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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCC513 it is the complementary color #233AEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCC513. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCC513 shade: #E1C50E, #F2D721, #FFE934, #FFFB47 and #FFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCC513. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCC513 shade: #DCC513, #CBB300, #BAA100, #A98F00 and #987D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCC513 shade: #DCC513, #DC8F13, #DC5813, #DC2213 and #DC1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCC513 shade: #DCC513, #BDDC13, #86DC13, #50DC13 and #1ADC13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCC513 shade matches the following richer shades: #DCC513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCC513 shade: #DCC513, #C9B626, #B5A739, #A2984D and #8E8960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCC513 shade: #DC5913, #DC8F13, #DCC513, #BEDC13 and #88DC13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCC513 shade: #90810C, #B6A30F, #DCC513, #ECD62C and #EFDD52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCC513 shade: #DCC513, #13DC23 and #7413DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCC513 shade: #DCC513, #13DCC5 and #C513DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCC513 shade: #DCC513, #13DC23, #132ADC and #DC13CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCC513 shade: #DCC513, #13DC60, #132ADC and #DC138F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

Complementary color

CMYK 85 / 75 / 0 / 7

HEX #233AEC

RGB 35 58 236

HSL 233.13, 0.84%, 0.53%

LAB 36.82, 55.95, -89.61

 

CMYK 0 / 12 / 94 / 12

HEX #E1C50E

RGB 225 197 14

HSL 52.04, 0.88%, 0.47%

LAB 79.6, -5.5, 79.26

 

CMYK 0 / 11 / 86 / 5

HEX #F2D721

RGB 242 215 33

HSL 52.25, 0.89%, 0.54%

LAB 85.8, -7.05, 81.64

 

CMYK 0 / 9 / 80 / 0

HEX #FFE934

RGB 255 233 52

HSL 53.5, 1%, 0.6%

LAB 91.59, -10.07, 82.42

 

CMYK 0 / 2 / 72 / 0

HEX #FFFB47

RGB 255 251 71

HSL 58.7, 1%, 0.64%

LAB 96.29, -18.15, 81.03

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 0 / 12 / 100 / 20

HEX #CBB300

RGB 203 179 0

HSL 52.91, 1%, 0.4%

LAB 72.85, -5.96, 74.92

 

CMYK 0 / 13 / 100 / 27

HEX #BAA100

RGB 186 161 0

HSL 51.94, 1%, 0.36%

LAB 66.47, -4.05, 69.64

 

CMYK 0 / 15 / 100 / 34

HEX #A98F00

RGB 169 143 0

HSL 50.77, 1%, 0.33%

LAB 59.96, -2.08, 64.26

 

CMYK 0 / 18 / 100 / 40

HEX #987D00

RGB 152 125 0

HSL 49.34, 1%, 0.3%

LAB 53.32, -0.01, 58.78

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 0 / 35 / 91 / 14

HEX #DC8F13

RGB 220 143 19

HSL 37.01, 0.84%, 0.47%

LAB 65.68, 20.93, 67.91

 

CMYK 0 / 60 / 91 / 14

HEX #DC5813

RGB 220 88 19

HSL 20.6, 0.84%, 0.47%

LAB 54.28, 48.91, 59.69

 

CMYK 0 / 85 / 91 / 14

HEX #DC2213

RGB 220 34 19

HSL 4.48, 0.84%, 0.47%

LAB 47.5, 67.48, 55.09

 

CMYK 0 / 91 / 91 / 14

HEX #DC1313

RGB 220 19 19

HSL 0, 0.84%, 0.47%

LAB 46.62, 70.03, 54.51

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 14 / 0 / 91 / 14

HEX #BDDC13

RGB 189 220 19

HSL 69.25, 0.84%, 0.47%

LAB 82.94, -31.93, 79.96

 

CMYK 39 / 0 / 91 / 14

HEX #86DC13

RGB 134 220 19

HSL 85.67, 0.84%, 0.47%

LAB 79.79, -52.64, 76.1

 

CMYK 64 / 0 / 91 / 14

HEX #50DC13

RGB 80 220 19

HSL 101.79, 0.84%, 0.47%

LAB 77.84, -67.8, 73.7

 

CMYK 88 / 0 / 91 / 14

HEX #1ADC13

RGB 26 220 19

HSL 117.91, 0.84%, 0.47%

LAB 76.95, -75.51, 72.6

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 0 / 9 / 81 / 21

HEX #C9B626

RGB 201 182 38

HSL 53.01, 0.68%, 0.47%

LAB 73.55, -7.71, 68.77

 

CMYK 0 / 8 / 69 / 29

HEX #B5A739

RGB 181 167 57

HSL 53.23, 0.52%, 0.47%

LAB 67.84, -7.8, 56.2

 

CMYK 0 / 6 / 52 / 36

HEX #A2984D

RGB 162 152 77

HSL 52.94, 0.36%, 0.47%

LAB 62.23, -6.63, 40.36

 

CMYK 0 / 4 / 32 / 44

HEX #8E8960

RGB 142 137 96

HSL 53.48, 0.19%, 0.47%

LAB 56.57, -4.83, 22.71

 

CMYK 0 / 60 / 91 / 14

HEX #DC5913

RGB 220 89 19

HSL 20.9, 0.84%, 0.47%

LAB 54.46, 48.46, 59.81

 

CMYK 0 / 35 / 91 / 14

HEX #DC8F13

RGB 220 143 19

HSL 37.01, 0.84%, 0.47%

LAB 65.68, 20.93, 67.91

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 14 / 0 / 91 / 14

HEX #BEDC13

RGB 190 220 19

HSL 68.96, 0.84%, 0.47%

LAB 83.01, -31.53, 80.04

 

CMYK 38 / 0 / 91 / 14

HEX #88DC13

RGB 136 220 19

HSL 85.07, 0.84%, 0.47%

LAB 79.88, -51.96, 76.22

 

CMYK 0 / 10 / 92 / 44

HEX #90810C

RGB 144 129 12

HSL 53.18, 0.85%, 0.31%

LAB 53.66, -5.78, 56.49

 

CMYK 0 / 10 / 92 / 29

HEX #B6A30F

RGB 182 163 15

HSL 53.17, 0.85%, 0.39%

LAB 66.65, -6.71, 67.59

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 0 / 9 / 81 / 7

HEX #ECD62C

RGB 236 214 44

HSL 53.13, 0.83%, 0.55%

LAB 85.05, -8.82, 78.26

 

CMYK 0 / 8 / 66 / 6

HEX #EFDD52

RGB 239 221 82

HSL 53.12, 0.83%, 0.63%

LAB 87.33, -9.47, 67.77

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 91 / 0 / 84 / 14

HEX #13DC23

RGB 19 220 35

HSL 124.78, 0.84%, 0.47%

LAB 76.95, -75.38, 69.6

 

CMYK 47 / 91 / 0 / 14

HEX #7413DC

RGB 116 19 220

HSL 268.96, 0.84%, 0.47%

LAB 36.64, 72.23, -80.56

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 91 / 0 / 10 / 14

HEX #13DCC5

RGB 19 220 197

HSL 173.13, 0.84%, 0.47%

LAB 79.25, -48.98, -1.21

 

CMYK 10 / 91 / 0 / 14

HEX #C513DC

RGB 197 19 220

HSL 293.13, 0.84%, 0.47%

LAB 48.89, 82.67, -60.06

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 91 / 0 / 84 / 14

HEX #13DC23

RGB 19 220 35

HSL 124.78, 0.84%, 0.47%

LAB 76.95, -75.38, 69.6

 

CMYK 91 / 81 / 0 / 14

HEX #132ADC

RGB 19 42 220

HSL 233.13, 0.84%, 0.47%

LAB 31.72, 58.46, -88.94

 

CMYK 0 / 91 / 8 / 14

HEX #DC13CB

RGB 220 19 203

HSL 305.07, 0.84%, 0.47%

LAB 51.83, 83.97, -45.39

 

CMYK 0 / 10 / 91 / 14

HEX #DCC513

RGB 220 197 19

HSL 53.13, 0.84%, 0.47%

LAB 79.15, -7.6, 78.06

 

CMYK 91 / 0 / 56 / 14

HEX #13DC60

RGB 19 220 96

HSL 142.99, 0.84%, 0.47%

LAB 77.38, -69.92, 47.96

 

CMYK 91 / 81 / 0 / 14

HEX #132ADC

RGB 19 42 220

HSL 233.13, 0.84%, 0.47%

LAB 31.72, 58.46, -88.94

 

CMYK 0 / 91 / 35 / 14

HEX #DC138F

RGB 220 19 143

HSL 322.99, 0.84%, 0.47%

LAB 49.09, 76.83, -14.31

 

Description

Color code: HEX #DCC513 | qconv.com Color code: HEX #DCC513 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 197 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 197 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 91 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 91% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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