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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCACCF it is the complementary color #235330. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCACCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCACCF shade: #E1ACCA, #F2BEDD, #FFD0F0, #FFE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCACCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCACCF shade: #DCACCF, #CB9ABC, #BA88A9, #A97696 and #986483

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCACCF shade: #DCACCF, #DCACC2, #DCACB5 and #DCACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCACCF shade: #DCACCF, #DCACDC, #CFACDC, #C2ACDC and #B5ACDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCACCF shade matches the following richer shades: #DCACCF, #E5A2D3, #EF99D8 and #F88FDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCACCF shade: #DCACCF, #D2B5CB, #C9BFC6, #BFC8C2 and #B6D2BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCACCF shade: #CFACDC, #DCACDC, #DCACCF, #DCACC2 and #DCACB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCACCF shade: #C472AD, #D08FBE, #DCACCF, #E8C9E0 and #F4E6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCACCF shade: #DCACCF, #DCC2AC and #ACDCD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCACCF shade: #DCACCF, #CFDCAC and #ACCFDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCACCF shade: #DCACCF, #DCC2AC, #ACDCB9 and #ACC5DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCACCF shade: #DCACCF, #DCD1AC, #ACDCB9 and #ACB7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

Complementary color

CMYK 58 / 0 / 42 / 67

HEX #235330

RGB 35 83 48

HSL 136.25, 0.41%, 0.23%

LAB 31.25, -25.22, 15.69

 

CMYK 0 / 24 / 10 / 12

HEX #E1ACCA

RGB 225 172 202

HSL 326.04, 0.47%, 0.78%

LAB 75.93, 24.06, -7.72

 

CMYK 0 / 21 / 9 / 5

HEX #F2BEDD

RGB 242 190 221

HSL 324.23, 0.67%, 0.85%

LAB 82.34, 23.5, -8.31

 

CMYK 0 / 18 / 6 / 0

HEX #FFD0F0

RGB 255 208 240

HSL 319.15, 1%, 0.91%

LAB 88.29, 21.64, -9.46

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 24 / 7 / 20

HEX #CB9ABC

RGB 203 154 188

HSL 318.37, 0.32%, 0.7%

LAB 69.07, 23.78, -10.46

 

CMYK 0 / 27 / 9 / 27

HEX #BA88A9

RGB 186 136 169

HSL 320.4, 0.27%, 0.63%

LAB 62.43, 24.41, -9.89

 

CMYK 0 / 30 / 11 / 34

HEX #A97696

RGB 169 118 150

HSL 322.35, 0.23%, 0.56%

LAB 55.68, 25.1, -9.27

 

CMYK 0 / 34 / 14 / 40

HEX #986483

RGB 152 100 131

HSL 324.23, 0.21%, 0.49%

LAB 48.8, 25.85, -8.59

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 22 / 12 / 14

HEX #DCACC2

RGB 220 172 194

HSL 332.5, 0.41%, 0.77%

LAB 75.21, 20.98, -4.47

 

CMYK 0 / 22 / 18 / 14

HEX #DCACB5

RGB 220 172 181

HSL 348.75, 0.41%, 0.77%

LAB 74.86, 18.89, 2.13

 

CMYK 0 / 22 / 22 / 14

HEX #DCACAC

RGB 220 172 172

HSL 0, 0.41%, 0.77%

LAB 74.63, 17.52, 6.73

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 22 / 0 / 14

HEX #DCACDC

RGB 220 172 220

HSL 300, 0.41%, 0.77%

LAB 76, 25.55, -17.48

 

CMYK 6 / 22 / 0 / 14

HEX #CFACDC

RGB 207 172 220

HSL 283.75, 0.41%, 0.77%

LAB 74.79, 21.27, -19.43

 

CMYK 12 / 22 / 0 / 14

HEX #C2ACDC

RGB 194 172 220

HSL 267.5, 0.41%, 0.77%

LAB 73.64, 17.04, -21.28

 

CMYK 18 / 22 / 0 / 14

HEX #B5ACDC

RGB 181 172 220

HSL 251.25, 0.41%, 0.77%

LAB 72.56, 12.9, -23.02

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 29 / 8 / 10

HEX #E5A2D3

RGB 229 162 211

HSL 316.12, 0.56%, 0.77%

LAB 74.32, 32.32, -15.01

 

CMYK 0 / 36 / 10 / 6

HEX #EF99D8

RGB 239 153 216

HSL 316.05, 0.73%, 0.77%

LAB 73.6, 41.21, -18.72

 

CMYK 0 / 42 / 11 / 3

HEX #F88FDC

RGB 248 143 220

HSL 316, 0.88%, 0.77%

LAB 72.74, 49.85, -22.14

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 14 / 3 / 18

HEX #D2B5CB

RGB 210 181 203

HSL 314.48, 0.24%, 0.77%

LAB 76.72, 14.18, -7.26

 

CMYK 0 / 5 / 1 / 21

HEX #C9BFC6

RGB 201 191 198

HSL 318, 0.08%, 0.77%

LAB 78.32, 4.76, -2.27

 

CMYK 5 / 0 / 3 / 22

HEX #BFC8C2

RGB 191 200 194

HSL 140, 0.08%, 0.77%

LAB 79.77, -4.2, 1.92

 

CMYK 13 / 0 / 10 / 18

HEX #B6D2BD

RGB 182 210 189

HSL 135, 0.24%, 0.77%

LAB 81.68, -13.36, 7.27

 

CMYK 6 / 22 / 0 / 14

HEX #CFACDC

RGB 207 172 220

HSL 283.75, 0.41%, 0.77%

LAB 74.79, 21.27, -19.43

 

CMYK 0 / 22 / 0 / 14

HEX #DCACDC

RGB 220 172 220

HSL 300, 0.41%, 0.77%

LAB 76, 25.55, -17.48

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 22 / 12 / 14

HEX #DCACC2

RGB 220 172 194

HSL 332.5, 0.41%, 0.77%

LAB 75.21, 20.98, -4.47

 

CMYK 0 / 22 / 18 / 14

HEX #DCACB5

RGB 220 172 181

HSL 348.75, 0.41%, 0.77%

LAB 74.86, 18.89, 2.13

 

CMYK 0 / 42 / 12 / 23

HEX #C472AD

RGB 196 114 173

HSL 316.83, 0.41%, 0.61%

LAB 58.78, 40.53, -17.57

 

CMYK 0 / 31 / 9 / 18

HEX #D08FBE

RGB 208 143 190

HSL 316.62, 0.41%, 0.69%

LAB 67.11, 31.85, -14.47

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 13 / 3 / 9

HEX #E8C9E0

RGB 232 201 224

HSL 315.48, 0.4%, 0.85%

LAB 84.13, 14.77, -7.36

 

CMYK 0 / 6 / 2 / 4

HEX #F4E6F0

RGB 244 230 240

HSL 317.14, 0.39%, 0.93%

LAB 92.63, 6.47, -3.15

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 12 / 22 / 14

HEX #DCC2AC

RGB 220 194 172

HSL 27.5, 0.41%, 0.77%

LAB 80.05, 5.77, 14.43

 

CMYK 22 / 0 / 3 / 14

HEX #ACDCD5

RGB 172 220 213

HSL 171.25, 0.41%, 0.77%

LAB 84.36, -16.9, -1.67

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 6 / 0 / 22 / 14

HEX #CFDCAC

RGB 207 220 172

HSL 76.25, 0.41%, 0.77%

LAB 85.72, -12.48, 22.17

 

CMYK 22 / 6 / 0 / 14

HEX #ACCFDC

RGB 172 207 220

HSL 196.25, 0.41%, 0.77%

LAB 81.05, -8.75, -10.28

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 12 / 22 / 14

HEX #DCC2AC

RGB 220 194 172

HSL 27.5, 0.41%, 0.77%

LAB 80.05, 5.77, 14.43

 

CMYK 22 / 0 / 16 / 14

HEX #ACDCB9

RGB 172 220 185

HSL 136.25, 0.41%, 0.77%

LAB 83.68, -22.41, 12.16

 

CMYK 22 / 10 / 0 / 14

HEX #ACC5DC

RGB 172 197 220

HSL 208.75, 0.41%, 0.77%

LAB 78.39, -3.48, -14.27

 

CMYK 0 / 22 / 6 / 14

HEX #DCACCF

RGB 220 172 207

HSL 316.25, 0.41%, 0.77%

LAB 75.59, 23.2, -11.01

 

CMYK 0 / 5 / 22 / 14

HEX #DCD1AC

RGB 220 209 172

HSL 46.25, 0.41%, 0.77%

LAB 83.86, -2.08, 19.75

 

CMYK 22 / 0 / 16 / 14

HEX #ACDCB9

RGB 172 220 185

HSL 136.25, 0.41%, 0.77%

LAB 83.68, -22.41, 12.16

 

CMYK 22 / 17 / 0 / 14

HEX #ACB7DC

RGB 172 183 220

HSL 226.25, 0.41%, 0.77%

LAB 74.7, 4.05, -19.83

 

Description

Color code: HEX #DCACCF | qconv.com Color code: HEX #DCACCF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 172 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 172 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 6 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 6% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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