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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B36D it is the complementary color #264C92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B36D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B36D shade: #DEB368, #EFC57B, #FFD78E, #FFE9A1 and #FFFBB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B36D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B36D shade: #D9B36D, #C8A15A, #B78F47, #A67D34 and #956B21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B36D shade: #D9B36D, #D9966D, #D9786D and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B36D shade: #D9B36D, #D9D06D, #C5D96D, #A7D96D and #8AD96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B36D shade matches the following richer shades: #D9B36D, #E8B75E and #F7BC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B36D shade: #D9B36D, #CAAE7B, #BBAA8A, #ACA699 and #9DA1A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B36D shade: #D9776D, #D9946D, #D9B16D, #D9CE6D and #C7D96D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B36D shade: #C18F31, #D0A24C, #D9B36D, #E1C48D and #EAD5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B36D shade: #D9B36D, #7FD96D and #866DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B36D shade: #D9B36D, #6DD9B1 and #B16DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B36D shade: #D9B36D, #7FD96D, #6D94D9 and #C76DD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B36D shade: #D9B36D, #6DD97B, #6D94D9 and #D96DCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

Complementary color

CMYK 74 / 48 / 0 / 43

HEX #264C92

RGB 38 76 146

HSL 218.89, 0.59%, 0.36%

LAB 33.26, 11.91, -42.59

 

CMYK 0 / 19 / 53 / 13

HEX #DEB368

RGB 222 179 104

HSL 38.14, 0.64%, 0.64%

LAB 75.31, 6.65, 43.85

 

CMYK 0 / 18 / 49 / 6

HEX #EFC57B

RGB 239 197 123

HSL 38.28, 0.78%, 0.71%

LAB 81.68, 5.81, 42.54

 

CMYK 0 / 16 / 44 / 0

HEX #FFD78E

RGB 255 215 142

HSL 38.76, 1%, 0.78%

LAB 87.88, 4.69, 41.14

 

CMYK 0 / 9 / 37 / 0

HEX #FFE9A1

RGB 255 233 161

HSL 45.96, 1%, 0.82%

LAB 92.62, -2.48, 37.74

 

CMYK 0 / 2 / 29 / 0

HEX #FFFBB4

RGB 255 251 180

HSL 56.8, 1%, 0.85%

LAB 97.45, -9.23, 34.59

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 0 / 20 / 55 / 22

HEX #C8A15A

RGB 200 161 90

HSL 38.73, 0.5%, 0.57%

LAB 68.39, 5.9, 42.03

 

CMYK 0 / 22 / 61 / 28

HEX #B78F47

RGB 183 143 71

HSL 38.57, 0.44%, 0.5%

LAB 61.8, 6.93, 43.37

 

CMYK 0 / 25 / 69 / 35

HEX #A67D34

RGB 166 125 52

HSL 38.42, 0.52%, 0.43%

LAB 55.1, 8.17, 44.64

 

CMYK 0 / 28 / 78 / 42

HEX #956B21

RGB 149 107 33

HSL 38.28, 0.64%, 0.36%

LAB 48.28, 9.68, 45.59

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 0 / 31 / 50 / 15

HEX #D9966D

RGB 217 150 109

HSL 22.78, 0.59%, 0.64%

LAB 67.78, 20.59, 31.69

 

CMYK 0 / 45 / 50 / 15

HEX #D9786D

RGB 217 120 109

HSL 6.11, 0.59%, 0.64%

LAB 61.04, 36.59, 22.82

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 0 / 4 / 50 / 15

HEX #D9D06D

RGB 217 208 109

HSL 55, 0.59%, 0.64%

LAB 82.36, -10.03, 49.8

 

CMYK 9 / 0 / 50 / 15

HEX #C5D96D

RGB 197 217 109

HSL 71.11, 0.59%, 0.64%

LAB 83.23, -22.49, 50.47

 

CMYK 23 / 0 / 50 / 15

HEX #A7D96D

RGB 167 217 109

HSL 87.78, 0.59%, 0.64%

LAB 81.26, -33.88, 47.64

 

CMYK 36 / 0 / 50 / 15

HEX #8AD96D

RGB 138 217 109

HSL 103.89, 0.59%, 0.64%

LAB 79.69, -43.94, 45.36

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 0 / 21 / 59 / 9

HEX #E8B75E

RGB 232 183 94

HSL 38.7, 0.75%, 0.64%

LAB 77.18, 7.91, 51.21

 

CMYK 0 / 24 / 68 / 3

HEX #F7BC4F

RGB 247 188 79

HSL 38.93, 0.91%, 0.64%

LAB 79.79, 10.62, 61.35

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 0 / 14 / 39 / 21

HEX #CAAE7B

RGB 202 174 123

HSL 38.73, 0.43%, 0.64%

LAB 72.4, 3, 29.93

 

CMYK 0 / 9 / 26 / 27

HEX #BBAA8A

RGB 187 170 138

HSL 39.18, 0.26%, 0.64%

LAB 70.28, 1.09, 18.75

 

CMYK 0 / 3 / 11 / 33

HEX #ACA699

RGB 172 166 153

HSL 41.05, 0.1%, 0.64%

LAB 68.27, -0.15, 7.49

 

CMYK 7 / 4 / 0 / 34

HEX #9DA1A8

RGB 157 161 168

HSL 218.18, 0.06%, 0.64%

LAB 66.12, -0.04, -4.13

 

CMYK 0 / 45 / 50 / 15

HEX #D9776D

RGB 217 119 109

HSL 5.56, 0.59%, 0.64%

LAB 60.83, 37.11, 22.54

 

CMYK 0 / 32 / 50 / 15

HEX #D9946D

RGB 217 148 109

HSL 21.67, 0.59%, 0.64%

LAB 67.3, 21.67, 31.08

 

CMYK 0 / 18 / 50 / 15

HEX #D9B16D

RGB 217 177 109

HSL 37.78, 0.59%, 0.64%

LAB 74.38, 6.09, 40.06

 

CMYK 0 / 5 / 50 / 15

HEX #D9CE6D

RGB 217 206 109

HSL 53.89, 0.59%, 0.64%

LAB 81.84, -9.02, 49.17

 

CMYK 8 / 0 / 50 / 15

HEX #C7D96D

RGB 199 217 109

HSL 70, 0.59%, 0.64%

LAB 83.37, -21.7, 50.68

 

CMYK 0 / 26 / 75 / 24

HEX #C18F31

RGB 193 143 49

HSL 39.17, 0.6%, 0.47%

LAB 62.68, 10.03, 54.69

 

CMYK 0 / 22 / 63 / 18

HEX #D0A24C

RGB 208 162 76

HSL 39.09, 0.58%, 0.56%

LAB 69.31, 7.73, 50.15

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 0 / 13 / 37 / 12

HEX #E1C48D

RGB 225 196 141

HSL 39.29, 0.58%, 0.72%

LAB 80.41, 2.6, 31.41

 

CMYK 0 / 9 / 26 / 8

HEX #EAD5AE

RGB 234 213 174

HSL 39, 0.59%, 0.8%

LAB 86.07, 1.36, 21.95

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 41 / 0 / 50 / 15

HEX #7FD96D

RGB 127 217 109

HSL 110, 0.59%, 0.64%

LAB 79.18, -47.41, 44.62

 

CMYK 38 / 50 / 0 / 15

HEX #866DD9

RGB 134 109 217

HSL 253.89, 0.59%, 0.64%

LAB 52.97, 34.73, -52.24

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 50 / 0 / 18 / 15

HEX #6DD9B1

RGB 109 217 177

HSL 157.78, 0.59%, 0.64%

LAB 79.64, -40.53, 10.24

 

CMYK 18 / 50 / 0 / 15

HEX #B16DD9

RGB 177 109 217

HSL 277.78, 0.59%, 0.64%

LAB 57.36, 45.97, -44.99

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 41 / 0 / 50 / 15

HEX #7FD96D

RGB 127 217 109

HSL 110, 0.59%, 0.64%

LAB 79.18, -47.41, 44.62

 

CMYK 50 / 32 / 0 / 15

HEX #6D94D9

RGB 109 148 217

HSL 218.33, 0.59%, 0.64%

LAB 61.17, 5.6, -39.38

 

CMYK 8 / 50 / 0 / 15

HEX #C76DD9

RGB 199 109 217

HSL 290, 0.59%, 0.64%

LAB 59.97, 52.01, -40.71

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 50 / 0 / 43 / 15

HEX #6DD97B

RGB 109 217 123

HSL 127.78, 0.59%, 0.64%

LAB 78.64, -50.6, 36.92

 

CMYK 50 / 32 / 0 / 15

HEX #6D94D9

RGB 109 148 217

HSL 218.33, 0.59%, 0.64%

LAB 61.17, 5.6, -39.38

 

CMYK 0 / 50 / 7 / 15

HEX #D96DCA

RGB 217 109 202

HSL 308.33, 0.59%, 0.64%

LAB 61.61, 54.42, -29.51

 

Description

Color code: HEX #D9B36D | qconv.com Color code: HEX #D9B36D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 179 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 179 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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