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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9BA74 it is the complementary color #26458B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9BA74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9BA74 shade: #DEBA6F, #EFCC82, #FFDE95, #FFF0A8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9BA74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9BA74 shade: #D9BA74, #C8A861, #B7964E, #A6843B and #957228

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9BA74 shade: #D8B972, #D89D72, #D88272 and #D87272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9BA74 shade: #D8B972, #D8D472, #C0D872, #A5D872 and #8AD872

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9BA74 shade matches the following richer shades: #D8B972, #E7BE64 and #F5C455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9BA74 shade: #D8B972, #CAB381, #BBAE8F, #ADA89E and #9EA3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9BA74 shade: #D88272, #D89D72, #D8B872, #D8D372 and #C2D872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9BA74 shade: #C39735, #CFA952, #D8B972, #E1C993 and #EAD9B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9BA74 shade: #D9BA74, #7ED872 and #8F72D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9BA74 shade: #D9BA74, #72D8B8 and #B872D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9BA74 shade: #D9BA74, #7ED872, #7293D8 and #CC72D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9BA74 shade: #D9BA74, #72D885, #7293D8 and #D872C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 47 / 15

HEX #D9BA74

RGB 217 186 116

HSL 41.58, 0.57%, 0.65%

LAB 76.76, 1.99, 39.46

 

Complementary color

CMYK 73 / 50 / 0 / 45

HEX #26458B

RGB 38 69 139

HSL 221.58, 0.57%, 0.35%

LAB 30.72, 13.92, -42.39

 

CMYK 0 / 16 / 50 / 13

HEX #DEBA6F

RGB 222 186 111

HSL 40.54, 0.63%, 0.65%

LAB 77.16, 3.56, 42.6

 

CMYK 0 / 15 / 46 / 6

HEX #EFCC82

RGB 239 204 130

HSL 40.73, 0.77%, 0.72%

LAB 83.52, 2.84, 41.33

 

CMYK 0 / 13 / 42 / 0

HEX #FFDE95

RGB 255 222 149

HSL 41.32, 1%, 0.79%

LAB 89.71, 1.81, 39.97

 

CMYK 0 / 6 / 34 / 0

HEX #FFF0A8

RGB 255 240 168

HSL 49.66, 1%, 0.83%

LAB 94.49, -5.2, 36.67

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 14 / 47 / 15

HEX #D9BA74

RGB 217 186 116

HSL 41.58, 0.57%, 0.65%

LAB 76.76, 1.99, 39.46

 

CMYK 0 / 16 / 52 / 22

HEX #C8A861

RGB 200 168 97

HSL 41.36, 0.48%, 0.58%

LAB 70.28, 2.74, 40.76

 

CMYK 0 / 18 / 57 / 28

HEX #B7964E

RGB 183 150 78

HSL 41.14, 0.42%, 0.51%

LAB 63.7, 3.63, 42.08

 

CMYK 0 / 20 / 64 / 35

HEX #A6843B

RGB 166 132 59

HSL 40.93, 0.48%, 0.44%

LAB 57, 4.69, 43.36

 

CMYK 0 / 23 / 73 / 42

HEX #957228

RGB 149 114 40

HSL 40.73, 0.58%, 0.37%

LAB 50.19, 6, 44.45

 

CMYK 0 / 14 / 47 / 15

HEX #D8B972

RGB 216 185 114

HSL 41.76, 0.57%, 0.65%

LAB 76.38, 1.91, 39.99

 

CMYK 0 / 27 / 47 / 15

HEX #D89D72

RGB 216 157 114

HSL 25.29, 0.57%, 0.65%

LAB 69.42, 16.88, 31.1

 

CMYK 0 / 40 / 47 / 15

HEX #D88272

RGB 216 130 114

HSL 9.41, 0.57%, 0.65%

LAB 63.16, 31.41, 22.83

 

CMYK 0 / 47 / 47 / 15

HEX #D87272

RGB 216 114 114

HSL 0, 0.57%, 0.65%

LAB 59.75, 39.79, 18.21

 

CMYK 0 / 14 / 47 / 15

HEX #D8B972

RGB 216 185 114

HSL 41.76, 0.57%, 0.65%

LAB 76.38, 1.91, 39.99

 

CMYK 0 / 2 / 47 / 15

HEX #D8D472

RGB 216 212 114

HSL 57.65, 0.57%, 0.65%

LAB 83.39, -12, 48.62

 

CMYK 11 / 0 / 47 / 15

HEX #C0D872

RGB 192 216 114

HSL 74.12, 0.57%, 0.65%

LAB 82.66, -23.46, 47.32

 

CMYK 24 / 0 / 47 / 15

HEX #A5D872

RGB 165 216 114

HSL 90, 0.57%, 0.65%

LAB 80.92, -33.59, 44.79

 

CMYK 36 / 0 / 47 / 15

HEX #8AD872

RGB 138 216 114

HSL 105.88, 0.57%, 0.65%

LAB 79.46, -42.88, 42.66

 

CMYK 0 / 14 / 47 / 15

HEX #D8B972

RGB 216 185 114

HSL 41.76, 0.57%, 0.65%

LAB 76.38, 1.91, 39.99

 

CMYK 0 / 18 / 57 / 9

HEX #E7BE64

RGB 231 190 100

HSL 41.22, 0.73%, 0.65%

LAB 78.89, 4.26, 50.31

 

CMYK 0 / 20 / 65 / 4

HEX #F5C455

RGB 245 196 85

HSL 41.63, 0.89%, 0.65%

LAB 81.59, 5.95, 60.62

 

CMYK 0 / 14 / 47 / 15

HEX #D8B972

RGB 216 185 114

HSL 41.76, 0.57%, 0.65%

LAB 76.38, 1.91, 39.99

 

CMYK 0 / 11 / 36 / 21

HEX #CAB381

RGB 202 179 129

HSL 41.1, 0.41%, 0.65%

LAB 73.79, 1.04, 28.58

 

CMYK 0 / 7 / 24 / 27

HEX #BBAE8F

RGB 187 174 143

HSL 42.27, 0.24%, 0.65%

LAB 71.43, -0.35, 17.62

 

CMYK 0 / 3 / 9 / 32

HEX #ADA89E

RGB 173 168 158

HSL 40, 0.08%, 0.65%

LAB 69.01, -0, 5.79

 

CMYK 8 / 5 / 0 / 33

HEX #9EA3AC

RGB 158 163 172

HSL 218.57, 0.08%, 0.65%

LAB 66.86, 0.02, -5.27

 

CMYK 0 / 40 / 47 / 15

HEX #D88272

RGB 216 130 114

HSL 9.41, 0.57%, 0.65%

LAB 63.16, 31.41, 22.83

 

CMYK 0 / 27 / 47 / 15

HEX #D89D72

RGB 216 157 114

HSL 25.29, 0.57%, 0.65%

LAB 69.42, 16.88, 31.1

 

CMYK 0 / 15 / 47 / 15

HEX #D8B872

RGB 216 184 114

HSL 41.18, 0.57%, 0.65%

LAB 76.13, 2.44, 39.67

 

CMYK 0 / 2 / 47 / 15

HEX #D8D372

RGB 216 211 114

HSL 57.06, 0.57%, 0.65%

LAB 83.13, -11.5, 48.3

 

CMYK 10 / 0 / 47 / 15

HEX #C2D872

RGB 194 216 114

HSL 72.94, 0.57%, 0.65%

LAB 82.8, -22.68, 47.53

 

CMYK 0 / 23 / 73 / 24

HEX #C39735

RGB 195 151 53

HSL 41.41, 0.57%, 0.49%

LAB 64.96, 6.73, 55.38

 

CMYK 0 / 18 / 60 / 19

HEX #CFA952

RGB 207 169 82

HSL 41.76, 0.57%, 0.57%

LAB 71.04, 3.96, 49.24

 

CMYK 0 / 14 / 47 / 15

HEX #D8B972

RGB 216 185 114

HSL 41.76, 0.57%, 0.65%

LAB 76.38, 1.91, 39.99

 

CMYK 0 / 11 / 35 / 12

HEX #E1C993

RGB 225 201 147

HSL 41.54, 0.57%, 0.73%

LAB 81.78, 0.7, 30.1

 

CMYK 0 / 7 / 24 / 8

HEX #EAD9B3

RGB 234 217 179

HSL 41.45, 0.57%, 0.81%

LAB 87.18, -0.01, 20.86

 

CMYK 0 / 14 / 47 / 15

HEX #D9BA74

RGB 217 186 116

HSL 41.58, 0.57%, 0.65%

LAB 76.76, 1.99, 39.46

 

CMYK 42 / 0 / 47 / 15

HEX #7ED872

RGB 126 216 114

HSL 112.94, 0.57%, 0.65%

LAB 78.9, -46.65, 41.85

 

CMYK 34 / 47 / 0 / 15

HEX #8F72D8

RGB 143 114 216

HSL 257.06, 0.57%, 0.65%

LAB 54.9, 33.85, -48.55

 

CMYK 0 / 14 / 47 / 15

HEX #D9BA74

RGB 217 186 116

HSL 41.58, 0.57%, 0.65%

LAB 76.76, 1.99, 39.46

 

CMYK 47 / 0 / 15 / 15

HEX #72D8B8

RGB 114 216 184

HSL 161.18, 0.57%, 0.65%

LAB 79.7, -37.34, 6.62

 

CMYK 15 / 47 / 0 / 15

HEX #B872D8

RGB 184 114 216

HSL 281.18, 0.57%, 0.65%

LAB 59.14, 45.03, -41.56

 

CMYK 0 / 14 / 47 / 15

HEX #D9BA74

RGB 217 186 116

HSL 41.58, 0.57%, 0.65%

LAB 76.76, 1.99, 39.46

 

CMYK 42 / 0 / 47 / 15

HEX #7ED872

RGB 126 216 114

HSL 112.94, 0.57%, 0.65%

LAB 78.9, -46.65, 41.85

 

CMYK 47 / 32 / 0 / 15

HEX #7293D8

RGB 114 147 216

HSL 220.59, 0.57%, 0.65%

LAB 61.14, 7.07, -38.86

 

CMYK 6 / 47 / 0 / 15

HEX #CC72D8

RGB 204 114 216

HSL 292.94, 0.57%, 0.65%

LAB 61.51, 50.69, -37.69

 

CMYK 0 / 14 / 47 / 15

HEX #D9BA74

RGB 217 186 116

HSL 41.58, 0.57%, 0.65%

LAB 76.76, 1.99, 39.46

 

CMYK 47 / 0 / 38 / 15

HEX #72D885

RGB 114 216 133

HSL 131.18, 0.57%, 0.65%

LAB 78.68, -47.27, 31.95

 

CMYK 47 / 32 / 0 / 15

HEX #7293D8

RGB 114 147 216

HSL 220.59, 0.57%, 0.65%

LAB 61.14, 7.07, -38.86

 

CMYK 0 / 47 / 9 / 15

HEX #D872C5

RGB 216 114 197

HSL 311.18, 0.57%, 0.65%

LAB 62.22, 50.83, -25.75

 

Description

Color code: HEX #D9BA74 | qconv.com Color code: HEX #D9BA74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 186 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 186 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 47% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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