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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9CE71 it is the complementary color #26318E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9CE71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9CE71 shade: #DECE6C, #EFE07F, #FFF292, #FFFFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9CE71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9CE71 shade: #D9CE71, #C8BC5E, #B7AA4B, #A69838 and #958625

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9CE71 shade: #D9CE71, #D9B271, #D99671, #D97A71 and #D97171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9CE71 shade: #D9CE71, #C8D971, #ACD971, #90D971 and #74D971

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9CE71 shade matches the following richer shades: #D9CE71, #E7D963 and #F6E555

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9CE71 shade: #D9CE71, #CBC380, #BCB78E, #AEAC9D and #9FA1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9CE71 shade: #D99671, #D9B171, #D9CD71, #C9D971 and #AED971

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9CE71 shade: #C4B534, #D0C351, #D9CE71, #E2D992 and #EAE4B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9CE71 shade: #D9CE71, #71D97A and #A471D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9CE71 shade: #D9CE71, #71D9CD and #CD71D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9CE71 shade: #D9CE71, #71D97A, #717ED9 and #D971D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9CE71 shade: #D9CE71, #71D999, #717ED9 and #D971B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

Complementary color

CMYK 73 / 65 / 0 / 44

HEX #26318E

RGB 38 49 142

HSL 233.65, 0.58%, 0.35%

LAB 25.45, 28.71, -52.8

 

CMYK 0 / 7 / 51 / 13

HEX #DECE6C

RGB 222 206 108

HSL 51.58, 0.63%, 0.65%

LAB 82.25, -7.07, 50.24

 

CMYK 0 / 6 / 47 / 6

HEX #EFE07F

RGB 239 224 127

HSL 51.96, 0.78%, 0.72%

LAB 88.54, -7.66, 49.06

 

CMYK 0 / 5 / 43 / 0

HEX #FFF292

RGB 255 242 146

HSL 52.84, 1%, 0.79%

LAB 94.67, -8.55, 47.77

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 0 / 6 / 53 / 22

HEX #C8BC5E

RGB 200 188 94

HSL 53.21, 0.49%, 0.58%

LAB 75.48, -8.06, 48.48

 

CMYK 0 / 7 / 59 / 28

HEX #B7AA4B

RGB 183 170 75

HSL 52.78, 0.43%, 0.51%

LAB 68.99, -7.35, 49.6

 

CMYK 0 / 8 / 66 / 35

HEX #A69838

RGB 166 152 56

HSL 52.36, 0.5%, 0.44%

LAB 62.38, -6.47, 50.55

 

CMYK 0 / 10 / 75 / 42

HEX #958625

RGB 149 134 37

HSL 51.96, 0.6%, 0.36%

LAB 55.66, -5.39, 51.08

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 0 / 18 / 48 / 15

HEX #D9B271

RGB 217 178 113

HSL 37.5, 0.58%, 0.65%

LAB 74.69, 5.93, 38.4

 

CMYK 0 / 31 / 48 / 15

HEX #D99671

RGB 217 150 113

HSL 21.35, 0.58%, 0.65%

LAB 67.84, 20.97, 29.61

 

CMYK 0 / 44 / 48 / 15

HEX #D97A71

RGB 217 122 113

HSL 5.19, 0.58%, 0.65%

LAB 61.54, 35.92, 21.23

 

CMYK 0 / 48 / 48 / 15

HEX #D97171

RGB 217 113 113

HSL 0, 0.58%, 0.65%

LAB 59.67, 40.58, 18.69

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 8 / 0 / 48 / 15

HEX #C8D971

RGB 200 217 113

HSL 69.81, 0.58%, 0.65%

LAB 83.49, -20.93, 48.94

 

CMYK 21 / 0 / 48 / 15

HEX #ACD971

RGB 172 217 113

HSL 85.96, 0.58%, 0.65%

LAB 81.61, -31.61, 46.22

 

CMYK 34 / 0 / 48 / 15

HEX #90D971

RGB 144 217 113

HSL 102.12, 0.58%, 0.65%

LAB 80.04, -41.47, 43.93

 

CMYK 47 / 0 / 48 / 15

HEX #74D971

RGB 116 217 113

HSL 118.27, 0.58%, 0.65%

LAB 78.77, -50.12, 42.08

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 0 / 6 / 57 / 9

HEX #E7D963

RGB 231 217 99

HSL 53.64, 0.73%, 0.65%

LAB 85.76, -9.67, 58.68

 

CMYK 0 / 7 / 65 / 4

HEX #F6E555

RGB 246 229 85

HSL 53.66, 0.9%, 0.65%

LAB 89.99, -10.41, 69.53

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 0 / 4 / 37 / 20

HEX #CBC380

RGB 203 195 128

HSL 53.6, 0.42%, 0.65%

LAB 78.04, -7.08, 34.7

 

CMYK 0 / 3 / 24 / 26

HEX #BCB78E

RGB 188 183 142

HSL 53.48, 0.26%, 0.65%

LAB 73.88, -4.89, 21.54

 

CMYK 0 / 1 / 10 / 32

HEX #AEAC9D

RGB 174 172 157

HSL 52.94, 0.09%, 0.65%

LAB 70.13, -1.97, 7.96

 

CMYK 7 / 6 / 0 / 33

HEX #9FA1AB

RGB 159 161 171

HSL 230, 0.07%, 0.65%

LAB 66.37, 1.27, -5.43

 

CMYK 0 / 31 / 48 / 15

HEX #D99671

RGB 217 150 113

HSL 21.35, 0.58%, 0.65%

LAB 67.84, 20.97, 29.61

 

CMYK 0 / 18 / 48 / 15

HEX #D9B171

RGB 217 177 113

HSL 36.92, 0.58%, 0.65%

LAB 74.44, 6.46, 38.08

 

CMYK 0 / 6 / 48 / 15

HEX #D9CD71

RGB 217 205 113

HSL 53.08, 0.58%, 0.65%

LAB 81.62, -8.15, 46.98

 

CMYK 7 / 0 / 48 / 15

HEX #C9D971

RGB 201 217 113

HSL 69.23, 0.58%, 0.65%

LAB 83.57, -20.54, 49.04

 

CMYK 20 / 0 / 48 / 15

HEX #AED971

RGB 174 217 113

HSL 84.81, 0.58%, 0.65%

LAB 81.74, -30.87, 46.4

 

CMYK 0 / 8 / 73 / 23

HEX #C4B534

RGB 196 181 52

HSL 53.75, 0.58%, 0.49%

LAB 72.91, -8.83, 63.55

 

CMYK 0 / 6 / 61 / 18

HEX #D0C351

RGB 208 195 81

HSL 53.86, 0.57%, 0.57%

LAB 77.9, -9.3, 57.36

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 0 / 4 / 35 / 11

HEX #E2D992

RGB 226 217 146

HSL 53.25, 0.58%, 0.73%

LAB 85.94, -7.26, 36.12

 

CMYK 0 / 3 / 24 / 8

HEX #EAE4B3

RGB 234 228 179

HSL 53.45, 0.57%, 0.81%

LAB 89.97, -5.63, 24.7

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 48 / 0 / 44 / 15

HEX #71D97A

RGB 113 217 122

HSL 125.19, 0.58%, 0.65%

LAB 78.78, -49.67, 37.62

 

CMYK 24 / 48 / 0 / 15

HEX #A471D9

RGB 164 113 217

HSL 269.42, 0.58%, 0.65%

LAB 56.79, 40.26, -45.98

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 48 / 0 / 6 / 15

HEX #71D9CD

RGB 113 217 205

HSL 173.08, 0.58%, 0.65%

LAB 80.48, -33.11, -3.43

 

CMYK 6 / 48 / 0 / 15

HEX #CD71D9

RGB 205 113 217

HSL 293.08, 0.58%, 0.65%

LAB 61.48, 51.66, -38.28

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 48 / 0 / 44 / 15

HEX #71D97A

RGB 113 217 122

HSL 125.19, 0.58%, 0.65%

LAB 78.78, -49.67, 37.62

 

CMYK 48 / 42 / 0 / 15

HEX #717ED9

RGB 113 126 217

HSL 232.5, 0.58%, 0.65%

LAB 55.52, 19.55, -48.27

 

CMYK 0 / 48 / 4 / 15

HEX #D971D0

RGB 217 113 208

HSL 305.19, 0.58%, 0.65%

LAB 62.61, 53.48, -31.36

 

CMYK 0 / 5 / 48 / 15

HEX #D9CE71

RGB 217 206 113

HSL 53.65, 0.58%, 0.65%

LAB 81.89, -8.66, 47.3

 

CMYK 48 / 0 / 29 / 15

HEX #71D999

RGB 113 217 153

HSL 143.08, 0.58%, 0.65%

LAB 79.29, -44.44, 22.42

 

CMYK 48 / 42 / 0 / 15

HEX #717ED9

RGB 113 126 217

HSL 232.5, 0.58%, 0.65%

LAB 55.52, 19.55, -48.27

 

CMYK 0 / 48 / 18 / 15

HEX #D971B1

RGB 217 113 177

HSL 323.08, 0.58%, 0.65%

LAB 61.43, 48.48, -15.59

 

Description

Color code: HEX #D9CE71 | qconv.com Color code: HEX #D9CE71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 206 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 206 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 48 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 48% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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