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Color name
HEX #DCAF97

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCAF97 it is the complementary color #235068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCAF97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCAF97 shade: #E1AF92, #F2C1A5, #FFD3B8, #FFE5CB and #FFF7DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCAF97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCAF97 shade: #DCAF97, #CB9D84, #BA8B71, #A9795E and #98674B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCAF97 shade: #DCAF97, #DC9D97 and #DC9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCAF97 shade: #DCAF97, #DCC297, #DCD497, #D1DC97 and #BFDC97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCAF97 shade matches the following richer shades: #DCAF97, #E7AC8C, #F2A881 and #FDA576

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCAF97 shade: #DCAF97, #D1B3A2, #C6B6AE, #BBB9B9 and #B0BDC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCAF97 shade: #DC97A5, #DC9C97, #DCAE97, #DCC197 and #DCD397

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCAF97 shade: #C78059, #D29778, #DCAF97, #E6C7B6 and #F1DFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCAF97 shade: #DCAF97, #B7DC97 and #979CDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCAF97 shade: #DCAF97, #97DCAE and #AE97DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCAF97 shade: #DCAF97, #B7DC97, #97C5DC and #BC97DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCAF97 shade: #DCAF97, #A3DC97, #97C5DC and #D197DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

Complementary color

CMYK 66 / 23 / 0 / 59

HEX #235068

RGB 35 80 104

HSL 200.87, 0.5%, 0.27%

LAB 32.02, -7.23, -18.5

 

CMYK 0 / 22 / 35 / 12

HEX #E1AF92

RGB 225 175 146

HSL 22.03, 0.57%, 0.73%

LAB 75.29, 14.31, 21.87

 

CMYK 0 / 20 / 32 / 5

HEX #F2C1A5

RGB 242 193 165

HSL 21.82, 0.75%, 0.8%

LAB 81.69, 13.65, 20.76

 

CMYK 0 / 17 / 28 / 0

HEX #FFD3B8

RGB 255 211 184

HSL 22.82, 1%, 0.86%

LAB 87.64, 11.58, 19.16

 

CMYK 0 / 10 / 20 / 0

HEX #FFE5CB

RGB 255 229 203

HSL 30, 1%, 0.9%

LAB 92.4, 4.91, 15.92

 

CMYK 0 / 3 / 13 / 0

HEX #FFF7DE

RGB 255 247 222

HSL 45.45, 1%, 0.94%

LAB 97.25, -1.4, 12.97

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 0 / 23 / 35 / 20

HEX #CB9D84

RGB 203 157 132

HSL 21.13, 0.41%, 0.66%

LAB 68.37, 13.67, 19.66

 

CMYK 0 / 25 / 39 / 27

HEX #BA8B71

RGB 186 139 113

HSL 21.37, 0.35%, 0.59%

LAB 61.74, 14.43, 20.87

 

CMYK 0 / 28 / 44 / 34

HEX #A9795E

RGB 169 121 94

HSL 21.6, 0.3%, 0.52%

LAB 54.99, 15.31, 22.21

 

CMYK 0 / 32 / 51 / 40

HEX #98674B

RGB 152 103 75

HSL 21.82, 0.34%, 0.45%

LAB 48.11, 16.36, 23.71

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 0 / 29 / 31 / 14

HEX #DC9D97

RGB 220 157 151

HSL 5.22, 0.5%, 0.73%

LAB 70.57, 22.69, 12.49

 

CMYK 0 / 31 / 31 / 14

HEX #DC9797

RGB 220 151 151

HSL 0, 0.5%, 0.73%

LAB 69.17, 25.92, 10.52

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 0 / 12 / 31 / 14

HEX #DCC297

RGB 220 194 151

HSL 37.39, 0.5%, 0.73%

LAB 79.63, 2.91, 25.03

 

CMYK 0 / 4 / 31 / 14

HEX #DCD497

RGB 220 212 151

HSL 53.04, 0.5%, 0.73%

LAB 84.24, -6.43, 31.23

 

CMYK 5 / 0 / 31 / 14

HEX #D1DC97

RGB 209 220 151

HSL 69.57, 0.5%, 0.73%

LAB 85.49, -14.65, 32.74

 

CMYK 13 / 0 / 31 / 14

HEX #BFDC97

RGB 191 220 151

HSL 85.22, 0.5%, 0.73%

LAB 84.22, -21.33, 30.82

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 0 / 26 / 39 / 9

HEX #E7AC8C

RGB 231 172 140

HSL 21.1, 0.65%, 0.73%

LAB 75.07, 17.55, 24.9

 

CMYK 0 / 31 / 47 / 5

HEX #F2A881

RGB 242 168 129

HSL 20.71, 0.81%, 0.73%

LAB 75.12, 22.85, 31.07

 

CMYK 0 / 35 / 53 / 1

HEX #FDA576

RGB 253 165 118

HSL 20.89, 0.97%, 0.73%

LAB 75.51, 27.76, 37.64

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 0 / 14 / 22 / 18

HEX #D1B3A2

RGB 209 179 162

HSL 21.7, 0.34%, 0.73%

LAB 75.08, 8.16, 12.67

 

CMYK 0 / 8 / 12 / 22

HEX #C6B6AE

RGB 198 182 174

HSL 20, 0.17%, 0.73%

LAB 75.15, 4.33, 6.12

 

CMYK 0 / 1 / 1 / 27

HEX #BBB9B9

RGB 187 185 185

HSL 0, 0.01%, 0.73%

LAB 75.31, 0.7, 0.24

 

CMYK 10 / 4 / 0 / 23

HEX #B0BDC4

RGB 176 189 196

HSL 201, 0.14%, 0.73%

LAB 75.83, -3.07, -5.07

 

CMYK 0 / 31 / 25 / 14

HEX #DC97A5

RGB 220 151 165

HSL 347.83, 0.5%, 0.73%

LAB 69.52, 27.83, 3.21

 

CMYK 0 / 29 / 31 / 14

HEX #DC9C97

RGB 220 156 151

HSL 4.35, 0.5%, 0.73%

LAB 70.33, 23.23, 12.16

 

CMYK 0 / 21 / 31 / 14

HEX #DCAE97

RGB 220 174 151

HSL 20, 0.5%, 0.73%

LAB 74.65, 13.53, 18.2

 

CMYK 0 / 12 / 31 / 14

HEX #DCC197

RGB 220 193 151

HSL 36.52, 0.5%, 0.73%

LAB 79.38, 3.43, 24.69

 

CMYK 0 / 4 / 31 / 14

HEX #DCD397

RGB 220 211 151

HSL 52.17, 0.5%, 0.73%

LAB 83.99, -5.91, 30.89

 

CMYK 0 / 36 / 55 / 22

HEX #C78059

RGB 199 128 89

HSL 21.27, 0.5%, 0.56%

LAB 60.16, 23.41, 32.4

 

CMYK 0 / 28 / 43 / 18

HEX #D29778

RGB 210 151 120

HSL 20.67, 0.5%, 0.65%

LAB 67.42, 18.33, 25.09

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 0 / 13 / 21 / 10

HEX #E6C7B6

RGB 230 199 182

HSL 21.25, 0.49%, 0.81%

LAB 82.4, 8.31, 12.54

 

CMYK 0 / 7 / 12 / 5

HEX #F1DFD5

RGB 241 223 213

HSL 21.43, 0.5%, 0.89%

LAB 89.99, 4.52, 7.11

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 17 / 0 / 31 / 14

HEX #B7DC97

RGB 183 220 151

HSL 92.17, 0.5%, 0.73%

LAB 83.7, -24.21, 30.03

 

CMYK 31 / 29 / 0 / 14

HEX #979CDC

RGB 151 156 220

HSL 235.65, 0.5%, 0.73%

LAB 66.15, 12.83, -33.07

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 31 / 0 / 21 / 14

HEX #97DCAE

RGB 151 220 174

HSL 140, 0.5%, 0.73%

LAB 82.28, -31.08, 15.81

 

CMYK 21 / 31 / 0 / 14

HEX #AE97DC

RGB 174 151 220

HSL 260, 0.5%, 0.73%

LAB 66.75, 22.47, -32

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 17 / 0 / 31 / 14

HEX #B7DC97

RGB 183 220 151

HSL 92.17, 0.5%, 0.73%

LAB 83.7, -24.21, 30.03

 

CMYK 31 / 10 / 0 / 14

HEX #97C5DC

RGB 151 197 220

HSL 200, 0.5%, 0.73%

LAB 77.09, -9.69, -16.35

 

CMYK 15 / 31 / 0 / 14

HEX #BC97DC

RGB 188 151 220

HSL 272.17, 0.5%, 0.73%

LAB 68.01, 26.77, -29.94

 

CMYK 0 / 20 / 31 / 14

HEX #DCAF97

RGB 220 175 151

HSL 20.87, 0.5%, 0.73%

LAB 74.89, 13, 18.54

 

CMYK 26 / 0 / 31 / 14

HEX #A3DC97

RGB 163 220 151

HSL 109.57, 0.5%, 0.73%

LAB 82.49, -31.16, 28.2

 

CMYK 31 / 10 / 0 / 14

HEX #97C5DC

RGB 151 197 220

HSL 200, 0.5%, 0.73%

LAB 77.09, -9.69, -16.35

 

CMYK 5 / 31 / 0 / 14

HEX #D197DC

RGB 209 151 220

HSL 290.43, 0.5%, 0.73%

LAB 70.07, 33.37, -26.6

 

Description

Color code: HEX #DCAF97 | qconv.com Color code: HEX #DCAF97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 175 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 175 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 31% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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