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Color name
HEX #DCDA83

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCDA83 it is the complementary color #23257C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCDA83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCDA83 shade: #E1DA7E, #F2EC91, #FFFEA4, #FFFFB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCDA83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCDA83 shade: #DCDA83, #CBC870, #BAB65D, #A9A44A and #989237

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCDA83 shade: #DCDA83, #DCC283, #DCAA83, #DC9283 and #DC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCDA83 shade: #DCDA83, #C6DC83, #AEDC83, #96DC83 and #83DC88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCDA83 shade matches the following richer shades: #DCDA83, #E9E676 and #F5F26A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCDA83 shade: #DCDA83, #CFCE90, #C2C19D, #B5B5AA and #A9A9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCDA83 shade: #DCAA83, #DCC183, #DCD983, #C7DC83 and #AFDC83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCDA83 shade: #CAC743, #D3D063, #DCDA83, #E5E3A3 and #EEEDC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCDA83 shade: #DCDA83, #83DC92 and #B583DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCDA83 shade: #DCDA83, #83DCD9 and #D983DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCDA83 shade: #DCDA83, #83DC92, #8386DC and #DC83CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCDA83 shade: #DCDA83, #83DCAC, #8386DC and #DC83B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

Complementary color

CMYK 72 / 70 / 0 / 51

HEX #23257C

RGB 35 37 124

HSL 238.65, 0.56%, 0.31%

LAB 20.58, 29.59, -49.49

 

CMYK 0 / 3 / 44 / 12

HEX #E1DA7E

RGB 225 218 126

HSL 55.76, 0.62%, 0.69%

LAB 85.83, -10.29, 45.96

 

CMYK 0 / 2 / 40 / 5

HEX #F2EC91

RGB 242 236 145

HSL 56.29, 0.79%, 0.76%

LAB 92.09, -10.71, 44.79

 

CMYK 0 / 0 / 36 / 0

HEX #FFFEA4

RGB 255 254 164

HSL 59.34, 1%, 0.82%

LAB 97.96, -12.57, 43.19

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 0 / 1 / 45 / 20

HEX #CBC870

RGB 203 200 112

HSL 58.02, 0.47%, 0.62%

LAB 79.14, -11.35, 44.17

 

CMYK 0 / 2 / 50 / 27

HEX #BAB65D

RGB 186 182 93

HSL 57.42, 0.4%, 0.55%

LAB 72.68, -10.86, 45.36

 

CMYK 0 / 3 / 56 / 34

HEX #A9A44A

RGB 169 164 74

HSL 56.84, 0.39%, 0.48%

LAB 66.12, -10.26, 46.51

 

CMYK 0 / 4 / 64 / 40

HEX #989237

RGB 152 146 55

HSL 56.29, 0.47%, 0.41%

LAB 59.44, -9.52, 47.5

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 0 / 12 / 40 / 14

HEX #DCC283

RGB 220 194 131

HSL 42.47, 0.56%, 0.69%

LAB 79.29, 0.55, 35.05

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 0 / 40 / 40 / 14

HEX #DC8383

RGB 220 131 131

HSL 0, 0.56%, 0.69%

LAB 64.23, 34.19, 14.79

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 10 / 0 / 40 / 14

HEX #C6DC83

RGB 198 220 131

HSL 74.83, 0.56%, 0.69%

LAB 84.4, -21.26, 41.25

 

CMYK 21 / 0 / 40 / 14

HEX #AEDC83

RGB 174 220 131

HSL 91.01, 0.56%, 0.69%

LAB 82.82, -30.15, 38.92

 

CMYK 32 / 0 / 40 / 14

HEX #96DC83

RGB 150 220 131

HSL 107.19, 0.56%, 0.69%

LAB 81.46, -38.45, 36.9

 

CMYK 40 / 0 / 38 / 14

HEX #83DC88

RGB 131 220 136

HSL 123.37, 0.56%, 0.69%

LAB 80.62, -43.67, 33.11

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 0 / 1 / 49 / 9

HEX #E9E676

RGB 233 230 118

HSL 58.43, 0.72%, 0.69%

LAB 89.5, -13.83, 54.37

 

CMYK 0 / 1 / 57 / 4

HEX #F5F26A

RGB 245 242 106

HSL 58.71, 0.87%, 0.69%

LAB 93.43, -15.88, 64.52

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 0 / 0 / 30 / 19

HEX #CFCE90

RGB 207 206 144

HSL 59.05, 0.4%, 0.69%

LAB 81.52, -9.23, 31.05

 

CMYK 0 / 1 / 19 / 24

HEX #C2C19D

RGB 194 193 157

HSL 58.38, 0.23%, 0.69%

LAB 77.31, -5.67, 18.3

 

CMYK 0 / 0 / 6 / 29

HEX #B5B5AA

RGB 181 181 170

HSL 60, 0.07%, 0.69%

LAB 73.4, -1.99, 5.59

 

CMYK 7 / 7 / 0 / 29

HEX #A9A9B6

RGB 169 169 182

HSL 240, 0.08%, 0.69%

LAB 69.6, 2.54, -6.66

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 0 / 12 / 40 / 14

HEX #DCC183

RGB 220 193 131

HSL 41.8, 0.56%, 0.69%

LAB 79.04, 1.07, 34.72

 

CMYK 0 / 1 / 40 / 14

HEX #DCD983

RGB 220 217 131

HSL 57.98, 0.56%, 0.69%

LAB 85.24, -11.25, 42.66

 

CMYK 10 / 0 / 40 / 14

HEX #C7DC83

RGB 199 220 131

HSL 74.16, 0.56%, 0.69%

LAB 84.47, -20.87, 41.36

 

CMYK 20 / 0 / 40 / 14

HEX #AFDC83

RGB 175 220 131

HSL 90.34, 0.56%, 0.69%

LAB 82.88, -29.79, 39.01

 

CMYK 0 / 1 / 67 / 21

HEX #CAC743

RGB 202 199 67

HSL 58.67, 0.56%, 0.53%

LAB 78.35, -14.71, 63.48

 

CMYK 0 / 1 / 53 / 17

HEX #D3D063

RGB 211 208 99

HSL 58.39, 0.56%, 0.61%

LAB 81.76, -13.31, 53.68

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 0 / 1 / 29 / 10

HEX #E5E3A3

RGB 229 227 163

HSL 58.18, 0.56%, 0.77%

LAB 89.04, -9.1, 31.59

 

CMYK 0 / 0 / 18 / 7

HEX #EEEDC4

RGB 238 237 196

HSL 58.57, 0.55%, 0.85%

LAB 92.9, -6.3, 20.03

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 40 / 0 / 34 / 14

HEX #83DC92

RGB 131 220 146

HSL 130.11, 0.56%, 0.69%

LAB 80.79, -42.05, 28.21

 

CMYK 18 / 40 / 0 / 14

HEX #B583DC

RGB 181 131 220

HSL 273.71, 0.56%, 0.69%

LAB 62.7, 35.77, -38.26

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 40 / 0 / 1 / 14

HEX #83DCD9

RGB 131 220 217

HSL 177.98, 0.56%, 0.69%

LAB 82.39, -27.37, -6.93

 

CMYK 1 / 40 / 0 / 14

HEX #D983DC

RGB 217 131 220

HSL 297.98, 0.56%, 0.69%

LAB 66.64, 46.49, -31.82

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 40 / 0 / 34 / 14

HEX #83DC92

RGB 131 220 146

HSL 130.11, 0.56%, 0.69%

LAB 80.79, -42.05, 28.21

 

CMYK 40 / 39 / 0 / 14

HEX #8386DC

RGB 131 134 220

HSL 237.98, 0.56%, 0.69%

LAB 59.01, 20.11, -44.35

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 40 / 0 / 22 / 14

HEX #83DCAC

RGB 131 220 172

HSL 147.64, 0.56%, 0.69%

LAB 81.29, -37.3, 15.33

 

CMYK 40 / 39 / 0 / 14

HEX #8386DC

RGB 131 134 220

HSL 237.98, 0.56%, 0.69%

LAB 59.01, 20.11, -44.35

 

CMYK 0 / 40 / 19 / 14

HEX #DC83B2

RGB 220 131 178

HSL 328.31, 0.56%, 0.69%

LAB 65.49, 40.39, -10.02

 

Description

Color code: HEX #DCDA83 | qconv.com Color code: HEX #DCDA83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 218 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 218 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 40% 14% C M Y K

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Provide designers and agencies with accurate color values.

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