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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA15E4 it is the complementary color #25EA1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA15E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA15E4 shade: #DF15DF, #F027F2, #FF39FF, #FF4BFF and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA15E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA15E4 shade: #DA15E4, #C903D1, #B800BE, #A700AB and #960098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA15E4 shade: #DA15E4, #E415B6, #E4157E, #E41546 and #E41515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA15E4 shade: #DA15E4, #A215E4, #6A15E4, #3215E4 and #1515E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA15E4 shade matches the following richer shades: #DA15E4 and #EC01F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA15E4 shade: #DA15E4, #C829D0, #B63DBC, #A351A8 and #916693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA15E4 shade: #6B15E4, #A215E4, #DA15E4, #E415B7 and #E41580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA15E4 shade: #920E99, #B611BE, #DA15E4, #E336EC and #E85CEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA15E4 shade: #DA15E4, #E43415 and #15E487

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA15E4 shade: #DA15E4, #E4DA15 and #15E4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA15E4 shade: #DA15E4, #E43415, #1FE415 and #15C5E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA15E4 shade: #DA15E4, #E47215, #1FE415 and #1587E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

Complementary color

CMYK 84 / 0 / 88 / 8

HEX #25EA1B

RGB 37 234 27

HSL 117.1, 0.83%, 0.51%

LAB 81.47, -78.24, 75.22

 

CMYK 0 / 91 / 0 / 13

HEX #DF15DF

RGB 223 21 223

HSL 300, 0.83%, 0.48%

LAB 53.55, 87.07, -54.05

 

CMYK 1 / 84 / 0 / 5

HEX #F027F2

RGB 240 39 242

HSL 299.41, 0.89%, 0.55%

LAB 58.4, 90.03, -56.82

 

CMYK 0 / 78 / 0 / 0

HEX #FF39FF

RGB 255 57 255

HSL 300, 1%, 0.61%

LAB 62.85, 90.84, -56.8

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 4 / 99 / 0 / 18

HEX #C903D1

RGB 201 3 209

HSL 297.67, 0.97%, 0.42%

LAB 48.37, 83.07, -54.56

 

CMYK 3 / 100 / 0 / 25

HEX #B800BE

RGB 184 0 190

HSL 298.11, 1%, 0.37%

LAB 44.1, 77.79, -50.54

 

CMYK 2 / 100 / 0 / 33

HEX #A700AB

RGB 167 0 171

HSL 298.6, 1%, 0.34%

LAB 39.84, 72.17, -46.31

 

CMYK 1 / 100 / 0 / 40

HEX #960098

RGB 150 0 152

HSL 299.21, 1%, 0.3%

LAB 35.5, 66.44, -41.97

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 0 / 91 / 20 / 11

HEX #E415B6

RGB 228 21 182

HSL 313.33, 0.83%, 0.49%

LAB 52.3, 82.51, -32.37

 

CMYK 0 / 91 / 45 / 11

HEX #E4157E

RGB 228 21 126

HSL 329.57, 0.83%, 0.49%

LAB 50.14, 76.77, -2.28

 

CMYK 0 / 91 / 69 / 11

HEX #E41546

RGB 228 21 70

HSL 345.8, 0.83%, 0.49%

LAB 48.85, 73.2, 30.16

 

CMYK 0 / 91 / 91 / 11

HEX #E41515

RGB 228 21 21

HSL 0, 0.83%, 0.49%

LAB 48.37, 71.83, 55.69

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 29 / 91 / 0 / 11

HEX #A215E4

RGB 162 21 228

HSL 280.87, 0.83%, 0.49%

LAB 43.97, 78.77, -72.86

 

CMYK 54 / 91 / 0 / 11

HEX #6A15E4

RGB 106 21 228

HSL 264.64, 0.83%, 0.49%

LAB 36.37, 72.73, -85.63

 

CMYK 78 / 91 / 0 / 11

HEX #3215E4

RGB 50 21 228

HSL 248.41, 0.83%, 0.49%

LAB 31.38, 69.44, -94.06

 

CMYK 91 / 91 / 0 / 11

HEX #1515E4

RGB 21 21 228

HSL 240, 0.83%, 0.49%

LAB 30.15, 68.74, -96.15

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 5 / 100 / 0 / 3

HEX #EC01F8

RGB 236 1 248

HSL 297.09, 0.99%, 0.49%

LAB 56.71, 94.32, -62.91

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 4 / 80 / 0 / 18

HEX #C829D0

RGB 200 41 208

HSL 297.13, 0.67%, 0.49%

LAB 50, 77.27, -51.38

 

CMYK 3 / 68 / 0 / 26

HEX #B63DBC

RGB 182 61 188

HSL 297.17, 0.51%, 0.49%

LAB 48.15, 64.06, -42.93

 

CMYK 3 / 52 / 0 / 34

HEX #A351A8

RGB 163 81 168

HSL 296.55, 0.35%, 0.49%

LAB 47.62, 46.62, -32.23

 

CMYK 1 / 31 / 0 / 42

HEX #916693

RGB 145 102 147

HSL 297.33, 0.18%, 0.49%

LAB 49.04, 25.21, -17.8

 

CMYK 53 / 91 / 0 / 11

HEX #6B15E4

RGB 107 21 228

HSL 264.93, 0.83%, 0.49%

LAB 36.49, 72.81, -85.44

 

CMYK 29 / 91 / 0 / 11

HEX #A215E4

RGB 162 21 228

HSL 280.87, 0.83%, 0.49%

LAB 43.97, 78.77, -72.86

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 0 / 91 / 20 / 11

HEX #E415B7

RGB 228 21 183

HSL 313.04, 0.83%, 0.49%

LAB 52.34, 82.63, -32.89

 

CMYK 0 / 91 / 44 / 11

HEX #E41580

RGB 228 21 128

HSL 328.99, 0.83%, 0.49%

LAB 50.2, 76.94, -3.4

 

CMYK 5 / 91 / 0 / 40

HEX #920E99

RGB 146 14 153

HSL 296.98, 0.83%, 0.33%

LAB 35.45, 64.09, -42.7

 

CMYK 4 / 91 / 0 / 25

HEX #B611BE

RGB 182 17 190

HSL 297.23, 0.84%, 0.41%

LAB 44.32, 75.76, -50.2

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 4 / 77 / 0 / 7

HEX #E336EC

RGB 227 54 236

HSL 297.03, 0.83%, 0.57%

LAB 57.1, 83.47, -55.67

 

CMYK 3 / 62 / 0 / 6

HEX #E85CEF

RGB 232 92 239

HSL 297.14, 0.82%, 0.65%

LAB 62.54, 72.18, -48.65

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 0 / 77 / 91 / 11

HEX #E43415

RGB 228 52 21

HSL 8.99, 0.83%, 0.49%

LAB 50.69, 65.22, 57.25

 

CMYK 91 / 0 / 41 / 11

HEX #15E487

RGB 21 228 135

HSL 153.04, 0.83%, 0.49%

LAB 80.4, -66.15, 32.84

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 0 / 4 / 91 / 11

HEX #E4DA15

RGB 228 218 21

HSL 57.1, 0.83%, 0.49%

LAB 85.35, -14.7, 82.83

 

CMYK 91 / 0 / 4 / 11

HEX #15E4DA

RGB 21 228 218

HSL 177.1, 0.83%, 0.49%

LAB 82.22, -46.48, -7.99

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 0 / 77 / 91 / 11

HEX #E43415

RGB 228 52 21

HSL 8.99, 0.83%, 0.49%

LAB 50.69, 65.22, 57.25

 

CMYK 86 / 0 / 91 / 11

HEX #1FE415

RGB 31 228 21

HSL 117.1, 0.83%, 0.49%

LAB 79.52, -77.28, 74.49

 

CMYK 91 / 14 / 0 / 11

HEX #15C5E4

RGB 21 197 228

HSL 188.99, 0.83%, 0.49%

LAB 73.35, -29.21, -26.73

 

CMYK 4 / 91 / 0 / 11

HEX #DA15E4

RGB 218 21 228

HSL 297.1, 0.83%, 0.49%

LAB 53, 86.99, -57.81

 

CMYK 0 / 50 / 91 / 11

HEX #E47215

RGB 228 114 21

HSL 26.96, 0.83%, 0.49%

LAB 60.41, 39.46, 64.08

 

CMYK 86 / 0 / 91 / 11

HEX #1FE415

RGB 31 228 21

HSL 117.1, 0.83%, 0.49%

LAB 79.52, -77.28, 74.49

 

CMYK 91 / 41 / 0 / 11

HEX #1587E4

RGB 21 135 228

HSL 206.96, 0.83%, 0.49%

LAB 55.16, 4.73, -55.22

 

Description

Color code: HEX #DA15E4 | qconv.com Color code: HEX #DA15E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 21 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 21 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 91 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 91% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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