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Color name
HEX #D9CD30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9CD30 it is the complementary color #2632CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9CD30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9CD30 shade: #DECD2B, #EFDF3E, #FFF151, #FFFF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9CD30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9CD30 shade: #D9CD30, #C8BB1D, #B7A90A, #A69700 and #958500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9CD30 shade: #D9CD30, #D99F30, #D97130, #D94430 and #D93030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9CD30 shade: #D9CD30, #B7D930, #89D930, #5CD930 and #30D931

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9CD30 shade matches the following richer shades: #D9CD30 and #ECDE1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9CD30 shade: #D9CD30, #C5BC43, #B1AB57, #9D9A6B and #89897F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9CD30 shade: #D97030, #D99D30, #D9CA30, #BAD930 and #8DD930

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9CD30 shade: #9A911C, #BDB222, #D9CD30, #DFD553 and #E5DD75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9CD30 shade: #D9CD30, #30D943 and #8730D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9CD30 shade: #D9CD30, #30D9CA and #CA30D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9CD30 shade: #D9CD30, #30D943, #303ED9 and #D930C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9CD30 shade: #D9CD30, #30D976, #303ED9 and #D93092

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

Complementary color

CMYK 82 / 76 / 0 / 19

HEX #2632CF

RGB 38 50 207

HSL 235.74, 0.69%, 0.48%

LAB 32.25, 50.95, -80.52

 

CMYK 0 / 8 / 81 / 13

HEX #DECD2B

RGB 222 205 43

HSL 54.3, 0.73%, 0.52%

LAB 81.49, -10.26, 74.99

 

CMYK 0 / 7 / 74 / 6

HEX #EFDF3E

RGB 239 223 62

HSL 54.58, 0.85%, 0.59%

LAB 87.71, -11.43, 75.43

 

CMYK 0 / 5 / 68 / 0

HEX #FFF151

RGB 255 241 81

HSL 55.17, 1%, 0.66%

LAB 93.78, -12.85, 75.14

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 0 / 7 / 86 / 22

HEX #C8BB1D

RGB 200 187 29

HSL 55.44, 0.75%, 0.45%

LAB 74.77, -10.97, 72.02

 

CMYK 0 / 8 / 95 / 28

HEX #B7A90A

RGB 183 169 10

HSL 55.14, 0.9%, 0.38%

LAB 68.36, -9.49, 69.63

 

CMYK 0 / 9 / 100 / 35

HEX #A69700

RGB 166 151 0

HSL 54.58, 1%, 0.33%

LAB 61.86, -7.77, 65.48

 

CMYK 0 / 11 / 100 / 42

HEX #958500

RGB 149 133 0

HSL 53.56, 1%, 0.29%

LAB 55.24, -5.85, 60

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 0 / 27 / 78 / 15

HEX #D99F30

RGB 217 159 48

HSL 39.41, 0.69%, 0.52%

LAB 69.3, 11.79, 62.33

 

CMYK 0 / 48 / 78 / 15

HEX #D97130

RGB 217 113 48

HSL 23.08, 0.69%, 0.52%

LAB 58.77, 36.3, 52.31

 

CMYK 0 / 69 / 78 / 15

HEX #D94430

RGB 217 68 48

HSL 7.1, 0.69%, 0.52%

LAB 50.8, 57.03, 44.34

 

CMYK 0 / 78 / 78 / 15

HEX #D93030

RGB 217 48 48

HSL 0, 0.69%, 0.52%

LAB 48.36, 63.8, 41.81

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 16 / 0 / 78 / 15

HEX #B7D930

RGB 183 217 48

HSL 72.07, 0.69%, 0.52%

LAB 81.79, -32.16, 72.72

 

CMYK 37 / 0 / 78 / 15

HEX #89D930

RGB 137 217 48

HSL 88.4, 0.69%, 0.52%

LAB 79.13, -49.42, 69.31

 

CMYK 58 / 0 / 78 / 15

HEX #5CD930

RGB 92 217 48

HSL 104.38, 0.69%, 0.52%

LAB 77.35, -62.85, 67

 

CMYK 78 / 0 / 77 / 15

HEX #30D931

RGB 48 217 49

HSL 120.36, 0.69%, 0.52%

LAB 76.36, -71.11, 65.4

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 0 / 6 / 88 / 7

HEX #ECDE1C

RGB 236 222 28

HSL 55.96, 0.85%, 0.52%

LAB 87.07, -13.18, 83.37

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 0 / 5 / 66 / 23

HEX #C5BC43

RGB 197 188 67

HSL 55.85, 0.53%, 0.52%

LAB 74.98, -11.24, 59.9

 

CMYK 0 / 3 / 51 / 31

HEX #B1AB57

RGB 177 171 87

HSL 56, 0.37%, 0.52%

LAB 68.87, -9.44, 43.58

 

CMYK 0 / 2 / 32 / 38

HEX #9D9A6B

RGB 157 154 107

HSL 56.4, 0.2%, 0.52%

LAB 62.79, -6.49, 25.12

 

CMYK 0 / 0 / 7 / 46

HEX #89897F

RGB 137 137 127

HSL 60, 0.04%, 0.52%

LAB 56.82, -1.9, 5.36

 

CMYK 0 / 48 / 78 / 15

HEX #D97030

RGB 217 112 48

HSL 22.72, 0.69%, 0.52%

LAB 58.56, 36.81, 52.11

 

CMYK 0 / 28 / 78 / 15

HEX #D99D30

RGB 217 157 48

HSL 38.7, 0.69%, 0.52%

LAB 68.81, 12.87, 61.87

 

CMYK 0 / 7 / 78 / 15

HEX #D9CA30

RGB 217 202 48

HSL 54.67, 0.69%, 0.52%

LAB 80.3, -10.72, 72.35

 

CMYK 14 / 0 / 78 / 15

HEX #BAD930

RGB 186 217 48

HSL 71.01, 0.69%, 0.52%

LAB 81.99, -30.96, 72.98

 

CMYK 35 / 0 / 78 / 15

HEX #8DD930

RGB 141 217 48

HSL 86.98, 0.69%, 0.52%

LAB 79.33, -48.03, 69.56

 

CMYK 0 / 6 / 82 / 40

HEX #9A911C

RGB 154 145 28

HSL 55.71, 0.69%, 0.36%

LAB 59.16, -9.44, 57.49

 

CMYK 0 / 6 / 82 / 26

HEX #BDB222

RGB 189 178 34

HSL 55.74, 0.7%, 0.44%

LAB 71.4, -11.01, 67.6

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 0 / 4 / 63 / 13

HEX #DFD553

RGB 223 213 83

HSL 55.71, 0.69%, 0.6%

LAB 83.91, -12.03, 63.37

 

CMYK 0 / 3 / 49 / 10

HEX #E5DD75

RGB 229 221 117

HSL 55.71, 0.68%, 0.68%

LAB 86.83, -11.04, 51.58

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 78 / 0 / 69 / 15

HEX #30D943

RGB 48 217 67

HSL 126.75, 0.69%, 0.52%

LAB 76.47, -69.72, 59.31

 

CMYK 38 / 78 / 0 / 15

HEX #8730D9

RGB 135 48 217

HSL 270.89, 0.69%, 0.52%

LAB 41.65, 65.66, -70.52

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 78 / 0 / 7 / 15

HEX #30D9CA

RGB 48 217 202

HSL 174.67, 0.69%, 0.52%

LAB 78.76, -44.39, -4.56

 

CMYK 7 / 78 / 0 / 15

HEX #CA30D9

RGB 202 48 217

HSL 294.67, 0.69%, 0.52%

LAB 51.47, 77.31, -54.15

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 78 / 0 / 69 / 15

HEX #30D943

RGB 48 217 67

HSL 126.75, 0.69%, 0.52%

LAB 76.47, -69.72, 59.31

 

CMYK 78 / 71 / 0 / 15

HEX #303ED9

RGB 48 62 217

HSL 235.03, 0.69%, 0.52%

LAB 36.14, 48.21, -79.85

 

CMYK 0 / 78 / 9 / 15

HEX #D930C5

RGB 217 48 197

HSL 307.1, 0.69%, 0.52%

LAB 52.84, 77.2, -40.37

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 78 / 0 / 46 / 15

HEX #30D976

RGB 48 217 118

HSL 144.85, 0.69%, 0.52%

LAB 77.02, -63.17, 37.02

 

CMYK 78 / 71 / 0 / 15

HEX #303ED9

RGB 48 62 217

HSL 235.03, 0.69%, 0.52%

LAB 36.14, 48.21, -79.85

 

CMYK 0 / 78 / 33 / 15

HEX #D93092

RGB 217 48 146

HSL 325.21, 0.69%, 0.52%

LAB 50.62, 70.76, -13.84

 

Description

Color code: HEX #D9CD30 | qconv.com Color code: HEX #D9CD30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 205 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 205 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 78% 15% C M Y K

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