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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D695 it is the complementary color #26296A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D695. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9D695 shade: #DED690, #EFE8A3, #FFFAB6, #FFFFC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D695. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9D695 shade: #D9D695, #C8C482, #B7B26F, #A6A05C and #958E49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9D695 shade: #D9D696, #D9C496, #D9B196, #D99F96 and #D99696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9D695 shade: #D9D696, #CAD996, #B7D996, #A5D996 and #96D998

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9D695 shade matches the following richer shades: #D9D696, #E4E08A, #F0EB7E and #FBF573

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9D695 shade: #D9D696, #CDCBA1, #C2C1AD, #B6B6B8 and #AAACC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9D695 shade: #D9B296, #D9C396, #D9D596, #CAD996 and #B8D996

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9D695 shade: #C3BE59, #CECA77, #D9D696, #E4E1B4 and #EFEDD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9D695 shade: #D9D695, #96D9A0 and #BA96D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9D695 shade: #D9D695, #96D9D5 and #D596D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9D695 shade: #D9D695, #96D9A0, #9699D9 and #D996CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9D695 shade: #D9D695, #96D9B4, #9699D9 and #D996BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 31 / 15

HEX #D9D695

RGB 217 214 149

HSL 57.35, 0.47%, 0.72%

LAB 84.49, -8.84, 32.55

 

Complementary color

CMYK 64 / 61 / 0 / 58

HEX #26296A

RGB 38 41 106

HSL 237.35, 0.47%, 0.28%

LAB 20.2, 20.66, -38.54

 

CMYK 0 / 4 / 35 / 13

HEX #DED690

RGB 222 214 144

HSL 53.85, 0.54%, 0.72%

LAB 84.81, -7.51, 35.6

 

CMYK 0 / 3 / 32 / 6

HEX #EFE8A3

RGB 239 232 163

HSL 54.47, 0.7%, 0.79%

LAB 91.1, -7.84, 34.48

 

CMYK 0 / 2 / 29 / 0

HEX #FFFAB6

RGB 255 250 182

HSL 55.89, 1%, 0.86%

LAB 97.23, -8.49, 33.3

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 1 / 31 / 15

HEX #D9D695

RGB 217 214 149

HSL 57.35, 0.47%, 0.72%

LAB 84.49, -8.84, 32.55

 

CMYK 0 / 2 / 35 / 22

HEX #C8C482

RGB 200 196 130

HSL 56.57, 0.39%, 0.65%

LAB 78.09, -8.54, 33.68

 

CMYK 0 / 3 / 39 / 28

HEX #B7B26F

RGB 183 178 111

HSL 55.83, 0.33%, 0.58%

LAB 71.59, -8.19, 34.87

 

CMYK 0 / 4 / 45 / 35

HEX #A6A05C

RGB 166 160 92

HSL 55.14, 0.29%, 0.51%

LAB 64.98, -7.76, 36.1

 

CMYK 0 / 5 / 51 / 42

HEX #958E49

RGB 149 142 73

HSL 54.47, 0.34%, 0.44%

LAB 58.24, -7.22, 37.36

 

CMYK 0 / 1 / 31 / 15

HEX #D9D696

RGB 217 214 150

HSL 57.31, 0.47%, 0.72%

LAB 84.51, -8.72, 32.05

 

CMYK 0 / 10 / 31 / 15

HEX #D9C496

RGB 217 196 150

HSL 41.19, 0.47%, 0.72%

LAB 79.86, 0.57, 25.83

 

CMYK 0 / 18 / 31 / 15

HEX #D9B196

RGB 217 177 150

HSL 24.18, 0.47%, 0.72%

LAB 75.08, 10.64, 19.28

 

CMYK 0 / 27 / 31 / 15

HEX #D99F96

RGB 217 159 150

HSL 8.06, 0.47%, 0.72%

LAB 70.7, 20.33, 13.18

 

CMYK 0 / 31 / 31 / 15

HEX #D99696

RGB 217 150 150

HSL 0, 0.47%, 0.72%

LAB 68.58, 25.2, 10.19

 

CMYK 0 / 1 / 31 / 15

HEX #D9D696

RGB 217 214 150

HSL 57.31, 0.47%, 0.72%

LAB 84.51, -8.72, 32.05

 

CMYK 7 / 0 / 31 / 15

HEX #CAD996

RGB 202 217 150

HSL 73.43, 0.47%, 0.72%

LAB 84.17, -15.91, 31.4

 

CMYK 16 / 0 / 31 / 15

HEX #B7D996

RGB 183 217 150

HSL 90.45, 0.47%, 0.72%

LAB 82.86, -22.9, 29.42

 

CMYK 24 / 0 / 31 / 15

HEX #A5D996

RGB 165 217 150

HSL 106.57, 0.47%, 0.72%

LAB 81.74, -29.22, 27.73

 

CMYK 31 / 0 / 30 / 15

HEX #96D998

RGB 150 217 152

HSL 121.79, 0.47%, 0.72%

LAB 80.95, -33.87, 25.48

 

CMYK 0 / 1 / 31 / 15

HEX #D9D696

RGB 217 214 150

HSL 57.31, 0.47%, 0.72%

LAB 84.51, -8.72, 32.05

 

CMYK 0 / 2 / 39 / 11

HEX #E4E08A

RGB 228 224 138

HSL 57.33, 0.63%, 0.72%

LAB 87.8, -10.89, 42.56

 

CMYK 0 / 2 / 48 / 6

HEX #F0EB7E

RGB 240 235 126

HSL 57.37, 0.79%, 0.72%

LAB 91.44, -12.83, 53.08

 

CMYK 0 / 2 / 54 / 2

HEX #FBF573

RGB 251 245 115

HSL 57.35, 0.94%, 0.72%

LAB 94.76, -14.29, 62.23

 

CMYK 0 / 1 / 31 / 15

HEX #D9D696

RGB 217 214 150

HSL 57.31, 0.47%, 0.72%

LAB 84.51, -8.72, 32.05

 

CMYK 0 / 1 / 21 / 20

HEX #CDCBA1

RGB 205 203 161

HSL 57.27, 0.31%, 0.72%

LAB 80.89, -6.15, 21.26

 

CMYK 0 / 1 / 11 / 24

HEX #C2C1AD

RGB 194 193 173

HSL 57.14, 0.15%, 0.72%

LAB 77.65, -3.14, 10.2

 

CMYK 1 / 1 / 0 / 28

HEX #B6B6B8

RGB 182 182 184

HSL 240, 0.01%, 0.72%

LAB 74.1, 0.38, -1.02

 

CMYK 13 / 12 / 0 / 23

HEX #AAACC4

RGB 170 172 196

HSL 235.38, 0.18%, 0.72%

LAB 70.9, 4.14, -12.46

 

CMYK 0 / 18 / 31 / 15

HEX #D9B296

RGB 217 178 150

HSL 25.07, 0.47%, 0.72%

LAB 75.32, 10.1, 19.63

 

CMYK 0 / 10 / 31 / 15

HEX #D9C396

RGB 217 195 150

HSL 40.3, 0.47%, 0.72%

LAB 79.6, 1.09, 25.48

 

CMYK 0 / 2 / 31 / 15

HEX #D9D596

RGB 217 213 150

HSL 56.42, 0.47%, 0.72%

LAB 84.25, -8.21, 31.71

 

CMYK 7 / 0 / 31 / 15

HEX #CAD996

RGB 202 217 150

HSL 73.43, 0.47%, 0.72%

LAB 84.17, -15.91, 31.4

 

CMYK 15 / 0 / 31 / 15

HEX #B8D996

RGB 184 217 150

HSL 89.55, 0.47%, 0.72%

LAB 82.92, -22.54, 29.52

 

CMYK 0 / 3 / 54 / 24

HEX #C3BE59

RGB 195 190 89

HSL 57.17, 0.47%, 0.56%

LAB 75.54, -11.58, 50.81

 

CMYK 0 / 2 / 42 / 19

HEX #CECA77

RGB 206 202 119

HSL 57.24, 0.47%, 0.64%

LAB 80.01, -10.46, 41.82

 

CMYK 0 / 1 / 31 / 15

HEX #D9D696

RGB 217 214 150

HSL 57.31, 0.47%, 0.72%

LAB 84.51, -8.72, 32.05

 

CMYK 0 / 1 / 21 / 11

HEX #E4E1B4

RGB 228 225 180

HSL 56.25, 0.47%, 0.8%

LAB 88.75, -6.18, 22.44

 

CMYK 0 / 1 / 12 / 6

HEX #EFEDD2

RGB 239 237 210

HSL 55.86, 0.48%, 0.88%

LAB 93.26, -3.82, 13.33

 

CMYK 0 / 1 / 31 / 15

HEX #D9D695

RGB 217 214 149

HSL 57.35, 0.47%, 0.72%

LAB 84.49, -8.84, 32.55

 

CMYK 31 / 0 / 26 / 15

HEX #96D9A0

RGB 150 217 160

HSL 128.96, 0.47%, 0.72%

LAB 81.1, -32.51, 21.51

 

CMYK 14 / 31 / 0 / 15

HEX #BA96D9

RGB 186 150 217

HSL 272.24, 0.47%, 0.72%

LAB 67.47, 26.05, -29.13

 

CMYK 0 / 1 / 31 / 15

HEX #D9D695

RGB 217 214 149

HSL 57.35, 0.47%, 0.72%

LAB 84.49, -8.84, 32.55

 

CMYK 31 / 0 / 2 / 15

HEX #96D9D5

RGB 150 217 213

HSL 176.42, 0.47%, 0.72%

LAB 82.33, -21.84, -4.79

 

CMYK 2 / 31 / 0 / 15

HEX #D596D9

RGB 213 150 217

HSL 296.42, 0.47%, 0.72%

LAB 70.15, 34.61, -24.79

 

CMYK 0 / 1 / 31 / 15

HEX #D9D695

RGB 217 214 149

HSL 57.35, 0.47%, 0.72%

LAB 84.49, -8.84, 32.55

 

CMYK 31 / 0 / 26 / 15

HEX #96D9A0

RGB 150 217 160

HSL 128.96, 0.47%, 0.72%

LAB 81.1, -32.51, 21.51

 

CMYK 31 / 29 / 0 / 15

HEX #9699D9

RGB 150 153 217

HSL 237.31, 0.47%, 0.72%

LAB 65.18, 13.49, -32.92

 

CMYK 0 / 31 / 5 / 15

HEX #D996CF

RGB 217 150 207

HSL 308.96, 0.47%, 0.72%

LAB 70.22, 34.07, -19.12

 

CMYK 0 / 1 / 31 / 15

HEX #D9D695

RGB 217 214 149

HSL 57.35, 0.47%, 0.72%

LAB 84.49, -8.84, 32.55

 

CMYK 31 / 0 / 17 / 15

HEX #96D9B4

RGB 150 217 180

HSL 146.87, 0.47%, 0.72%

LAB 81.51, -28.81, 11.55

 

CMYK 31 / 29 / 0 / 15

HEX #9699D9

RGB 150 153 217

HSL 237.31, 0.47%, 0.72%

LAB 65.18, 13.49, -32.92

 

CMYK 0 / 31 / 14 / 15

HEX #D996BA

RGB 217 150 186

HSL 327.76, 0.47%, 0.72%

LAB 69.55, 30.49, -8.48

 

Description

Color code: HEX #D9D695 | qconv.com Color code: HEX #D9D695 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 214 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 214 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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