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Color name
HEX #DCDAC5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCDAC5 it is the complementary color #23253A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCDAC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCDAC5 shade: #E1DAC0, #F2ECD3, #FFFEE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCDAC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCDAC5 shade: #DCDAC5, #CBC8B2, #BAB69F, #A9A48C and #989279

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCDAC5 shade: #DCDAC5, #DCD4C5, #DCCEC5, #DCC8C5 and #DCC5C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCDAC5 shade: #DCDAC5, #D8DCC5, #D2DCC5, #CCDCC5 and #C5DCC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCDAC5 shade matches the following richer shades: #DCDAC5, #E4E0BE, #EBE6B6, #F2ECAF and #FAF3A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCDAC5 shade: #DCDAC5, #D5D4CD, #CDCED4, #C6C8DB and #BEC2E3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCDAC5 shade: #DCCEC5, #DCD4C5, #DCDAC5, #D8DCC5 and #D2DCC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCDAC5 shade: #BDB992, #CDCAAB, #DCDAC5, #ECEADF and #FBFBF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCDAC5 shade: #DCDAC5, #C5DCC7 and #D1C5DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCDAC5 shade: #DCDAC5, #C5DCDA and #DAC5DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCDAC5 shade: #DCDAC5, #C5DCC7, #C5C7DC and #DCC5DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCDAC5 shade: #DCDAC5, #C5DCCE, #C5C7DC and #DCC5D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

Complementary color

CMYK 40 / 36 / 0 / 77

HEX #23253A

RGB 35 37 58

HSL 234.78, 0.25%, 0.18%

LAB 15.41, 5.31, -13.81

 

CMYK 0 / 3 / 15 / 12

HEX #E1DAC0

RGB 225 218 192

HSL 47.27, 0.35%, 0.82%

LAB 86.98, -1.91, 13.65

 

CMYK 0 / 2 / 13 / 5

HEX #F2ECD3

RGB 242 236 211

HSL 48.39, 0.54%, 0.89%

LAB 93.26, -2.11, 12.84

 

CMYK 0 / 0 / 10 / 0

HEX #FFFEE6

RGB 255 254 230

HSL 57.6, 1%, 0.95%

LAB 99.17, -3.67, 11.59

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 0 / 1 / 12 / 20

HEX #CBC8B2

RGB 203 200 178

HSL 52.8, 0.19%, 0.75%

LAB 80.3, -2.73, 11.38

 

CMYK 0 / 2 / 15 / 27

HEX #BAB69F

RGB 186 182 159

HSL 51.11, 0.16%, 0.68%

LAB 73.8, -2.55, 12.22

 

CMYK 0 / 3 / 17 / 34

HEX #A9A48C

RGB 169 164 140

HSL 49.66, 0.14%, 0.61%

LAB 67.19, -2.34, 13.11

 

CMYK 0 / 4 / 20 / 40

HEX #989279

RGB 152 146 121

HSL 48.39, 0.13%, 0.54%

LAB 60.44, -2.1, 14.07

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 0 / 4 / 10 / 14

HEX #DCD4C5

RGB 220 212 197

HSL 39.13, 0.25%, 0.82%

LAB 85.17, 0.2, 8.39

 

CMYK 0 / 6 / 10 / 14

HEX #DCCEC5

RGB 220 206 197

HSL 23.48, 0.25%, 0.82%

LAB 83.65, 3.34, 6.21

 

CMYK 0 / 9 / 10 / 14

HEX #DCC8C5

RGB 220 200 197

HSL 7.83, 0.25%, 0.82%

LAB 82.14, 6.49, 4.03

 

CMYK 0 / 10 / 10 / 14

HEX #DCC5C5

RGB 220 197 197

HSL 0, 0.25%, 0.82%

LAB 81.39, 8.08, 2.94

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 2 / 0 / 10 / 14

HEX #D8DCC5

RGB 216 220 197

HSL 70.43, 0.25%, 0.82%

LAB 86.91, -5.34, 10.83

 

CMYK 5 / 0 / 10 / 14

HEX #D2DCC5

RGB 210 220 197

HSL 86.09, 0.25%, 0.82%

LAB 86.46, -7.44, 10.14

 

CMYK 7 / 0 / 10 / 14

HEX #CCDCC5

RGB 204 220 197

HSL 101.74, 0.25%, 0.82%

LAB 86.03, -9.52, 9.47

 

CMYK 10 / 0 / 10 / 14

HEX #C5DCC5

RGB 197 220 197

HSL 120, 0.25%, 0.82%

LAB 85.55, -11.92, 8.71

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 0 / 2 / 17 / 11

HEX #E4E0BE

RGB 228 224 190

HSL 53.68, 0.41%, 0.82%

LAB 88.7, -4.21, 17.16

 

CMYK 0 / 2 / 23 / 8

HEX #EBE6B6

RGB 235 230 182

HSL 54.34, 0.57%, 0.82%

LAB 90.61, -5.86, 24.05

 

CMYK 0 / 2 / 28 / 5

HEX #F2ECAF

RGB 242 236 175

HSL 54.63, 0.72%, 0.82%

LAB 92.56, -7.22, 30.38

 

CMYK 0 / 3 / 33 / 2

HEX #FAF3A7

RGB 250 243 167

HSL 54.94, 0.89%, 0.82%

LAB 94.83, -8.7, 37.55

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 0 / 0 / 4 / 16

HEX #D5D4CD

RGB 213 212 205

HSL 52.5, 0.09%, 0.82%

LAB 84.81, -0.9, 3.57

 

CMYK 3 / 3 / 0 / 17

HEX #CDCED4

RGB 205 206 212

HSL 231.43, 0.08%, 0.82%

LAB 82.85, 0.77, -3.1

 

CMYK 10 / 9 / 0 / 14

HEX #C6C8DB

RGB 198 200 219

HSL 234.29, 0.23%, 0.82%

LAB 80.98, 2.98, -9.67

 

CMYK 16 / 15 / 0 / 11

HEX #BEC2E3

RGB 190 194 227

HSL 233.51, 0.4%, 0.82%

LAB 79.09, 5.26, -16.86

 

CMYK 0 / 6 / 10 / 14

HEX #DCCEC5

RGB 220 206 197

HSL 23.48, 0.25%, 0.82%

LAB 83.65, 3.34, 6.21

 

CMYK 0 / 4 / 10 / 14

HEX #DCD4C5

RGB 220 212 197

HSL 39.13, 0.25%, 0.82%

LAB 85.17, 0.2, 8.39

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 2 / 0 / 10 / 14

HEX #D8DCC5

RGB 216 220 197

HSL 70.43, 0.25%, 0.82%

LAB 86.91, -5.34, 10.83

 

CMYK 5 / 0 / 10 / 14

HEX #D2DCC5

RGB 210 220 197

HSL 86.09, 0.25%, 0.82%

LAB 86.46, -7.44, 10.14

 

CMYK 0 / 2 / 23 / 26

HEX #BDB992

RGB 189 185 146

HSL 54.42, 0.25%, 0.66%

LAB 74.57, -4.99, 20.35

 

CMYK 0 / 1 / 17 / 20

HEX #CDCAAB

RGB 205 202 171

HSL 54.71, 0.25%, 0.74%

LAB 80.83, -4.15, 15.87

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 0 / 1 / 6 / 7

HEX #ECEADF

RGB 236 234 223

HSL 50.77, 0.25%, 0.9%

LAB 92.58, -1.22, 5.56

 

CMYK 0 / 0 / 1 / 2

HEX #FBFBF9

RGB 251 251 249

HSL 60, 0.2%, 0.98%

LAB 98.57, -0.34, 0.95

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 10 / 0 / 10 / 14

HEX #C5DCC7

RGB 197 220 199

HSL 125.22, 0.25%, 0.82%

LAB 85.59, -11.56, 7.72

 

CMYK 5 / 10 / 0 / 14

HEX #D1C5DC

RGB 209 197 220

HSL 271.3, 0.25%, 0.82%

LAB 81.1, 8.41, -9.93

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 10 / 0 / 1 / 14

HEX #C5DCDA

RGB 197 220 218

HSL 174.78, 0.25%, 0.82%

LAB 86.07, -8.01, -1.63

 

CMYK 1 / 10 / 0 / 14

HEX #DAC5DC

RGB 218 197 220

HSL 294.78, 0.25%, 0.82%

LAB 81.84, 11.43, -8.75

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 10 / 0 / 10 / 14

HEX #C5DCC7

RGB 197 220 199

HSL 125.22, 0.25%, 0.82%

LAB 85.59, -11.56, 7.72

 

CMYK 10 / 10 / 0 / 14

HEX #C5C7DC

RGB 197 199 220

HSL 234.78, 0.25%, 0.82%

LAB 80.67, 3.38, -10.66

 

CMYK 0 / 10 / 1 / 14

HEX #DCC5DA

RGB 220 197 218

HSL 305.22, 0.25%, 0.82%

LAB 81.95, 11.74, -7.49

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC5

RGB 220 218 197

HSL 54.78, 0.25%, 0.82%

LAB 86.7, -2.9, 10.58

 

CMYK 10 / 0 / 6 / 14

HEX #C5DCCE

RGB 197 220 206

HSL 143.48, 0.25%, 0.82%

LAB 85.76, -10.29, 4.27

 

CMYK 10 / 10 / 0 / 14

HEX #C5C7DC

RGB 197 199 220

HSL 234.78, 0.25%, 0.82%

LAB 80.67, 3.38, -10.66

 

CMYK 0 / 10 / 4 / 14

HEX #DCC5D3

RGB 220 197 211

HSL 323.48, 0.25%, 0.82%

LAB 81.76, 10.48, -4.03

 

Description

Color code: HEX #DCDAC5 | qconv.com Color code: HEX #DCDAC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 218 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 218 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 10 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 10% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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