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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA251F it is the complementary color #25DAE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA251F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA251F shade: #DF251A, #F0372D, #FF4940, #FF5B53 and #FF6D66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA251F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA251F shade: #DA251F, #C9130C, #B80100, #A70000 and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA251F shade: #DA251F and #DA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA251F shade: #DA251F, #DA571F, #DA8A1F, #DABC1F and #C5DA1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA251F shade matches the following richer shades: #DA251F and #EE120B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA251F shade: #DA251F, #C63833, #B24B47, #9E5E5B and #897070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA251F shade: #DA1F80, #DA1F4E, #DA221F, #DA541F and #DA861F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA251F shade: #921814, #B61F1A, #DA251F, #E3443F and #E86763

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA251F shade: #DA251F, #B2DA1F and #1F67DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA251F shade: #DA251F, #1FDA22 and #221FDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA251F shade: #DA251F, #B2DA1F, #1FD7DA and #471FDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA251F shade: #DA251F, #79DA1F, #1FD7DA and #801FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

Complementary color

CMYK 83 / 3 / 0 / 12

HEX #25DAE0

RGB 37 218 224

HSL 181.93, 0.75%, 0.51%

LAB 79.57, -39.47, -15.13

 

CMYK 0 / 83 / 88 / 13

HEX #DF251A

RGB 223 37 26

HSL 3.35, 0.79%, 0.49%

LAB 48.37, 67.76, 53.19

 

CMYK 0 / 77 / 81 / 6

HEX #F0372D

RGB 240 55 45

HSL 3.08, 0.87%, 0.56%

LAB 53.44, 68.32, 49.9

 

CMYK 0 / 71 / 75 / 0

HEX #FF4940

RGB 255 73 64

HSL 2.83, 1%, 0.63%

LAB 58.41, 67.65, 45.96

 

CMYK 0 / 64 / 67 / 0

HEX #FF5B53

RGB 255 91 83

HSL 2.79, 1%, 0.66%

LAB 61.1, 61.76, 38.68

 

CMYK 0 / 57 / 60 / 0

HEX #FF6D66

RGB 255 109 102

HSL 2.75, 1%, 0.7%

LAB 64.29, 55.14, 32.05

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 0 / 91 / 94 / 21

HEX #C9130C

RGB 201 19 12

HSL 2.22, 0.89%, 0.42%

LAB 42.63, 65.01, 52.56

 

CMYK 0 / 99 / 100 / 28

HEX #B80100

RGB 184 1 0

HSL 0.33, 1%, 0.36%

LAB 38.22, 62.58, 52.61

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 0 / 86 / 86 / 15

HEX #DA1F1F

RGB 218 31 31

HSL 0, 0.75%, 0.49%

LAB 46.95, 67.75, 49.38

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 0 / 60 / 86 / 15

HEX #DA571F

RGB 218 87 31

HSL 17.97, 0.75%, 0.49%

LAB 53.84, 48.87, 55.1

 

CMYK 0 / 37 / 86 / 15

HEX #DA8A1F

RGB 218 138 31

HSL 34.33, 0.75%, 0.49%

LAB 64.31, 22.99, 63.71

 

CMYK 0 / 14 / 86 / 15

HEX #DABC1F

RGB 218 188 31

HSL 50.37, 0.75%, 0.49%

LAB 76.66, -3.61, 73.78

 

CMYK 10 / 0 / 86 / 15

HEX #C5DA1F

RGB 197 218 31

HSL 66.74, 0.75%, 0.49%

LAB 82.97, -27.48, 78.24

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 0 / 92 / 95 / 7

HEX #EE120B

RGB 238 18 11

HSL 1.85, 0.91%, 0.49%

LAB 50.26, 74.62, 61.11

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 0 / 72 / 74 / 22

HEX #C63833

RGB 198 56 51

HSL 2.04, 0.59%, 0.49%

LAB 45.73, 55.54, 36.24

 

CMYK 0 / 58 / 60 / 30

HEX #B24B47

RGB 178 75 71

HSL 2.24, 0.43%, 0.49%

LAB 45.57, 41.68, 23.49

 

CMYK 0 / 41 / 42 / 38

HEX #9E5E5B

RGB 158 94 91

HSL 2.69, 0.27%, 0.49%

LAB 47.01, 25.74, 12.92

 

CMYK 0 / 18 / 18 / 46

HEX #897070

RGB 137 112 112

HSL 0, 0.1%, 0.49%

LAB 49.59, 9.82, 3.7

 

CMYK 0 / 86 / 41 / 15

HEX #DA1F80

RGB 218 31 128

HSL 328.88, 0.75%, 0.49%

LAB 48.81, 73.11, -5.67

 

CMYK 0 / 86 / 64 / 15

HEX #DA1F4E

RGB 218 31 78

HSL 344.92, 0.75%, 0.49%

LAB 47.54, 69.47, 23.22

 

CMYK 0 / 84 / 86 / 15

HEX #DA221F

RGB 218 34 31

HSL 0.96, 0.75%, 0.49%

LAB 47.17, 67.14, 49.56

 

CMYK 0 / 61 / 86 / 15

HEX #DA541F

RGB 218 84 31

HSL 17.01, 0.75%, 0.49%

LAB 53.33, 50.22, 54.67

 

CMYK 0 / 39 / 86 / 15

HEX #DA861F

RGB 218 134 31

HSL 33.05, 0.75%, 0.49%

LAB 63.39, 25.14, 62.96

 

CMYK 0 / 84 / 86 / 43

HEX #921814

RGB 146 24 20

HSL 1.9, 0.76%, 0.33%

LAB 31.38, 48.72, 35.65

 

CMYK 0 / 83 / 86 / 29

HEX #B61F1A

RGB 182 31 26

HSL 1.92, 0.75%, 0.41%

LAB 39.58, 57.67, 42.64

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 0 / 70 / 72 / 11

HEX #E3443F

RGB 227 68 63

HSL 1.83, 0.75%, 0.57%

LAB 52.76, 60.8, 38.82

 

CMYK 0 / 56 / 57 / 9

HEX #E86763

RGB 232 103 99

HSL 1.8, 0.74%, 0.65%

LAB 59.67, 49.72, 27.09

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 18 / 0 / 86 / 15

HEX #B2DA1F

RGB 178 218 31

HSL 72.83, 0.75%, 0.49%

LAB 81.68, -35.18, 76.64

 

CMYK 86 / 53 / 0 / 15

HEX #1F67DA

RGB 31 103 218

HSL 216.9, 0.75%, 0.49%

LAB 45.71, 21.52, -64.8

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 86 / 0 / 84 / 15

HEX #1FDA22

RGB 31 218 34

HSL 120.96, 0.75%, 0.49%

LAB 76.41, -74.04, 69.37

 

CMYK 84 / 86 / 0 / 15

HEX #221FDA

RGB 34 31 218

HSL 240.96, 0.75%, 0.49%

LAB 30.36, 63.01, -90.05

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 18 / 0 / 86 / 15

HEX #B2DA1F

RGB 178 218 31

HSL 72.83, 0.75%, 0.49%

LAB 81.68, -35.18, 76.64

 

CMYK 86 / 1 / 0 / 15

HEX #1FD7DA

RGB 31 215 218

HSL 180.96, 0.75%, 0.49%

LAB 78.43, -40.26, -13.63

 

CMYK 67 / 86 / 0 / 15

HEX #471FDA

RGB 71 31 218

HSL 252.83, 0.75%, 0.49%

LAB 32.66, 64.85, -86.15

 

CMYK 0 / 83 / 86 / 15

HEX #DA251F

RGB 218 37 31

HSL 1.93, 0.75%, 0.49%

LAB 47.4, 66.48, 49.75

 

CMYK 44 / 0 / 86 / 15

HEX #79DA1F

RGB 121 218 31

HSL 91.12, 0.75%, 0.49%

LAB 78.64, -55.79, 72.85

 

CMYK 86 / 1 / 0 / 15

HEX #1FD7DA

RGB 31 215 218

HSL 180.96, 0.75%, 0.49%

LAB 78.43, -40.26, -13.63

 

CMYK 41 / 86 / 0 / 15

HEX #801FDA

RGB 128 31 218

HSL 271.12, 0.75%, 0.49%

LAB 38.95, 70.35, -75.55

 

Description

Color code: HEX #DA251F | qconv.com Color code: HEX #DA251F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 37 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 37 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 86 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 86% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - Buffalo - Select You...
Link: http://www.buffalotech.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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