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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB96A it is the complementary color #234695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB96A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB96A shade: #E1B965, #F2CB78, #FFDD8B, #FFEF9E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB96A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB96A shade: #DCB96A, #CBA757, #BA9544, #A98331 and #98711E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB96A shade: #DCB96A, #DC9A6A, #DC7B6A and #DC6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB96A shade: #DCB96A, #DCD76A, #C1DC6A, #A2DC6A and #84DC6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB96A shade matches the following richer shades: #DCB96A, #EABE5B and #F9C44C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB96A shade: #DCB96A, #CDB379, #BEAD87, #AFA796 and #A0A2A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB96A shade: #DC7B6A, #DC996A, #DCB86A, #DCD66A and #C3DC6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB96A shade: #C5972E, #D4A948, #DCB96A, #E3C88B and #EBD8AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB96A shade: #DCB96A, #77DC6A and #8A6ADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB96A shade: #DCB96A, #6ADCB8 and #B86ADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB96A shade: #DCB96A, #77DC6A, #6A8EDC and #CE6ADC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB96A shade: #DCB96A, #6ADC7F, #6A8EDC and #DC6AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

Complementary color

CMYK 77 / 53 / 0 / 42

HEX #234695

RGB 35 70 149

HSL 221.58, 0.62%, 0.36%

LAB 31.6, 16.75, -47.1

 

CMYK 0 / 18 / 55 / 12

HEX #E1B965

RGB 225 185 101

HSL 40.65, 0.67%, 0.64%

LAB 77.07, 4.48, 47.53

 

CMYK 0 / 16 / 50 / 5

HEX #F2CB78

RGB 242 203 120

HSL 40.82, 0.82%, 0.71%

LAB 83.41, 3.64, 46.24

 

CMYK 0 / 13 / 45 / 0

HEX #FFDD8B

RGB 255 221 139

HSL 42.41, 1%, 0.77%

LAB 89.32, 1.33, 44.46

 

CMYK 0 / 6 / 38 / 0

HEX #FFEF9E

RGB 255 239 158

HSL 50.1, 1%, 0.81%

LAB 94.08, -5.82, 41.13

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 0 / 18 / 57 / 20

HEX #CBA757

RGB 203 167 87

HSL 41.38, 0.53%, 0.57%

LAB 70.19, 3.7, 45.73

 

CMYK 0 / 20 / 63 / 27

HEX #BA9544

RGB 186 149 68

HSL 41.19, 0.46%, 0.5%

LAB 63.63, 4.74, 46.99

 

CMYK 0 / 22 / 71 / 34

HEX #A98331

RGB 169 131 49

HSL 41, 0.55%, 0.43%

LAB 56.97, 5.98, 48.08

 

CMYK 0 / 26 / 80 / 40

HEX #98711E

RGB 152 113 30

HSL 40.82, 0.67%, 0.36%

LAB 50.19, 7.5, 48.72

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 0 / 30 / 52 / 14

HEX #DC9A6A

RGB 220 154 106

HSL 25.26, 0.62%, 0.64%

LAB 69.02, 19.38, 34.95

 

CMYK 0 / 44 / 52 / 14

HEX #DC7B6A

RGB 220 123 106

HSL 8.95, 0.62%, 0.64%

LAB 62.02, 35.9, 25.89

 

CMYK 0 / 52 / 52 / 14

HEX #DC6A6A

RGB 220 106 106

HSL 0, 0.62%, 0.64%

LAB 58.57, 44.55, 21.3

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 0 / 2 / 52 / 14

HEX #DCD76A

RGB 220 215 106

HSL 57.37, 0.62%, 0.64%

LAB 84.41, -12.6, 53.7

 

CMYK 12 / 0 / 52 / 14

HEX #C1DC6A

RGB 193 220 106

HSL 74.21, 0.62%, 0.64%

LAB 83.74, -25.78, 52.41

 

CMYK 26 / 0 / 52 / 14

HEX #A2DC6A

RGB 162 220 106

HSL 90.53, 0.62%, 0.64%

LAB 81.79, -37.38, 49.61

 

CMYK 40 / 0 / 52 / 14

HEX #84DC6A

RGB 132 220 106

HSL 106.32, 0.62%, 0.64%

LAB 80.25, -47.48, 47.41

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 0 / 19 / 61 / 8

HEX #EABE5B

RGB 234 190 91

HSL 41.54, 0.77%, 0.64%

LAB 79.08, 4.87, 54.85

 

CMYK 0 / 21 / 69 / 2

HEX #F9C44C

RGB 249 196 76

HSL 41.62, 0.94%, 0.64%

LAB 81.91, 7.14, 64.89

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 0 / 13 / 41 / 20

HEX #CDB379

RGB 205 179 121

HSL 41.43, 0.46%, 0.64%

LAB 73.93, 1.33, 33.04

 

CMYK 0 / 9 / 29 / 25

HEX #BEAD87

RGB 190 173 135

HSL 41.45, 0.3%, 0.64%

LAB 71.27, 0.24, 21.78

 

CMYK 0 / 5 / 14 / 31

HEX #AFA796

RGB 175 167 150

HSL 40.8, 0.14%, 0.64%

LAB 68.72, -0.07, 9.82

 

CMYK 3 / 2 / 0 / 35

HEX #A0A2A5

RGB 160 162 165

HSL 216, 0.03%, 0.64%

LAB 66.54, -0.13, -1.81

 

CMYK 0 / 44 / 52 / 14

HEX #DC7B6A

RGB 220 123 106

HSL 8.95, 0.62%, 0.64%

LAB 62.02, 35.9, 25.89

 

CMYK 0 / 30 / 52 / 14

HEX #DC996A

RGB 220 153 106

HSL 24.74, 0.62%, 0.64%

LAB 68.78, 19.91, 34.65

 

CMYK 0 / 16 / 52 / 14

HEX #DCB86A

RGB 220 184 106

HSL 41.05, 0.62%, 0.64%

LAB 76.4, 3.35, 44.13

 

CMYK 0 / 3 / 52 / 14

HEX #DCD66A

RGB 220 214 106

HSL 56.84, 0.62%, 0.64%

LAB 84.15, -12.1, 53.39

 

CMYK 11 / 0 / 52 / 14

HEX #C3DC6A

RGB 195 220 106

HSL 73.16, 0.62%, 0.64%

LAB 83.88, -25, 52.6

 

CMYK 0 / 23 / 77 / 23

HEX #C5972E

RGB 197 151 46

HSL 41.72, 0.62%, 0.48%

LAB 65.12, 7.3, 58.38

 

CMYK 0 / 20 / 66 / 17

HEX #D4A948

RGB 212 169 72

HSL 41.57, 0.62%, 0.56%

LAB 71.45, 5.44, 54.46

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 0 / 12 / 39 / 11

HEX #E3C88B

RGB 227 200 139

HSL 41.59, 0.61%, 0.72%

LAB 81.57, 1.08, 34

 

CMYK 0 / 8 / 26 / 8

HEX #EBD8AD

RGB 235 216 173

HSL 41.61, 0.61%, 0.8%

LAB 86.89, 0.06, 23.61

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 46 / 0 / 52 / 14

HEX #77DC6A

RGB 119 220 106

HSL 113.16, 0.62%, 0.64%

LAB 79.7, -51.39, 46.6

 

CMYK 37 / 52 / 0 / 14

HEX #8A6ADC

RGB 138 106 220

HSL 256.84, 0.62%, 0.64%

LAB 52.82, 38.25, -54.16

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 52 / 0 / 16 / 14

HEX #6ADCB8

RGB 106 220 184

HSL 161.05, 0.62%, 0.64%

LAB 80.58, -41, 7.84

 

CMYK 16 / 52 / 0 / 14

HEX #B86ADC

RGB 184 106 220

HSL 281.05, 0.62%, 0.64%

LAB 57.72, 50.07, -46.06

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 46 / 0 / 52 / 14

HEX #77DC6A

RGB 119 220 106

HSL 113.16, 0.62%, 0.64%

LAB 79.7, -51.39, 46.6

 

CMYK 52 / 35 / 0 / 14

HEX #6A8EDC

RGB 106 142 220

HSL 221.05, 0.62%, 0.64%

LAB 59.51, 9.35, -43.68

 

CMYK 6 / 52 / 0 / 14

HEX #CE6ADC

RGB 206 106 220

HSL 292.63, 0.62%, 0.64%

LAB 60.42, 55.98, -41.61

 

CMYK 0 / 16 / 52 / 14

HEX #DCB96A

RGB 220 185 106

HSL 41.58, 0.62%, 0.64%

LAB 76.65, 2.83, 44.44

 

CMYK 52 / 0 / 42 / 14

HEX #6ADC7F

RGB 106 220 127

HSL 131.05, 0.62%, 0.64%

LAB 79.49, -51.96, 35.99

 

CMYK 52 / 35 / 0 / 14

HEX #6A8EDC

RGB 106 142 220

HSL 221.05, 0.62%, 0.64%

LAB 59.51, 9.35, -43.68

 

CMYK 0 / 52 / 10 / 14

HEX #DC6AC7

RGB 220 106 199

HSL 311.05, 0.62%, 0.64%

LAB 61.35, 56.24, -28.19

 

Description

Color code: HEX #DCB96A | qconv.com Color code: HEX #DCB96A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 185 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 185 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 52 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 52% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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