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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCECA6 it is the complementary color #231359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCECA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCECA6 shade: #E1ECA1, #F2FEB4, #FFFFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCECA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCECA6 shade: #DCECA6, #CBDA93, #BAC880, #A9B66D and #98A45A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCECA6 shade: #DCECA6, #ECE9A6, #ECD6A6, #ECC3A6 and #ECB1A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCECA6 shade: #DCECA6, #C9ECA6, #B6ECA6, #A6ECA9 and #A6ECBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCECA6 shade matches the following richer shades: #DCECA6, #E1F49D and #E5FD95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCECA6 shade: #DCECA6, #D7E3AF, #D2DAB7, #CED2C0 and #C9C9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCECA6 shade: #ECD6A6, #ECE8A6, #DDECA6, #CAECA6 and #B8ECA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCECA6 shade: #C1DD62, #CFE584, #DCECA6, #E9F3C8 and #F7FAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCECA6 shade: #DCECA6, #A6ECC3 and #DFA6EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCECA6 shade: #DCECA6, #A6DDEC and #ECA6DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCECA6 shade: #DCECA6, #A6ECC3, #B5A6EC and #ECA6CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCECA6 shade: #DCECA6, #A6ECD8, #B5A6EC and #ECA6BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

Complementary color

CMYK 61 / 79 / 0 / 65

HEX #231359

RGB 35 19 89

HSL 253.71, 0.65%, 0.21%

LAB 12.89, 28.6, -39.23

 

CMYK 5 / 0 / 32 / 7

HEX #E1ECA1

RGB 225 236 161

HSL 68.8, 0.66%, 0.78%

LAB 91.04, -15.33, 35.22

 

CMYK 5 / 0 / 29 / 0

HEX #F2FEB4

RGB 242 254 180

HSL 69.73, 0.97%, 0.85%

LAB 97.25, -15.48, 34.16

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 7 / 0 / 33 / 15

HEX #CBDA93

RGB 203 218 147

HSL 72.68, 0.49%, 0.72%

LAB 84.46, -16.43, 33.33

 

CMYK 7 / 0 / 36 / 22

HEX #BAC880

RGB 186 200 128

HSL 71.67, 0.4%, 0.64%

LAB 78.06, -16.29, 34.45

 

CMYK 7 / 0 / 40 / 29

HEX #A9B66D

RGB 169 182 109

HSL 70.68, 0.33%, 0.57%

LAB 71.55, -16.12, 35.62

 

CMYK 7 / 0 / 45 / 36

HEX #98A45A

RGB 152 164 90

HSL 69.73, 0.29%, 0.5%

LAB 64.93, -15.89, 36.83

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 0 / 1 / 30 / 7

HEX #ECE9A6

RGB 236 233 166

HSL 57.43, 0.65%, 0.79%

LAB 91.17, -9.1, 33.01

 

CMYK 0 / 9 / 30 / 7

HEX #ECD6A6

RGB 236 214 166

HSL 41.14, 0.65%, 0.79%

LAB 86.34, 0.55, 26.52

 

CMYK 0 / 17 / 30 / 7

HEX #ECC3A6

RGB 236 195 166

HSL 24.86, 0.65%, 0.79%

LAB 81.63, 10.45, 20.05

 

CMYK 0 / 25 / 30 / 7

HEX #ECB1A6

RGB 236 177 166

HSL 9.43, 0.65%, 0.79%

LAB 77.3, 19.98, 14.01

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 15 / 0 / 30 / 7

HEX #C9ECA6

RGB 201 236 166

HSL 90, 0.65%, 0.79%

LAB 89.47, -23.4, 30.3

 

CMYK 23 / 0 / 30 / 7

HEX #B6ECA6

RGB 182 236 166

HSL 106.29, 0.65%, 0.79%

LAB 88.3, -29.98, 28.52

 

CMYK 30 / 0 / 28 / 7

HEX #A6ECA9

RGB 166 236 169

HSL 122.57, 0.65%, 0.79%

LAB 87.47, -34.74, 25.71

 

CMYK 30 / 0 / 20 / 7

HEX #A6ECBC

RGB 166 236 188

HSL 138.86, 0.65%, 0.79%

LAB 87.84, -31.43, 16.41

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 8 / 0 / 36 / 4

HEX #E1F49D

RGB 225 244 157

HSL 73.1, 0.8%, 0.79%

LAB 93.08, -19.73, 39.88

 

CMYK 9 / 0 / 41 / 1

HEX #E5FD95

RGB 229 253 149

HSL 73.85, 0.96%, 0.79%

LAB 95.61, -23.48, 47.09

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 5 / 0 / 23 / 11

HEX #D7E3AF

RGB 215 227 175

HSL 73.85, 0.48%, 0.79%

LAB 88.2, -12.65, 24.11

 

CMYK 4 / 0 / 16 / 15

HEX #D2DAB7

RGB 210 218 183

HSL 73.71, 0.32%, 0.79%

LAB 85.64, -8.7, 16.33

 

CMYK 2 / 0 / 9 / 18

HEX #CED2C0

RGB 206 210 192

HSL 73.33, 0.17%, 0.79%

LAB 83.45, -4.54, 8.44

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9C9

RGB 201 201 201

HSL 0, 0%, 0.79%

LAB 80.97, 0, -0.01

 

CMYK 0 / 9 / 30 / 7

HEX #ECD6A6

RGB 236 214 166

HSL 41.14, 0.65%, 0.79%

LAB 86.34, 0.55, 26.52

 

CMYK 0 / 2 / 30 / 7

HEX #ECE8A6

RGB 236 232 166

HSL 56.57, 0.65%, 0.79%

LAB 90.92, -8.6, 32.67

 

CMYK 6 / 0 / 30 / 7

HEX #DDECA6

RGB 221 236 166

HSL 72.86, 0.65%, 0.79%

LAB 90.83, -16.17, 32.36

 

CMYK 14 / 0 / 30 / 7

HEX #CAECA6

RGB 202 236 166

HSL 89.14, 0.65%, 0.79%

LAB 89.53, -23.04, 30.39

 

CMYK 22 / 0 / 30 / 7

HEX #B8ECA6

RGB 184 236 166

HSL 104.57, 0.65%, 0.79%

LAB 88.42, -29.3, 28.7

 

CMYK 13 / 0 / 56 / 13

HEX #C1DD62

RGB 193 221 98

HSL 73.66, 0.64%, 0.63%

LAB 83.93, -26.96, 56.27

 

CMYK 10 / 0 / 42 / 10

HEX #CFE584

RGB 207 229 132

HSL 73.61, 0.65%, 0.71%

LAB 87.47, -22.1, 44.77

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 4 / 0 / 18 / 5

HEX #E9F3C8

RGB 233 243 200

HSL 73.95, 0.64%, 0.87%

LAB 94.14, -10.49, 19.65

 

CMYK 1 / 0 / 6 / 2

HEX #F7FAEA

RGB 247 250 234

HSL 71.25, 0.62%, 0.95%

LAB 97.67, -3.74, 7.31

HEX #F7FAEA

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 30 / 0 / 17 / 7

HEX #A6ECC3

RGB 166 236 195

HSL 144.86, 0.65%, 0.79%

LAB 87.99, -30.12, 12.98

 

CMYK 6 / 30 / 0 / 7

HEX #DFA6EC

RGB 223 166 236

HSL 288.86, 0.65%, 0.79%

LAB 75.46, 32.79, -26.96

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 30 / 6 / 0 / 7

HEX #A6DDEC

RGB 166 221 236

HSL 192.86, 0.65%, 0.79%

LAB 84.93, -14.09, -13.03

 

CMYK 0 / 30 / 6 / 7

HEX #ECA6DD

RGB 236 166 221

HSL 312.86, 0.65%, 0.79%

LAB 76.27, 34.24, -17.46

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 30 / 0 / 17 / 7

HEX #A6ECC3

RGB 166 236 195

HSL 144.86, 0.65%, 0.79%

LAB 87.99, -30.12, 12.98

 

CMYK 23 / 30 / 0 / 7

HEX #B5A6EC

RGB 181 166 236

HSL 252.86, 0.65%, 0.79%

LAB 71.66, 19.87, -33.14

 

CMYK 0 / 30 / 12 / 7

HEX #ECA6CF

RGB 236 166 207

HSL 324.86, 0.65%, 0.79%

LAB 75.83, 31.88, -10.48

 

CMYK 7 / 0 / 30 / 7

HEX #DCECA6

RGB 220 236 166

HSL 73.71, 0.65%, 0.79%

LAB 90.76, -16.54, 32.25

 

CMYK 30 / 0 / 8 / 7

HEX #A6ECD8

RGB 166 236 216

HSL 162.86, 0.65%, 0.79%

LAB 88.47, -25.94, 2.71

 

CMYK 23 / 30 / 0 / 7

HEX #B5A6EC

RGB 181 166 236

HSL 252.86, 0.65%, 0.79%

LAB 71.66, 19.87, -33.14

 

CMYK 0 / 30 / 21 / 7

HEX #ECA6BA

RGB 236 166 186

HSL 342.86, 0.65%, 0.79%

LAB 75.23, 28.62, 0.14

 

Description

Color code: HEX #DCECA6 | qconv.com Color code: HEX #DCECA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 236 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 236 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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