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Color name
HEX #DCA180

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCA180 it is the complementary color #235E7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCA180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCA180 shade: #E1A17B, #F2B38E, #FFC5A1, #FFD7B4 and #FFE9C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCA180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCA180 shade: #DCA180, #CB8F6D, #BA7D5A, #A96B47 and #985934

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCA180 shade: #DBA07E, #DB877E and #DB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCA180 shade: #DBA07E, #DBB97E, #DBD27E, #CCDB7E and #B3DB7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCA180 shade matches the following richer shades: #DBA07E, #E99C71 and #F69864

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCA180 shade: #DBA07E, #CEA38C, #C1A799, #B4ABA6 and #A7AFB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCA180 shade: #DB7E8F, #DB867E, #DB9F7E, #DBB87E and #DBD17E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCA180 shade: #CA703E, #D3885E, #DBA07E, #E4B89F and #EDD0BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCA180 shade: #DCA180, #A8DB7E and #7E83DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCA180 shade: #DCA180, #7EDB9F and #9F7EDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCA180 shade: #DCA180, #A8DB7E, #7EBBDB and #B27EDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCA180 shade: #DCA180, #8CDB7E, #7EBBDB and #CD7EDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 42 / 14

HEX #DCA180

RGB 220 161 128

HSL 21.52, 0.57%, 0.68%

LAB 71.05, 17.78, 25.78

 

Complementary color

CMYK 72 / 26 / 0 / 50

HEX #235E7F

RGB 35 94 127

HSL 201.52, 0.57%, 0.32%

LAB 37.65, -7.44, -24.03

 

CMYK 0 / 28 / 45 / 12

HEX #E1A17B

RGB 225 161 123

HSL 22.35, 0.63%, 0.68%

LAB 71.51, 19.25, 29.18

 

CMYK 0 / 26 / 41 / 5

HEX #F2B38E

RGB 242 179 142

HSL 22.2, 0.79%, 0.75%

LAB 77.92, 18.36, 27.86

 

CMYK 0 / 23 / 37 / 0

HEX #FFC5A1

RGB 255 197 161

HSL 22.98, 1%, 0.82%

LAB 83.84, 16.04, 26.02

 

CMYK 0 / 16 / 29 / 0

HEX #FFD7B4

RGB 255 215 180

HSL 28, 1%, 0.85%

LAB 88.52, 8.99, 22.48

 

CMYK 0 / 9 / 22 / 0

HEX #FFE9C7

RGB 255 233 199

HSL 36.43, 1%, 0.89%

LAB 93.3, 2.3, 19.25

 

CMYK 0 / 27 / 42 / 14

HEX #DCA180

RGB 220 161 128

HSL 21.52, 0.57%, 0.68%

LAB 71.05, 17.78, 25.78

 

CMYK 0 / 30 / 46 / 20

HEX #CB8F6D

RGB 203 143 109

HSL 21.7, 0.47%, 0.61%

LAB 64.52, 18.71, 27.14

 

CMYK 0 / 33 / 52 / 27

HEX #BA7D5A

RGB 186 125 90

HSL 21.88, 0.41%, 0.54%

LAB 57.89, 19.77, 28.64

 

CMYK 0 / 37 / 58 / 34

HEX #A96B47

RGB 169 107 71

HSL 22.04, 0.41%, 0.47%

LAB 51.16, 21, 30.29

 

CMYK 0 / 41 / 66 / 40

HEX #985934

RGB 152 89 52

HSL 22.2, 0.49%, 0.4%

LAB 44.33, 22.45, 32.11

 

CMYK 0 / 27 / 42 / 14

HEX #DBA07E

RGB 219 160 126

HSL 21.94, 0.56%, 0.68%

LAB 70.67, 17.71, 26.33

 

CMYK 0 / 38 / 42 / 14

HEX #DB877E

RGB 219 135 126

HSL 5.81, 0.56%, 0.68%

LAB 64.88, 31.14, 18.49

 

CMYK 0 / 42 / 42 / 14

HEX #DB7E7E

RGB 219 126 126

HSL 0, 0.56%, 0.68%

LAB 62.92, 35.9, 15.78

 

CMYK 0 / 27 / 42 / 14

HEX #DBA07E

RGB 219 160 126

HSL 21.94, 0.56%, 0.68%

LAB 70.67, 17.71, 26.33

 

CMYK 0 / 16 / 42 / 14

HEX #DBB97E

RGB 219 185 126

HSL 38.06, 0.56%, 0.68%

LAB 76.84, 4.34, 34.45

 

CMYK 0 / 4 / 42 / 14

HEX #DBD27E

RGB 219 210 126

HSL 54.19, 0.56%, 0.68%

LAB 83.26, -8.63, 42.64

 

CMYK 7 / 0 / 42 / 14

HEX #CCDB7E

RGB 204 219 126

HSL 69.68, 0.56%, 0.68%

LAB 84.49, -19.02, 43.93

 

CMYK 18 / 0 / 42 / 14

HEX #B3DB7E

RGB 179 219 126

HSL 85.81, 0.56%, 0.68%

LAB 82.78, -28.48, 41.42

 

CMYK 0 / 27 / 42 / 14

HEX #DBA07E

RGB 219 160 126

HSL 21.94, 0.56%, 0.68%

LAB 70.67, 17.71, 26.33

 

CMYK 0 / 33 / 52 / 9

HEX #E99C71

RGB 233 156 113

HSL 21.5, 0.73%, 0.68%

LAB 71.07, 24.17, 34.15

 

CMYK 0 / 38 / 59 / 4

HEX #F69864

RGB 246 152 100

HSL 21.37, 0.89%, 0.68%

LAB 71.53, 30.41, 41.9

 

CMYK 0 / 27 / 42 / 14

HEX #DBA07E

RGB 219 160 126

HSL 21.94, 0.56%, 0.68%

LAB 70.67, 17.71, 26.33

 

CMYK 0 / 21 / 32 / 19

HEX #CEA38C

RGB 206 163 140

HSL 20.91, 0.4%, 0.68%

LAB 70.32, 12.6, 17.99

 

CMYK 0 / 13 / 21 / 24

HEX #C1A799

RGB 193 167 153

HSL 21, 0.24%, 0.68%

LAB 70.37, 7.23, 10.73

 

CMYK 0 / 5 / 8 / 29

HEX #B4ABA6

RGB 180 171 166

HSL 21.43, 0.09%, 0.68%

LAB 70.58, 2.33, 3.71

 

CMYK 7 / 2 / 0 / 30

HEX #A7AFB3

RGB 167 175 179

HSL 200, 0.07%, 0.68%

LAB 70.96, -2.01, -3.02

 

CMYK 0 / 42 / 35 / 14

HEX #DB7E8F

RGB 219 126 143

HSL 349.03, 0.56%, 0.68%

LAB 63.31, 37.85, 6.66

 

CMYK 0 / 39 / 42 / 14

HEX #DB867E

RGB 219 134 126

HSL 5.16, 0.56%, 0.68%

LAB 64.66, 31.67, 18.18

 

CMYK 0 / 27 / 42 / 14

HEX #DB9F7E

RGB 219 159 126

HSL 21.29, 0.56%, 0.68%

LAB 70.43, 18.24, 26.01

 

CMYK 0 / 16 / 42 / 14

HEX #DBB87E

RGB 219 184 126

HSL 37.42, 0.56%, 0.68%

LAB 76.59, 4.87, 34.12

 

CMYK 0 / 5 / 42 / 14

HEX #DBD17E

RGB 219 209 126

HSL 53.55, 0.56%, 0.68%

LAB 83, -8.12, 42.31

 

CMYK 0 / 45 / 69 / 21

HEX #CA703E

RGB 202 112 62

HSL 21.43, 0.57%, 0.52%

LAB 56.58, 31.42, 42.61

 

CMYK 0 / 36 / 55 / 17

HEX #D3885E

RGB 211 136 94

HSL 21.54, 0.57%, 0.6%

LAB 63.56, 24.4, 34.27

 

CMYK 0 / 27 / 42 / 14

HEX #DBA07E

RGB 219 160 126

HSL 21.94, 0.56%, 0.68%

LAB 70.67, 17.71, 26.33

 

CMYK 0 / 19 / 30 / 11

HEX #E4B89F

RGB 228 184 159

HSL 21.74, 0.56%, 0.76%

LAB 78.04, 12.31, 18.7

 

CMYK 0 / 12 / 19 / 7

HEX #EDD0BF

RGB 237 208 191

HSL 22.17, 0.56%, 0.84%

LAB 85.44, 7.48, 12.15

 

CMYK 0 / 27 / 42 / 14

HEX #DCA180

RGB 220 161 128

HSL 21.52, 0.57%, 0.68%

LAB 71.05, 17.78, 25.78

 

CMYK 23 / 0 / 42 / 14

HEX #A8DB7E

RGB 168 219 126

HSL 92.9, 0.56%, 0.68%

LAB 82.11, -32.46, 40.42

 

CMYK 42 / 40 / 0 / 14

HEX #7E83DB

RGB 126 131 219

HSL 236.77, 0.56%, 0.68%

LAB 57.83, 20.32, -45.68

 

CMYK 0 / 27 / 42 / 14

HEX #DCA180

RGB 220 161 128

HSL 21.52, 0.57%, 0.68%

LAB 71.05, 17.78, 25.78

 

CMYK 42 / 0 / 27 / 14

HEX #7EDB9F

RGB 126 219 159

HSL 141.29, 0.56%, 0.68%

LAB 80.52, -40.72, 21.05

 

CMYK 27 / 42 / 0 / 14

HEX #9F7EDB

RGB 159 126 219

HSL 261.29, 0.56%, 0.68%

LAB 59.35, 32.04, -43.1

 

CMYK 0 / 27 / 42 / 14

HEX #DCA180

RGB 220 161 128

HSL 21.52, 0.57%, 0.68%

LAB 71.05, 17.78, 25.78

 

CMYK 23 / 0 / 42 / 14

HEX #A8DB7E

RGB 168 219 126

HSL 92.9, 0.56%, 0.68%

LAB 82.11, -32.46, 40.42

 

CMYK 42 / 15 / 0 / 14

HEX #7EBBDB

RGB 126 187 219

HSL 200.65, 0.56%, 0.68%

LAB 72.95, -11.36, -22.2

 

CMYK 19 / 42 / 0 / 14

HEX #B27EDB

RGB 178 126 219

HSL 273.55, 0.56%, 0.68%

LAB 61.22, 37.44, -40.03

 

CMYK 0 / 27 / 42 / 14

HEX #DCA180

RGB 220 161 128

HSL 21.52, 0.57%, 0.68%

LAB 71.05, 17.78, 25.78

 

CMYK 36 / 0 / 42 / 14

HEX #8CDB7E

RGB 140 219 126

HSL 110.97, 0.56%, 0.68%

LAB 80.6, -41.94, 38.19

 

CMYK 42 / 15 / 0 / 14

HEX #7EBBDB

RGB 126 187 219

HSL 200.65, 0.56%, 0.68%

LAB 72.95, -11.36, -22.2

 

CMYK 6 / 42 / 0 / 14

HEX #CD7EDB

RGB 205 126 219

HSL 290.97, 0.56%, 0.68%

LAB 64.17, 45.34, -35.2

 

Description

Color code: HEX #DCA180 | qconv.com Color code: HEX #DCA180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 161 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 161 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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