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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCF089 it is the complementary color #230F76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCF089. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCF089 shade: #E1F084, #F2FF97, #FFFFAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCF089. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCF089 shade: #DCF089, #CBDE76, #BACC63, #A9BA50 and #98A83D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCF089 shade: #DBEF89, #EFE889, #EFCC89, #EFB089 and #EF9589

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCF089 shade: #DBEF89, #C0EF89, #A4EF89, #89EF89 and #89EFA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCF089 shade matches the following richer shades: #DBEF89 and #E2FA7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCF089 shade: #DBEF89, #D5E594, #CEDA9F, #C8CFA9 and #C1C4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCF089 shade: #EFCC89, #EFE789, #DDEF89, #C1EF89 and #A6EF89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCF089 shade: #C6E640, #D1EB65, #DBEF89, #E6F4AE and #F1F9D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCF089 shade: #DCF089, #89EFB0 and #D989EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCF089 shade: #DCF089, #89DDEF and #EF89DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCF089 shade: #DCF089, #89EFB0, #9C89EF and #EF89C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCF089 shade: #DCF089, #89EFCF, #9C89EF and #EF89A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 43 / 6

HEX #DCF089

RGB 220 240 137

HSL 71.65, 0.77%, 0.74%

LAB 91.39, -21.94, 47.44

 

Complementary color

CMYK 70 / 87 / 0 / 54

HEX #230F76

RGB 35 15 118

HSL 251.65, 0.77%, 0.26%

LAB 15.52, 39.96, -53.99

 

CMYK 6 / 0 / 45 / 6

HEX #E1F084

RGB 225 240 132

HSL 68.33, 0.78%, 0.73%

LAB 91.68, -20.54, 50.28

 

CMYK 5 / 0 / 41 / 0

HEX #F2FF97

RGB 242 255 151

HSL 67.5, 1%, 0.8%

LAB 97.08, -19.36, 48.17

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 8 / 0 / 43 / 6

HEX #DCF089

RGB 220 240 137

HSL 71.65, 0.77%, 0.74%

LAB 91.39, -21.94, 47.44

 

CMYK 9 / 0 / 47 / 13

HEX #CBDE76

RGB 203 222 118

HSL 70.96, 0.61%, 0.67%

LAB 85.12, -21.71, 48.58

 

CMYK 9 / 0 / 51 / 20

HEX #BACC63

RGB 186 204 99

HSL 70.29, 0.51%, 0.59%

LAB 78.77, -21.41, 49.69

 

CMYK 9 / 0 / 57 / 27

HEX #A9BA50

RGB 169 186 80

HSL 69.62, 0.43%, 0.52%

LAB 72.32, -21.04, 50.74

 

CMYK 10 / 0 / 64 / 34

HEX #98A83D

RGB 152 168 61

HSL 68.97, 0.47%, 0.45%

LAB 65.76, -20.55, 51.62

 

CMYK 8 / 0 / 43 / 6

HEX #DBEF89

RGB 219 239 137

HSL 71.76, 0.76%, 0.74%

LAB 91.05, -21.83, 47.01

 

CMYK 0 / 3 / 43 / 6

HEX #EFE889

RGB 239 232 137

HSL 55.88, 0.76%, 0.74%

LAB 90.72, -10.7, 46.92

 

CMYK 0 / 15 / 43 / 6

HEX #EFCC89

RGB 239 204 137

HSL 39.41, 0.76%, 0.74%

LAB 83.62, 3.54, 37.91

 

CMYK 0 / 26 / 43 / 6

HEX #EFB089

RGB 239 176 137

HSL 22.94, 0.76%, 0.74%

LAB 76.8, 18.24, 28.98

 

CMYK 0 / 38 / 43 / 6

HEX #EF9589

RGB 239 149 137

HSL 7.06, 0.76%, 0.74%

LAB 70.63, 32.52, 20.64

 

CMYK 8 / 0 / 43 / 6

HEX #DBEF89

RGB 219 239 137

HSL 71.76, 0.76%, 0.74%

LAB 91.05, -21.83, 47.01

 

CMYK 20 / 0 / 43 / 6

HEX #C0EF89

RGB 192 239 137

HSL 87.65, 0.76%, 0.74%

LAB 89.27, -31.82, 44.39

 

CMYK 31 / 0 / 43 / 6

HEX #A4EF89

RGB 164 239 137

HSL 104.12, 0.76%, 0.74%

LAB 87.69, -41.48, 42.06

 

CMYK 43 / 0 / 43 / 6

HEX #89EF89

RGB 137 239 137

HSL 120, 0.76%, 0.74%

LAB 86.43, -49.82, 40.2

 

CMYK 43 / 0 / 31 / 6

HEX #89EFA5

RGB 137 239 165

HSL 136.47, 0.76%, 0.74%

LAB 86.88, -45.36, 26.73

 

CMYK 8 / 0 / 43 / 6

HEX #DBEF89

RGB 219 239 137

HSL 71.76, 0.76%, 0.74%

LAB 91.05, -21.83, 47.01

 

CMYK 10 / 0 / 50 / 2

HEX #E2FA7E

RGB 226 250 126

HSL 71.61, 0.93%, 0.74%

LAB 94.33, -25.51, 56.3

 

CMYK 8 / 0 / 43 / 6

HEX #DBEF89

RGB 219 239 137

HSL 71.76, 0.76%, 0.74%

LAB 91.05, -21.83, 47.01

 

CMYK 7 / 0 / 35 / 10

HEX #D5E594

RGB 213 229 148

HSL 71.85, 0.61%, 0.74%

LAB 88.12, -17.98, 37.77

 

CMYK 6 / 0 / 27 / 15

HEX #CEDA9F

RGB 206 218 159

HSL 72.2, 0.44%, 0.74%

LAB 84.88, -13.71, 27.76

 

CMYK 3 / 0 / 18 / 19

HEX #C8CFA9

RGB 200 207 169

HSL 71.05, 0.28%, 0.74%

LAB 81.71, -8.87, 18.11

 

CMYK 2 / 0 / 8 / 23

HEX #C1C4B4

RGB 193 196 180

HSL 71.25, 0.12%, 0.74%

LAB 78.53, -3.9, 7.67

 

CMYK 0 / 15 / 43 / 6

HEX #EFCC89

RGB 239 204 137

HSL 39.41, 0.76%, 0.74%

LAB 83.62, 3.54, 37.91

 

CMYK 0 / 3 / 43 / 6

HEX #EFE789

RGB 239 231 137

HSL 55.29, 0.76%, 0.74%

LAB 90.46, -10.2, 46.59

 

CMYK 8 / 0 / 43 / 6

HEX #DDEF89

RGB 221 239 137

HSL 70.59, 0.76%, 0.74%

LAB 91.19, -21.07, 47.21

 

CMYK 19 / 0 / 43 / 6

HEX #C1EF89

RGB 193 239 137

HSL 87.06, 0.76%, 0.74%

LAB 89.34, -31.46, 44.48

 

CMYK 31 / 0 / 43 / 6

HEX #A6EF89

RGB 166 239 137

HSL 102.94, 0.76%, 0.74%

LAB 87.8, -40.82, 42.22

 

CMYK 14 / 0 / 72 / 10

HEX #C6E640

RGB 198 230 64

HSL 71.57, 0.77%, 0.58%

LAB 86.49, -31.49, 72.51

 

CMYK 11 / 0 / 57 / 8

HEX #D1EB65

RGB 209 235 101

HSL 71.64, 0.77%, 0.66%

LAB 88.88, -27.12, 60.86

 

CMYK 8 / 0 / 43 / 6

HEX #DBEF89

RGB 219 239 137

HSL 71.76, 0.76%, 0.74%

LAB 91.05, -21.83, 47.01

 

CMYK 6 / 0 / 29 / 4

HEX #E6F4AE

RGB 230 244 174

HSL 72, 0.76%, 0.82%

LAB 93.7, -15.75, 32.27

 

CMYK 3 / 0 / 16 / 2

HEX #F1F9D2

RGB 241 249 210

HSL 72.31, 0.76%, 0.9%

LAB 96.45, -9.14, 17.85

 

CMYK 8 / 0 / 43 / 6

HEX #DCF089

RGB 220 240 137

HSL 71.65, 0.77%, 0.74%

LAB 91.39, -21.94, 47.44

 

CMYK 43 / 0 / 26 / 6

HEX #89EFB0

RGB 137 239 176

HSL 142.94, 0.76%, 0.74%

LAB 87.09, -43.37, 21.37

 

CMYK 9 / 43 / 0 / 6

HEX #D989EF

RGB 217 137 239

HSL 287.06, 0.76%, 0.74%

LAB 68.66, 46.99, -39.17

 

CMYK 8 / 0 / 43 / 6

HEX #DCF089

RGB 220 240 137

HSL 71.65, 0.77%, 0.74%

LAB 91.39, -21.94, 47.44

 

CMYK 43 / 8 / 0 / 6

HEX #89DDEF

RGB 137 221 239

HSL 190.59, 0.76%, 0.74%

LAB 83.58, -20.94, -16.8

 

CMYK 0 / 43 / 8 / 6

HEX #EF89DD

RGB 239 137 221

HSL 310.59, 0.76%, 0.74%

LAB 70.5, 50.27, -26.21

 

CMYK 8 / 0 / 43 / 6

HEX #DCF089

RGB 220 240 137

HSL 71.65, 0.77%, 0.74%

LAB 91.39, -21.94, 47.44

 

CMYK 43 / 0 / 26 / 6

HEX #89EFB0

RGB 137 239 176

HSL 142.94, 0.76%, 0.74%

LAB 87.09, -43.37, 21.37

 

CMYK 35 / 43 / 0 / 6

HEX #9C89EF

RGB 156 137 239

HSL 251.18, 0.76%, 0.74%

LAB 62.67, 30.01, -49

 

CMYK 0 / 43 / 16 / 6

HEX #EF89C8

RGB 239 137 200

HSL 322.94, 0.76%, 0.74%

LAB 69.76, 46.91, -15.69

 

CMYK 8 / 0 / 43 / 6

HEX #DCF089

RGB 220 240 137

HSL 71.65, 0.77%, 0.74%

LAB 91.39, -21.94, 47.44

 

CMYK 43 / 0 / 13 / 6

HEX #89EFCF

RGB 137 239 207

HSL 161.18, 0.76%, 0.74%

LAB 87.75, -37.11, 6.21

 

CMYK 35 / 43 / 0 / 6

HEX #9C89EF

RGB 156 137 239

HSL 251.18, 0.76%, 0.74%

LAB 62.67, 30.01, -49

 

CMYK 0 / 43 / 29 / 6

HEX #EF89A9

RGB 239 137 169

HSL 341.18, 0.76%, 0.74%

LAB 68.83, 42.52, 0.25

 

Description

Color code: HEX #DCF089 | qconv.com Color code: HEX #DCF089 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 240 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 240 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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