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Color name
HEX #D9D253

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D253 it is the complementary color #262DAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9D253 shade: #DED24E, #EFE461, #FFF674, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9D253 shade: #D9D253, #C8C040, #B7AE2D, #A69C1A and #958A07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9D253 shade: #D9D253, #D9AE53, #D98A53, #D96653 and #D95353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9D253 shade: #D9D253, #BCD953, #98D953, #74D953 and #53D957

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9D253 shade matches the following richer shades: #D9D253, #EAE142 and #FBF031

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9D253 shade: #D9D253, #C8C364, #B7B475, #A6A486 and #959597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9D253 shade: #D98953, #D9AC53, #D9D053, #BED953 and #9AD953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9D253 shade: #B3AB27, #D1C931, #D9D253, #E0DB75 and #E8E397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9D253 shade: #D9D253, #53D965 and #9A53D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9D253 shade: #D9D253, #53D9D0 and #D053D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9D253 shade: #D9D253, #53D965, #535CD9 and #D953C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9D253 shade: #D9D253, #53D98D, #535CD9 and #D9539F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

Complementary color

CMYK 78 / 74 / 0 / 33

HEX #262DAC

RGB 38 45 172

HSL 236.87, 0.64%, 0.41%

LAB 27.48, 42.01, -67.74

 

CMYK 0 / 5 / 65 / 13

HEX #DED24E

RGB 222 210 78

HSL 55, 0.69%, 0.59%

LAB 83.01, -11.24, 64.43

 

CMYK 0 / 5 / 59 / 6

HEX #EFE461

RGB 239 228 97

HSL 55.35, 0.82%, 0.66%

LAB 89.25, -12.04, 63.62

 

CMYK 0 / 4 / 55 / 0

HEX #FFF674

RGB 255 246 116

HSL 56.12, 1%, 0.73%

LAB 95.34, -13.12, 62.53

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 0 / 4 / 68 / 22

HEX #C8C040

RGB 200 192 64

HSL 56.47, 0.55%, 0.52%

LAB 76.28, -12.17, 62.5

 

CMYK 0 / 5 / 75 / 28

HEX #B7AE2D

RGB 183 174 45

HSL 56.09, 0.61%, 0.45%

LAB 69.84, -11.17, 62.69

 

CMYK 0 / 6 / 84 / 35

HEX #A69C1A

RGB 166 156 26

HSL 55.71, 0.73%, 0.38%

LAB 63.31, -9.95, 62.01

 

CMYK 0 / 7 / 95 / 42

HEX #958A07

RGB 149 138 7

HSL 55.35, 0.91%, 0.31%

LAB 56.67, -8.46, 59.86

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 0 / 20 / 62 / 15

HEX #D9AE53

RGB 217 174 83

HSL 40.75, 0.64%, 0.59%

LAB 73.32, 5.61, 51.61

 

CMYK 0 / 36 / 62 / 15

HEX #D98A53

RGB 217 138 83

HSL 24.63, 0.64%, 0.59%

LAB 64.61, 24.94, 41.54

 

CMYK 0 / 53 / 62 / 15

HEX #D96653

RGB 217 102 83

HSL 8.51, 0.64%, 0.59%

LAB 56.96, 43.67, 32.23

 

CMYK 0 / 62 / 62 / 15

HEX #D95353

RGB 217 83 83

HSL 0, 0.64%, 0.59%

LAB 53.56, 52.55, 27.95

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 13 / 0 / 62 / 15

HEX #BCD953

RGB 188 217 83

HSL 72.99, 0.64%, 0.59%

LAB 82.35, -28.21, 60.9

 

CMYK 30 / 0 / 62 / 15

HEX #98D953

RGB 152 217 83

HSL 89.1, 0.64%, 0.59%

LAB 80.14, -41.82, 57.85

 

CMYK 47 / 0 / 62 / 15

HEX #74D953

RGB 116 217 83

HSL 105.22, 0.64%, 0.59%

LAB 78.44, -53.61, 55.49

 

CMYK 62 / 0 / 60 / 15

HEX #53D957

RGB 83 217 87

HSL 121.79, 0.64%, 0.59%

LAB 77.37, -61.65, 52.25

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 0 / 4 / 72 / 8

HEX #EAE142

RGB 234 225 66

HSL 56.79, 0.8%, 0.59%

LAB 87.84, -14.33, 74.07

 

CMYK 0 / 4 / 80 / 2

HEX #FBF031

RGB 251 240 49

HSL 56.73, 0.96%, 0.59%

LAB 93.04, -15.25, 84.32

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 0 / 3 / 50 / 22

HEX #C8C364

RGB 200 195 100

HSL 57, 0.48%, 0.59%

LAB 77.42, -11.14, 47.88

 

CMYK 0 / 2 / 36 / 28

HEX #B7B475

RGB 183 180 117

HSL 57.27, 0.31%, 0.59%

LAB 72.22, -8.54, 32.55

 

CMYK 0 / 1 / 19 / 35

HEX #A6A486

RGB 166 164 134

HSL 56.25, 0.15%, 0.59%

LAB 66.81, -4.43, 15.86

 

CMYK 1 / 1 / 0 / 41

HEX #959597

RGB 149 149 151

HSL 240, 0.01%, 0.59%

LAB 61.76, 0.39, -1.06

 

CMYK 0 / 37 / 62 / 15

HEX #D98953

RGB 217 137 83

HSL 24.18, 0.64%, 0.59%

LAB 64.38, 25.48, 41.27

 

CMYK 0 / 21 / 62 / 15

HEX #D9AC53

RGB 217 172 83

HSL 39.85, 0.64%, 0.59%

LAB 72.81, 6.68, 51.04

 

CMYK 0 / 4 / 62 / 15

HEX #D9D053

RGB 217 208 83

HSL 55.97, 0.64%, 0.59%

LAB 82.1, -12.01, 61.28

 

CMYK 12 / 0 / 62 / 15

HEX #BED953

RGB 190 217 83

HSL 72.09, 0.64%, 0.59%

LAB 82.48, -27.41, 61.09

 

CMYK 29 / 0 / 62 / 15

HEX #9AD953

RGB 154 217 83

HSL 88.21, 0.64%, 0.59%

LAB 80.25, -41.1, 58

 

CMYK 0 / 4 / 78 / 30

HEX #B3AB27

RGB 179 171 39

HSL 56.57, 0.64%, 0.43%

LAB 68.65, -11.6, 63.41

 

CMYK 0 / 4 / 77 / 18

HEX #D1C931

RGB 209 201 49

HSL 57, 0.63%, 0.51%

LAB 79.36, -13.58, 70.95

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 0 / 2 / 48 / 12

HEX #E0DB75

RGB 224 219 117

HSL 57.2, 0.63%, 0.67%

LAB 85.9, -12.04, 50.37

 

CMYK 0 / 2 / 35 / 9

HEX #E8E397

RGB 232 227 151

HSL 56.3, 0.64%, 0.75%

LAB 89.08, -9.41, 37.77

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 62 / 0 / 53 / 15

HEX #53D965

RGB 83 217 101

HSL 128.06, 0.64%, 0.59%

LAB 77.52, -59.94, 46.05

 

CMYK 29 / 62 / 0 / 15

HEX #9A53D9

RGB 154 83 217

HSL 271.79, 0.64%, 0.59%

LAB 49.58, 53.73, -57.56

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 62 / 0 / 4 / 15

HEX #53D9D0

RGB 83 217 208

HSL 175.97, 0.64%, 0.59%

LAB 79.62, -38.21, -6.41

 

CMYK 4 / 62 / 0 / 15

HEX #D053D9

RGB 208 83 217

HSL 295.97, 0.64%, 0.59%

LAB 56.69, 66.4, -45.8

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 62 / 0 / 53 / 15

HEX #53D965

RGB 83 217 101

HSL 128.06, 0.64%, 0.59%

LAB 77.52, -59.94, 46.05

 

CMYK 62 / 58 / 0 / 15

HEX #535CD9

RGB 83 92 217

HSL 235.97, 0.64%, 0.59%

LAB 44.95, 34.29, -65.37

 

CMYK 0 / 62 / 8 / 15

HEX #D953C7

RGB 217 83 199

HSL 308.06, 0.64%, 0.59%

LAB 57.14, 65.65, -34.77

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 62 / 0 / 35 / 15

HEX #53D98D

RGB 83 217 141

HSL 145.97, 0.64%, 0.59%

LAB 78.1, -53.53, 26.89

 

CMYK 62 / 58 / 0 / 15

HEX #535CD9

RGB 83 92 217

HSL 235.97, 0.64%, 0.59%

LAB 44.95, 34.29, -65.37

 

CMYK 0 / 62 / 27 / 15

HEX #D9539F

RGB 217 83 159

HSL 325.97, 0.64%, 0.59%

LAB 55.52, 59.94, -14.11

 

Description

Color code: HEX #D9D253 | qconv.com Color code: HEX #D9D253 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 210 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 210 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 62 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 62% 15% C M Y K

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