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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA0A82 it is the complementary color #25F57D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA0A82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA0A82 shade: #DF0A7D, #F01C90, #FF2EA3, #FF40B6 and #FF52C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA0A82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA0A82 shade: #DA0A82, #C9006F, #B8005C, #A70049 and #960036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA0A82 shade: #DB0A82, #DB0A4A, #DB0A12 and #DB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA0A82 shade: #DB0A82, #DB0ABB, #C20ADB, #8A0ADB and #520ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA0A82 shade matches the following richer shades: #DB0A82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA0A82 shade: #DB0A82, #C81C7F, #B62F7D, #A3427A and #905477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA0A82 shade: #C20ADB, #DB0ABB, #DB0A84, #DB0A4C and #DB0A14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA0A82 shade: #8C0653, #B3086B, #DB0A82, #F41A98 and #F641A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA0A82 shade: #DA0A82, #DB8B0A and #0AD7DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA0A82 shade: #DA0A82, #84DB0A and #0A84DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA0A82 shade: #DA0A82, #DB8B0A, #0ADB61 and #0A5ADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA0A82 shade: #DA0A82, #DBC90A, #0ADB61 and #0A1BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 40 / 15

HEX #DA0A82

RGB 218 10 130

HSL 325.38, 0.91%, 0.45%

LAB 47.92, 76.07, -8.22

 

Complementary color

CMYK 85 / 0 / 49 / 4

HEX #25F57D

RGB 37 245 125

HSL 145.38, 0.91%, 0.55%

LAB 85.59, -72.44, 44.43

 

CMYK 0 / 96 / 44 / 13

HEX #DF0A7D

RGB 223 10 125

HSL 327.61, 0.91%, 0.46%

LAB 48.74, 76.71, -3.84

 

CMYK 0 / 88 / 40 / 6

HEX #F01C90

RGB 240 28 144

HSL 327.17, 0.88%, 0.53%

LAB 53.35, 80.04, -8.11

 

CMYK 0 / 82 / 36 / 0

HEX #FF2EA3

RGB 255 46 163

HSL 326.41, 1%, 0.59%

LAB 57.9, 81.9, -12.23

 

CMYK 0 / 75 / 29 / 0

HEX #FF40B6

RGB 255 64 182

HSL 322.93, 1%, 0.63%

LAB 60.16, 79.38, -19.84

 

CMYK 0 / 68 / 21 / 0

HEX #FF52C9

RGB 255 82 201

HSL 318.73, 1%, 0.66%

LAB 62.94, 75.9, -26.45

 

CMYK 0 / 95 / 40 / 15

HEX #DA0A82

RGB 218 10 130

HSL 325.38, 0.91%, 0.45%

LAB 47.92, 76.07, -8.22

 

CMYK 0 / 100 / 45 / 21

HEX #C9006F

RGB 201 0 111

HSL 326.87, 1%, 0.39%

LAB 43.6, 71.6, -3.29

 

CMYK 0 / 100 / 50 / 28

HEX #B8005C

RGB 184 0 92

HSL 330, 1%, 0.36%

LAB 39.52, 66.29, 2.3

 

CMYK 0 / 100 / 56 / 35

HEX #A70049

RGB 167 0 73

HSL 333.77, 1%, 0.33%

LAB 35.39, 60.96, 8.19

 

CMYK 0 / 100 / 64 / 41

HEX #960036

RGB 150 0 54

HSL 338.4, 1%, 0.29%

LAB 31.23, 55.63, 14.43

 

CMYK 0 / 95 / 41 / 14

HEX #DB0A82

RGB 219 10 130

HSL 325.55, 0.91%, 0.45%

LAB 48.12, 76.29, -7.9

 

CMYK 0 / 95 / 66 / 14

HEX #DB0A4A

RGB 219 10 74

HSL 341.63, 0.91%, 0.45%

LAB 46.67, 72.39, 24.6

 

CMYK 0 / 95 / 92 / 14

HEX #DB0A12

RGB 219 10 18

HSL 357.7, 0.91%, 0.45%

LAB 46.07, 70.72, 54.44

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 95 / 41 / 14

HEX #DB0A82

RGB 219 10 130

HSL 325.55, 0.91%, 0.45%

LAB 48.12, 76.29, -7.9

 

CMYK 0 / 95 / 15 / 14

HEX #DB0ABB

RGB 219 10 187

HSL 309.19, 0.91%, 0.45%

LAB 50.53, 82.52, -38.18

 

CMYK 11 / 95 / 0 / 14

HEX #C20ADB

RGB 194 10 219

HSL 292.82, 0.91%, 0.45%

LAB 48.01, 82.97, -60.94

 

CMYK 37 / 95 / 0 / 14

HEX #8A0ADB

RGB 138 10 219

HSL 276.75, 0.91%, 0.45%

LAB 39.13, 75.64, -75.78

 

CMYK 63 / 95 / 0 / 14

HEX #520ADB

RGB 82 10 219

HSL 260.67, 0.91%, 0.45%

LAB 32.09, 70.93, -87.64

 

CMYK 0 / 95 / 41 / 14

HEX #DB0A82

RGB 219 10 130

HSL 325.55, 0.91%, 0.45%

LAB 48.12, 76.29, -7.9

 

CMYK 0 / 95 / 41 / 14

HEX #DB0A82

RGB 219 10 130

HSL 325.55, 0.91%, 0.45%

LAB 48.12, 76.29, -7.9

 

CMYK 0 / 86 / 37 / 22

HEX #C81C7F

RGB 200 28 127

HSL 325.47, 0.75%, 0.45%

LAB 45.14, 69.42, -10.91

 

CMYK 0 / 74 / 31 / 29

HEX #B62F7D

RGB 182 47 125

HSL 325.33, 0.59%, 0.45%

LAB 43.45, 59.84, -12.57

 

CMYK 0 / 60 / 25 / 36

HEX #A3427A

RGB 163 66 122

HSL 325.36, 0.42%, 0.45%

LAB 42.9, 46.31, -11.87

 

CMYK 0 / 42 / 17 / 44

HEX #905477

RGB 144 84 119

HSL 325, 0.26%, 0.45%

LAB 43.66, 30, -9.16

 

CMYK 11 / 95 / 0 / 14

HEX #C20ADB

RGB 194 10 219

HSL 292.82, 0.91%, 0.45%

LAB 48.01, 82.97, -60.94

 

CMYK 0 / 95 / 15 / 14

HEX #DB0ABB

RGB 219 10 187

HSL 309.19, 0.91%, 0.45%

LAB 50.53, 82.52, -38.18

 

CMYK 0 / 95 / 40 / 14

HEX #DB0A84

RGB 219 10 132

HSL 324.98, 0.91%, 0.45%

LAB 48.19, 76.47, -9.02

 

CMYK 0 / 95 / 65 / 14

HEX #DB0A4C

RGB 219 10 76

HSL 341.05, 0.91%, 0.45%

LAB 46.71, 72.49, 23.41

 

CMYK 0 / 95 / 91 / 14

HEX #DB0A14

RGB 219 10 20

HSL 357.13, 0.91%, 0.45%

LAB 46.08, 70.75, 53.67

 

CMYK 0 / 96 / 41 / 45

HEX #8C0653

RGB 140 6 83

HSL 325.52, 0.92%, 0.29%

LAB 30.23, 54.6, -6.6

 

CMYK 0 / 96 / 40 / 30

HEX #B3086B

RGB 179 8 107

HSL 325.26, 0.91%, 0.37%

LAB 39.27, 65.6, -7.7

 

CMYK 0 / 95 / 41 / 14

HEX #DB0A82

RGB 219 10 130

HSL 325.55, 0.91%, 0.45%

LAB 48.12, 76.29, -7.9

 

CMYK 0 / 89 / 38 / 4

HEX #F41A98

RGB 244 26 152

HSL 325.32, 0.91%, 0.53%

LAB 54.28, 81.93, -11.4

 

CMYK 0 / 74 / 31 / 4

HEX #F641A9

RGB 246 65 169

HSL 325.52, 0.91%, 0.61%

LAB 58.26, 75.45, -15.34

 

CMYK 0 / 95 / 40 / 15

HEX #DA0A82

RGB 218 10 130

HSL 325.38, 0.91%, 0.45%

LAB 47.92, 76.07, -8.22

 

CMYK 0 / 37 / 95 / 14

HEX #DB8B0A

RGB 219 139 10

HSL 37.03, 0.91%, 0.45%

LAB 64.6, 22.53, 68.65

 

CMYK 95 / 2 / 0 / 14

HEX #0AD7DB

RGB 10 215 219

HSL 181.15, 0.91%, 0.45%

LAB 78.33, -40.83, -14.33

 

CMYK 0 / 95 / 40 / 15

HEX #DA0A82

RGB 218 10 130

HSL 325.38, 0.91%, 0.45%

LAB 47.92, 76.07, -8.22

 

CMYK 40 / 0 / 95 / 14

HEX #84DB0A

RGB 132 219 10

HSL 84.98, 0.91%, 0.45%

LAB 79.38, -53.07, 76.76

 

CMYK 95 / 40 / 0 / 14

HEX #0A84DB

RGB 10 132 219

HSL 204.98, 0.91%, 0.45%

LAB 53.69, 2.67, -52.54

 

CMYK 0 / 95 / 40 / 15

HEX #DA0A82

RGB 218 10 130

HSL 325.38, 0.91%, 0.45%

LAB 47.92, 76.07, -8.22

 

CMYK 0 / 37 / 95 / 14

HEX #DB8B0A

RGB 219 139 10

HSL 37.03, 0.91%, 0.45%

LAB 64.6, 22.53, 68.65

 

CMYK 95 / 0 / 56 / 14

HEX #0ADB61

RGB 10 219 97

HSL 144.98, 0.91%, 0.45%

LAB 77.04, -69.86, 47.07

 

CMYK 95 / 59 / 0 / 14

HEX #0A5ADB

RGB 10 90 219

HSL 217.03, 0.91%, 0.45%

LAB 41.99, 29.36, -71.44

 

CMYK 0 / 95 / 40 / 15

HEX #DA0A82

RGB 218 10 130

HSL 325.38, 0.91%, 0.45%

LAB 47.92, 76.07, -8.22

 

CMYK 0 / 8 / 95 / 14

HEX #DBC90A

RGB 219 201 10

HSL 54.83, 0.91%, 0.45%

LAB 80.1, -10.17, 79.82

 

CMYK 95 / 0 / 56 / 14

HEX #0ADB61

RGB 10 219 97

HSL 144.98, 0.91%, 0.45%

LAB 77.04, -69.86, 47.07

 

CMYK 95 / 88 / 0 / 14

HEX #0A1BDB

RGB 10 27 219

HSL 235.12, 0.91%, 0.45%

LAB 29.32, 64.26, -92.37

 

Description

Color code: HEX #DA0A82 | qconv.com Color code: HEX #DA0A82 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 10 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 10 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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