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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCE77A it is the complementary color #231885. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCE77A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCE77A shade: #E1E775, #F2F988, #FFFF9B, #FFFFAE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCE77A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCE77A shade: #DCE77A, #CBD567, #BAC354, #A9B141 and #989F2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCE77A shade: #DBE679, #E6D479, #E6B679, #E69979 and #E67B79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCE77A shade: #DBE679, #BEE679, #A0E679, #83E679 and #79E68D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCE77A shade matches the following richer shades: #DBE679 and #E5F36C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCE77A shade: #DBE679, #D1D986, #C7CC92, #BCC09F and #B2B3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCE77A shade: #E6B779, #E6D479, #DBE679, #BEE679 and #A1E679

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCE77A shade: #C8D933, #D2E056, #DBE679, #E4EC9C and #EEF3BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCE77A shade: #DCE77A, #79E69A and #C579E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCE77A shade: #DCE77A, #79DBE6 and #E679DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCE77A shade: #DCE77A, #79E69A, #8479E6 and #E679C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCE77A shade: #DCE77A, #79E6BA, #8479E6 and #E679A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 47 / 9

HEX #DCE77A

RGB 220 231 122

HSL 66.06, 0.69%, 0.69%

LAB 88.81, -19.08, 51.44

 

Complementary color

CMYK 74 / 82 / 0 / 48

HEX #231885

RGB 35 24 133

HSL 246.06, 0.69%, 0.31%

LAB 18.82, 40.39, -58.1

 

CMYK 3 / 0 / 49 / 9

HEX #E1E775

RGB 225 231 117

HSL 63.16, 0.7%, 0.68%

LAB 89.13, -17.58, 54.25

 

CMYK 3 / 0 / 45 / 2

HEX #F2F988

RGB 242 249 136

HSL 63.72, 0.9%, 0.75%

LAB 95.33, -17.97, 53.14

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 5 / 0 / 47 / 9

HEX #DCE77A

RGB 220 231 122

HSL 66.06, 0.69%, 0.69%

LAB 88.81, -19.08, 51.44

 

CMYK 5 / 0 / 52 / 16

HEX #CBD567

RGB 203 213 103

HSL 65.45, 0.57%, 0.62%

LAB 82.52, -18.7, 52.55

 

CMYK 5 / 0 / 57 / 24

HEX #BAC354

RGB 186 195 84

HSL 64.86, 0.48%, 0.55%

LAB 76.14, -18.23, 53.58

 

CMYK 5 / 0 / 63 / 31

HEX #A9B141

RGB 169 177 65

HSL 64.29, 0.46%, 0.47%

LAB 69.65, -17.64, 54.45

 

CMYK 4 / 0 / 71 / 38

HEX #989F2E

RGB 152 159 46

HSL 63.72, 0.55%, 0.4%

LAB 63.07, -16.9, 54.94

 

CMYK 5 / 0 / 47 / 10

HEX #DBE679

RGB 219 230 121

HSL 66.06, 0.69%, 0.69%

LAB 88.46, -19.08, 51.47

 

CMYK 0 / 8 / 47 / 10

HEX #E6D479

RGB 230 212 121

HSL 50.09, 0.69%, 0.69%

LAB 84.63, -5.73, 47.01

 

CMYK 0 / 21 / 47 / 10

HEX #E6B679

RGB 230 182 121

HSL 33.58, 0.69%, 0.69%

LAB 77.08, 9.86, 37.56

 

CMYK 0 / 33 / 47 / 10

HEX #E69979

RGB 230 153 121

HSL 17.61, 0.69%, 0.69%

LAB 70.17, 25.31, 28.6

 

CMYK 0 / 47 / 47 / 10

HEX #E67B79

RGB 230 123 121

HSL 1.1, 0.69%, 0.69%

LAB 63.65, 41.03, 19.85

 

CMYK 5 / 0 / 47 / 10

HEX #DBE679

RGB 219 230 121

HSL 66.06, 0.69%, 0.69%

LAB 88.46, -19.08, 51.47

 

CMYK 17 / 0 / 47 / 10

HEX #BEE679

RGB 190 230 121

HSL 82.02, 0.69%, 0.69%

LAB 86.47, -30.16, 48.58

 

CMYK 30 / 0 / 47 / 10

HEX #A0E679

RGB 160 230 121

HSL 98.53, 0.69%, 0.69%

LAB 84.71, -40.85, 46.03

 

CMYK 43 / 0 / 47 / 10

HEX #83E679

RGB 131 230 121

HSL 114.5, 0.69%, 0.69%

LAB 83.34, -50.05, 44.02

 

CMYK 47 / 0 / 39 / 10

HEX #79E68D

RGB 121 230 141

HSL 131.01, 0.69%, 0.69%

LAB 83.22, -49.92, 33.91

 

CMYK 5 / 0 / 47 / 10

HEX #DBE679

RGB 219 230 121

HSL 66.06, 0.69%, 0.69%

LAB 88.46, -19.08, 51.47

 

CMYK 6 / 0 / 56 / 5

HEX #E5F36C

RGB 229 243 108

HSL 66.22, 0.85%, 0.69%

LAB 92.51, -22.55, 62.29

 

CMYK 5 / 0 / 47 / 10

HEX #DBE679

RGB 219 230 121

HSL 66.06, 0.69%, 0.69%

LAB 88.46, -19.08, 51.47

 

CMYK 4 / 0 / 38 / 15

HEX #D1D986

RGB 209 217 134

HSL 65.78, 0.52%, 0.69%

LAB 84.43, -15.21, 39.97

 

CMYK 2 / 0 / 28 / 20

HEX #C7CC92

RGB 199 204 146

HSL 65.17, 0.36%, 0.69%

LAB 80.41, -11.02, 28.41

 

CMYK 2 / 0 / 17 / 25

HEX #BCC09F

RGB 188 192 159

HSL 67.27, 0.21%, 0.69%

LAB 76.61, -7.07, 16.19

 

CMYK 1 / 0 / 4 / 30

HEX #B2B3AC

RGB 178 179 172

HSL 68.57, 0.04%, 0.69%

LAB 72.68, -1.64, 3.44

 

CMYK 0 / 20 / 47 / 10

HEX #E6B779

RGB 230 183 121

HSL 34.13, 0.69%, 0.69%

LAB 77.32, 9.34, 37.87

 

CMYK 0 / 8 / 47 / 10

HEX #E6D479

RGB 230 212 121

HSL 50.09, 0.69%, 0.69%

LAB 84.63, -5.73, 47.01

 

CMYK 5 / 0 / 47 / 10

HEX #DBE679

RGB 219 230 121

HSL 66.06, 0.69%, 0.69%

LAB 88.46, -19.08, 51.47

 

CMYK 17 / 0 / 47 / 10

HEX #BEE679

RGB 190 230 121

HSL 82.02, 0.69%, 0.69%

LAB 86.47, -30.16, 48.58

 

CMYK 30 / 0 / 47 / 10

HEX #A1E679

RGB 161 230 121

HSL 97.98, 0.69%, 0.69%

LAB 84.77, -40.51, 46.11

 

CMYK 8 / 0 / 76 / 15

HEX #C8D933

RGB 200 217 51

HSL 66.14, 0.69%, 0.53%

LAB 82.99, -25.14, 73.39

 

CMYK 6 / 0 / 62 / 12

HEX #D2E056

RGB 210 224 86

HSL 66.09, 0.69%, 0.61%

LAB 85.85, -22.56, 63.89

 

CMYK 5 / 0 / 47 / 10

HEX #DBE679

RGB 219 230 121

HSL 66.06, 0.69%, 0.69%

LAB 88.46, -19.08, 51.47

 

CMYK 3 / 0 / 34 / 7

HEX #E4EC9C

RGB 228 236 156

HSL 66, 0.68%, 0.77%

LAB 91.18, -14.82, 37.95

 

CMYK 2 / 0 / 21 / 5

HEX #EEF3BF

RGB 238 243 191

HSL 65.77, 0.68%, 0.85%

LAB 94.33, -10.03, 24.58

 

CMYK 5 / 0 / 47 / 9

HEX #DCE77A

RGB 220 231 122

HSL 66.06, 0.69%, 0.69%

LAB 88.81, -19.08, 51.44

 

CMYK 47 / 0 / 33 / 10

HEX #79E69A

RGB 121 230 154

HSL 138.17, 0.69%, 0.69%

LAB 83.44, -47.73, 27.59

 

CMYK 14 / 47 / 0 / 10

HEX #C579E6

RGB 197 121 230

HSL 281.83, 0.69%, 0.69%

LAB 62.73, 47.89, -43.66

 

CMYK 5 / 0 / 47 / 9

HEX #DCE77A

RGB 220 231 122

HSL 66.06, 0.69%, 0.69%

LAB 88.81, -19.08, 51.44

 

CMYK 47 / 5 / 0 / 10

HEX #79DBE6

RGB 121 219 230

HSL 186.06, 0.69%, 0.69%

LAB 82.08, -25.96, -14.35

 

CMYK 0 / 47 / 5 / 10

HEX #E679DB

RGB 230 121 219

HSL 306.06, 0.69%, 0.69%

LAB 66.22, 55.2, -31.78

 

CMYK 5 / 0 / 47 / 9

HEX #DCE77A

RGB 220 231 122

HSL 66.06, 0.69%, 0.69%

LAB 88.81, -19.08, 51.44

 

CMYK 47 / 0 / 33 / 10

HEX #79E69A

RGB 121 230 154

HSL 138.17, 0.69%, 0.69%

LAB 83.44, -47.73, 27.59

 

CMYK 43 / 47 / 0 / 10

HEX #8479E6

RGB 132 121 230

HSL 246.06, 0.69%, 0.69%

LAB 56.38, 30.84, -54.11

 

CMYK 0 / 47 / 14 / 10

HEX #E679C5

RGB 230 121 197

HSL 318.17, 0.69%, 0.69%

LAB 65.38, 51.63, -20.76

 

CMYK 5 / 0 / 47 / 9

HEX #DCE77A

RGB 220 231 122

HSL 66.06, 0.69%, 0.69%

LAB 88.81, -19.08, 51.44

 

CMYK 47 / 0 / 19 / 10

HEX #79E6BA

RGB 121 230 186

HSL 155.78, 0.69%, 0.69%

LAB 84.07, -41.52, 11.85

 

CMYK 43 / 47 / 0 / 10

HEX #8479E6

RGB 132 121 230

HSL 246.06, 0.69%, 0.69%

LAB 56.38, 30.84, -54.11

 

CMYK 0 / 47 / 28 / 10

HEX #E679A5

RGB 230 121 165

HSL 335.78, 0.69%, 0.69%

LAB 64.33, 47.04, -4.22

 

Description

Color code: HEX #DCE77A | qconv.com Color code: HEX #DCE77A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 231 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 231 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 47 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 47% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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