.34%, 0.77%

LAB 75.69, 18.8, -6.54

 

CMYK 0 / 19 / 3 / 15

HEX #D8AFD2

RGB 216 175 210

HSL 308.78, 0.34%, 0.77%

LAB 76.02, 20.75, -12.05

 

CMYK 2 / 19 / 0 / 15

HEX #D3AFD8

RGB 211 175 216

HSL 292.68, 0.34%, 0.77%

LAB 75.74, 20.18, -15.78

 

CMYK 7 / 19 / 0 / 15

HEX #C8AFD8

RGB 200 175 216

HSL 276.59, 0.34%, 0.77%

LAB 74.76, 16.53, -17.35

 

CMYK 13 / 19 / 0 / 15

HEX #BDAFD8

RGB 189 175 216

HSL 260.49, 0.34%, 0.77%

LAB 73.83, 12.94, -18.85

 

CMYK 0 / 19 / 8 / 15

HEX #D8AFC7

RGB 216 175 199

HSL 324.88, 0.34%, 0.77%

LAB 75.69, 18.8, -6.54

 

CMYK 0 / 27 / 11 / 11

HEX #E2A6C9

RGB 226 166 201

HSL 325, 0.51%, 0.77%

LAB 74.61, 27.47, -9.13

 

CMYK 0 / 34 / 14 / 8

HEX #EB9CCB

RGB 235 156 203

HSL 324.3, 0.66%, 0.77%

LAB 73.38, 36.2, -11.95

 

CMYK 0 / 40 / 17 / 4

HEX #F593CC

RGB 245 147 204

HSL 325.1, 0.83%, 0.77%

LAB 72.65, 44.37, -13.48

 

CMYK 0 / 46 / 19 / 0

HEX #FE89CE

RGB 254 137 206

HSL 324.62, 0.98%, 0.77%

LAB 71.84, 52.58, -15.7

 

CMYK 0 / 19 / 8 / 15

HEX #D8AFC7

RGB 216 175 199

HSL 324.88, 0.34%, 0.77%

LAB 75.69, 18.8, -6.54

 

CMYK 0 / 11 / 4 / 19

HEX #CFB9C6

RGB 207 185 198

HSL 324.55, 0.19%, 0.77%

LAB 77.31, 10.07, -3.7

 

CMYK 0 / 2 / 1 / 23

HEX #C5C2C4

RGB 197 194 196

HSL 320, 0.03%, 0.77%

LAB 78.72, 1.41, -0.64

 

CMYK 8 / 0 / 5 / 20

HEX #BCCCC2

RGB 188 204 194

HSL 142.5, 0.14%, 0.77%

LAB 80.61, -7.31, 3.11

 

CMYK 16 / 0 / 9 / 16

HEX #B2D5C1

RGB 178 213 193

HSL 145.71, 0.29%, 0.77%

LAB 82.33, -15.46, 6.04

 

CMYK 2 / 19 / 0 / 15

HEX #D3AFD8

RGB 211 175 216

HSL 292.68, 0.34%, 0.77%

LAB 75.74, 20.18, -15.78

 

CMYK 0 / 19 / 2 / 15

HEX #D8AFD3

RGB 216 175 211

HSL 307.32, 0.34%, 0.77%

LAB 76.05, 20.93, -12.55

 

CMYK 0 / 19 / 7 / 15

HEX #D8AFC8

RGB 216 175 200

HSL 323.41, 0.34%, 0.77%

LAB 75.72, 18.97, -7.04

 

CMYK 0 / 19 / 13 / 15

HEX #D8AFBD

RGB 216 175 189

HSL 339.51, 0.34%, 0.77%

LAB 75.41, 17.11, -1.49

 

CMYK 0 / 19 / 18 / 15

HEX #D8AFB2

RGB 216 175 178

HSL 355.61, 0.34%, 0.77%

LAB 75.12, 15.34, 4.1

 

CMYK 0 / 37 / 15 / 25

HEX #BE78A1

RGB 190 120 161

HSL 324.86, 0.35%, 0.61%

LAB 58.93, 33.29, -10.51

 

CMYK 0 / 28 / 11 / 20

HEX #CB93B4

RGB 203 147 180

HSL 324.64, 0.35%, 0.69%

LAB 67.17, 26.23, -8.83

 

CMYK 0 / 19 / 8 / 15

HEX #D8AFC7

RGB 216 175 199

HSL 324.88, 0.34%, 0.77%

LAB 75.69, 18.8, -6.54

 

CMYK 0 / 12 / 5 / 10

HEX #E6CBDB

RGB 230 203 219

HSL 324.44, 0.35%, 0.85%

LAB 84.3, 12.15, -4.46

 

CMYK 0 / 5 / 2 / 5

HEX #F3E7EE

RGB 243 231 238

HSL 325, 0.33%, 0.93%

LAB 92.74, 5.27, -1.95

 

CMYK 0 / 19 / 8 / 15

HEX #D9B0C8

RGB 217 176 200

HSL 324.88, 0.35%, 0.77%

LAB 76.05, 18.78, -6.53

 

CMYK 0 / 7 / 19 / 15

HEX #D8C8AF

RGB 216 200 175

HSL 36.59, 0.34%, 0.77%

LAB 81.29, 1.57, 14.53

 

CMYK 19 / 0 / 0 / 15

HEX #AFD8D8

RGB 175 216 216

HSL 180, 0.34%, 0.77%

LAB 83.54, -13.33, -4.45

 

CMYK 0 / 19 / 8 / 15

HEX #D9B0C8

RGB 217 176 200

HSL 324.88, 0.35%, 0.77%

LAB 76.05, 18.78, -6.53

 

CMYK 7 / 0 / 19 / 15

HEX #C8D8AF

RGB 200 216 175

HSL 83.41, 0.34%, 0.77%

LAB 84.22, -12.53, 18.44

 

CMYK 19 / 7 / 0 / 15

HEX #AFC8D8

RGB 175 200 216

HSL 203.41, 0.34%, 0.77%

LAB 79.26, -5.03, -10.79

 

CMYK 0 / 19 / 8 / 15

HEX #D9B0C8

RGB 217 176 200

HSL 324.88, 0.35%, 0.77%

LAB 76.05, 18.78, -6.53

 

CMYK 0 / 7 / 19 / 15

HEX #D8C8AF

RGB 216 200 175

HSL 36.59, 0.34%, 0.77%

LAB 81.29, 1.57, 14.53

 

CMYK 19 / 0 / 11 / 15

HEX #AFD8C0

RGB 175 216 192

HSL 144.88, 0.34%, 0.77%

LAB 82.93, -18.14, 7.41

 

CMYK 19 / 11 / 0 / 15

HEX #AFC0D8

RGB 175 192 216

HSL 215.12, 0.34%, 0.77%

LAB 77.14, -0.77, -13.96

 

CMYK 0 / 19 / 8 / 15

HEX #D9B0C8

RGB 217 176 200

HSL 324.88, 0.35%, 0.77%

LAB 76.05, 18.78, -6.53

 

CMYK 0 / 2 / 19 / 15

HEX #D8D4AF

RGB 216 212 175

HSL 54.15, 0.34%, 0.77%

LAB 84.37, -4.67, 18.83

 

CMYK 19 / 0 / 11 / 15

HEX #AFD8C0

RGB 175 216 192

HSL 144.88, 0.34%, 0.77%

LAB 82.93, -18.14, 7.41

 

CMYK 19 / 17 / 0 / 15

HEX #AFB3D8

RGB 175 179 216

HSL 234.15, 0.34%, 0.77%

LAB 73.75, 6.27, -19.08

 

Description

Color code: HEX #D9B0C8 | qconv.com Color code: HEX #D9B0C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 176 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 176 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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