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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C6B9 it is the complementary color #263946. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C6B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C6B9 shade: #DEC6B4, #EFD8C7, #FFEADA and #FFFCED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C6B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C6B9 shade: #D9C6B9, #C8B4A6, #B7A293, #A69080 and #957E6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C6B9 shade: #D9C6B9, #D9BDB9 and #D9B9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C6B9 shade: #D9C6B9, #D9CFB9, #D9D7B9, #D2D9B9 and #C9D9B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C6B9 shade matches the following richer shades: #D9C6B9, #E2C4B0, #EAC3A8, #F3C19F and #FCBF96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C6B9 shade: #D9C6B9, #D0C8C2, #C8C9CA, #BFCBD3 and #B6CCDC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C6B9 shade: #D9B9BD, #D9BDB9, #D9C6B9, #D9CEB9 and #D9D7B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C6B9 shade: #BC9A83, #CBB09E, #D9C6B9, #E7DCD4 and #F6F2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C6B9 shade: #D9C6B9, #C6D9B9 and #B9B9D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C6B9 shade: #D9C6B9, #B9D9C6 and #C6B9D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C6B9 shade: #D9C6B9, #C6D9B9, #B9CCD9 and #CCB9D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C6B9 shade: #D9C6B9, #BCD9B9, #B9CCD9 and #D6B9D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

Complementary color

CMYK 46 / 19 / 0 / 73

HEX #263946

RGB 38 57 70

HSL 204.38, 0.3%, 0.21%

LAB 22.93, -3.58, -10.42

 

CMYK 0 / 11 / 19 / 13

HEX #DEC6B4

RGB 222 198 180

HSL 25.71, 0.39%, 0.79%

LAB 81.41, 5.59, 12.09

 

CMYK 0 / 10 / 17 / 6

HEX #EFD8C7

RGB 239 216 199

HSL 25.5, 0.56%, 0.86%

LAB 87.77, 5.24, 11.26

 

CMYK 0 / 8 / 15 / 0

HEX #FFEADA

RGB 255 234 218

HSL 25.95, 1%, 0.93%

LAB 93.96, 4.58, 10.34

 

CMYK 0 / 1 / 7 / 0

HEX #FFFCED

RGB 255 252 237

HSL 50, 1%, 0.96%

LAB 98.83, -1.53, 7.52

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 0 / 10 / 17 / 22

HEX #C8B4A6

RGB 200 180 166

HSL 24.71, 0.24%, 0.72%

LAB 74.62, 4.85, 9.73

 

CMYK 0 / 11 / 20 / 28

HEX #B7A293

RGB 183 162 147

HSL 25, 0.2%, 0.65%

LAB 68.03, 5.22, 10.6

 

CMYK 0 / 13 / 23 / 35

HEX #A69080

RGB 166 144 128

HSL 25.26, 0.18%, 0.58%

LAB 61.32, 5.63, 11.53

 

CMYK 0 / 15 / 27 / 42

HEX #957E6D

RGB 149 126 109

HSL 25.5, 0.16%, 0.51%

LAB 54.47, 6.1, 12.54

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 0 / 13 / 15 / 15

HEX #D9BDB9

RGB 217 189 185

HSL 7.5, 0.3%, 0.79%

LAB 78.84, 9.3, 5.68

 

CMYK 0 / 15 / 15 / 15

HEX #D9B9B9

RGB 217 185 185

HSL 0, 0.3%, 0.79%

LAB 77.85, 11.44, 4.25

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 0 / 5 / 15 / 15

HEX #D9CFB9

RGB 217 207 185

HSL 41.25, 0.3%, 0.79%

LAB 83.38, -0.19, 12.17

 

CMYK 0 / 1 / 15 / 15

HEX #D9D7B9

RGB 217 215 185

HSL 56.25, 0.3%, 0.79%

LAB 85.43, -4.33, 15.07

 

CMYK 3 / 0 / 15 / 15

HEX #D2D9B9

RGB 210 217 185

HSL 73.13, 0.3%, 0.79%

LAB 85.42, -7.88, 14.97

 

CMYK 7 / 0 / 15 / 15

HEX #C9D9B9

RGB 201 217 185

HSL 90, 0.3%, 0.79%

LAB 84.76, -11.07, 13.96

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 0 / 13 / 22 / 11

HEX #E2C4B0

RGB 226 196 176

HSL 24, 0.46%, 0.79%

LAB 81.17, 7.53, 13.95

 

CMYK 0 / 17 / 28 / 8

HEX #EAC3A8

RGB 234 195 168

HSL 24.55, 0.61%, 0.79%

LAB 81.48, 9.95, 18.76

 

CMYK 0 / 21 / 35 / 5

HEX #F3C19F

RGB 243 193 159

HSL 24.29, 0.78%, 0.79%

LAB 81.67, 13.3, 23.93

 

CMYK 0 / 24 / 40 / 1

HEX #FCBF96

RGB 252 191 150

HSL 24.12, 0.94%, 0.79%

LAB 81.92, 16.8, 29.17

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 0 / 4 / 7 / 18

HEX #D0C8C2

RGB 208 200 194

HSL 25.71, 0.13%, 0.79%

LAB 81.08, 1.73, 3.98

 

CMYK 1 / 0 / 0 / 21

HEX #C8C9CA

RGB 200 201 202

HSL 210, 0.02%, 0.79%

LAB 80.91, -0.16, -0.63

 

CMYK 9 / 4 / 0 / 17

HEX #BFCBD3

RGB 191 203 211

HSL 204, 0.19%, 0.79%

LAB 81.01, -2.51, -5.39

 

CMYK 17 / 7 / 0 / 14

HEX #B6CCDC

RGB 182 204 220

HSL 205.26, 0.35%, 0.79%

LAB 80.9, -4.08, -10.43

 

CMYK 0 / 15 / 13 / 15

HEX #D9B9BD

RGB 217 185 189

HSL 352.5, 0.3%, 0.79%

LAB 77.95, 12.09, 2.23

 

CMYK 0 / 13 / 15 / 15

HEX #D9BDB9

RGB 217 189 185

HSL 7.5, 0.3%, 0.79%

LAB 78.84, 9.3, 5.68

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 0 / 5 / 15 / 15

HEX #D9CEB9

RGB 217 206 185

HSL 39.38, 0.3%, 0.79%

LAB 83.12, 0.33, 11.81

 

CMYK 0 / 1 / 15 / 15

HEX #D9D7B9

RGB 217 215 185

HSL 56.25, 0.3%, 0.79%

LAB 85.43, -4.33, 15.07

 

CMYK 0 / 18 / 30 / 26

HEX #BC9A83

RGB 188 154 131

HSL 24.21, 0.3%, 0.63%

LAB 66.09, 9.23, 16.83

 

CMYK 0 / 13 / 22 / 20

HEX #CBB09E

RGB 203 176 158

HSL 24, 0.3%, 0.71%

LAB 73.69, 6.91, 12.8

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 0 / 5 / 8 / 9

HEX #E7DCD4

RGB 231 220 212

HSL 25.26, 0.28%, 0.87%

LAB 88.41, 2.4, 5.26

 

CMYK 0 / 2 / 3 / 4

HEX #F6F2EF

RGB 246 242 239

HSL 25.71, 0.28%, 0.95%

LAB 95.72, 0.82, 1.91

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 9 / 0 / 15 / 15

HEX #C6D9B9

RGB 198 217 185

HSL 95.63, 0.3%, 0.79%

LAB 84.55, -12.12, 13.63

 

CMYK 15 / 15 / 0 / 15

HEX #B9B9D9

RGB 185 185 217

HSL 240, 0.3%, 0.79%

LAB 76.08, 6.4, -16.02

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 15 / 0 / 9 / 15

HEX #B9D9C6

RGB 185 217 198

HSL 144.38, 0.3%, 0.79%

LAB 83.97, -14.24, 5.82

 

CMYK 9 / 15 / 0 / 15

HEX #C6B9D9

RGB 198 185 217

HSL 264.38, 0.3%, 0.79%

LAB 77.11, 10.63, -14.37

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 9 / 0 / 15 / 15

HEX #C6D9B9

RGB 198 217 185

HSL 95.63, 0.3%, 0.79%

LAB 84.55, -12.12, 13.63

 

CMYK 15 / 6 / 0 / 15

HEX #B9CCD9

RGB 185 204 217

HSL 204.38, 0.3%, 0.79%

LAB 81.02, -3.76, -8.63

 

CMYK 6 / 15 / 0 / 15

HEX #CCB9D9

RGB 204 185 217

HSL 275.63, 0.3%, 0.79%

LAB 77.61, 12.62, -13.58

 

CMYK 0 / 9 / 15 / 15

HEX #D9C6B9

RGB 217 198 185

HSL 24.38, 0.3%, 0.79%

LAB 81.09, 4.53, 8.92

 

CMYK 13 / 0 / 15 / 15

HEX #BCD9B9

RGB 188 217 185

HSL 114.38, 0.3%, 0.79%

LAB 83.87, -15.58, 12.57

 

CMYK 15 / 6 / 0 / 15

HEX #B9CCD9

RGB 185 204 217

HSL 204.38, 0.3%, 0.79%

LAB 81.02, -3.76, -8.63

 

CMYK 1 / 15 / 0 / 15

HEX #D6B9D9

RGB 214 185 217

HSL 294.38, 0.3%, 0.79%

LAB 78.46, 15.96, -12.2

 

Description

Color code: HEX #D9C6B9 | qconv.com Color code: HEX #D9C6B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 198 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 198 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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