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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCBB8D it is the complementary color #234472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCBB8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCBB8D shade: #E1BB88, #F2CD9B, #FFDFAE, #FFF1C1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCBB8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCBB8D shade: #DCBB8D, #CBA97A, #BA9767, #A98554 and #987341

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCBB8D shade: #DCBB8D, #DCA68D, #DC918D and #DC8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCBB8D shade: #DCBB8D, #DCD08D, #D2DC8D, #BDDC8D and #A8DC8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCBB8D shade matches the following richer shades: #DCBB8D, #E8BD81 and #F4BF75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCBB8D shade: #DCBB8D, #D0B999, #C4B7A5, #B8B5B1 and #ACB3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCBB8D shade: #DC908D, #DCA58D, #DCBA8D, #DCCF8D and #D4DC8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCBB8D shade: #C8954E, #D2A86E, #DCBB8D, #E5CEAD and #EFE1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCBB8D shade: #DCBB8D, #A0DC8D and #9A8DDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCBB8D shade: #DCBB8D, #8DDCBA and #BA8DDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCBB8D shade: #DCBB8D, #A0DC8D, #8DAFDC and #C98DDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCBB8D shade: #DCBB8D, #8DDC93, #8DAFDC and #DC8DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

Complementary color

CMYK 69 / 40 / 0 / 55

HEX #234472

RGB 35 68 114

HSL 214.94, 0.53%, 0.29%

LAB 28.66, 4.32, -30.09

 

CMYK 0 / 17 / 40 / 12

HEX #E1BB88

RGB 225 187 136

HSL 34.38, 0.6%, 0.71%

LAB 78.07, 6.77, 30.93

 

CMYK 0 / 15 / 36 / 5

HEX #F2CD9B

RGB 242 205 155

HSL 34.48, 0.77%, 0.78%

LAB 84.44, 6.17, 29.75

 

CMYK 0 / 13 / 32 / 0

HEX #FFDFAE

RGB 255 223 174

HSL 36.3, 1%, 0.84%

LAB 90.36, 4.12, 28.11

 

CMYK 0 / 5 / 24 / 0

HEX #FFF1C1

RGB 255 241 193

HSL 46.45, 1%, 0.88%

LAB 95.17, -2.57, 24.92

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 0 / 17 / 40 / 20

HEX #CBA97A

RGB 203 169 122

HSL 34.81, 0.44%, 0.64%

LAB 71.2, 5.97, 28.9

 

CMYK 0 / 19 / 45 / 27

HEX #BA9767

RGB 186 151 103

HSL 34.7, 0.38%, 0.57%

LAB 64.61, 6.68, 30.18

 

CMYK 0 / 21 / 50 / 34

HEX #A98554

RGB 169 133 84

HSL 34.59, 0.34%, 0.5%

LAB 57.89, 7.51, 31.55

 

CMYK 0 / 24 / 57 / 40

HEX #987341

RGB 152 115 65

HSL 34.48, 0.4%, 0.43%

LAB 51.06, 8.52, 33

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 0 / 25 / 36 / 14

HEX #DCA68D

RGB 220 166 141

HSL 18.99, 0.53%, 0.71%

LAB 72.5, 16.58, 20.67

 

CMYK 0 / 34 / 36 / 14

HEX #DC918D

RGB 220 145 141

HSL 3.04, 0.53%, 0.71%

LAB 67.57, 27.89, 13.84

 

CMYK 0 / 36 / 36 / 14

HEX #DC8D8D

RGB 220 141 141

HSL 0, 0.53%, 0.71%

LAB 66.66, 30.03, 12.57

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 0 / 5 / 36 / 14

HEX #DCD08D

RGB 220 208 141

HSL 50.89, 0.53%, 0.71%

LAB 83.05, -5.58, 34.8

 

CMYK 5 / 0 / 36 / 14

HEX #D2DC8D

RGB 210 220 141

HSL 67.59, 0.53%, 0.71%

LAB 85.41, -15.51, 37.72

 

CMYK 14 / 0 / 36 / 14

HEX #BDDC8D

RGB 189 220 141

HSL 83.54, 0.53%, 0.71%

LAB 83.93, -23.4, 35.51

 

CMYK 24 / 0 / 36 / 14

HEX #A8DC8D

RGB 168 220 141

HSL 99.49, 0.53%, 0.71%

LAB 82.61, -30.93, 33.54

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 0 / 19 / 44 / 9

HEX #E8BD81

RGB 232 189 129

HSL 34.95, 0.69%, 0.71%

LAB 79.12, 7.76, 36.08

 

CMYK 0 / 22 / 52 / 4

HEX #F4BF75

RGB 244 191 117

HSL 34.96, 0.85%, 0.71%

LAB 80.62, 10.44, 44.33

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 0 / 11 / 26 / 18

HEX #D0B999

RGB 208 185 153

HSL 34.91, 0.37%, 0.71%

LAB 76.32, 3.3, 19.26

 

CMYK 0 / 7 / 16 / 23

HEX #C4B7A5

RGB 196 183 165

HSL 34.84, 0.21%, 0.71%

LAB 75.03, 1.6, 10.81

HEX #C4B7A5

CMYK 0 / 2 / 4 / 28

HEX #B8B5B1

RGB 184 181 177

HSL 34.29, 0.05%, 0.71%

LAB 73.81, 0.33, 2.4

HEX #B8B5B1

CMYK 9 / 5 / 0 / 26

HEX #ACB3BD

RGB 172 179 189

HSL 215.29, 0.11%, 0.71%

LAB 72.68, -0.46, -5.93

HEX #ACB3BD

CMYK 0 / 35 / 36 / 14

HEX #DC908D

RGB 220 144 141

HSL 2.28, 0.53%, 0.71%

LAB 67.34, 28.43, 13.52

 

CMYK 0 / 25 / 36 / 14

HEX #DCA58D

RGB 220 165 141

HSL 18.23, 0.53%, 0.71%

LAB 72.26, 17.12, 20.34

 

CMYK 0 / 15 / 36 / 14

HEX #DCBA8D

RGB 220 186 141

HSL 34.18, 0.53%, 0.71%

LAB 77.43, 5.9, 27.36

 

CMYK 0 / 6 / 36 / 14

HEX #DCCF8D

RGB 220 207 141

HSL 50.13, 0.53%, 0.71%

LAB 82.79, -5.06, 34.46

 

CMYK 4 / 0 / 36 / 14

HEX #D4DC8D

RGB 212 220 141

HSL 66.08, 0.53%, 0.71%

LAB 85.56, -14.74, 37.94

 

CMYK 0 / 26 / 61 / 22

HEX #C8954E

RGB 200 149 78

HSL 34.92, 0.53%, 0.55%

LAB 65.22, 11.49, 44.31

 

CMYK 0 / 20 / 48 / 18

HEX #D2A86E

RGB 210 168 110

HSL 34.8, 0.53%, 0.63%

LAB 71.44, 8.11, 35.7

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 0 / 10 / 24 / 10

HEX #E5CEAD

RGB 229 206 173

HSL 35.36, 0.52%, 0.79%

LAB 83.87, 2.98, 19.36

 

CMYK 0 / 6 / 15 / 6

HEX #EFE1CC

RGB 239 225 204

HSL 36, 0.52%, 0.87%

LAB 90.12, 1.36, 11.98

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 27 / 0 / 36 / 14

HEX #A0DC8D

RGB 160 220 141

HSL 105.57, 0.53%, 0.71%

LAB 82.15, -33.67, 32.85

 

CMYK 30 / 36 / 0 / 14

HEX #9A8DDC

RGB 154 141 220

HSL 249.87, 0.53%, 0.71%

LAB 62.58, 22.28, -38.62

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 36 / 0 / 15 / 14

HEX #8DDCBA

RGB 141 220 186

HSL 154.18, 0.53%, 0.71%

LAB 82.05, -31.67, 9.09

 

CMYK 15 / 36 / 0 / 14

HEX #BA8DDC

RGB 186 141 220

HSL 274.18, 0.53%, 0.71%

LAB 65.48, 31.71, -33.88

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 27 / 0 / 36 / 14

HEX #A0DC8D

RGB 160 220 141

HSL 105.57, 0.53%, 0.71%

LAB 82.15, -33.67, 32.85

 

CMYK 36 / 20 / 0 / 14

HEX #8DAFDC

RGB 141 175 220

HSL 214.18, 0.53%, 0.71%

LAB 70.52, -0.64, -26.4

 

CMYK 9 / 36 / 0 / 14

HEX #C98DDC

RGB 201 141 220

HSL 285.57, 0.53%, 0.71%

LAB 67, 36.3, -31.4

 

CMYK 0 / 15 / 36 / 14

HEX #DCBB8D

RGB 220 187 141

HSL 34.94, 0.53%, 0.71%

LAB 77.69, 5.37, 27.7

 

CMYK 36 / 0 / 33 / 14

HEX #8DDC93

RGB 141 220 147

HSL 124.56, 0.53%, 0.71%

LAB 81.27, -38.89, 28.42

 

CMYK 36 / 20 / 0 / 14

HEX #8DAFDC

RGB 141 175 220

HSL 214.18, 0.53%, 0.71%

LAB 70.52, -0.64, -26.4

 

CMYK 0 / 36 / 2 / 14

HEX #DC8DD7

RGB 220 141 215

HSL 303.8, 0.53%, 0.71%

LAB 68.88, 41.27, -25.57

 

Description

Color code: HEX #DCBB8D | qconv.com Color code: HEX #DCBB8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 187 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 187 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 36 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 36% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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