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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA0B8E it is the complementary color #25F471. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA0B8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA0B8E shade: #DF0B89, #F01D9C, #FF2FAF, #FF41C2 and #FF53D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA0B8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA0B8E shade: #DA0B8E, #C9007B, #B80068, #A70055 and #960042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA0B8E shade: #DA0B8E, #DA0B56, #DA0B1E and #DA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA0B8E shade: #DA0B8E, #DA0BC5, #B60BDA, #7E0BDA and #470BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA0B8E shade matches the following richer shades: #DA0B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA0B8E shade: #DA0B8E, #C71E89, #B43084, #A2437F and #8F557A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA0B8E shade: #B70BDA, #DA0BC5, #DA0B8E, #DA0B57 and #DA0B20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA0B8E shade: #8B075B, #B20974, #DA0B8E, #F31BA3 and #F542B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA0B8E shade: #DA0B8E, #DA800B and #0BDAD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA0B8E shade: #DA0B8E, #8EDA0B and #0B8EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA0B8E shade: #DA0B8E, #DA800B, #0BDA57 and #0B64DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA0B8E shade: #DA0B8E, #DABE0B, #0BDA57 and #0B27DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

Complementary color

CMYK 85 / 0 / 54 / 4

HEX #25F471

RGB 37 244 113

HSL 142.03, 0.9%, 0.55%

LAB 85.14, -73.88, 49.49

 

CMYK 0 / 95 / 39 / 13

HEX #DF0B89

RGB 223 11 137

HSL 324.34, 0.91%, 0.46%

LAB 49.17, 77.7, -10.5

 

CMYK 0 / 88 / 35 / 6

HEX #F01D9C

RGB 240 29 156

HSL 323.89, 0.88%, 0.53%

LAB 53.82, 81.03, -14.54

 

CMYK 0 / 82 / 31 / 0

HEX #FF2FAF

RGB 255 47 175

HSL 323.08, 1%, 0.59%

LAB 58.4, 82.91, -18.47

 

CMYK 0 / 75 / 24 / 0

HEX #FF41C2

RGB 255 65 194

HSL 319.26, 1%, 0.63%

LAB 60.72, 80.49, -25.87

 

CMYK 0 / 67 / 16 / 0

HEX #FF53D5

RGB 255 83 213

HSL 314.65, 1%, 0.66%

LAB 63.55, 77.14, -32.28

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 100 / 39 / 21

HEX #C9007B

RGB 201 0 123

HSL 323.28, 1%, 0.39%

LAB 44.01, 72.67, -10.13

 

CMYK 0 / 100 / 43 / 28

HEX #B80068

RGB 184 0 104

HSL 326.09, 1%, 0.36%

LAB 39.9, 67.29, -4.77

 

CMYK 0 / 100 / 49 / 35

HEX #A70055

RGB 167 0 85

HSL 329.46, 1%, 0.33%

LAB 35.74, 61.86, 0.87

 

CMYK 0 / 100 / 56 / 41

HEX #960042

RGB 150 0 66

HSL 333.6, 1%, 0.29%

LAB 31.53, 56.42, 6.83

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 95 / 61 / 15

HEX #DA0B56

RGB 218 11 86

HSL 338.26, 0.9%, 0.45%

LAB 46.73, 72.71, 17.21

 

CMYK 0 / 95 / 86 / 15

HEX #DA0B1E

RGB 218 11 30

HSL 354.49, 0.9%, 0.45%

LAB 45.96, 70.57, 49.03

 

CMYK 0 / 95 / 95 / 15

HEX #DA0B0B

RGB 218 11 11

HSL 0, 0.9%, 0.45%

LAB 45.86, 70.31, 56.57

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 95 / 10 / 15

HEX #DA0BC5

RGB 218 11 197

HSL 306.09, 0.9%, 0.45%

LAB 50.89, 83.57, -43.43

 

CMYK 17 / 95 / 0 / 15

HEX #B60BDA

RGB 182 11 218

HSL 289.57, 0.9%, 0.45%

LAB 45.97, 80.96, -63.76

 

CMYK 42 / 95 / 0 / 15

HEX #7E0BDA

RGB 126 11 218

HSL 273.33, 0.9%, 0.45%

LAB 37.37, 74.05, -78.17

 

CMYK 67 / 95 / 0 / 15

HEX #470BDA

RGB 71 11 218

HSL 257.39, 0.9%, 0.45%

LAB 30.98, 69.94, -88.95

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 85 / 31 / 22

HEX #C71E89

RGB 199 30 137

HSL 322.01, 0.74%, 0.45%

LAB 45.46, 69.85, -16.55

 

CMYK 0 / 73 / 27 / 29

HEX #B43084

RGB 180 48 132

HSL 321.82, 0.58%, 0.45%

LAB 43.48, 59.83, -16.84

 

CMYK 0 / 59 / 22 / 36

HEX #A2437F

RGB 162 67 127

HSL 322.11, 0.41%, 0.45%

LAB 43.1, 46.25, -14.63

 

CMYK 0 / 41 / 15 / 44

HEX #8F557A

RGB 143 85 122

HSL 321.72, 0.25%, 0.45%

LAB 43.86, 29.59, -10.69

 

CMYK 16 / 95 / 0 / 15

HEX #B70BDA

RGB 183 11 218

HSL 289.86, 0.9%, 0.45%

LAB 46.13, 81.11, -63.48

 

CMYK 0 / 95 / 10 / 15

HEX #DA0BC5

RGB 218 11 197

HSL 306.09, 0.9%, 0.45%

LAB 50.89, 83.57, -43.43

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 95 / 60 / 15

HEX #DA0B57

RGB 218 11 87

HSL 337.97, 0.9%, 0.45%

LAB 46.75, 72.77, 16.62

 

CMYK 0 / 95 / 85 / 15

HEX #DA0B20

RGB 218 11 32

HSL 353.91, 0.9%, 0.45%

LAB 45.97, 70.61, 48.06

 

CMYK 0 / 95 / 35 / 45

HEX #8B075B

RGB 139 7 91

HSL 321.82, 0.9%, 0.29%

LAB 30.39, 55.06, -11.64

 

CMYK 0 / 95 / 35 / 30

HEX #B20974

RGB 178 9 116

HSL 322.01, 0.9%, 0.37%

LAB 39.45, 66.17, -13.12

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 89 / 33 / 5

HEX #F31BA3

RGB 243 27 163

HSL 322.22, 0.9%, 0.53%

LAB 54.54, 82.65, -17.54

 

CMYK 0 / 73 / 27 / 4

HEX #F542B3

RGB 245 66 179

HSL 322.12, 0.9%, 0.61%

LAB 58.57, 76.04, -20.69

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 41 / 95 / 15

HEX #DA800B

RGB 218 128 11

HSL 33.91, 0.9%, 0.45%

LAB 61.97, 27.99, 66.62

 

CMYK 95 / 0 / 3 / 15

HEX #0BDAD3

RGB 11 218 211

HSL 177.97, 0.9%, 0.45%

LAB 78.99, -44.48, -9.06

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 35 / 0 / 95 / 15

HEX #8EDA0B

RGB 142 218 11

HSL 82.03, 0.9%, 0.45%

LAB 79.57, -49.2, 77.02

 

CMYK 95 / 35 / 0 / 15

HEX #0B8EDA

RGB 11 142 218

HSL 202.03, 0.9%, 0.45%

LAB 56.56, -3.63, -47.4

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 41 / 95 / 15

HEX #DA800B

RGB 218 128 11

HSL 33.91, 0.9%, 0.45%

LAB 61.97, 27.99, 66.62

 

CMYK 95 / 0 / 60 / 15

HEX #0BDA57

RGB 11 218 87

HSL 142.03, 0.9%, 0.45%

LAB 76.62, -70.82, 51.11

 

CMYK 95 / 54 / 0 / 15

HEX #0B64DA

RGB 11 100 218

HSL 214.2, 0.9%, 0.45%

LAB 44.59, 22.49, -66.63

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 13 / 95 / 15

HEX #DABE0B

RGB 218 190 11

HSL 51.88, 0.9%, 0.45%

LAB 77.14, -4.97, 77.48

 

CMYK 95 / 0 / 60 / 15

HEX #0BDA57

RGB 11 218 87

HSL 142.03, 0.9%, 0.45%

LAB 76.62, -70.82, 51.11

 

CMYK 95 / 82 / 0 / 15

HEX #0B27DA

RGB 11 39 218

HSL 231.88, 0.9%, 0.45%

LAB 30.84, 59.1, -89.26

 

Description

Color code: HEX #DA0B8E | qconv.com Color code: HEX #DA0B8E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 11 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 11 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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