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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9E588 it is the complementary color #261A77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9E588. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9E588 shade: #DEE583, #EFF796, #FFFFA9, #FFFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9E588. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9E588 shade: #D9E588, #C8D375, #B7C162, #A6AF4F and #959D3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9E588 shade: #D9E589, #E5D889, #E5BF89, #E5A789 and #E58E89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9E588 shade: #D9E589, #C0E589, #A8E589, #8FE589 and #89E59C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9E588 shade matches the following richer shades: #D9E589, #E2F07E and #EAFC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9E588 shade: #D9E589, #D0D995, #C8CEA1, #BFC2AC and #B7B7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9E588 shade: #E5BF89, #E5D789, #DAE589, #C2E589 and #A9E589

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9E588 shade: #C3D646, #CEDD68, #D9E589, #E4ECAB and #EFF4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9E588 shade: #D9E588, #89E5A6 and #CB89E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9E588 shade: #D9E588, #89DAE5 and #E589DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9E588 shade: #D9E588, #89E5A6, #9489E5 and #E589C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9E588 shade: #D9E588, #89E5C2, #9489E5 and #E589AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 41 / 10

HEX #D9E588

RGB 217 229 136

HSL 67.74, 0.64%, 0.72%

LAB 88.24, -17.84, 43.93

 

Complementary color

CMYK 68 / 78 / 0 / 53

HEX #261A77

RGB 38 26 119

HSL 247.74, 0.64%, 0.28%

LAB 17.84, 35, -50.8

 

CMYK 3 / 0 / 43 / 10

HEX #DEE583

RGB 222 229 131

HSL 64.29, 0.65%, 0.71%

LAB 88.55, -16.44, 46.83

 

CMYK 3 / 0 / 39 / 3

HEX #EFF796

RGB 239 247 150

HSL 64.95, 0.86%, 0.78%

LAB 94.77, -16.73, 45.69

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 5 / 0 / 41 / 10

HEX #D9E588

RGB 217 229 136

HSL 67.74, 0.64%, 0.72%

LAB 88.24, -17.84, 43.93

 

CMYK 5 / 0 / 45 / 17

HEX #C8D375

RGB 200 211 117

HSL 67.02, 0.52%, 0.64%

LAB 81.92, -17.57, 45.09

 

CMYK 5 / 0 / 49 / 24

HEX #B7C162

RGB 183 193 98

HSL 66.32, 0.43%, 0.57%

LAB 75.51, -17.24, 46.24

 

CMYK 5 / 0 / 55 / 31

HEX #A6AF4F

RGB 166 175 79

HSL 65.63, 0.38%, 0.5%

LAB 68.99, -16.82, 47.36

 

CMYK 5 / 0 / 62 / 38

HEX #959D3C

RGB 149 157 60

HSL 64.95, 0.45%, 0.43%

LAB 62.36, -16.28, 48.33

 

CMYK 5 / 0 / 40 / 10

HEX #D9E589

RGB 217 229 137

HSL 67.83, 0.64%, 0.72%

LAB 88.25, -17.73, 43.46

 

CMYK 0 / 6 / 40 / 10

HEX #E5D889

RGB 229 216 137

HSL 51.52, 0.64%, 0.72%

LAB 85.79, -6.58, 40.52

 

CMYK 0 / 17 / 40 / 10

HEX #E5BF89

RGB 229 191 137

HSL 35.22, 0.64%, 0.72%

LAB 79.46, 6.36, 32.31

 

CMYK 0 / 27 / 40 / 10

HEX #E5A789

RGB 229 167 137

HSL 19.57, 0.64%, 0.72%

LAB 73.61, 19.11, 24.51

 

CMYK 0 / 38 / 40 / 10

HEX #E58E89

RGB 229 142 137

HSL 3.26, 0.64%, 0.72%

LAB 67.88, 32.43, 16.66

 

CMYK 5 / 0 / 40 / 10

HEX #D9E589

RGB 217 229 137

HSL 67.83, 0.64%, 0.72%

LAB 88.25, -17.73, 43.46

 

CMYK 16 / 0 / 40 / 10

HEX #C0E589

RGB 192 229 137

HSL 84.13, 0.64%, 0.72%

LAB 86.53, -27.12, 40.91

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 38 / 0 / 40 / 10

HEX #8FE589

RGB 143 229 137

HSL 116.09, 0.64%, 0.72%

LAB 83.8, -43.79, 36.86

 

CMYK 40 / 0 / 32 / 10

HEX #89E59C

RGB 137 229 156

HSL 132.39, 0.64%, 0.72%

LAB 83.84, -42.57, 27.22

 

CMYK 5 / 0 / 40 / 10

HEX #D9E589

RGB 217 229 137

HSL 67.83, 0.64%, 0.72%

LAB 88.25, -17.73, 43.46

 

CMYK 6 / 0 / 48 / 6

HEX #E2F07E

RGB 226 240 126

HSL 67.37, 0.79%, 0.72%

LAB 91.68, -20.74, 53.13

 

CMYK 7 / 0 / 55 / 1

HEX #EAFC72

RGB 234 252 114

HSL 67.83, 0.96%, 0.72%

LAB 95.3, -24.41, 62.94

 

CMYK 5 / 0 / 40 / 10

HEX #D9E589

RGB 217 229 137

HSL 67.83, 0.64%, 0.72%

LAB 88.25, -17.73, 43.46

 

CMYK 4 / 0 / 31 / 15

HEX #D0D995

RGB 208 217 149

HSL 67.94, 0.47%, 0.72%

LAB 84.59, -13.79, 32.55

 

CMYK 3 / 0 / 22 / 19

HEX #C8CEA1

RGB 200 206 161

HSL 68, 0.31%, 0.72%

LAB 81.29, -9.56, 21.75

 

CMYK 2 / 0 / 11 / 24

HEX #BFC2AC

RGB 191 194 172

HSL 68.18, 0.15%, 0.72%

LAB 77.66, -4.92, 10.71

 

CMYK 1 / 1 / 0 / 28

HEX #B7B7B8

RGB 183 183 184

HSL 240, 0.01%, 0.72%

LAB 74.44, 0.19, -0.51

 

CMYK 0 / 17 / 40 / 10

HEX #E5BF89

RGB 229 191 137

HSL 35.22, 0.64%, 0.72%

LAB 79.46, 6.36, 32.31

 

CMYK 0 / 6 / 40 / 10

HEX #E5D789

RGB 229 215 137

HSL 50.87, 0.64%, 0.72%

LAB 85.54, -6.07, 40.19

 

CMYK 5 / 0 / 40 / 10

HEX #DAE589

RGB 218 229 137

HSL 67.17, 0.64%, 0.72%

LAB 88.33, -17.35, 43.57

 

CMYK 15 / 0 / 40 / 10

HEX #C2E589

RGB 194 229 137

HSL 82.83, 0.64%, 0.72%

LAB 86.66, -26.39, 41.1

 

CMYK 26 / 0 / 40 / 10

HEX #A9E589

RGB 169 229 137

HSL 99.13, 0.64%, 0.72%

LAB 85.14, -35.31, 38.85

 

CMYK 9 / 0 / 67 / 16

HEX #C3D646

RGB 195 214 70

HSL 67.92, 0.64%, 0.56%

LAB 81.91, -24.81, 65.77

 

CMYK 7 / 0 / 53 / 13

HEX #CEDD68

RGB 206 221 104

HSL 67.69, 0.63%, 0.64%

LAB 84.91, -21.34, 54.93

 

CMYK 5 / 0 / 40 / 10

HEX #D9E589

RGB 217 229 137

HSL 67.83, 0.64%, 0.72%

LAB 88.25, -17.73, 43.46

 

CMYK 3 / 0 / 28 / 7

HEX #E4ECAB

RGB 228 236 171

HSL 67.38, 0.63%, 0.8%

LAB 91.43, -12.93, 30.71

 

CMYK 2 / 0 / 16 / 4

HEX #EFF4CD

RGB 239 244 205

HSL 67.69, 0.64%, 0.88%

LAB 94.93, -8.12, 18.26

 

CMYK 5 / 0 / 41 / 10

HEX #D9E588

RGB 217 229 136

HSL 67.74, 0.64%, 0.72%

LAB 88.24, -17.84, 43.93

 

CMYK 40 / 0 / 28 / 10

HEX #89E5A6

RGB 137 229 166

HSL 138.91, 0.64%, 0.72%

LAB 84.02, -40.81, 22.31

 

CMYK 11 / 40 / 0 / 10

HEX #CB89E5

RGB 203 137 229

HSL 283.04, 0.64%, 0.72%

LAB 66.71, 40.89, -36.82

 

CMYK 5 / 0 / 41 / 10

HEX #D9E588

RGB 217 229 136

HSL 67.74, 0.64%, 0.72%

LAB 88.24, -17.84, 43.93

 

CMYK 40 / 5 / 0 / 10

HEX #89DAE5

RGB 137 218 229

HSL 187.17, 0.64%, 0.72%

LAB 82.44, -21.96, -13.2

 

CMYK 0 / 40 / 5 / 10

HEX #E589DA

RGB 229 137 218

HSL 307.17, 0.64%, 0.72%

LAB 69.19, 46.69, -26.66

 

CMYK 5 / 0 / 41 / 10

HEX #D9E588

RGB 217 229 136

HSL 67.74, 0.64%, 0.72%

LAB 88.24, -17.84, 43.93

 

CMYK 40 / 0 / 28 / 10

HEX #89E5A6

RGB 137 229 166

HSL 138.91, 0.64%, 0.72%

LAB 84.02, -40.81, 22.31

 

CMYK 35 / 40 / 0 / 10

HEX #9489E5

RGB 148 137 229

HSL 247.17, 0.64%, 0.72%

LAB 61.52, 25.27, -45.32

 

CMYK 0 / 40 / 13 / 10

HEX #E589C8

RGB 229 137 200

HSL 318.91, 0.64%, 0.72%

LAB 68.55, 43.68, -17.64

 

CMYK 5 / 0 / 41 / 10

HEX #D9E588

RGB 217 229 136

HSL 67.74, 0.64%, 0.72%

LAB 88.24, -17.84, 43.93

 

CMYK 40 / 0 / 15 / 10

HEX #89E5C2

RGB 137 229 194

HSL 157.17, 0.64%, 0.72%

LAB 84.61, -35.3, 8.51

 

CMYK 35 / 40 / 0 / 10

HEX #9489E5

RGB 148 137 229

HSL 247.17, 0.64%, 0.72%

LAB 61.52, 25.27, -45.32

 

CMYK 0 / 40 / 25 / 10

HEX #E589AC

RGB 229 137 172

HSL 337.17, 0.64%, 0.72%

LAB 67.67, 39.46, -3.27

 

Description

Color code: HEX #D9E588 | qconv.com Color code: HEX #D9E588 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 229 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 229 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 41 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 41% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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