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Color name
HEX #DCB491

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB491 it is the complementary color #234B6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB491. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB491 shade: #E1B48C, #F2C69F, #FFD8B2, #FFEAC5 and #FFFCD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB491. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB491 shade: #DCB491, #CBA27E, #BA906B, #A97E58 and #986C45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB491 shade: #DCB592, #DCA192 and #DC9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB491 shade: #DCB592, #DCC992, #DCDC92, #C8DC92 and #B4DC92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB491 shade matches the following richer shades: #DCB592, #E8B486 and #F3B37B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB491 shade: #DCB592, #D1B59E, #C5B6A9, #BAB7B5 and #AEB8C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB491 shade: #DC9297, #DCA192, #DCB592, #DCC892 and #DCDC92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB491 shade: #C88A53, #D29F73, #DCB592, #E6CAB1 and #F0DFD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB491 shade: #DCB491, #ABDC92 and #9792DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB491 shade: #DCB491, #92DCB5 and #B592DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB491 shade: #DCB491, #ABDC92, #92BADC and #C392DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB491 shade: #DCB491, #94DC92, #92BADC and #DA92DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 34 / 14

HEX #DCB491

RGB 220 180 145

HSL 28, 0.52%, 0.72%

LAB 76.01, 9.57, 23.3

 

Complementary color

CMYK 68 / 32 / 0 / 57

HEX #234B6E

RGB 35 75 110

HSL 208, 0.52%, 0.28%

LAB 30.68, -1.85, -24.38

 

CMYK 0 / 20 / 38 / 12

HEX #E1B48C

RGB 225 180 140

HSL 28.24, 0.59%, 0.72%

LAB 76.4, 10.93, 26.59

 

CMYK 0 / 18 / 34 / 5

HEX #F2C69F

RGB 242 198 159

HSL 28.19, 0.76%, 0.79%

LAB 82.79, 10.29, 25.44

 

CMYK 0 / 15 / 30 / 0

HEX #FFD8B2

RGB 255 216 178

HSL 29.61, 1%, 0.85%

LAB 88.73, 8.22, 23.8

 

CMYK 0 / 8 / 23 / 0

HEX #FFEAC5

RGB 255 234 197

HSL 38.28, 1%, 0.89%

LAB 93.51, 1.51, 20.57

 

CMYK 0 / 1 / 15 / 0

HEX #FFFCD8

RGB 255 252 216

HSL 55.38, 1%, 0.92%

LAB 98.37, -4.82, 17.62

 

CMYK 0 / 18 / 34 / 14

HEX #DCB491

RGB 220 180 145

HSL 28, 0.52%, 0.72%

LAB 76.01, 9.57, 23.3

 

CMYK 0 / 20 / 38 / 20

HEX #CBA27E

RGB 203 162 126

HSL 28.05, 0.43%, 0.65%

LAB 69.5, 10.22, 24.47

 

CMYK 0 / 23 / 42 / 27

HEX #BA906B

RGB 186 144 107

HSL 28.1, 0.36%, 0.57%

LAB 62.88, 10.97, 25.74

 

CMYK 0 / 25 / 48 / 34

HEX #A97E58

RGB 169 126 88

HSL 28.15, 0.32%, 0.5%

LAB 56.15, 11.85, 27.12

 

CMYK 0 / 29 / 55 / 40

HEX #986C45

RGB 152 108 69

HSL 28.19, 0.38%, 0.43%

LAB 49.29, 12.9, 28.63

 

CMYK 0 / 18 / 34 / 14

HEX #DCB592

RGB 220 181 146

HSL 28.38, 0.51%, 0.72%

LAB 76.28, 9.16, 23.13

 

CMYK 0 / 27 / 34 / 14

HEX #DCA192

RGB 220 161 146

HSL 12.16, 0.51%, 0.72%

LAB 71.41, 19.89, 16.42

 

CMYK 0 / 34 / 34 / 14

HEX #DC9292

RGB 220 146 146

HSL 0, 0.51%, 0.72%

LAB 67.91, 27.97, 11.52

 

CMYK 0 / 18 / 34 / 14

HEX #DCB592

RGB 220 181 146

HSL 28.38, 0.51%, 0.72%

LAB 76.28, 9.16, 23.13

 

CMYK 0 / 9 / 34 / 14

HEX #DCC992

RGB 220 201 146

HSL 44.59, 0.51%, 0.72%

LAB 81.33, -1.37, 29.94

 

CMYK 0 / 0 / 34 / 14

HEX #DCDC92

RGB 220 220 146

HSL 60, 0.51%, 0.72%

LAB 86.24, -11.09, 36.43

 

CMYK 9 / 0 / 34 / 14

HEX #C8DC92

RGB 200 220 146

HSL 76.22, 0.51%, 0.72%

LAB 84.76, -18.67, 34.2

 

CMYK 18 / 0 / 34 / 14

HEX #B4DC92

RGB 180 220 146

HSL 92.43, 0.51%, 0.72%

LAB 83.42, -25.99, 32.19

 

CMYK 0 / 18 / 34 / 14

HEX #DCB592

RGB 220 181 146

HSL 28.38, 0.51%, 0.72%

LAB 76.28, 9.16, 23.13

 

CMYK 0 / 22 / 42 / 9

HEX #E8B486

RGB 232 180 134

HSL 28.16, 0.68%, 0.72%

LAB 76.99, 13.04, 30.69

 

CMYK 0 / 26 / 49 / 5

HEX #F3B37B

RGB 243 179 123

HSL 28, 0.83%, 0.72%

LAB 77.71, 16.87, 37.61

 

CMYK 0 / 18 / 34 / 14

HEX #DCB592

RGB 220 181 146

HSL 28.38, 0.51%, 0.72%

LAB 76.28, 9.16, 23.13

 

CMYK 0 / 13 / 24 / 18

HEX #D1B59E

RGB 209 181 158

HSL 27.06, 0.36%, 0.72%

LAB 75.5, 6.51, 15.43

 

CMYK 0 / 8 / 14 / 23

HEX #C5B6A9

RGB 197 182 169

HSL 27.86, 0.19%, 0.72%

LAB 74.95, 3.15, 8.53

 

CMYK 0 / 2 / 3 / 27

HEX #BAB7B5

RGB 186 183 181

HSL 24, 0.03%, 0.72%

LAB 74.6, 0.69, 1.38

 

CMYK 9 / 4 / 0 / 25

HEX #AEB8C0

RGB 174 184 192

HSL 206.67, 0.13%, 0.72%

LAB 74.24, -1.87, -5.25

 

CMYK 0 / 34 / 31 / 14

HEX #DC9297

RGB 220 146 151

HSL 355.95, 0.51%, 0.72%

LAB 68.03, 28.61, 8.89

 

CMYK 0 / 27 / 34 / 14

HEX #DCA192

RGB 220 161 146

HSL 12.16, 0.51%, 0.72%

LAB 71.41, 19.89, 16.42

 

CMYK 0 / 18 / 34 / 14

HEX #DCB592

RGB 220 181 146

HSL 28.38, 0.51%, 0.72%

LAB 76.28, 9.16, 23.13

 

CMYK 0 / 9 / 34 / 14

HEX #DCC892

RGB 220 200 146

HSL 43.78, 0.51%, 0.72%

LAB 81.07, -0.85, 29.6

 

CMYK 0 / 0 / 34 / 14

HEX #DCDC92

RGB 220 220 146

HSL 60, 0.51%, 0.72%

LAB 86.24, -11.09, 36.43

 

CMYK 0 / 31 / 59 / 22

HEX #C88A53

RGB 200 138 83

HSL 28.21, 0.52%, 0.55%

LAB 62.58, 17.87, 38.62

 

CMYK 0 / 24 / 45 / 18

HEX #D29F73

RGB 210 159 115

HSL 27.79, 0.51%, 0.64%

LAB 69.28, 13.46, 30.26

 

CMYK 0 / 18 / 34 / 14

HEX #DCB592

RGB 220 181 146

HSL 28.38, 0.51%, 0.72%

LAB 76.28, 9.16, 23.13

 

CMYK 0 / 12 / 23 / 10

HEX #E6CAB1

RGB 230 202 177

HSL 28.3, 0.51%, 0.8%

LAB 83.04, 6.01, 16.09

 

CMYK 0 / 7 / 13 / 6

HEX #F0DFD1

RGB 240 223 209

HSL 27.1, 0.51%, 0.88%

LAB 89.81, 3.53, 8.94

 

CMYK 0 / 18 / 34 / 14

HEX #DCB491

RGB 220 180 145

HSL 28, 0.52%, 0.72%

LAB 76.01, 9.57, 23.3

 

CMYK 22 / 0 / 34 / 14

HEX #ABDC92

RGB 171 220 146

HSL 99.73, 0.51%, 0.72%

LAB 82.87, -29.17, 31.36

 

CMYK 31 / 34 / 0 / 14

HEX #9792DC

RGB 151 146 220

HSL 244.05, 0.51%, 0.72%

LAB 63.59, 18.55, -37.05

 

CMYK 0 / 18 / 34 / 14

HEX #DCB491

RGB 220 180 145

HSL 28, 0.52%, 0.72%

LAB 76.01, 9.57, 23.3

 

CMYK 34 / 0 / 18 / 14

HEX #92DCB5

RGB 146 220 181

HSL 148.38, 0.51%, 0.72%

LAB 82.18, -31.24, 11.95

 

CMYK 18 / 34 / 0 / 14

HEX #B592DC

RGB 181 146 220

HSL 268.38, 0.51%, 0.72%

LAB 66.17, 27.4, -32.84

 

CMYK 0 / 18 / 34 / 14

HEX #DCB491

RGB 220 180 145

HSL 28, 0.52%, 0.72%

LAB 76.01, 9.57, 23.3

 

CMYK 22 / 0 / 34 / 14

HEX #ABDC92

RGB 171 220 146

HSL 99.73, 0.51%, 0.72%

LAB 82.87, -29.17, 31.36

 

CMYK 34 / 15 / 0 / 14

HEX #92BADC

RGB 146 186 220

HSL 207.57, 0.51%, 0.72%

LAB 73.8, -5.24, -21.35

 

CMYK 11 / 34 / 0 / 14

HEX #C392DC

RGB 195 146 220

HSL 279.73, 0.51%, 0.72%

LAB 67.52, 31.71, -30.65

 

CMYK 0 / 18 / 34 / 14

HEX #DCB491

RGB 220 180 145

HSL 28, 0.52%, 0.72%

LAB 76.01, 9.57, 23.3

 

CMYK 33 / 0 / 34 / 14

HEX #94DC92

RGB 148 220 146

HSL 118.38, 0.51%, 0.72%

LAB 81.6, -36.86, 29.43

 

CMYK 34 / 15 / 0 / 14

HEX #92BADC

RGB 146 186 220

HSL 207.57, 0.51%, 0.72%

LAB 73.8, -5.24, -21.35

 

CMYK 1 / 34 / 0 / 14

HEX #DA92DC

RGB 218 146 220

HSL 298.38, 0.51%, 0.72%

LAB 69.92, 38.9, -26.76

 

Description

Color code: HEX #DCB491 | qconv.com Color code: HEX #DCB491 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 180 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 180 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 34 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 34% 14% C M Y K

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Provide designers and agencies with accurate color values.

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