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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCBA73 it is the complementary color #23458C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCBA73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCBA73 shade: #E1BA6E, #F2CC81, #FFDE94, #FFF0A7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCBA73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCBA73 shade: #DCBA73, #CBA860, #BA964D, #A9843A and #987227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCBA73 shade: #DCBA74, #DC9E74, #DC8274 and #DC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCBA73 shade: #DCBA74, #DCD674, #C5DC74, #A9DC74 and #8DDC74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCBA73 shade matches the following richer shades: #DCBA74, #EABF66 and #F8C458

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCBA73 shade: #DCBA74, #CEB582, #C0B090, #B2AB9E and #A4A6AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCBA73 shade: #DC8274, #DC9D74, #DCB974, #DCD574 and #C7DC74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCBA73 shade: #CB9932, #D4AA53, #DCBA74, #E4CA95 and #ECDBB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCBA73 shade: #DCBA73, #82DC74 and #9074DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCBA73 shade: #DCBA73, #74DCB9 and #B974DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCBA73 shade: #DCBA73, #82DC74, #7496DC and #CE74DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCBA73 shade: #DCBA73, #74DC85, #7496DC and #DC74CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 48 / 14

HEX #DCBA73

RGB 220 186 115

HSL 40.57, 0.6%, 0.66%

LAB 77.02, 3.12, 40.37

 

Complementary color

CMYK 75 / 51 / 0 / 45

HEX #23458C

RGB 35 69 140

HSL 220.57, 0.6%, 0.34%

LAB 30.66, 13.87, -43.11

 

CMYK 0 / 17 / 51 / 12

HEX #E1BA6E

RGB 225 186 110

HSL 39.65, 0.66%, 0.66%

LAB 77.43, 4.71, 43.5

 

CMYK 0 / 16 / 47 / 5

HEX #F2CC81

RGB 242 204 129

HSL 39.82, 0.81%, 0.73%

LAB 83.78, 3.94, 42.22

 

CMYK 0 / 13 / 42 / 0

HEX #FFDE94

RGB 255 222 148

HSL 41.5, 1%, 0.79%

LAB 89.69, 1.71, 40.45

 

CMYK 0 / 6 / 35 / 0

HEX #FFF0A7

RGB 255 240 167

HSL 49.77, 1%, 0.83%

LAB 94.47, -5.31, 37.15

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 15 / 48 / 14

HEX #DCBA73

RGB 220 186 115

HSL 40.57, 0.6%, 0.66%

LAB 77.02, 3.12, 40.37

 

CMYK 0 / 17 / 53 / 20

HEX #CBA860

RGB 203 168 96

HSL 40.37, 0.51%, 0.59%

LAB 70.56, 3.91, 41.67

 

CMYK 0 / 19 / 59 / 27

HEX #BA964D

RGB 186 150 77

HSL 40.18, 0.44%, 0.52%

LAB 63.99, 4.84, 43

 

CMYK 0 / 22 / 66 / 34

HEX #A9843A

RGB 169 132 58

HSL 40, 0.49%, 0.45%

LAB 57.31, 5.96, 44.28

 

CMYK 0 / 25 / 74 / 40

HEX #987227

RGB 152 114 39

HSL 39.82, 0.59%, 0.37%

LAB 50.52, 7.33, 45.33

 

CMYK 0 / 15 / 47 / 14

HEX #DCBA74

RGB 220 186 116

HSL 40.38, 0.6%, 0.66%

LAB 77.04, 3.21, 39.88

 

CMYK 0 / 28 / 47 / 14

HEX #DC9E74

RGB 220 158 116

HSL 24.23, 0.6%, 0.66%

LAB 70.13, 18.16, 31.03

 

CMYK 0 / 41 / 47 / 14

HEX #DC8274

RGB 220 130 116

HSL 8.08, 0.6%, 0.66%

LAB 63.71, 33.15, 22.53

 

CMYK 0 / 47 / 47 / 14

HEX #DC7474

RGB 220 116 116

HSL 0, 0.6%, 0.66%

LAB 60.75, 40.44, 18.52

 

CMYK 0 / 15 / 47 / 14

HEX #DCBA74

RGB 220 186 116

HSL 40.38, 0.6%, 0.66%

LAB 77.04, 3.21, 39.88

 

CMYK 0 / 3 / 47 / 14

HEX #DCD674

RGB 220 214 116

HSL 56.54, 0.6%, 0.66%

LAB 84.26, -11.22, 48.79

 

CMYK 10 / 0 / 47 / 14

HEX #C5DC74

RGB 197 220 116

HSL 73.27, 0.6%, 0.66%

LAB 84.13, -23.26, 48.23

 

CMYK 23 / 0 / 47 / 14

HEX #A9DC74

RGB 169 220 116

HSL 89.42, 0.6%, 0.66%

LAB 82.32, -33.76, 45.59

 

CMYK 36 / 0 / 47 / 14

HEX #8DDC74

RGB 141 220 116

HSL 105.58, 0.6%, 0.66%

LAB 80.8, -43.39, 43.38

 

CMYK 0 / 15 / 47 / 14

HEX #DCBA74

RGB 220 186 116

HSL 40.38, 0.6%, 0.66%

LAB 77.04, 3.21, 39.88

 

CMYK 0 / 18 / 56 / 8

HEX #EABF66

RGB 234 191 102

HSL 40.45, 0.76%, 0.66%

LAB 79.45, 5.13, 50.08

 

CMYK 0 / 21 / 65 / 3

HEX #F8C458

RGB 248 196 88

HSL 40.5, 0.92%, 0.66%

LAB 81.91, 7.38, 59.73

 

CMYK 0 / 15 / 47 / 14

HEX #DCBA74

RGB 220 186 116

HSL 40.38, 0.6%, 0.66%

LAB 77.04, 3.21, 39.88

 

CMYK 0 / 12 / 37 / 19

HEX #CEB582

RGB 206 181 130

HSL 40.26, 0.44%, 0.66%

LAB 74.69, 1.69, 29.3

 

CMYK 0 / 8 / 25 / 25

HEX #C0B090

RGB 192 176 144

HSL 40, 0.28%, 0.66%

LAB 72.41, 0.66, 18.49

 

CMYK 0 / 4 / 11 / 30

HEX #B2AB9E

RGB 178 171 158

HSL 39, 0.11%, 0.66%

LAB 70.22, 0.22, 7.58

 

CMYK 5 / 3 / 0 / 33

HEX #A4A6AC

RGB 164 166 172

HSL 225, 0.05%, 0.66%

LAB 68.13, 0.46, -3.35

 

CMYK 0 / 41 / 47 / 14

HEX #DC8274

RGB 220 130 116

HSL 8.08, 0.6%, 0.66%

LAB 63.71, 33.15, 22.53

 

CMYK 0 / 29 / 47 / 14

HEX #DC9D74

RGB 220 157 116

HSL 23.65, 0.6%, 0.66%

LAB 69.89, 18.69, 30.72

 

CMYK 0 / 16 / 47 / 14

HEX #DCB974

RGB 220 185 116

HSL 39.81, 0.6%, 0.66%

LAB 76.78, 3.74, 39.56

 

CMYK 0 / 3 / 47 / 14

HEX #DCD574

RGB 220 213 116

HSL 55.96, 0.6%, 0.66%

LAB 84, -10.72, 48.47

 

CMYK 10 / 0 / 47 / 14

HEX #C7DC74

RGB 199 220 116

HSL 72.12, 0.6%, 0.66%

LAB 84.27, -22.49, 48.43

 

CMYK 0 / 25 / 75 / 20

HEX #CB9932

RGB 203 153 50

HSL 40.39, 0.6%, 0.5%

LAB 66.3, 9.02, 58.19

 

CMYK 0 / 20 / 61 / 17

HEX #D4AA53

RGB 212 170 83

HSL 40.47, 0.6%, 0.58%

LAB 71.81, 5.62, 49.77

 

CMYK 0 / 15 / 47 / 14

HEX #DCBA74

RGB 220 186 116

HSL 40.38, 0.6%, 0.66%

LAB 77.04, 3.21, 39.88

 

CMYK 0 / 11 / 35 / 11

HEX #E4CA95

RGB 228 202 149

HSL 40.25, 0.59%, 0.74%

LAB 82.33, 1.59, 29.83

 

CMYK 0 / 7 / 23 / 7

HEX #ECDBB6

RGB 236 219 182

HSL 41.11, 0.59%, 0.82%

LAB 87.91, 0.12, 20.33

 

CMYK 0 / 15 / 48 / 14

HEX #DCBA73

RGB 220 186 115

HSL 40.57, 0.6%, 0.66%

LAB 77.02, 3.12, 40.37

 

CMYK 41 / 0 / 47 / 14

HEX #82DC74

RGB 130 220 116

HSL 111.92, 0.6%, 0.66%

LAB 80.29, -46.85, 42.63

 

CMYK 35 / 47 / 0 / 14

HEX #9074DC

RGB 144 116 220

HSL 256.15, 0.6%, 0.66%

LAB 55.67, 34, -49.57

 

CMYK 0 / 15 / 48 / 14

HEX #DCBA73

RGB 220 186 115

HSL 40.57, 0.6%, 0.66%

LAB 77.02, 3.12, 40.37

 

CMYK 47 / 0 / 16 / 14

HEX #74DCB9

RGB 116 220 185

HSL 159.81, 0.6%, 0.66%

LAB 80.96, -38.46, 7.91

 

CMYK 16 / 47 / 0 / 14

HEX #B974DC

RGB 185 116 220

HSL 279.81, 0.6%, 0.66%

LAB 59.86, 45.09, -42.67

 

CMYK 0 / 15 / 48 / 14

HEX #DCBA73

RGB 220 186 115

HSL 40.57, 0.6%, 0.66%

LAB 77.02, 3.12, 40.37

 

CMYK 41 / 0 / 47 / 14

HEX #82DC74

RGB 130 220 116

HSL 111.92, 0.6%, 0.66%

LAB 80.29, -46.85, 42.63

 

CMYK 47 / 32 / 0 / 14

HEX #7496DC

RGB 116 150 220

HSL 220.38, 0.6%, 0.66%

LAB 62.25, 7, -39.33

 

CMYK 6 / 47 / 0 / 14

HEX #CE74DC

RGB 206 116 220

HSL 291.92, 0.6%, 0.66%

LAB 62.32, 51, -38.64

 

CMYK 0 / 15 / 48 / 14

HEX #DCBA73

RGB 220 186 115

HSL 40.57, 0.6%, 0.66%

LAB 77.02, 3.12, 40.37

 

CMYK 47 / 0 / 40 / 14

HEX #74DC85

RGB 116 220 133

HSL 129.81, 0.6%, 0.66%

LAB 79.95, -48.4, 33.63

 

CMYK 47 / 32 / 0 / 14

HEX #7496DC

RGB 116 150 220

HSL 220.38, 0.6%, 0.66%

LAB 62.25, 7, -39.33

 

CMYK 0 / 47 / 8 / 14

HEX #DC74CA

RGB 220 116 202

HSL 310.38, 0.6%, 0.66%

LAB 63.32, 51.87, -26.85

 

Description

Color code: HEX #DCBA73 | qconv.com Color code: HEX #DCBA73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 186 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 186 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 48 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 48% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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