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Color name
HEX #DCC597

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCC597 it is the complementary color #233A68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCC597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCC597 shade: #E1C592, #F2D7A5, #FFE9B8, #FFFBCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCC597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCC597 shade: #DCC597, #CBB384, #BAA171, #A98F5E and #987D4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCC597 shade: #DCC597, #DCB397, #DCA097 and #DC9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCC597 shade: #DCC597, #DCD897, #CEDC97, #BBDC97 and #A9DC97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCC597 shade matches the following richer shades: #DCC597, #E7C98C, #F2CD81 and #FDD076

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCC597 shade: #DCC597, #D1C1A2, #C6BEAE, #BBBAB9 and #B0B6C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCC597 shade: #DCA097, #DCB397, #DCC597, #DCD797 and #CEDC97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCC597 shade: #C7A359, #D2B478, #DCC597, #E6D6B6 and #F1E8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCC597 shade: #DCC597, #A0DC97 and #AA97DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCC597 shade: #DCC597, #97DCC5 and #C597DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCC597 shade: #DCC597, #A0DC97, #97AEDC and #D397DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCC597 shade: #DCC597, #97DCA3, #97AEDC and #DC97D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

Complementary color

CMYK 66 / 44 / 0 / 59

HEX #233A68

RGB 35 58 104

HSL 220, 0.5%, 0.27%

LAB 24.9, 7.3, -29.69

 

CMYK 0 / 12 / 35 / 12

HEX #E1C592

RGB 225 197 146

HSL 38.73, 0.57%, 0.73%

LAB 80.75, 2.67, 29.24

 

CMYK 0 / 11 / 32 / 5

HEX #F2D7A5

RGB 242 215 165

HSL 38.96, 0.75%, 0.8%

LAB 87.09, 2.19, 28.14

 

CMYK 0 / 9 / 28 / 0

HEX #FFE9B8

RGB 255 233 184

HSL 41.41, 1%, 0.86%

LAB 93.01, 0.28, 26.58

 

CMYK 0 / 2 / 20 / 0

HEX #FFFBCB

RGB 255 251 203

HSL 55.38, 1%, 0.9%

LAB 97.86, -6.2, 23.54

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 0 / 12 / 35 / 20

HEX #CBB384

RGB 203 179 132

HSL 39.72, 0.41%, 0.66%

LAB 73.93, 1.8, 27.19

 

CMYK 0 / 13 / 39 / 27

HEX #BAA171

RGB 186 161 113

HSL 39.45, 0.35%, 0.59%

LAB 67.37, 2.34, 28.38

 

CMYK 0 / 15 / 44 / 34

HEX #A98F5E

RGB 169 143 94

HSL 39.2, 0.3%, 0.52%

LAB 60.68, 2.97, 29.66

 

CMYK 0 / 18 / 51 / 40

HEX #987D4B

RGB 152 125 75

HSL 38.96, 0.34%, 0.45%

LAB 53.87, 3.74, 31.02

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 0 / 19 / 31 / 14

HEX #DCB397

RGB 220 179 151

HSL 24.35, 0.5%, 0.73%

LAB 75.88, 10.86, 19.9

 

CMYK 0 / 27 / 31 / 14

HEX #DCA097

RGB 220 160 151

HSL 7.83, 0.5%, 0.73%

LAB 71.28, 21.07, 13.49

 

CMYK 0 / 31 / 31 / 14

HEX #DC9797

RGB 220 151 151

HSL 0, 0.5%, 0.73%

LAB 69.17, 25.92, 10.52

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 0 / 2 / 31 / 14

HEX #DCD897

RGB 220 216 151

HSL 56.52, 0.5%, 0.73%

LAB 85.28, -8.46, 32.61

 

CMYK 6 / 0 / 31 / 14

HEX #CEDC97

RGB 206 220 151

HSL 72.17, 0.5%, 0.73%

LAB 85.27, -15.78, 32.41

 

CMYK 15 / 0 / 31 / 14

HEX #BBDC97

RGB 187 220 151

HSL 88.7, 0.5%, 0.73%

LAB 83.96, -22.78, 30.42

 

CMYK 23 / 0 / 31 / 14

HEX #A9DC97

RGB 169 220 151

HSL 104.35, 0.5%, 0.73%

LAB 82.84, -29.12, 28.72

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 0 / 13 / 39 / 9

HEX #E7C98C

RGB 231 201 140

HSL 40.22, 0.65%, 0.73%

LAB 82.19, 2.25, 34.37

 

CMYK 0 / 15 / 47 / 5

HEX #F2CD81

RGB 242 205 129

HSL 40.35, 0.81%, 0.73%

LAB 84.03, 3.42, 42.53

 

CMYK 0 / 18 / 53 / 1

HEX #FDD076

RGB 253 208 118

HSL 40, 0.97%, 0.73%

LAB 85.66, 5.33, 50.19

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 0 / 8 / 22 / 18

HEX #D1C1A2

RGB 209 193 162

HSL 39.57, 0.34%, 0.73%

LAB 78.64, 0.71, 17.66

 

CMYK 0 / 4 / 12 / 22

HEX #C6BEAE

RGB 198 190 174

HSL 40, 0.17%, 0.73%

LAB 77.21, 0.06, 9.07

 

CMYK 0 / 1 / 1 / 27

HEX #BBBAB9

RGB 187 186 185

HSL 30, 0.01%, 0.73%

LAB 75.57, 0.17, 0.62

 

CMYK 10 / 7 / 0 / 23

HEX #B0B6C4

RGB 176 182 196

HSL 222, 0.14%, 0.73%

LAB 73.98, 0.69, -7.81

 

CMYK 0 / 27 / 31 / 14

HEX #DCA097

RGB 220 160 151

HSL 7.83, 0.5%, 0.73%

LAB 71.28, 21.07, 13.49

 

CMYK 0 / 19 / 31 / 14

HEX #DCB397

RGB 220 179 151

HSL 24.35, 0.5%, 0.73%

LAB 75.88, 10.86, 19.9

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 0 / 2 / 31 / 14

HEX #DCD797

RGB 220 215 151

HSL 55.65, 0.5%, 0.73%

LAB 85.02, -7.95, 32.27

 

CMYK 6 / 0 / 31 / 14

HEX #CEDC97

RGB 206 220 151

HSL 72.17, 0.5%, 0.73%

LAB 85.27, -15.78, 32.41

 

CMYK 0 / 18 / 55 / 22

HEX #C7A359

RGB 199 163 89

HSL 40.36, 0.5%, 0.56%

LAB 68.79, 4.31, 42.99

 

CMYK 0 / 14 / 43 / 18

HEX #D2B478

RGB 210 180 120

HSL 40, 0.5%, 0.65%

LAB 74.64, 2.72, 34.56

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 0 / 7 / 21 / 10

HEX #E6D6B6

RGB 230 214 182

HSL 40, 0.49%, 0.81%

LAB 86.15, 0.48, 17.81

 

CMYK 0 / 4 / 12 / 5

HEX #F1E8D5

RGB 241 232 213

HSL 40.71, 0.5%, 0.89%

LAB 92.23, -0.11, 10.32

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 27 / 0 / 31 / 14

HEX #A0DC97

RGB 160 220 151

HSL 112.17, 0.5%, 0.73%

LAB 82.32, -32.16, 27.94

 

CMYK 23 / 31 / 0 / 14

HEX #AA97DC

RGB 170 151 220

HSL 256.52, 0.5%, 0.73%

LAB 66.4, 21.26, -32.56

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 31 / 0 / 10 / 14

HEX #97DCC5

RGB 151 220 197

HSL 160, 0.5%, 0.73%

LAB 82.81, -26.52, 4.41

 

CMYK 10 / 31 / 0 / 14

HEX #C597DC

RGB 197 151 220

HSL 280, 0.5%, 0.73%

LAB 68.87, 29.58, -28.54

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 27 / 0 / 31 / 14

HEX #A0DC97

RGB 160 220 151

HSL 112.17, 0.5%, 0.73%

LAB 82.32, -32.16, 27.94

 

CMYK 31 / 21 / 0 / 14

HEX #97AEDC

RGB 151 174 220

HSL 220, 0.5%, 0.73%

LAB 70.88, 2.73, -25.78

 

CMYK 4 / 31 / 0 / 14

HEX #D397DC

RGB 211 151 220

HSL 292.17, 0.5%, 0.73%

LAB 70.28, 34, -26.26

 

CMYK 0 / 10 / 31 / 14

HEX #DCC597

RGB 220 197 151

HSL 40, 0.5%, 0.73%

LAB 80.39, 1.33, 26.07

 

CMYK 31 / 0 / 26 / 14

HEX #97DCA3

RGB 151 220 163

HSL 130.43, 0.5%, 0.73%

LAB 82.06, -33.07, 21.27

 

CMYK 31 / 21 / 0 / 14

HEX #97AEDC

RGB 151 174 220

HSL 220, 0.5%, 0.73%

LAB 70.88, 2.73, -25.78

 

CMYK 0 / 31 / 5 / 14

HEX #DC97D1

RGB 220 151 209

HSL 309.57, 0.5%, 0.73%

LAB 70.84, 34.87, -19.26

 

Description

Color code: HEX #DCC597 | qconv.com Color code: HEX #DCC597 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 197 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 197 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 31% 14% C M Y K

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Provide designers and agencies with accurate color values.

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