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Color name
HEX #DCA497

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCA497 it is the complementary color #235B68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCA497. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCA497 shade: #E1A492, #F2B6A5, #FFC8B8, #FFDACB and #FFECDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCA497. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCA497 shade: #DCA497, #CB9284, #BA8071, #A96E5E and #985C4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCA497 shade: #DCA497 and #DC9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCA497 shade: #DCA497, #DCB797, #DCC997, #DCDC97 and #CADC97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCA497 shade matches the following richer shades: #DCA497, #E79D8C, #F29681 and #FD8F76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCA497 shade: #DCA497, #D1ABA2, #C6B2AE, #BBB9B9 and #B0C0C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCA497 shade: #DC97AF, #DC979D, #DCA497, #DCB697 and #DCC997

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCA497 shade: #C76E59, #D28978, #DCA497, #E6BFB6 and #F1DAD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCA497 shade: #DCA497, #C2DC97 and #97A6DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCA497 shade: #DCA497, #97DCA4 and #A497DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCA497 shade: #DCA497, #C2DC97, #97CFDC and #B297DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCA497 shade: #DCA497, #ADDC97, #97CFDC and #C697DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

Complementary color

CMYK 66 / 13 / 0 / 59

HEX #235B68

RGB 35 91 104

HSL 191.3, 0.5%, 0.27%

LAB 35.67, -13.81, -12.9

 

CMYK 0 / 27 / 35 / 12

HEX #E1A492

RGB 225 164 146

HSL 13.67, 0.57%, 0.73%

LAB 72.65, 20.21, 18.23

 

CMYK 0 / 25 / 32 / 5

HEX #F2B6A5

RGB 242 182 165

HSL 13.25, 0.75%, 0.8%

LAB 79.07, 19.46, 17.12

 

CMYK 0 / 22 / 28 / 0

HEX #FFC8B8

RGB 255 200 184

HSL 13.52, 1%, 0.86%

LAB 85.01, 17.31, 15.48

 

CMYK 0 / 15 / 20 / 0

HEX #FFDACB

RGB 255 218 203

HSL 17.31, 1%, 0.9%

LAB 89.73, 10.57, 12.13

 

CMYK 0 / 7 / 13 / 0

HEX #FFECDE

RGB 255 236 222

HSL 25.45, 1%, 0.94%

LAB 94.54, 4.18, 9.09

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 0 / 28 / 35 / 20

HEX #CB9284

RGB 203 146 132

HSL 11.83, 0.41%, 0.66%

LAB 65.69, 19.68, 15.95

 

CMYK 0 / 31 / 39 / 27

HEX #BA8071

RGB 186 128 113

HSL 12.33, 0.35%, 0.59%

LAB 59.04, 20.54, 17.19

 

CMYK 0 / 35 / 44 / 34

HEX #A96E5E

RGB 169 110 94

HSL 12.8, 0.3%, 0.52%

LAB 52.28, 21.53, 18.58

 

CMYK 0 / 39 / 51 / 40

HEX #985C4B

RGB 152 92 75

HSL 13.25, 0.34%, 0.45%

LAB 45.41, 22.67, 20.17

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 0 / 31 / 31 / 14

HEX #DC9797

RGB 220 151 151

HSL 0, 0.5%, 0.73%

LAB 69.17, 25.92, 10.52

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 0 / 17 / 31 / 14

HEX #DCB797

RGB 220 183 151

HSL 27.83, 0.5%, 0.73%

LAB 76.87, 8.73, 21.26

 

CMYK 0 / 9 / 31 / 14

HEX #DCC997

RGB 220 201 151

HSL 43.48, 0.5%, 0.73%

LAB 81.41, -0.75, 27.44

 

CMYK 0 / 0 / 31 / 14

HEX #DCDC97

RGB 220 220 151

HSL 60, 0.5%, 0.73%

LAB 86.32, -10.48, 33.99

 

CMYK 8 / 0 / 31 / 14

HEX #CADC97

RGB 202 220 151

HSL 75.65, 0.5%, 0.73%

LAB 84.98, -17.27, 31.97

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 0 / 32 / 39 / 9

HEX #E79D8C

RGB 231 157 140

HSL 11.21, 0.65%, 0.73%

LAB 71.55, 25.56, 20.11

 

CMYK 0 / 38 / 47 / 5

HEX #F29681

RGB 242 150 129

HSL 11.15, 0.81%, 0.73%

LAB 71.06, 32.33, 25.68

 

CMYK 0 / 43 / 53 / 1

HEX #FD8F76

RGB 253 143 118

HSL 11.11, 0.97%, 0.73%

LAB 70.76, 39.14, 31.53

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 0 / 18 / 22 / 18

HEX #D1ABA2

RGB 209 171 162

HSL 11.49, 0.34%, 0.73%

LAB 73.08, 12.47, 9.84

 

CMYK 0 / 10 / 12 / 22

HEX #C6B2AE

RGB 198 178 174

HSL 10, 0.17%, 0.73%

LAB 74.13, 6.48, 4.64

 

CMYK 0 / 1 / 1 / 27

HEX #BBB9B9

RGB 187 185 185

HSL 0, 0.01%, 0.73%

LAB 75.31, 0.7, 0.24

 

CMYK 10 / 2 / 0 / 23

HEX #B0C0C4

RGB 176 192 196

HSL 192, 0.14%, 0.73%

LAB 76.63, -4.66, -3.89

 

CMYK 0 / 31 / 20 / 14

HEX #DC97AF

RGB 220 151 175

HSL 339.13, 0.5%, 0.73%

LAB 69.78, 29.29, -1.97

 

CMYK 0 / 31 / 29 / 14

HEX #DC979D

RGB 220 151 157

HSL 354.78, 0.5%, 0.73%

LAB 69.31, 26.72, 7.38

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 0 / 17 / 31 / 14

HEX #DCB697

RGB 220 182 151

HSL 26.96, 0.5%, 0.73%

LAB 76.62, 9.26, 20.92

 

CMYK 0 / 9 / 31 / 14

HEX #DCC997

RGB 220 201 151

HSL 43.48, 0.5%, 0.73%

LAB 81.41, -0.75, 27.44

 

CMYK 0 / 45 / 55 / 22

HEX #C76E59

RGB 199 110 89

HSL 11.45, 0.5%, 0.56%

LAB 56.1, 33.13, 27.23

 

CMYK 0 / 35 / 43 / 18

HEX #D28978

RGB 210 137 120

HSL 11.33, 0.5%, 0.65%

LAB 64.12, 25.93, 20.64

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 0 / 17 / 21 / 10

HEX #E6BFB6

RGB 230 191 182

HSL 11.25, 0.49%, 0.81%

LAB 80.44, 12.54, 9.74

 

CMYK 0 / 10 / 12 / 5

HEX #F1DAD5

RGB 241 218 213

HSL 10.71, 0.5%, 0.89%

LAB 88.76, 7.11, 5.33

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 12 / 0 / 31 / 14

HEX #C2DC97

RGB 194 220 151

HSL 82.61, 0.5%, 0.73%

LAB 84.43, -20.23, 31.13

 

CMYK 31 / 25 / 0 / 14

HEX #97A6DC

RGB 151 166 220

HSL 226.96, 0.5%, 0.73%

LAB 68.77, 7.18, -29.03

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 31 / 0 / 25 / 14

HEX #97DCA4

RGB 151 220 164

HSL 131.3, 0.5%, 0.73%

LAB 82.08, -32.9, 20.78

 

CMYK 25 / 31 / 0 / 14

HEX #A497DC

RGB 164 151 220

HSL 251.3, 0.5%, 0.73%

LAB 65.9, 19.47, -33.39

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 12 / 0 / 31 / 14

HEX #C2DC97

RGB 194 220 151

HSL 82.61, 0.5%, 0.73%

LAB 84.43, -20.23, 31.13

 

CMYK 31 / 6 / 0 / 14

HEX #97CFDC

RGB 151 207 220

HSL 191.3, 0.5%, 0.73%

LAB 79.83, -14.89, -12.24

 

CMYK 19 / 31 / 0 / 14

HEX #B297DC

RGB 178 151 220

HSL 263.48, 0.5%, 0.73%

LAB 67.1, 23.69, -31.43

 

CMYK 0 / 25 / 31 / 14

HEX #DCA497

RGB 220 164 151

HSL 11.3, 0.5%, 0.73%

LAB 72.23, 18.91, 14.83

 

CMYK 21 / 0 / 31 / 14

HEX #ADDC97

RGB 173 220 151

HSL 100.87, 0.5%, 0.73%

LAB 83.08, -27.74, 29.08

 

CMYK 31 / 6 / 0 / 14

HEX #97CFDC

RGB 151 207 220

HSL 191.3, 0.5%, 0.73%

LAB 79.83, -14.89, -12.24

 

CMYK 10 / 31 / 0 / 14

HEX #C697DC

RGB 198 151 220

HSL 280.87, 0.5%, 0.73%

LAB 68.97, 29.89, -28.39

 

Description

Color code: HEX #DCA497 | qconv.com Color code: HEX #DCA497 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 164 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 164 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 31% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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