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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C281 it is the complementary color #263D7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C281 shade: #DEC27C, #EFD48F, #FFE6A2, #FFF8B5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C281 shade: #D9C281, #C8B06E, #B79E5B, #A68C48 and #957A35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C281 shade: #D9C281, #D9AA81, #D99281 and #D98181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C281 shade: #D9C281, #D8D981, #C0D981, #A9D981 and #91D981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C281 shade matches the following richer shades: #D9C281, #E6C874 and #F3CF66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C281 shade: #D9C281, #CCBC8E, #BFB59B, #B1AFA8 and #A4A9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C281 shade: #D99281, #D9AA81, #D9C181, #D9D981 and #C1D981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C281 shade: #C6A341, #CFB361, #D9C281, #E2D1A1 and #ECE1C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C281 shade: #D9C281, #87D981 and #9E81D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C281 shade: #D9C281, #81D9C1 and #C181D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C281 shade: #D9C281, #87D981, #8198D9 and #D381D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C281 shade: #D9C281, #81D995, #8198D9 and #D981C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

Complementary color

CMYK 70 / 52 / 0 / 51

HEX #263D7E

RGB 38 61 126

HSL 224.32, 0.54%, 0.32%

LAB 27.45, 14.35, -39.57

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27C

RGB 222 194 124

HSL 42.86, 0.6%, 0.68%

LAB 79.37, 0.62, 38.78

 

CMYK 0 / 11 / 40 / 6

HEX #EFD48F

RGB 239 212 143

HSL 43.13, 0.75%, 0.75%

LAB 85.72, 0.04, 37.56

 

CMYK 0 / 10 / 36 / 0

HEX #FFE6A2

RGB 255 230 162

HSL 43.87, 1%, 0.82%

LAB 91.89, -0.85, 36.27

 

CMYK 0 / 3 / 29 / 0

HEX #FFF8B5

RGB 255 248 181

HSL 54.32, 1%, 0.85%

LAB 96.71, -7.62, 33.1

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 0 / 12 / 45 / 22

HEX #C8B06E

RGB 200 176 110

HSL 44, 0.45%, 0.61%

LAB 72.53, -0.29, 36.89

 

CMYK 0 / 14 / 50 / 28

HEX #B79E5B

RGB 183 158 91

HSL 43.7, 0.39%, 0.54%

LAB 65.96, 0.4, 38.18

 

CMYK 0 / 16 / 57 / 35

HEX #A68C48

RGB 166 140 72

HSL 43.4, 0.39%, 0.47%

LAB 59.28, 1.23, 39.49

 

CMYK 0 / 18 / 64 / 42

HEX #957A35

RGB 149 122 53

HSL 43.13, 0.48%, 0.4%

LAB 52.47, 2.25, 40.76

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 0 / 22 / 41 / 15

HEX #D9AA81

RGB 217 170 129

HSL 27.95, 0.54%, 0.68%

LAB 72.95, 11.86, 27.71

 

CMYK 0 / 33 / 41 / 15

HEX #D99281

RGB 217 146 129

HSL 11.59, 0.54%, 0.68%

LAB 67.2, 24.8, 19.95

 

CMYK 0 / 41 / 41 / 15

HEX #D98181

RGB 217 129 129

HSL 0, 0.54%, 0.68%

LAB 63.37, 33.9, 14.67

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 0 / 0 / 41 / 15

HEX #D8D981

RGB 216 217 129

HSL 60.68, 0.54%, 0.68%

LAB 84.9, -13.03, 43.16

 

CMYK 12 / 0 / 41 / 15

HEX #C0D981

RGB 192 217 129

HSL 77.05, 0.54%, 0.68%

LAB 83.13, -22.3, 40.56

 

CMYK 22 / 0 / 41 / 15

HEX #A9D981

RGB 169 217 129

HSL 92.73, 0.54%, 0.68%

LAB 81.65, -30.79, 38.35

 

CMYK 33 / 0 / 41 / 15

HEX #91D981

RGB 145 217 129

HSL 109.09, 0.54%, 0.68%

LAB 80.31, -39.02, 36.37

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 0 / 13 / 50 / 10

HEX #E6C874

RGB 230 200 116

HSL 44.21, 0.7%, 0.68%

LAB 81.51, -0.03, 45.63

 

CMYK 0 / 15 / 58 / 5

HEX #F3CF66

RGB 243 207 102

HSL 44.68, 0.85%, 0.68%

LAB 84.3, 0.55, 55.93

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 0 / 8 / 30 / 20

HEX #CCBC8E

RGB 204 188 142

HSL 44.52, 0.38%, 0.68%

LAB 76.53, -1.31, 25.37

 

CMYK 0 / 5 / 19 / 25

HEX #BFB59B

RGB 191 181 155

HSL 43.33, 0.22%, 0.68%

LAB 73.86, -0.77, 14.53

 

CMYK 0 / 1 / 5 / 31

HEX #B1AFA8

RGB 177 175 168

HSL 46.67, 0.05%, 0.68%

LAB 71.44, -0.57, 3.83

 

CMYK 10 / 7 / 0 / 29

HEX #A4A9B6

RGB 164 169 182

HSL 223.33, 0.11%, 0.68%

LAB 69.22, 0.84, -7.28

 

CMYK 0 / 33 / 41 / 15

HEX #D99281

RGB 217 146 129

HSL 11.59, 0.54%, 0.68%

LAB 67.2, 24.8, 19.95

 

CMYK 0 / 22 / 41 / 15

HEX #D9AA81

RGB 217 170 129

HSL 27.95, 0.54%, 0.68%

LAB 72.95, 11.86, 27.71

 

CMYK 0 / 11 / 41 / 15

HEX #D9C181

RGB 217 193 129

HSL 43.64, 0.54%, 0.68%

LAB 78.74, -0.34, 35.31

 

CMYK 0 / 0 / 41 / 15

HEX #D9D981

RGB 217 217 129

HSL 60, 0.54%, 0.68%

LAB 84.98, -12.64, 43.27

 

CMYK 11 / 0 / 41 / 15

HEX #C1D981

RGB 193 217 129

HSL 76.36, 0.54%, 0.68%

LAB 83.2, -21.92, 40.66

 

CMYK 0 / 18 / 67 / 22

HEX #C6A341

RGB 198 163 65

HSL 44.21, 0.54%, 0.52%

LAB 68.45, 2.2, 53.94

 

CMYK 0 / 14 / 53 / 19

HEX #CFB361

RGB 207 179 97

HSL 44.73, 0.53%, 0.6%

LAB 73.78, -0.18, 45.16

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 0 / 8 / 29 / 11

HEX #E2D1A1

RGB 226 209 161

HSL 44.31, 0.53%, 0.76%

LAB 84.14, -1.32, 25.99

 

CMYK 0 / 5 / 19 / 7

HEX #ECE1C0

RGB 236 225 192

HSL 45, 0.54%, 0.84%

LAB 89.62, -1.52, 17.51

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 38 / 0 / 41 / 15

HEX #87D981

RGB 135 217 129

HSL 115.91, 0.54%, 0.68%

LAB 79.82, -42.21, 35.64

 

CMYK 27 / 41 / 0 / 15

HEX #9E81D9

RGB 158 129 217

HSL 259.77, 0.54%, 0.68%

LAB 59.87, 29.56, -41.17

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 41 / 0 / 11 / 15

HEX #81D9C1

RGB 129 217 193

HSL 163.64, 0.54%, 0.68%

LAB 80.82, -32.03, 3.52

 

CMYK 11 / 41 / 0 / 15

HEX #C181D9

RGB 193 129 217

HSL 283.64, 0.54%, 0.68%

LAB 63.38, 39.78, -35.42

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 38 / 0 / 41 / 15

HEX #87D981

RGB 135 217 129

HSL 115.91, 0.54%, 0.68%

LAB 79.82, -42.21, 35.64

 

CMYK 41 / 30 / 0 / 15

HEX #8198D9

RGB 129 152 217

HSL 224.32, 0.54%, 0.68%

LAB 63.45, 8.26, -35.72

 

CMYK 3 / 41 / 0 / 15

HEX #D381D9

RGB 211 129 217

HSL 295.91, 0.54%, 0.68%

LAB 65.4, 45.18, -32.12

 

CMYK 0 / 11 / 41 / 15

HEX #D9C281

RGB 217 194 129

HSL 44.32, 0.54%, 0.68%

LAB 79, -0.87, 35.65

 

CMYK 41 / 0 / 31 / 15

HEX #81D995

RGB 129 217 149

HSL 133.64, 0.54%, 0.68%

LAB 79.88, -40.79, 25.41

 

CMYK 41 / 30 / 0 / 15

HEX #8198D9

RGB 129 152 217

HSL 224.32, 0.54%, 0.68%

LAB 63.45, 8.26, -35.72

 

CMYK 0 / 41 / 10 / 15

HEX #D981C4

RGB 217 129 196

HSL 314.32, 0.54%, 0.68%

LAB 65.31, 43.31, -20.46

 

Description

Color code: HEX #D9C281 | qconv.com Color code: HEX #D9C281 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 194 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 194 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 41% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - Museo Civico Poliron...
Link: http://www.museocivicopolironiano.it

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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