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Color name
HEX #D9CECC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9CECC it is the complementary color #263133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9CECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9CECC shade: #DECEC7, #EFE0DA and #FFF2ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9CECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9CECC shade: #D9CECC, #C8BCB9, #B7AAA6, #A69893 and #958680

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9CECC shade: #DACFCD and #DACDCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9CECC shade: #DACFCD, #DAD2CD, #DAD6CD, #DAD9CD and #D7DACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9CECC shade matches the following richer shades: #DACFCD, #E1CAC6, #E8C5BF, #EFC0B8 and #F6BBB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9CECC shade: #DACFCD, #D3D4D4, #CCD8DB, #C5DDE2 and #BEE2E9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9CECC shade: #DACDD2, #DACDCE, #DACFCD, #DAD2CD and #DAD6CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9CECC shade: #B7A19D, #C8B8B5, #DACFCD, #EBE5E4 and #FDFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9CECC shade: #D9CECC, #D5DACD and #CDD0DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9CECC shade: #D9CECC, #CDDACF and #CFCDDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9CECC shade: #D9CECC, #D5DACD, #CDD8DA and #D1CDDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9CECC shade: #D9CECC, #D1DACD, #CDD8DA and #D5CDDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 6 / 15

HEX #D9CECC

RGB 217 206 204

HSL 9.23, 0.15%, 0.83%

LAB 83.58, 3.46, 2.34

 

Complementary color

CMYK 25 / 4 / 0 / 80

HEX #263133

RGB 38 49 51

HSL 189.23, 0.15%, 0.17%

LAB 19.42, -4.08, -2.82

 

CMYK 0 / 7 / 10 / 13

HEX #DECEC7

RGB 222 206 199

HSL 18.26, 0.26%, 0.83%

LAB 83.86, 4.38, 5.47

 

CMYK 0 / 6 / 9 / 6

HEX #EFE0DA

RGB 239 224 218

HSL 17.14, 0.4%, 0.9%

LAB 90.19, 4.11, 4.76

 

CMYK 0 / 5 / 7 / 0

HEX #FFF2ED

RGB 255 242 237

HSL 16.67, 1%, 0.96%

LAB 96.36, 3.53, 3.96

 

CMYK 0 / 5 / 6 / 15

HEX #D9CECC

RGB 217 206 204

HSL 9.23, 0.15%, 0.83%

LAB 83.58, 3.46, 2.34

 

CMYK 0 / 6 / 8 / 22

HEX #C8BCB9

RGB 200 188 185

HSL 12, 0.12%, 0.75%

LAB 77.13, 3.7, 3.02

 

CMYK 0 / 7 / 9 / 28

HEX #B7AAA6

RGB 183 170 166

HSL 14.12, 0.11%, 0.68%

LAB 70.57, 3.97, 3.73

 

CMYK 0 / 8 / 11 / 35

HEX #A69893

RGB 166 152 147

HSL 15.79, 0.1%, 0.61%

LAB 63.89, 4.27, 4.48

 

CMYK 0 / 10 / 14 / 42

HEX #958680

RGB 149 134 128

HSL 17.14, 0.09%, 0.54%

LAB 57.07, 4.6, 5.28

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCD

RGB 218 207 205

HSL 9.23, 0.15%, 0.83%

LAB 83.93, 3.45, 2.34

 

CMYK 0 / 6 / 6 / 15

HEX #DACDCD

RGB 218 205 205

HSL 0, 0.15%, 0.83%

LAB 83.43, 4.51, 1.61

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCD

RGB 218 207 205

HSL 9.23, 0.15%, 0.83%

LAB 83.93, 3.45, 2.34

 

CMYK 0 / 4 / 6 / 15

HEX #DAD2CD

RGB 218 210 205

HSL 23.08, 0.15%, 0.83%

LAB 84.69, 1.88, 3.44

 

CMYK 0 / 2 / 6 / 15

HEX #DAD6CD

RGB 218 214 205

HSL 41.54, 0.15%, 0.83%

LAB 85.71, -0.2, 4.91

 

CMYK 0 / 0 / 6 / 15

HEX #DAD9CD

RGB 218 217 205

HSL 55.38, 0.15%, 0.83%

LAB 86.47, -1.76, 6.02

 

CMYK 1 / 0 / 6 / 15

HEX #D7DACD

RGB 215 218 205

HSL 73.85, 0.15%, 0.83%

LAB 86.5, -3.31, 6.03

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCD

RGB 218 207 205

HSL 9.23, 0.15%, 0.83%

LAB 83.93, 3.45, 2.34

 

CMYK 0 / 10 / 12 / 12

HEX #E1CAC6

RGB 225 202 198

HSL 8.89, 0.31%, 0.83%

LAB 83.09, 7.38, 4.92

 

CMYK 0 / 15 / 18 / 9

HEX #E8C5BF

RGB 232 197 191

HSL 8.78, 0.47%, 0.83%

LAB 82.3, 11.44, 7.6

 

CMYK 0 / 20 / 23 / 6

HEX #EFC0B8

RGB 239 192 184

HSL 8.73, 0.63%, 0.83%

LAB 81.57, 15.61, 10.4

 

CMYK 0 / 24 / 28 / 4

HEX #F6BBB1

RGB 246 187 177

HSL 8.7, 0.79%, 0.83%

LAB 80.91, 19.87, 13.31

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCD

RGB 218 207 205

HSL 9.23, 0.15%, 0.83%

LAB 83.93, 3.45, 2.34

 

CMYK 0 / 0 / 0 / 17

HEX #D3D4D4

RGB 211 212 212

HSL 180, 0.01%, 0.83%

LAB 84.84, -0.34, -0.13

 

CMYK 7 / 1 / 0 / 14

HEX #CCD8DB

RGB 204 216 219

HSL 192, 0.17%, 0.83%

LAB 85.54, -3.46, -2.88

 

CMYK 13 / 2 / 0 / 11

HEX #C5DDE2

RGB 197 221 226

HSL 190.34, 0.33%, 0.83%

LAB 86.54, -6.94, -5.16

 

CMYK 18 / 3 / 0 / 9

HEX #BEE2E9

RGB 190 226 233

HSL 189.77, 0.49%, 0.83%

LAB 87.59, -10.25, -7.34

 

CMYK 0 / 6 / 4 / 15

HEX #DACDD2

RGB 218 205 210

HSL 336.92, 0.15%, 0.83%

LAB 83.56, 5.38, -0.87

 

CMYK 0 / 6 / 6 / 15

HEX #DACDCE

RGB 218 205 206

HSL 355.38, 0.15%, 0.83%

LAB 83.46, 4.68, 1.11

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCD

RGB 218 207 205

HSL 9.23, 0.15%, 0.83%

LAB 83.93, 3.45, 2.34

 

CMYK 0 / 4 / 6 / 15

HEX #DAD2CD

RGB 218 210 205

HSL 23.08, 0.15%, 0.83%

LAB 84.69, 1.88, 3.44

 

CMYK 0 / 2 / 6 / 15

HEX #DAD6CD

RGB 218 214 205

HSL 41.54, 0.15%, 0.83%

LAB 85.71, -0.2, 4.91

 

CMYK 0 / 12 / 14 / 28

HEX #B7A19D

RGB 183 161 157

HSL 9.23, 0.15%, 0.67%

LAB 68.01, 7.37, 5.02

 

CMYK 0 / 8 / 10 / 22

HEX #C8B8B5

RGB 200 184 181

HSL 9.47, 0.15%, 0.75%

LAB 76.01, 5.16, 3.56

 

CMYK 0 / 5 / 6 / 15

HEX #DACFCD

RGB 218 207 205

HSL 9.23, 0.15%, 0.83%

LAB 83.93, 3.45, 2.34

 

CMYK 0 / 3 / 3 / 8

HEX #EBE5E4

RGB 235 229 228

HSL 8.57, 0.15%, 0.91%

LAB 91.37, 1.85, 1.2

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 5 / 6 / 15

HEX #D9CECC

RGB 217 206 204

HSL 9.23, 0.15%, 0.83%

LAB 83.58, 3.46, 2.34

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACD

RGB 213 218 205

HSL 83.08, 0.15%, 0.83%

LAB 86.35, -4.01, 5.8

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 0 / 5 / 6 / 15

HEX #D9CECC

RGB 217 206 204

HSL 9.23, 0.15%, 0.83%

LAB 83.58, 3.46, 2.34

 

CMYK 6 / 0 / 5 / 15

HEX #CDDACF

RGB 205 218 207

HSL 129.23, 0.15%, 0.83%

LAB 85.82, -6.39, 3.89

 

CMYK 5 / 6 / 0 / 15

HEX #CFCDDA

RGB 207 205 218

HSL 249.23, 0.15%, 0.83%

LAB 82.91, 3.11, -6.19

 

CMYK 0 / 5 / 6 / 15

HEX #D9CECC

RGB 217 206 204

HSL 9.23, 0.15%, 0.83%

LAB 83.58, 3.46, 2.34

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACD

RGB 213 218 205

HSL 83.08, 0.15%, 0.83%

LAB 86.35, -4.01, 5.8

 

CMYK 6 / 1 / 0 / 15

HEX #CDD8DA

RGB 205 216 218

HSL 189.23, 0.15%, 0.83%

LAB 85.58, -3.32, -2.27

HEX #CDD8DA

CMYK 4 / 6 / 0 / 15

HEX #D1CDDA

RGB 209 205 218

HSL 258.46, 0.15%, 0.83%

LAB 83.06, 3.78, -5.95

HEX #D1CDDA

CMYK 0 / 5 / 6 / 15

HEX #D9CECC

RGB 217 206 204

HSL 9.23, 0.15%, 0.83%

LAB 83.58, 3.46, 2.34

 

CMYK 4 / 0 / 6 / 15

HEX #D1DACD

RGB 209 218 205

HSL 101.54, 0.15%, 0.83%

LAB 86.06, -5.38, 5.33

 

CMYK 6 / 1 / 0 / 15

HEX #CDD8DA

RGB 205 216 218

HSL 189.23, 0.15%, 0.83%

LAB 85.58, -3.32, -2.27

HEX #CDD8DA

CMYK 2 / 6 / 0 / 15

HEX #D5CDDA

RGB 213 205 218

HSL 276.92, 0.15%, 0.83%

LAB 83.37, 5.12, -5.45

HEX #D5CDDA

Description

Color code: HEX #D9CECC | qconv.com Color code: HEX #D9CECC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 206 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 206 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 6% 15% C M Y K

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