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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB09D it is the complementary color #234F62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB09D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB09D shade: #E1B098, #F2C2AB, #FFD4BE, #FFE6D1 and #FFF8E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB09D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB09D shade: #DCB09D, #CB9E8A, #BA8C77, #A97A64 and #986851

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB09D shade: #DBB09D, #DB9F9D and #DB9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB09D shade: #DBB09D, #DBC19D, #DBD19D, #D4DB9D and #C4DB9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB09D shade matches the following richer shades: #DBB09D, #E6AC92, #F1A788 and #FCA37D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB09D shade: #DBB09D, #D1B4A8, #C6B8B2, #BBBDBD and #B0C1C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB09D shade: #DB9DAC, #DB9F9D, #DBB09D, #DBC09D and #DBD19D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB09D shade: #C57F60, #D0977F, #DBB09D, #E6C8BB and #F1E1DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB09D shade: #DCB09D, #BCDB9D and #9DA3DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB09D shade: #DCB09D, #9DDBB0 and #B09DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB09D shade: #DCB09D, #BCDB9D, #9DC9DB and #BC9DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB09D shade: #DCB09D, #AADB9D, #9DC9DB and #CF9DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 29 / 14

HEX #DCB09D

RGB 220 176 157

HSL 18.1, 0.47%, 0.74%

LAB 75.26, 13.25, 15.8

 

Complementary color

CMYK 64 / 19 / 0 / 62

HEX #234F62

RGB 35 79 98

HSL 198.1, 0.47%, 0.26%

LAB 31.42, -8.75, -15.64

 

CMYK 0 / 22 / 32 / 12

HEX #E1B098

RGB 225 176 152

HSL 19.73, 0.55%, 0.74%

LAB 75.65, 14.52, 19.12

 

CMYK 0 / 20 / 29 / 5

HEX #F2C2AB

RGB 242 194 171

HSL 19.44, 0.73%, 0.81%

LAB 82.06, 13.9, 18.07

 

CMYK 0 / 17 / 25 / 0

HEX #FFD4BE

RGB 255 212 190

HSL 20.31, 1%, 0.87%

LAB 88, 11.86, 16.52

 

CMYK 0 / 10 / 18 / 0

HEX #FFE6D1

RGB 255 230 209

HSL 27.39, 1%, 0.91%

LAB 92.78, 5.27, 13.33

 

CMYK 0 / 3 / 11 / 0

HEX #FFF8E4

RGB 255 248 228

HSL 44.44, 1%, 0.95%

LAB 97.63, -0.97, 10.43

 

CMYK 0 / 20 / 29 / 14

HEX #DCB09D

RGB 220 176 157

HSL 18.1, 0.47%, 0.74%

LAB 75.26, 13.25, 15.8

 

CMYK 0 / 22 / 32 / 20

HEX #CB9E8A

RGB 203 158 138

HSL 18.46, 0.38%, 0.67%

LAB 68.74, 13.89, 16.86

 

CMYK 0 / 25 / 36 / 27

HEX #BA8C77

RGB 186 140 119

HSL 18.81, 0.33%, 0.6%

LAB 62.11, 14.61, 18.01

 

CMYK 0 / 28 / 41 / 34

HEX #A97A64

RGB 169 122 100

HSL 19.13, 0.29%, 0.53%

LAB 55.35, 15.44, 19.28

 

CMYK 0 / 32 / 47 / 40

HEX #986851

RGB 152 104 81

HSL 19.44, 0.3%, 0.46%

LAB 48.47, 16.41, 20.69

 

CMYK 0 / 20 / 28 / 14

HEX #DBB09D

RGB 219 176 157

HSL 18.39, 0.46%, 0.74%

LAB 75.17, 12.87, 15.65

 

CMYK 0 / 27 / 28 / 14

HEX #DB9F9D

RGB 219 159 157

HSL 1.94, 0.46%, 0.74%

LAB 71.07, 22.03, 9.87

 

CMYK 0 / 28 / 28 / 14

HEX #DB9D9D

RGB 219 157 157

HSL 0, 0.46%, 0.74%

LAB 70.6, 23.11, 9.2

 

CMYK 0 / 20 / 28 / 14

HEX #DBB09D

RGB 219 176 157

HSL 18.39, 0.46%, 0.74%

LAB 75.17, 12.87, 15.65

 

CMYK 0 / 12 / 28 / 14

HEX #DBC19D

RGB 219 193 157

HSL 34.84, 0.46%, 0.74%

LAB 79.41, 3.83, 21.53

 

CMYK 0 / 5 / 28 / 14

HEX #DBD19D

RGB 219 209 157

HSL 50.32, 0.46%, 0.74%

LAB 83.49, -4.51, 27.1

 

CMYK 3 / 0 / 28 / 14

HEX #D4DB9D

RGB 212 219 157

HSL 66.77, 0.46%, 0.74%

LAB 85.55, -12.24, 29.78

 

CMYK 11 / 0 / 28 / 14

HEX #C4DB9D

RGB 196 219 157

HSL 82.26, 0.46%, 0.74%

LAB 84.4, -18.17, 28.03

 

CMYK 0 / 20 / 28 / 14

HEX #DBB09D

RGB 219 176 157

HSL 18.39, 0.46%, 0.74%

LAB 75.17, 12.87, 15.65

 

CMYK 0 / 25 / 37 / 10

HEX #E6AC92

RGB 230 172 146

HSL 18.57, 0.63%, 0.74%

LAB 75.08, 17.86, 21.66

 

CMYK 0 / 31 / 44 / 5

HEX #F1A788

RGB 241 167 136

HSL 17.71, 0.79%, 0.74%

LAB 74.9, 23.69, 27.01

 

CMYK 0 / 35 / 50 / 1

HEX #FCA37D

RGB 252 163 125

HSL 17.95, 0.95%, 0.74%

LAB 75.06, 29.02, 33.34

 

CMYK 0 / 20 / 28 / 14

HEX #DBB09D

RGB 219 176 157

HSL 18.39, 0.46%, 0.74%

LAB 75.17, 12.87, 15.65

 

CMYK 0 / 14 / 20 / 18

HEX #D1B4A8

RGB 209 180 168

HSL 17.56, 0.31%, 0.74%

LAB 75.47, 8.52, 9.96

 

CMYK 0 / 7 / 10 / 22

HEX #C6B8B2

RGB 198 184 178

HSL 18, 0.15%, 0.74%

LAB 75.76, 3.93, 4.82

 

CMYK 1 / 0 / 0 / 26

HEX #BBBDBD

RGB 187 189 189

HSL 180, 0.01%, 0.74%

LAB 76.46, -0.69, -0.25

 

CMYK 12 / 4 / 0 / 22

HEX #B0C1C8

RGB 176 193 200

HSL 197.5, 0.18%, 0.74%

LAB 77.01, -4.38, -5.5

 

CMYK 0 / 28 / 21 / 14

HEX #DB9DAC

RGB 219 157 172

HSL 345.48, 0.46%, 0.74%

LAB 70.98, 25.25, 1.43

 

CMYK 0 / 27 / 28 / 14

HEX #DB9F9D

RGB 219 159 157

HSL 1.94, 0.46%, 0.74%

LAB 71.07, 22.03, 9.87

 

CMYK 0 / 20 / 28 / 14

HEX #DBB09D

RGB 219 176 157

HSL 18.39, 0.46%, 0.74%

LAB 75.17, 12.87, 15.65

 

CMYK 0 / 12 / 28 / 14

HEX #DBC09D

RGB 219 192 157

HSL 33.87, 0.46%, 0.74%

LAB 79.15, 4.36, 21.18

 

CMYK 0 / 5 / 28 / 14

HEX #DBD19D

RGB 219 209 157

HSL 50.32, 0.46%, 0.74%

LAB 83.49, -4.51, 27.1

 

CMYK 0 / 36 / 51 / 23

HEX #C57F60

RGB 197 127 96

HSL 18.42, 0.47%, 0.57%

LAB 59.79, 23.76, 28.02

 

CMYK 0 / 27 / 39 / 18

HEX #D0977F

RGB 208 151 127

HSL 17.78, 0.46%, 0.66%

LAB 67.33, 18.32, 21.08

 

CMYK 0 / 20 / 28 / 14

HEX #DBB09D

RGB 219 176 157

HSL 18.39, 0.46%, 0.74%

LAB 75.17, 12.87, 15.65

 

CMYK 0 / 13 / 19 / 10

HEX #E6C8BB

RGB 230 200 187

HSL 18.14, 0.46%, 0.82%

LAB 82.76, 8.52, 10.38

 

CMYK 0 / 7 / 10 / 5

HEX #F1E1DA

RGB 241 225 218

HSL 18.26, 0.45%, 0.9%

LAB 90.6, 4.29, 5.37

 

CMYK 0 / 20 / 29 / 14

HEX #DCB09D

RGB 220 176 157

HSL 18.1, 0.47%, 0.74%

LAB 75.26, 13.25, 15.8

 

CMYK 14 / 0 / 28 / 14

HEX #BCDB9D

RGB 188 219 157

HSL 90, 0.46%, 0.74%

LAB 83.86, -21.06, 27.2

 

CMYK 28 / 26 / 0 / 14

HEX #9DA3DB

RGB 157 163 219

HSL 234.19, 0.46%, 0.74%

LAB 68.37, 10.36, -29.06

 

CMYK 0 / 20 / 29 / 14

HEX #DCB09D

RGB 220 176 157

HSL 18.1, 0.47%, 0.74%

LAB 75.26, 13.25, 15.8

 

CMYK 28 / 0 / 20 / 14

HEX #9DDBB0

RGB 157 219 176

HSL 138.39, 0.46%, 0.74%

LAB 82.36, -28.38, 14.92

 

CMYK 20 / 28 / 0 / 14

HEX #B09DDB

RGB 176 157 219

HSL 258.39, 0.46%, 0.74%

LAB 68.36, 19.48, -28.95

 

CMYK 0 / 20 / 29 / 14

HEX #DCB09D

RGB 220 176 157

HSL 18.1, 0.47%, 0.74%

LAB 75.26, 13.25, 15.8

 

CMYK 14 / 0 / 28 / 14

HEX #BCDB9D

RGB 188 219 157

HSL 90, 0.46%, 0.74%

LAB 83.86, -21.06, 27.2

 

CMYK 28 / 8 / 0 / 14

HEX #9DC9DB

RGB 157 201 219

HSL 197.42, 0.46%, 0.74%

LAB 78.49, -10.3, -13.66

 

CMYK 14 / 28 / 0 / 14

HEX #BC9DDB

RGB 188 157 219

HSL 270, 0.46%, 0.74%

LAB 69.41, 23.21, -27.24

 

CMYK 0 / 20 / 29 / 14

HEX #DCB09D

RGB 220 176 157

HSL 18.1, 0.47%, 0.74%

LAB 75.26, 13.25, 15.8

 

CMYK 22 / 0 / 28 / 14

HEX #AADB9D

RGB 170 219 157

HSL 107.42, 0.46%, 0.74%

LAB 82.72, -27.37, 25.48

 

CMYK 28 / 8 / 0 / 14

HEX #9DC9DB

RGB 157 201 219

HSL 197.42, 0.46%, 0.74%

LAB 78.49, -10.3, -13.66

 

CMYK 5 / 28 / 0 / 14

HEX #CF9DDB

RGB 207 157 219

HSL 288.39, 0.46%, 0.74%

LAB 71.21, 29.26, -24.33

 

Description

Color code: HEX #DCB09D | qconv.com Color code: HEX #DCB09D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 176 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 176 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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