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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCAE9C it is the complementary color #235163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCAE9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCAE9C shade: #E1AE97, #F2C0AA, #FFD2BD, #FFE4D0 and #FFF6E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCAE9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCAE9C shade: #DCAE9C, #CB9C89, #BA8A76, #A97863 and #986650

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCAE9C shade: #DCAE9C, #DC9D9C and #DC9C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCAE9C shade: #DCAE9C, #DCBF9C, #DCD19C, #D6DC9C and #C5DC9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCAE9C shade matches the following richer shades: #DCAE9C, #E7AA92, #F1A587 and #FCA07C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCAE9C shade: #DCAE9C, #D1B3A7, #C7B8B2, #BCBCBD and #B1C1C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCAE9C shade: #DC9CAD, #DC9C9C, #DCAD9C, #DCBE9C and #DCCF9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCAE9C shade: #C77C5F, #D1957E, #DCAE9C, #E7C7BB and #F1E0D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCAE9C shade: #DCAE9C, #BEDC9C and #9CA5DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCAE9C shade: #DCAE9C, #9CDCAD and #AD9CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCAE9C shade: #DCAE9C, #BEDC9C, #9CCBDC and #BA9CDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCAE9C shade: #DCAE9C, #ABDC9C, #9CCBDC and #CD9CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

Complementary color

CMYK 65 / 18 / 0 / 61

HEX #235163

RGB 35 81 99

HSL 196.88, 0.48%, 0.26%

LAB 32.13, -9.62, -15.18

 

CMYK 0 / 23 / 33 / 12

HEX #E1AE97

RGB 225 174 151

HSL 18.65, 0.55%, 0.74%

LAB 75.15, 15.46, 18.97

 

CMYK 0 / 21 / 30 / 5

HEX #F2C0AA

RGB 242 192 170

HSL 18.33, 0.73%, 0.81%

LAB 81.55, 14.82, 17.9

 

CMYK 0 / 18 / 26 / 0

HEX #FFD2BD

RGB 255 210 189

HSL 19.09, 1%, 0.87%

LAB 87.5, 12.77, 16.34

 

CMYK 0 / 11 / 18 / 0

HEX #FFE4D0

RGB 255 228 208

HSL 25.53, 1%, 0.91%

LAB 92.27, 6.15, 13.13

 

CMYK 0 / 4 / 11 / 0

HEX #FFF6E3

RGB 255 246 227

HSL 40.71, 1%, 0.95%

LAB 97.11, -0.12, 10.2

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 0 / 23 / 33 / 20

HEX #CB9C89

RGB 203 156 137

HSL 17.27, 0.39%, 0.67%

LAB 68.23, 14.85, 16.7

 

CMYK 0 / 26 / 37 / 27

HEX #BA8A76

RGB 186 138 118

HSL 17.65, 0.33%, 0.6%

LAB 61.59, 15.59, 17.86

 

CMYK 0 / 29 / 41 / 34

HEX #A97863

RGB 169 120 99

HSL 18, 0.29%, 0.53%

LAB 54.83, 16.45, 19.15

 

CMYK 0 / 33 / 47 / 40

HEX #986650

RGB 152 102 80

HSL 18.33, 0.31%, 0.45%

LAB 47.95, 17.45, 20.59

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 0 / 29 / 29 / 14

HEX #DC9D9C

RGB 220 157 156

HSL 0.94, 0.48%, 0.74%

LAB 70.68, 23.35, 9.89

 

CMYK 0 / 29 / 29 / 14

HEX #DC9C9C

RGB 220 156 156

HSL 0, 0.48%, 0.74%

LAB 70.45, 23.89, 9.56

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 0 / 13 / 29 / 14

HEX #DCBF9C

RGB 220 191 156

HSL 32.81, 0.48%, 0.74%

LAB 78.97, 5.13, 21.48

 

CMYK 0 / 5 / 29 / 14

HEX #DCD19C

RGB 220 209 156

HSL 49.69, 0.48%, 0.74%

LAB 83.56, -4.25, 27.72

 

CMYK 3 / 0 / 29 / 14

HEX #D6DC9C

RGB 214 220 156

HSL 65.63, 0.48%, 0.74%

LAB 85.95, -12.13, 30.85

 

CMYK 10 / 0 / 29 / 14

HEX #C5DC9C

RGB 197 220 156

HSL 81.56, 0.48%, 0.74%

LAB 84.72, -18.44, 28.99

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 0 / 26 / 37 / 9

HEX #E7AA92

RGB 231 170 146

HSL 16.94, 0.64%, 0.74%

LAB 74.71, 19.31, 21.17

 

CMYK 0 / 32 / 44 / 5

HEX #F1A587

RGB 241 165 135

HSL 16.98, 0.79%, 0.74%

LAB 74.42, 24.64, 26.9

 

CMYK 0 / 37 / 51 / 1

HEX #FCA07C

RGB 252 160 124

HSL 16.88, 0.96%, 0.74%

LAB 74.38, 30.49, 32.98

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 0 / 14 / 20 / 18

HEX #D1B3A7

RGB 209 179 167

HSL 17.14, 0.31%, 0.74%

LAB 75.19, 8.91, 10.12

 

CMYK 0 / 8 / 11 / 22

HEX #C7B8B2

RGB 199 184 178

HSL 17.14, 0.16%, 0.74%

LAB 75.85, 4.29, 4.95

 

CMYK 1 / 1 / 0 / 26

HEX #BCBCBD

RGB 188 188 189

HSL 240, 0.01%, 0.74%

LAB 76.27, 0.19, -0.51

 

CMYK 11 / 3 / 0 / 22

HEX #B1C1C7

RGB 177 193 199

HSL 196.36, 0.16%, 0.74%

LAB 77.05, -4.25, -4.89

 

CMYK 0 / 29 / 21 / 14

HEX #DC9CAD

RGB 220 156 173

HSL 344.06, 0.48%, 0.74%

LAB 70.88, 26.3, 0.74

 

CMYK 0 / 29 / 29 / 14

HEX #DC9C9C

RGB 220 156 156

HSL 0, 0.48%, 0.74%

LAB 70.45, 23.89, 9.56

 

CMYK 0 / 21 / 29 / 14

HEX #DCAD9C

RGB 220 173 156

HSL 15.94, 0.48%, 0.74%

LAB 74.51, 14.73, 15.29

 

CMYK 0 / 14 / 29 / 14

HEX #DCBE9C

RGB 220 190 156

HSL 31.88, 0.48%, 0.74%

LAB 78.72, 5.66, 21.13

 

CMYK 0 / 6 / 29 / 14

HEX #DCCF9C

RGB 220 207 156

HSL 47.81, 0.48%, 0.74%

LAB 83.04, -3.22, 27.02

 

CMYK 0 / 38 / 52 / 22

HEX #C77C5F

RGB 199 124 95

HSL 16.73, 0.48%, 0.58%

LAB 59.33, 26.12, 28.02

 

CMYK 0 / 29 / 40 / 18

HEX #D1957E

RGB 209 149 126

HSL 16.63, 0.47%, 0.66%

LAB 66.94, 19.69, 21.12

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 0 / 14 / 19 / 9

HEX #E7C7BB

RGB 231 199 187

HSL 16.36, 0.48%, 0.82%

LAB 82.61, 9.42, 10.17

 

CMYK 0 / 7 / 10 / 5

HEX #F1E0D9

RGB 241 224 217

HSL 17.5, 0.46%, 0.9%

LAB 90.33, 4.65, 5.5

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 14 / 0 / 29 / 14

HEX #BEDC9C

RGB 190 220 156

HSL 88.13, 0.48%, 0.74%

LAB 84.24, -20.98, 28.26

 

CMYK 29 / 25 / 0 / 14

HEX #9CA5DC

RGB 156 165 220

HSL 231.56, 0.48%, 0.74%

LAB 68.86, 9.19, -28.86

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 29 / 0 / 21 / 14

HEX #9CDCAD

RGB 156 220 173

HSL 135.94, 0.48%, 0.74%

LAB 82.52, -29.72, 16.72

 

CMYK 21 / 29 / 0 / 14

HEX #AD9CDC

RGB 173 156 220

HSL 255.94, 0.48%, 0.74%

LAB 67.89, 19.35, -30.24

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 14 / 0 / 29 / 14

HEX #BEDC9C

RGB 190 220 156

HSL 88.13, 0.48%, 0.74%

LAB 84.24, -20.98, 28.26

 

CMYK 29 / 8 / 0 / 14

HEX #9CCBDC

RGB 156 203 220

HSL 195.94, 0.48%, 0.74%

LAB 79.01, -11.4, -13.43

 

CMYK 15 / 29 / 0 / 14

HEX #BA9CDC

RGB 186 156 220

HSL 268.13, 0.48%, 0.74%

LAB 69.03, 23.36, -28.4

 

CMYK 0 / 21 / 29 / 14

HEX #DCAE9C

RGB 220 174 156

HSL 16.88, 0.48%, 0.74%

LAB 74.75, 14.19, 15.63

 

CMYK 22 / 0 / 29 / 14

HEX #ABDC9C

RGB 171 220 156

HSL 105.94, 0.48%, 0.74%

LAB 83.04, -27.67, 26.44

 

CMYK 29 / 8 / 0 / 14

HEX #9CCBDC

RGB 156 203 220

HSL 195.94, 0.48%, 0.74%

LAB 79.01, -11.4, -13.43

 

CMYK 7 / 29 / 0 / 14

HEX #CD9CDC

RGB 205 156 220

HSL 285.94, 0.48%, 0.74%

LAB 70.82, 29.37, -25.49

 

Description

Color code: HEX #DCAE9C | qconv.com Color code: HEX #DCAE9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 174 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 174 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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