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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCBA93 it is the complementary color #23456C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCBA93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCBA93 shade: #E1BA8E, #F2CCA1, #FFDEB4, #FFF0C7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCBA93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCBA93 shade: #DCBA93, #CBA880, #BA966D, #A9845A and #987247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCBA93 shade: #DCBA93, #DCA693 and #DC9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCBA93 shade: #DCBA93, #DCCD93, #D6DC93, #C3DC93 and #AFDC93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCBA93 shade matches the following richer shades: #DCBA93, #E7BA87, #F3BB7C and #FEBC70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCBA93 shade: #DCBA93, #D0B99E, #C4B8AA, #B9B7B5 and #ADB6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCBA93 shade: #DC9393, #DCA693, #DCBA93, #DCCD93 and #D7DC93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCBA93 shade: #C79254, #D1A674, #DCBA93, #E6CDB2 and #F0E1D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCBA93 shade: #DCBA93, #A6DC93 and #9C93DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCBA93 shade: #DCBA93, #93DCBA and #BA93DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCBA93 shade: #DCBA93, #A6DC93, #93B5DC and #C893DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCBA93 shade: #DCBA93, #93DC95, #93B5DC and #DC93D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

Complementary color

CMYK 68 / 36 / 0 / 58

HEX #23456C

RGB 35 69 108

HSL 212.05, 0.51%, 0.28%

LAB 28.63, 1.34, -26.33

 

CMYK 0 / 17 / 37 / 12

HEX #E1BA8E

RGB 225 186 142

HSL 31.81, 0.58%, 0.72%

LAB 77.92, 7.98, 27.57

 

CMYK 0 / 16 / 33 / 5

HEX #F2CCA1

RGB 242 204 161

HSL 31.85, 0.76%, 0.79%

LAB 84.3, 7.4, 26.43

 

CMYK 0 / 13 / 29 / 0

HEX #FFDEB4

RGB 255 222 180

HSL 33.6, 1%, 0.85%

LAB 90.23, 5.38, 24.82

 

CMYK 0 / 6 / 22 / 0

HEX #FFF0C7

RGB 255 240 199

HSL 43.93, 1%, 0.89%

LAB 95.04, -1.25, 21.67

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 0 / 17 / 37 / 20

HEX #CBA880

RGB 203 168 128

HSL 32, 0.42%, 0.65%

LAB 71.05, 7.21, 25.47

 

CMYK 0 / 19 / 41 / 27

HEX #BA966D

RGB 186 150 109

HSL 31.95, 0.36%, 0.58%

LAB 64.45, 7.89, 26.71

 

CMYK 0 / 22 / 47 / 34

HEX #A9845A

RGB 169 132 90

HSL 31.9, 0.31%, 0.51%

LAB 57.73, 8.68, 28.05

 

CMYK 0 / 25 / 53 / 40

HEX #987247

RGB 152 114 71

HSL 31.85, 0.36%, 0.44%

LAB 50.88, 9.63, 29.5

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 0 / 25 / 33 / 14

HEX #DCA693

RGB 220 166 147

HSL 15.62, 0.51%, 0.72%

LAB 72.62, 17.32, 17.57

 

CMYK 0 / 33 / 33 / 14

HEX #DC9393

RGB 220 147 147

HSL 0, 0.51%, 0.72%

LAB 68.16, 27.56, 11.32

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 0 / 7 / 33 / 14

HEX #DCCD93

RGB 220 205 147

HSL 47.67, 0.51%, 0.72%

LAB 82.37, -3.32, 30.81

 

CMYK 3 / 0 / 33 / 14

HEX #D6DC93

RGB 214 220 147

HSL 64.93, 0.51%, 0.72%

LAB 85.8, -13.26, 35.25

 

CMYK 11 / 0 / 33 / 14

HEX #C3DC93

RGB 195 220 147

HSL 80.55, 0.51%, 0.72%

LAB 84.43, -20.4, 33.19

 

CMYK 20 / 0 / 33 / 14

HEX #AFDC93

RGB 175 220 147

HSL 96.99, 0.51%, 0.72%

LAB 83.13, -27.63, 31.23

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 0 / 19 / 42 / 9

HEX #E7BA87

RGB 231 186 135

HSL 31.88, 0.67%, 0.72%

LAB 78.38, 9.57, 31.97

 

CMYK 0 / 23 / 49 / 5

HEX #F3BB7C

RGB 243 187 124

HSL 31.76, 0.83%, 0.72%

LAB 79.64, 12.75, 39.54

 

CMYK 0 / 26 / 56 / 0

HEX #FEBC70

RGB 254 188 112

HSL 32.11, 0.99%, 0.72%

LAB 80.85, 15.65, 47.35

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 0 / 11 / 24 / 18

HEX #D0B99E

RGB 208 185 158

HSL 32.4, 0.35%, 0.72%

LAB 76.42, 4, 16.71

 

CMYK 0 / 6 / 13 / 23

HEX #C4B8AA

RGB 196 184 170

HSL 32.31, 0.18%, 0.72%

LAB 75.4, 1.87, 8.63

 

CMYK 0 / 1 / 2 / 27

HEX #B9B7B5

RGB 185 183 181

HSL 30, 0.03%, 0.72%

LAB 74.52, 0.34, 1.25

 

CMYK 10 / 6 / 0 / 24

HEX #ADB6C1

RGB 173 182 193

HSL 213, 0.14%, 0.72%

LAB 73.67, -0.93, -6.65

 

CMYK 0 / 33 / 33 / 14

HEX #DC9393

RGB 220 147 147

HSL 0, 0.51%, 0.72%

LAB 68.16, 27.56, 11.32

 

CMYK 0 / 25 / 33 / 14

HEX #DCA693

RGB 220 166 147

HSL 15.62, 0.51%, 0.72%

LAB 72.62, 17.32, 17.57

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 0 / 7 / 33 / 14

HEX #DCCD93

RGB 220 205 147

HSL 47.67, 0.51%, 0.72%

LAB 82.37, -3.32, 30.81

 

CMYK 2 / 0 / 33 / 14

HEX #D7DC93

RGB 215 220 147

HSL 64.11, 0.51%, 0.72%

LAB 85.88, -12.88, 35.36

 

CMYK 0 / 27 / 58 / 22

HEX #C79254

RGB 199 146 84

HSL 32.35, 0.51%, 0.55%

LAB 64.44, 13.15, 40.31

 

CMYK 0 / 21 / 44 / 18

HEX #D1A674

RGB 209 166 116

HSL 32.26, 0.5%, 0.64%

LAB 70.93, 9.38, 31.86

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 0 / 11 / 23 / 10

HEX #E6CDB2

RGB 230 205 178

HSL 31.15, 0.51%, 0.8%

LAB 83.81, 4.58, 16.64

 

CMYK 0 / 6 / 13 / 6

HEX #F0E1D1

RGB 240 225 209

HSL 30.97, 0.51%, 0.88%

LAB 90.31, 2.5, 9.65

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 25 / 0 / 33 / 14

HEX #A6DC93

RGB 166 220 147

HSL 104.38, 0.51%, 0.72%

LAB 82.59, -30.75, 30.42

 

CMYK 29 / 33 / 0 / 14

HEX #9C93DC

RGB 156 147 220

HSL 247.4, 0.51%, 0.72%

LAB 64.24, 19.41, -36.01

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 33 / 0 / 15 / 14

HEX #93DCBA

RGB 147 220 186

HSL 152.05, 0.51%, 0.72%

LAB 82.34, -29.95, 9.54

 

CMYK 15 / 33 / 0 / 14

HEX #BA93DC

RGB 186 147 220

HSL 272.05, 0.51%, 0.72%

LAB 66.88, 28.38, -31.71

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 25 / 0 / 33 / 14

HEX #A6DC93

RGB 166 220 147

HSL 104.38, 0.51%, 0.72%

LAB 82.59, -30.75, 30.42

 

CMYK 33 / 18 / 0 / 14

HEX #93B5DC

RGB 147 181 220

HSL 212.05, 0.51%, 0.72%

LAB 72.51, -2.25, -23.32

 

CMYK 9 / 33 / 0 / 14

HEX #C893DC

RGB 200 147 220

HSL 283.56, 0.51%, 0.72%

LAB 68.25, 32.71, -29.48

 

CMYK 0 / 15 / 33 / 14

HEX #DCBA93

RGB 220 186 147

HSL 32.05, 0.51%, 0.72%

LAB 77.54, 6.63, 24.32

 

CMYK 33 / 0 / 32 / 14

HEX #93DC95

RGB 147 220 149

HSL 121.64, 0.51%, 0.72%

LAB 81.6, -36.69, 27.88

 

CMYK 33 / 18 / 0 / 14

HEX #93B5DC

RGB 147 181 220

HSL 212.05, 0.51%, 0.72%

LAB 72.51, -2.25, -23.32

 

CMYK 0 / 33 / 1 / 14

HEX #DC93D9

RGB 220 147 217

HSL 302.47, 0.51%, 0.72%

LAB 70.24, 38.45, -24.59

 

Description

Color code: HEX #DCBA93 | qconv.com Color code: HEX #DCBA93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 186 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 186 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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